As marketers, brand strategy has never been more important. The color schemes, logos, Web design, typography and other design elements that we choose can immediately orient customers when they arrive at our pages. When used properly, these aesthetic choices also reinforce our core value proposition.
Despite the importance of branded design, it is important to realize that we cannot allow our design choices to create obstacles or friction in the minds of our customers and prospects.
In this Web clinic, our research team shared strategies for finding a balance between branded design and page clarity, including a test that helped boost subscriptions by 51%.
4. Experiment: Background
Experiment ID: TP11081
Record Location: MECLABS Research Library
Research Partner: Protected*
Background: A regional marketing commission.
Goal: To raise awareness of local activities and events, increasing number of travelers and
tourist spending in [City].
Research Question: Which sign-up page will generate the most response?
Test Design: A/B split test
*Note: Test has been anonymized to protect partner confidentiality.
10. Experiment: Results
Treatments Conversion Rate
Percent Relative
Change
Level of
Confidence
Control 56.4% -- --
Treatment 37.3% -33.94 99%
34% Decrease in conversionsThe treatment decreased conversion rates by a relative 33.94%.
11. Experiment: Results
Treatments Conversion Rate
Percent Relative
Change
Level of
Confidence
Control 56.4% 51.37% 99%
Treatment 37.3% -- --
51% Increase in conversionsThe control outperformed the treatment by a relative 51.37%.
12. Why did the branded treatment lose??
Key question
16. Fostered conclusion
1. A brand is the aggregate experience of the value proposition.
2. A brand represents the sum total of experiences in the market place, particularly
those that connect to you.
3. Brands exist in the mind. It represents a form of mental shorthand for a particular
set of fostered conclusions.
4. A brand does not make a promise; it creates an expectation. The strength of the
brand is derived not from declaration but through expectation.
Key principles
17. Fostered conclusion
1. Brand is the aggregate experience of the value proposition
2. Brand, represents the sum total of experiences in the market place, particularly
those that connect to you.
3. Brand exists in the mind. It represents a form of mental shorthand for a particular
set of fostered conclusions.
4. Brand does not make a promise; it creates an expectation. The strength of the
brand is derived not from declaration, but through expectation.
Key principles
To see a more in-depth Web clinic related to these
principles and value proposition visit:
MarketingExperiments.com/brand
23. Short-hand symbols
1. A properly developed brand leverages short-hand symbols to stimulate a
connection (auto-suggest) to a desired, fostered conclusion (the value
proposition in action). Short-hand symbols typically take three forms:
• Voice – The written and/or spoken tone/personality of the message
Key principles
32. Short-hand symbols
1. A properly developed brand leverages short-hand symbols to stimulate a
connection (auto-suggest) to a desired, fostered conclusion (the value
proposition in action). Short-hand symbols typically take three forms:
• Voice – The written and/or spoken tone/personality of the message
• Style – The design approach/elements (colors, shapes, etc.) of the format
Key principles
38. Short-hand symbols
1. A properly developed brand leverages short-hand symbols to stimulate a
connection (auto-suggest) to a desired, fostered conclusion (the value
proposition in action). Short-hand symbols typically take three forms:
• Voice – The written and/or spoken tone/personality of the message
• Style – The design approach/elements (colors, shapes, etc.) of the format
• Marks – The iconic mark(s) associated with brand (logo, face, name, etc.)
Key principles
39. Examples of marks short-hand symbols
• Many brands have developed
marks, which immediately evoke
the essence of the brand.
• Marks can range from the logo
mark itself to a specific name like
a founder or CEO.
46. Come down and experience [City] …
Follow your [City’s Abbreviated
Name] …
Ole! Put on your red cape and sash
and get ready for the fun run of
your life …
What are the short-hand symbols?
Voice:
• The intentional voice
for this organization is
laid-back and fun, yet
knowledgeable.
47. What are the short-hand symbols?
Style:
• The company leverages
font, colors, textures,
imagery and tilts as short-
hand symbols.
• This style is attempting to
communicate cultural
diversity, creativity and
fun.
48. What are the short-hand symbols?
Mark:
• There are essentially two
key marks for [City]: its
abbreviated name and
the emblem associated
with the city.
Abbreviated Names: Emblems:
51. Proper application of short-hand symbols
1. All marketing should influence a decision. It is not enough to have a codified
brand with short-hand symbols.
2. We must ensure that our defined elements of our brand help, rather than
hinder, people when it comes to making the right decision.
Key principles
C = 4m + 3v + 2(i-f) - 2a
52. The treatment
Treatment
• First, notice how the
treatment integrates
many short-hand
symbols of the brand.
• Imagery
• Colors
• Fonts
53. The treatment Treatment
• Notice how much
difficulty was created by
the additional layer of
brand symbols:
• Images become hard to
discern
• Headline becomes difficult
to read
• Contrast makes it more
difficult to read
C = 4m + 3v + 2(i-f) - 2a
54. The treatment Treatment
• Notice how much
difficulty was created by
the additional layer of
brand symbols:
• Contrast and fonts becomes
very difficult to ready
C = 4m + 3v + 2(i-f) - 2a
55. The control
Control
• Notice how the control is still
using many brand elements
but in a much more balanced
way:
• Utilized simpler imagery and
same style
• Used more readable font for
important copy and bolded
key words
• Removed contrast in primary
texts
C = 4m + 3v + 2(i-f) - 2a
56. The control
Control
• Notice how the treatment is
still using many brand
elements but in a much
more balanced way:
• Simplified the form
(same number of fields)
by making it black on
white and using a more
readable font
C = 4m + 3v + 2(i-f) - 2a
58. Summary: Key principles
1. Key Principle #1: A brand does not make a promise; it creates an expectation.
Brands exist in the mind, representing the sum total of customer experiences in
the marketplace.
2. Key Principle #2: A properly developed brand leverages short-hand symbols to
stimulate a connection to a desired fostered conclusion. These short-hand
symbols come in the form of voice (tone), style (design) and mark (logos,
symbols, faces).
3. Key Principle #3: All marketing should influence a decision. We must ensure that
our defined elements of our brand help, rather than hinder, people when it
comes to making the right decision.
64. #WebClinic
Next Clinic: Treatment
Email design
• The control incorporates a seasonal headline
• Halloween-themed imagery and seasonal
modifications to the value copy are featured
66. #WebClinic
Live July 8th at 4 p.m. EDT
• The exact changes that resulted in a 25% change in clickthrough rate
• Why those changes affected performance
• How you can apply the same principles to your pages
• Key strategies when incorporating seasonality
Join us for the next live 35-minute Web
clinic to discover:
To see the results
To join live, register at the link below:
MarketingExperiments.com/seasonality
Customer Motivation