The Male GazeThe Male Gaze
Laura MulveyLaura Mulvey
““Visual Pleasure andVisual Pleasure and
Narrative Cinema”Narrative Ci...
Assignments
• Read the following:
– History of Film Sound
– Various Kinds of Film Sound
– Creative Use of Sound Film
• The...
Questions
What does Mulvey mean with this
statement:
“mainstream film coded the erotic into the
language of the dominant p...
Question
• What is scopophilia?
• What is the relation between scopophilia
and the constitution of the ego?
• Mainstream c...
Montage
• What are the various functions of
montage?
• Explain the relational editing and give
examples from previous film...
What is the Gaze?What is the Gaze?
The concept of gaze is one that deals with
how an audience views the people
presented.
...
Gaze and feminist theoryGaze and feminist theory
Laura Mulvey coined
the term ‘Male Gaze’
in 1975. She
believes that in fi...
Features of the Male GazeFeatures of the Male Gaze
The camera lingers on the curves of the
female body, and events which o...
Take note of the following MTV:
“Stacy's mom has got it goin' on
She's all I want and I've waited for so long”
Watch the v...
Quick questionsQuick questions
1. What colour top was she wearing
2. What is the colour of the car in the video?
3. What i...
Why some of you may not
have known the answers to
all the questions?
You were too busy looking
at the woman.
The Male Gaze in everyday lifeThe Male Gaze in everyday life
Some theorists also have noted the
sexualizing of the female ...
Criticism of Mulvey and Gaze theoryCriticism of Mulvey and Gaze theory
Some women enjoy being ‘looked’ at e.g. beauty
page...
Categorising facial expressionsCategorising facial expressions
Women:
• Chocolate box
• Invitational
• Super-smiler
• Roma...
Key theorist beliefs
Jonathan Schroeder (1998), “to gaze
implies more than to look at – it signifies a
psychological relat...
Male Gaze: Active
• Active: operational (most of the time
unconscious)
• General assumption on the movie
audience
• Presen...
Session 5b laura mulvey's gaze: Film Appreciation Course
Session 5b laura mulvey's gaze: Film Appreciation Course
Session 5b laura mulvey's gaze: Film Appreciation Course
Session 5b laura mulvey's gaze: Film Appreciation Course
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Session 5b laura mulvey's gaze: Film Appreciation Course

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Session 5b laura mulvey's gaze: Film Appreciation Course

  1. 1. The Male GazeThe Male Gaze Laura MulveyLaura Mulvey ““Visual Pleasure andVisual Pleasure and Narrative Cinema”Narrative Cinema”
  2. 2. Assignments • Read the following: – History of Film Sound – Various Kinds of Film Sound – Creative Use of Sound Film • The Theory of Film Auteur • Hum3.blogspot.com • Eliab.tripod.com/film
  3. 3. Questions What does Mulvey mean with this statement: “mainstream film coded the erotic into the language of the dominant patriarchal order” “interweaving of erotic pleasure in film, its meaning, and in particular, the center place of the image of woman.”
  4. 4. Question • What is scopophilia? • What is the relation between scopophilia and the constitution of the ego? • Mainstream cinema (Hollywood) produces a sense of separation and plays on the voyeuristic fantasy of the audience. • What is the effect of this voyeuristic separation?
  5. 5. Montage • What are the various functions of montage? • Explain the relational editing and give examples from previous film – Contrast – Parallelism – Symbolism – Simultaneity – Leit Motif
  6. 6. What is the Gaze?What is the Gaze? The concept of gaze is one that deals with how an audience views the people presented. For feminists it can be thought of in 3 ways: • How men look at women, • How women look at themselves • How women look at other women.
  7. 7. Gaze and feminist theoryGaze and feminist theory Laura Mulvey coined the term ‘Male Gaze’ in 1975. She believes that in film audiences have to ‘view’ characters from the perspective of a heterosexual male.
  8. 8. Features of the Male GazeFeatures of the Male Gaze The camera lingers on the curves of the female body, and events which occur to women are presented largely in the context of a man's reaction to these events. Relegates women to the status of objects. The female viewer must experience the narrative secondarily, by identification with the male.
  9. 9. Take note of the following MTV: “Stacy's mom has got it goin' on She's all I want and I've waited for so long” Watch the video and then be prepared for questions
  10. 10. Quick questionsQuick questions 1. What colour top was she wearing 2. What is the colour of the car in the video? 3. What is the color of folder her mother is carrying? 4. How many prints are hanging on the wall in Stacy’s room? 5. What is the name of the magazine used? 6. What is the freebie mentioned in the cover of the magazine? 7. What colour is the floating sun lounger? 8. What is the slogan on the boy’s t-shirt?
  11. 11. Why some of you may not have known the answers to all the questions? You were too busy looking at the woman.
  12. 12. The Male Gaze in everyday lifeThe Male Gaze in everyday life Some theorists also have noted the sexualizing of the female body even in situations where female sexiness has nothing to do with the product being advertised. Can you think of any examples of this?
  13. 13. Criticism of Mulvey and Gaze theoryCriticism of Mulvey and Gaze theory Some women enjoy being ‘looked’ at e.g. beauty pageants. The gaze can also be directed toward members of the same gender for several reasons, not all of which are sexual, such as in comparison of body image or in clothing.
  14. 14. Categorising facial expressionsCategorising facial expressions Women: • Chocolate box • Invitational • Super-smiler • Romantic or sexual Marjorie Ferguson (1980) MenMen:: •CarefreeCarefree •PracticalPractical •SeductiveSeductive •ComicComic •CatalogueCatalogue Trevor Millum (1975)Trevor Millum (1975)
  15. 15. Key theorist beliefs Jonathan Schroeder (1998), “to gaze implies more than to look at – it signifies a psychological relationship of power, in which the gazer is superior to the object of the gaze.”
  16. 16. Male Gaze: Active • Active: operational (most of the time unconscious) • General assumption on the movie audience • Presence in every instance of watching a movie
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