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You’ve got the tools, 
now get the chops. 
TIPS TO IMPROVE YOUR GRAPHIC DESIGN IN JUST 60 MINUTES 
J O A N N E Q U I N N 
T E A M L E A D E R / C O M M U I C A T I O N S & S E R V I C E P R O M O T I O N 
F A L V E Y M E M O R I A L L I B R A R Y 
V I L L A N O V A U N I V E R S I T Y 
L I B R A R Y C O M M U N I C A T I O N S C O N F E R E N C E 2 0 1 4
2 
“Do one thing everyday 
that scares you.” 
- ELEANOR ROOSEVELT 
Why I’m here…
3 
If you're lucky enough to do 
well, it's your responsibility to 
send the elevator back down 
- KEVIN SPACEY
WE’RE 
HERE 
4 
Why we’re all here… 
How to 
Brand a 
Library 
WHY 
(…and how design helps.) 
Your company’s brand is Its most important asset. 
It must be cultivated, protected and reinforced. 
• Builds trust, loyalty and longevity 
• Distinguishes your company or product from the competition 
• Showcases your organization's core values 
• Creates top of mind awareness 
• Delivers on the brand promise.
or 
Or the 
BAND? 
5 
What 
Design does 
… the CITY 
A good example… vs.. Chicago 
http://albumcovergallery.blogspot.com/2010/06/chicago-cover-gallery.html 
e.g.: What do you think of first… 
Chicago the band has a remarkably strong brand identity. 
While their sound has changed a lot, their design aesthetic has remained 
constant. Both their most defining feature and their curse of anonymity, 
their lengthy series of albums with numbered titles (like editions of a 
magazine) and variations on the band logo on the cover are iconic as hell.
advertising. 
print. 
advertising. 
Internet marketing. 
digital animation. 
About me. 
C H I C A G O 
E X A M P L E D A T E D 
A N D S O A M I ! 
T O T A L 7 0 s 
C O M I C G E E K
Falvey 
Library 
at 
Villanova 
University 
There are more than 10,000 
undergraduate, graduate and law 
students in the University’s six 
colleges 
. 
The library is two buildings – one is 
four floors, with a newlly renovated 
Learning Commons, and an ‘Old” 
hall, which has a Reading Room 
currently hosting a public 
restoration of Baroque painting by 
Pietro daCortona. The library has 
1.2+ million items, and is visitied by 
500,000 yearlly
Eight on the team. 
Senior copy editor 
Writers, coordinators, 
Photogs, and a 
FABULOUS INTERN 
(Student workers 
are the bomb!) 
Displays 
Communication & Service Promotion Team 
Blogs 
Print NL 
Videos 
Displays 
Publicity 
Signage 
PR 
Social media 
Communication & service promotion at Falvey 
library.villanova.edu
Event Publicity Print Newsletter 
Service Promotion 
Support Team 
Exhibit Signage 
Instagram/Tumblr
Not just 
Print! 
C O M M U N I C A T I O N & 
S E R V I C E P R O M O T I O N 
T E A M 
Social 
media 
Events Blog 
Print 
Materials 
Display 
s 
Design’s 
“VOICE” 
is what resonates 
______ 
Librarian 
Assistance and 
friendly, 
approachable 
service is our 
Product 
Social Media 
Facebook, Twitter, Tumblr, Instagram, YouTube, Pinterest 
01 
02 
03 
04 
05 
Events 
400 events annuually 
Video 
Blog, instructional vids, catalog tutorials, promotional. 
Displays 
Two large glass displays, reference area, special exhibits, promo 
Blog 
Library News updated 5-7 weekly; Subject librarians and Digital 
Library also have blogs
17 
Design Education Strategy Information 
Great 
Networking 
(Potentially!) 
D.E.S.I.G.N. 
deconstructed 
W H A T G O E S I N T O I T 
CHOPS
18 
h 
B 
c 
1 
a 
< 
: > 
h 
Job 1: 
Call to Action 
J A C K 
D A V I S : 
A R T O F 
T H E L O G O 
O N 
C R E A T I V E L 
I V E 
Know your audience Instant engagement 
Storytelling – 
beginning,middle and end 
Fresh ideas 
Breaking through the clutter 
Unique Selling Points 
Budget 
Great ideas don’t need a 
big budget – distribution 
does. Be creative!
19 
Job 2: Looking good. 
Design is like fashion… 
01. Trends 02. Points of Reference 03. Audience 04.Distribution Channels
20 
…but, of course, 
fashion can be downright fugly. 
Bad typography Poor art & consistency Over designing Bad production
21 
But really, 
who’s to judge? 
Most can judge if something looks good, but do you know 
WHY one piece is more successful than another? 
I will try to expose the framework or skeleton behind what is 
successful work. 
Most successful pieces can be stripped down to adhering to 
certain design principles. 
Of course, art is art, and can be subjective, but you’ll find 
most commercial pieces stick to the same rules.
22 
Joshua tree epiphany: Good design is as easy as… 
1. Learning the 
principles 
2. Recognizing 
when they’re 
not being 
used 
3. Applying 
Robin Williams them 
(no, not that one.)
23 
“When gathering these four principles from the vast maze of design theory, I thought 
there must be some appropriate and memorable acronym with these conceptual 
ideas that would help people remember them. 
Well, uh, there is a memorable – but rather inappropriate – acronym. Sorry.” 
- ROBIN WILLIAMS
Multiple 
sclerosis day 
care centre 
24 
K U A L A L U M P U R - 1 9 9 0 
1 2 3 4 
Robin distilled the filter “checklist” 
into four basic principles:
Multiple 
sclerosis day 
care centre 
25 
K U A L A L U M P U R - 1 9 9 0 
C 2 3 4 
CONTRAST 
• Creates an organizational hierarchy for readers/viewers 
• Avoid elements that are merely similar 
(make them identical OR very different) 
• Adds visual interest 
• Don’t be a wimp 
Test for:
Multiple 
sclerosis day 
care centre 
26 
K U A L A L U M P U R - 1 9 9 0 
1 R 3 4 
REPETITION 
Test for: 
• Repeat some element of design throughout 
the piece such as color, shape, texture, bullets 
• Adds consistency 
• Helps to unify all parts of a design 
• Helps to organize information
Multiple 
sclerosis day 
care centre 
27 
K U A L A L U M P U R - 1 9 9 0 
1 2 A 4 
ALIGNMENT 
• Every item should have a visual connection with 
something else on the page 
• Nothing should be placed on the page arbitrarily 
• Find a strong line and use it 
• Helps to indicate relationships between elements 
• Alignment helps to create order which generally makes us 
feel better about the quality of a page/document 
Test for:
Multiple 
sclerosis day 
care centre 
28 
K U A L A L U M P U R - 1 9 9 0 
1 2 3 P 
PROXIMITY 
• Group related items together 
• Grouping implies a relationship between 
pieces of information 
• Proximity organizes information and reduces clutter 
Test for:
Multiple 
sclerosis day 
care centre 
29 
Test for: 
K U A L A L U M P U R - 1 9 9 0 C R A P
30 
Our Desktops 
L O T S O F 
O P T I O N S , 
L O T S O F T O O L S , 
L O T S O F 
A U T O M A T I O N , 
T E M P L A T E S A N D 
P R E S E T S 
Microsoft Products 
Word, Frames, Publisher 
Apps 
Mac apps/phone & ipad 
alternatives: Phoster, or old 
versions of Quark DesignPad, 
Pagemaker, etc. 
Open Source 
The digital space is a challenging, 
constantly evolving, dynamic 
working environment. 
Adobe Creative Cloud 
The digital space is a challenging, 
constantly evolving, dynamic 
working environment. 
Quick Survey: What’s everyone using?
31 
Tools 
A S G R A N D P A P P Y S A Y S , 
A N Y J O B I S E A S I E R 
W H E N Y O U H A V E T H E 
R I G H T T O O L S ! 
V E Y O U R S E L F A 
F I G H T I N G C H A N C E ! 
T 
Maybe some folks can make this sing, but… 
• Hard to break the templates 
• Kills the art of it 
• Difficult to get your vision to happen 
• Hackneyed clipart 
• Font treatments tempting/fun – but look 
amateurish.
32 
Adobe: Photoshop, InDesign, 
Open Source: GIMP, Scribus
33
34 
No guarantees/not condoning, but… 
After about 5 minutes of looking, I found…
Deconstructing 
the c.r.a.p. 
W H A T T O L O O K F O R I N 
G O O D D E S I G N 
a 
) w 
INSPIRATION 
w ) 
GRID 
Alignment, 
01 
02 
03 
04 
05 
CONTRAST 
Proximity – white space 
COLOR 
Consitency 
TYPE 
Repetition 
ART 
Sensitivinty – and INSPIRATION. Where the rubber hits the road 
& why you get paid the big bucks!! :-) 
C 
R 
P A 
S
Grid 
D E F I N I T I O N & H I S T O R Y 
Philosophy 
• Emerging from the modernist and constructivist 
ideals, the Swiss Style: simplicity 
• Beauty in the underlines of a purpose, not beauty as 
a purpose in itself. 
• “form follows function” battle-cry of Modernist 
architects after the 1930s. 
• minimal elements of style such as typography and 
content layout VS textures and illustrations.
37 
El Lissitzky was an artist, designer, teacher, 
and theorist of the Russian avant-garde. Leading 
figure in Russian Suprematicism and greatly 
influenced Constructivism & Bauhaus movements. 
• Believed artists can be agents for change and 
experimented with production techniques that 
went on to dominate graphic design in 20th c. 
• Architect in Germany in the early 1910s, in the 
years just after the 1917 
Revolution/Propaganda posters 
• e turned to abstraction, which he believed was 
the most effective tool for pursuing a new art for 
a new, post-revolutionary world. 
• Typographical elements are the building blocks 
for abstract compositions 
• Language disassociated from its conventional 
literary context acquires new meaning. 
• His books, pamphlets, and posters were made to 
be disseminated widely and used by the masses.
38 
Tschichold wrote Die Neue Typographie 
• Set rules for standardization of practices relating to 
modern type usage. 
• Condemned all typefaces except for sans-serif types, 
• advocated standardized sizes of paper 
• set forth guidelines for establishing a typographic 
hierarchy when using type in design. 
• Penguin Books and while he was there he developed a 
standardized practice for creating covers 
• personally oversaw the development of more than 500 
books between the years 1947-49. 
Every period of his career has left a lasting impression on 
how designers think about and use typography, and it will 
continue to affect them into the future.
Before 
W H E R E A R E T H E 
E R R O R S ? 
Messy, Overcomplicated Grids 
Grid refers to a systematic design that is thought out in advance to 
create a pleasing, intuitive layout of page elements. 
A well-designed grid will make the final page 
• easy to scan, understand, and interact with. 
• A lack of grid structure can have the opposite, negative effect! 
Notice how in the example: 
• Nothing really seems to “line up” with anything else. 
• None of the call to action buttons are aligned.. 
• Slows viewer down 
Think about Visual Hierarchy: gaze heatmaps 
• “Visual Hierarchy” refers to how designers use design language 
proximity,size, color, motion, etc. communicate which elements on a 
page are most important. 
• Directs the prospect’s gaze along an “eye path” that helps them 
accomplish their goals, 
• Persuades them to take a desired action. 
Don’t draw your prospect’s gaze away from the 
main point and the primary call to action
41 
After 
H O W T O F I X I T 
EG: McDonalds: 
Clean & simple visual levels 
Conventionial left menu, all columns left aligned with clear spacing 
Elegant use of continuation and closure 
Usage of visuals address the ‘skim’
42 
Heatmaps 
Use faces to your advantage when creating a visual hierarchy. 
Humans typically prefer faces than other objects or pieces of 
information. Further, if we see a face that appears to be looking at an 
object, we tend to look at that object too. 
PAULA SCHER
43 
MASSIMO VIGNELLI 
http://www.vignelli.com/canon.pdf
44 
“I don’t think that type 
should be expressive at 
all. I can write the word 
‘dog’ with any typeface 
and it doesn’t have to 
look like a dog. 
But there are people 
that [think that] when 
they write ‘dog’ it 
should bark.” 
Massimo Vignelli 
http://www.vignelli.com/can 
on.pdf
45 
Contrast 
D E F I N I T I O N & H I S T O R Y 
White Space 
• Whitespace, or negative space is, the space between graphics, columns, 
images, text, margins and other elements. 
• It creates contrast. 
• Simpler designs are beautiful and that we don’t need to create a layout filled 
with text and graphical elements to deliver a clear and direct message. 
• Does not have to be white, but free of any elements like text or images. 
• Whitespace is also associated with elegance and sophistication 
• Organizes text, organize elements and 
• Guides users attention to certain elements.
46 
Before 
W H I T E S P A C E C R E A T E S C O N T R A S T 
W H I C H C R E A T E S D I R E C T I O N 
Imagine you’re walking in beautiful, pristine woods. You’re excited about 
your destination. Along the way, you pass some of nature’s most 
beautiful sites. Trees that are hundreds of years old. A moss covered 
boulder – you swear it’s shaped like Abraham Lincoln’s profile. 
Now imagine that well marked path changes into one overgrown with 
brush. A rock slide here, a fallen tree there obscures the trail. Suddenly, 
calm vanishes as your stomach muscles tighten. Where do you go from 
here? 
http://www.katzanne.com/wp-content/ 
uploads/2012/05/WhiteSpace_example1.jpg
47 
After 
• Open it up 
• Edit,edit,edit 
• Typographic controls
48
49 
After
50
51
52 
Color 
Definition 
Much research exists on how buying behavior is 
greatly influenced by color scheming of a 
product and its advertisement. 
Vignelli: signifier/identifer – not pictorial. 
And sometimes, it’s just cool.
53 
Before
54 
After
55
56
57
58 
Type 
D E F I N I T I O N & H I S T O R Y 
Type design is one of the most visible and widespread 
forms of graphic expression in daily life. It is still not 
noticed by all readers of newspapers, magazines or 
books. Nevertheless letter forms reflect the style of a 
period, and cultural background. 
We are surrounded by them everywhere.” 
- Hermann Zapf
59 
Before 
Type and typography are supposed to 
be a crystal goblet — transparent — 
seen and read but not heard. - 
Steven Heller
60 
After 
• Buy one good font family 
• Sans serif 
• Doesn’t have to be expensive 
• Watch for deals - mightydeals.com, etc. 
• Doesn’t have to be Helvetica 
• Use it and only it.
61
62
63 
From Pinterest: 
Anti-type 
Expressive reaction to digital 
Popularity of comic books, Juno 
Human hand 
Sketchally rendererd, 
No accuracy/finesse 
Untutored/raw/Doodle pad 
http://tmagazine.blogs.nytimes.com/2009/05/07/graphic-content- 
hand-lettering/?_php=true&_type=blogs&_r=0
64
65 
Art 
Trends 
Organic 
Flat 
Classic 
Retro-vintage “general store” 
typography 
AUTHENTIC – ORGINIAL
66 
Before 
F R O M A T O Z
67
68 
After
69 
Krijn de Koning
70 
“…a space somewhere in the middle of calligraphy, 
typography, sign painting and graffiti” 
HAND MADE – from the heart: raw, expressive, 
untutored, eccentric, lack of finesse 
Newer generations prefer “experience over stuff”
71
72
73
74
75 
S 
“…why certain basic human longings for freedom, or heroes, or 
cleanliness attach themselves so easily to travel guides, bicycle races, 
plastics, and laundry detergent. “ 
Marco Roth in The New Yorker on the new edition of Roland Barthes’ 
Mythologies, 4/18/12 
SENSITIVITY
76 
What do you think of this cover?
77
Steve, who once spent three days in jelly bean factory to find just the 78 
right blue for the iMac.
advertising. 
print. 
advertising. 
Internet marketing. 
LIBRARIES! 
01.Trends: Buzz 02. Marketing 03. Take time to play Inspiration! 
I think really great products come 
from melding two points of view 
the technology point of view and 
the customer point of view. 
I think really great products come 
from melding two points of view 
the technology point of view and 
the customer point of view. 
I think really great products come 
from melding two points of view 
the technology point of view and 
the customer point of view. 
W H E R E D O E S I T 
C O M E F R O M ?
81 
Caveat: Plan ahead! 
Variety of uses: 
People change their minds! 
Smart Objects Flexibility 
within Photoshop 
Non-destructive changes 
Resolution: 
Print vs. Screen 
Vector vs. Raster 
Scalability of logos: 
App avatars vs. 
large poster 
Responsive design considerations
82 
Iterations: 
• Consider scalability, 
• Printing costs and color: will it work in black & 
white? 
• versatility –small device/flyers/tshirts, etc.
RESOURCES: Photography 
A N A L Y S I S & S T A T I S T I C S 
07.WikiCommons 10. Getty Images 
08. Dreamstime 11. Fotolia 
09. 123RF 12. iPhone filters 
01.Creative Market 04. Deposit Photo 
Creativemarket.com 
02. Photoshop Actions 05. IngImage 
03. Photoshop Styles 06. Library of Congress
RESOURCES: Vector Art 
07.Ebay/thriftshops - 
CDs 
10. Dreamstime 
08. Wikicommons 11. Deviant Art 
09. Google 12. Iphone filters 
01.Vectorstock 04. IngImage 
02. GraphicStock 05. DesignCuts 
03. Dover 06. InkyDeals
Dafont 
Creative Market 
Design Cuts 
Scriptorium 
Myfonts 
Fonts.com 
Blambot 
RESOURCES: Fonts 
A Font Squirrel N A L Y S I S & S T A T I S T I C S 
Google Fonts 
Mighty Deals 
InkyDeals 
fonts101.com 
Google –caveat 
fontsource, etc. 
Pinterest 
Ebay-caveat 
Retail 
Behance 
Smashing Mag 
Lost Type 
The League of 
Moveable type 
TheNorthernBlock.com.uk 
Manfred Klein 
VitalyFriedman –alvit.de 
Fonstruct –make/share 
1001 Freefonts(10,000+) 
Abstract Fonts (14,000+) 
RegularBoldItalic.com 
Neogrey 
Urban Fonts 
The Oatmeal 
Ten by Twenty 
FilizSahin–cute 
Kevin & Amanda –Cute 
Lettering Delights 
Pinterest 
Fonts.artill.de –Athletico 
Typedepot 
Ultratypes 
Freeware Fonts Project 
Glukfonts–swashy! 
FontFabric 
HypeforType
RESOURCES: iPhoneography 
07.Phototropdelic 10. Rhonna 
08. Halftone2 11. Pano 
09. Fragment, PolyPic 12. Noir 
01.Camera+ 04. JixiPix 
02. Over 05. Hipstamatic 
03 Word Swag 06. Etchings
Clockwise: Etchings • Fragment • WordSwag • Noir • Phototropedelic • Halftone2 • MokuHanga
Apps Gone Free – 10/5/14 
Trimaginator
RESOURCES: Bibliography/Mags 
07.Adobe.com 10. CreativeBloq 
08. Dribbble 11. Behance 
09. NextIssue/Issu 
InDesign/Readr 
12. Blogs 
01.Creative Live 04. Smashing Magazine 
02. Lynda.com 05. Treehouse 
03. Kelby 06. Learnable
CONFERENCES: PepCon, InDesign 
CONFERENCES: Photoshop World, City tours – Corey Barker, Scott Kelby, Dave Cross - $89
101 
Connect 
F R O M A T O Z 
Mailing Address 
Falvey Library 
Villanova University 
800 Lancaster Avenue 
Villanova, PA 19085 
Contact Info 
Phone: 610-519-3871 
Email: 
joanne.quinn@villanova.edu 
Web: library.villanova.edu/news 
Look for us 
on Social Media 
Facebook.FalveyLibrary 
Twitter @falveylibrary 
Instagram 
Pinterest 
LinkedIn 
Google Plus 
YouTube 
RebelMouse 
TUmblr
Questions?

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  • 1. You’ve got the tools, now get the chops. TIPS TO IMPROVE YOUR GRAPHIC DESIGN IN JUST 60 MINUTES J O A N N E Q U I N N T E A M L E A D E R / C O M M U I C A T I O N S & S E R V I C E P R O M O T I O N F A L V E Y M E M O R I A L L I B R A R Y V I L L A N O V A U N I V E R S I T Y L I B R A R Y C O M M U N I C A T I O N S C O N F E R E N C E 2 0 1 4
  • 2. 2 “Do one thing everyday that scares you.” - ELEANOR ROOSEVELT Why I’m here…
  • 3. 3 If you're lucky enough to do well, it's your responsibility to send the elevator back down - KEVIN SPACEY
  • 4. WE’RE HERE 4 Why we’re all here… How to Brand a Library WHY (…and how design helps.) Your company’s brand is Its most important asset. It must be cultivated, protected and reinforced. • Builds trust, loyalty and longevity • Distinguishes your company or product from the competition • Showcases your organization's core values • Creates top of mind awareness • Delivers on the brand promise.
  • 5. or Or the BAND? 5 What Design does … the CITY A good example… vs.. Chicago http://albumcovergallery.blogspot.com/2010/06/chicago-cover-gallery.html e.g.: What do you think of first… Chicago the band has a remarkably strong brand identity. While their sound has changed a lot, their design aesthetic has remained constant. Both their most defining feature and their curse of anonymity, their lengthy series of albums with numbered titles (like editions of a magazine) and variations on the band logo on the cover are iconic as hell.
  • 6. advertising. print. advertising. Internet marketing. digital animation. About me. C H I C A G O E X A M P L E D A T E D A N D S O A M I ! T O T A L 7 0 s C O M I C G E E K
  • 7. Falvey Library at Villanova University There are more than 10,000 undergraduate, graduate and law students in the University’s six colleges . The library is two buildings – one is four floors, with a newlly renovated Learning Commons, and an ‘Old” hall, which has a Reading Room currently hosting a public restoration of Baroque painting by Pietro daCortona. The library has 1.2+ million items, and is visitied by 500,000 yearlly
  • 8.
  • 9. Eight on the team. Senior copy editor Writers, coordinators, Photogs, and a FABULOUS INTERN (Student workers are the bomb!) Displays Communication & Service Promotion Team Blogs Print NL Videos Displays Publicity Signage PR Social media Communication & service promotion at Falvey library.villanova.edu
  • 10. Event Publicity Print Newsletter Service Promotion Support Team Exhibit Signage Instagram/Tumblr
  • 11.
  • 12.
  • 13.
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  • 15.
  • 16. Not just Print! C O M M U N I C A T I O N & S E R V I C E P R O M O T I O N T E A M Social media Events Blog Print Materials Display s Design’s “VOICE” is what resonates ______ Librarian Assistance and friendly, approachable service is our Product Social Media Facebook, Twitter, Tumblr, Instagram, YouTube, Pinterest 01 02 03 04 05 Events 400 events annuually Video Blog, instructional vids, catalog tutorials, promotional. Displays Two large glass displays, reference area, special exhibits, promo Blog Library News updated 5-7 weekly; Subject librarians and Digital Library also have blogs
  • 17. 17 Design Education Strategy Information Great Networking (Potentially!) D.E.S.I.G.N. deconstructed W H A T G O E S I N T O I T CHOPS
  • 18. 18 h B c 1 a < : > h Job 1: Call to Action J A C K D A V I S : A R T O F T H E L O G O O N C R E A T I V E L I V E Know your audience Instant engagement Storytelling – beginning,middle and end Fresh ideas Breaking through the clutter Unique Selling Points Budget Great ideas don’t need a big budget – distribution does. Be creative!
  • 19. 19 Job 2: Looking good. Design is like fashion… 01. Trends 02. Points of Reference 03. Audience 04.Distribution Channels
  • 20. 20 …but, of course, fashion can be downright fugly. Bad typography Poor art & consistency Over designing Bad production
  • 21. 21 But really, who’s to judge? Most can judge if something looks good, but do you know WHY one piece is more successful than another? I will try to expose the framework or skeleton behind what is successful work. Most successful pieces can be stripped down to adhering to certain design principles. Of course, art is art, and can be subjective, but you’ll find most commercial pieces stick to the same rules.
  • 22. 22 Joshua tree epiphany: Good design is as easy as… 1. Learning the principles 2. Recognizing when they’re not being used 3. Applying Robin Williams them (no, not that one.)
  • 23. 23 “When gathering these four principles from the vast maze of design theory, I thought there must be some appropriate and memorable acronym with these conceptual ideas that would help people remember them. Well, uh, there is a memorable – but rather inappropriate – acronym. Sorry.” - ROBIN WILLIAMS
  • 24. Multiple sclerosis day care centre 24 K U A L A L U M P U R - 1 9 9 0 1 2 3 4 Robin distilled the filter “checklist” into four basic principles:
  • 25. Multiple sclerosis day care centre 25 K U A L A L U M P U R - 1 9 9 0 C 2 3 4 CONTRAST • Creates an organizational hierarchy for readers/viewers • Avoid elements that are merely similar (make them identical OR very different) • Adds visual interest • Don’t be a wimp Test for:
  • 26. Multiple sclerosis day care centre 26 K U A L A L U M P U R - 1 9 9 0 1 R 3 4 REPETITION Test for: • Repeat some element of design throughout the piece such as color, shape, texture, bullets • Adds consistency • Helps to unify all parts of a design • Helps to organize information
  • 27. Multiple sclerosis day care centre 27 K U A L A L U M P U R - 1 9 9 0 1 2 A 4 ALIGNMENT • Every item should have a visual connection with something else on the page • Nothing should be placed on the page arbitrarily • Find a strong line and use it • Helps to indicate relationships between elements • Alignment helps to create order which generally makes us feel better about the quality of a page/document Test for:
  • 28. Multiple sclerosis day care centre 28 K U A L A L U M P U R - 1 9 9 0 1 2 3 P PROXIMITY • Group related items together • Grouping implies a relationship between pieces of information • Proximity organizes information and reduces clutter Test for:
  • 29. Multiple sclerosis day care centre 29 Test for: K U A L A L U M P U R - 1 9 9 0 C R A P
  • 30. 30 Our Desktops L O T S O F O P T I O N S , L O T S O F T O O L S , L O T S O F A U T O M A T I O N , T E M P L A T E S A N D P R E S E T S Microsoft Products Word, Frames, Publisher Apps Mac apps/phone & ipad alternatives: Phoster, or old versions of Quark DesignPad, Pagemaker, etc. Open Source The digital space is a challenging, constantly evolving, dynamic working environment. Adobe Creative Cloud The digital space is a challenging, constantly evolving, dynamic working environment. Quick Survey: What’s everyone using?
  • 31. 31 Tools A S G R A N D P A P P Y S A Y S , A N Y J O B I S E A S I E R W H E N Y O U H A V E T H E R I G H T T O O L S ! V E Y O U R S E L F A F I G H T I N G C H A N C E ! T Maybe some folks can make this sing, but… • Hard to break the templates • Kills the art of it • Difficult to get your vision to happen • Hackneyed clipart • Font treatments tempting/fun – but look amateurish.
  • 32. 32 Adobe: Photoshop, InDesign, Open Source: GIMP, Scribus
  • 33. 33
  • 34. 34 No guarantees/not condoning, but… After about 5 minutes of looking, I found…
  • 35. Deconstructing the c.r.a.p. W H A T T O L O O K F O R I N G O O D D E S I G N a ) w INSPIRATION w ) GRID Alignment, 01 02 03 04 05 CONTRAST Proximity – white space COLOR Consitency TYPE Repetition ART Sensitivinty – and INSPIRATION. Where the rubber hits the road & why you get paid the big bucks!! :-) C R P A S
  • 36. Grid D E F I N I T I O N & H I S T O R Y Philosophy • Emerging from the modernist and constructivist ideals, the Swiss Style: simplicity • Beauty in the underlines of a purpose, not beauty as a purpose in itself. • “form follows function” battle-cry of Modernist architects after the 1930s. • minimal elements of style such as typography and content layout VS textures and illustrations.
  • 37. 37 El Lissitzky was an artist, designer, teacher, and theorist of the Russian avant-garde. Leading figure in Russian Suprematicism and greatly influenced Constructivism & Bauhaus movements. • Believed artists can be agents for change and experimented with production techniques that went on to dominate graphic design in 20th c. • Architect in Germany in the early 1910s, in the years just after the 1917 Revolution/Propaganda posters • e turned to abstraction, which he believed was the most effective tool for pursuing a new art for a new, post-revolutionary world. • Typographical elements are the building blocks for abstract compositions • Language disassociated from its conventional literary context acquires new meaning. • His books, pamphlets, and posters were made to be disseminated widely and used by the masses.
  • 38. 38 Tschichold wrote Die Neue Typographie • Set rules for standardization of practices relating to modern type usage. • Condemned all typefaces except for sans-serif types, • advocated standardized sizes of paper • set forth guidelines for establishing a typographic hierarchy when using type in design. • Penguin Books and while he was there he developed a standardized practice for creating covers • personally oversaw the development of more than 500 books between the years 1947-49. Every period of his career has left a lasting impression on how designers think about and use typography, and it will continue to affect them into the future.
  • 39.
  • 40. Before W H E R E A R E T H E E R R O R S ? Messy, Overcomplicated Grids Grid refers to a systematic design that is thought out in advance to create a pleasing, intuitive layout of page elements. A well-designed grid will make the final page • easy to scan, understand, and interact with. • A lack of grid structure can have the opposite, negative effect! Notice how in the example: • Nothing really seems to “line up” with anything else. • None of the call to action buttons are aligned.. • Slows viewer down Think about Visual Hierarchy: gaze heatmaps • “Visual Hierarchy” refers to how designers use design language proximity,size, color, motion, etc. communicate which elements on a page are most important. • Directs the prospect’s gaze along an “eye path” that helps them accomplish their goals, • Persuades them to take a desired action. Don’t draw your prospect’s gaze away from the main point and the primary call to action
  • 41. 41 After H O W T O F I X I T EG: McDonalds: Clean & simple visual levels Conventionial left menu, all columns left aligned with clear spacing Elegant use of continuation and closure Usage of visuals address the ‘skim’
  • 42. 42 Heatmaps Use faces to your advantage when creating a visual hierarchy. Humans typically prefer faces than other objects or pieces of information. Further, if we see a face that appears to be looking at an object, we tend to look at that object too. PAULA SCHER
  • 43. 43 MASSIMO VIGNELLI http://www.vignelli.com/canon.pdf
  • 44. 44 “I don’t think that type should be expressive at all. I can write the word ‘dog’ with any typeface and it doesn’t have to look like a dog. But there are people that [think that] when they write ‘dog’ it should bark.” Massimo Vignelli http://www.vignelli.com/can on.pdf
  • 45. 45 Contrast D E F I N I T I O N & H I S T O R Y White Space • Whitespace, or negative space is, the space between graphics, columns, images, text, margins and other elements. • It creates contrast. • Simpler designs are beautiful and that we don’t need to create a layout filled with text and graphical elements to deliver a clear and direct message. • Does not have to be white, but free of any elements like text or images. • Whitespace is also associated with elegance and sophistication • Organizes text, organize elements and • Guides users attention to certain elements.
  • 46. 46 Before W H I T E S P A C E C R E A T E S C O N T R A S T W H I C H C R E A T E S D I R E C T I O N Imagine you’re walking in beautiful, pristine woods. You’re excited about your destination. Along the way, you pass some of nature’s most beautiful sites. Trees that are hundreds of years old. A moss covered boulder – you swear it’s shaped like Abraham Lincoln’s profile. Now imagine that well marked path changes into one overgrown with brush. A rock slide here, a fallen tree there obscures the trail. Suddenly, calm vanishes as your stomach muscles tighten. Where do you go from here? http://www.katzanne.com/wp-content/ uploads/2012/05/WhiteSpace_example1.jpg
  • 47. 47 After • Open it up • Edit,edit,edit • Typographic controls
  • 48. 48
  • 50. 50
  • 51. 51
  • 52. 52 Color Definition Much research exists on how buying behavior is greatly influenced by color scheming of a product and its advertisement. Vignelli: signifier/identifer – not pictorial. And sometimes, it’s just cool.
  • 55. 55
  • 56. 56
  • 57. 57
  • 58. 58 Type D E F I N I T I O N & H I S T O R Y Type design is one of the most visible and widespread forms of graphic expression in daily life. It is still not noticed by all readers of newspapers, magazines or books. Nevertheless letter forms reflect the style of a period, and cultural background. We are surrounded by them everywhere.” - Hermann Zapf
  • 59. 59 Before Type and typography are supposed to be a crystal goblet — transparent — seen and read but not heard. - Steven Heller
  • 60. 60 After • Buy one good font family • Sans serif • Doesn’t have to be expensive • Watch for deals - mightydeals.com, etc. • Doesn’t have to be Helvetica • Use it and only it.
  • 61. 61
  • 62. 62
  • 63. 63 From Pinterest: Anti-type Expressive reaction to digital Popularity of comic books, Juno Human hand Sketchally rendererd, No accuracy/finesse Untutored/raw/Doodle pad http://tmagazine.blogs.nytimes.com/2009/05/07/graphic-content- hand-lettering/?_php=true&_type=blogs&_r=0
  • 64. 64
  • 65. 65 Art Trends Organic Flat Classic Retro-vintage “general store” typography AUTHENTIC – ORGINIAL
  • 66. 66 Before F R O M A T O Z
  • 67. 67
  • 69. 69 Krijn de Koning
  • 70. 70 “…a space somewhere in the middle of calligraphy, typography, sign painting and graffiti” HAND MADE – from the heart: raw, expressive, untutored, eccentric, lack of finesse Newer generations prefer “experience over stuff”
  • 71. 71
  • 72. 72
  • 73. 73
  • 74. 74
  • 75. 75 S “…why certain basic human longings for freedom, or heroes, or cleanliness attach themselves so easily to travel guides, bicycle races, plastics, and laundry detergent. “ Marco Roth in The New Yorker on the new edition of Roland Barthes’ Mythologies, 4/18/12 SENSITIVITY
  • 76. 76 What do you think of this cover?
  • 77. 77
  • 78. Steve, who once spent three days in jelly bean factory to find just the 78 right blue for the iMac.
  • 79. advertising. print. advertising. Internet marketing. LIBRARIES! 01.Trends: Buzz 02. Marketing 03. Take time to play Inspiration! I think really great products come from melding two points of view the technology point of view and the customer point of view. I think really great products come from melding two points of view the technology point of view and the customer point of view. I think really great products come from melding two points of view the technology point of view and the customer point of view. W H E R E D O E S I T C O M E F R O M ?
  • 80.
  • 81. 81 Caveat: Plan ahead! Variety of uses: People change their minds! Smart Objects Flexibility within Photoshop Non-destructive changes Resolution: Print vs. Screen Vector vs. Raster Scalability of logos: App avatars vs. large poster Responsive design considerations
  • 82. 82 Iterations: • Consider scalability, • Printing costs and color: will it work in black & white? • versatility –small device/flyers/tshirts, etc.
  • 83. RESOURCES: Photography A N A L Y S I S & S T A T I S T I C S 07.WikiCommons 10. Getty Images 08. Dreamstime 11. Fotolia 09. 123RF 12. iPhone filters 01.Creative Market 04. Deposit Photo Creativemarket.com 02. Photoshop Actions 05. IngImage 03. Photoshop Styles 06. Library of Congress
  • 84. RESOURCES: Vector Art 07.Ebay/thriftshops - CDs 10. Dreamstime 08. Wikicommons 11. Deviant Art 09. Google 12. Iphone filters 01.Vectorstock 04. IngImage 02. GraphicStock 05. DesignCuts 03. Dover 06. InkyDeals
  • 85.
  • 86.
  • 87.
  • 88. Dafont Creative Market Design Cuts Scriptorium Myfonts Fonts.com Blambot RESOURCES: Fonts A Font Squirrel N A L Y S I S & S T A T I S T I C S Google Fonts Mighty Deals InkyDeals fonts101.com Google –caveat fontsource, etc. Pinterest Ebay-caveat Retail Behance Smashing Mag Lost Type The League of Moveable type TheNorthernBlock.com.uk Manfred Klein VitalyFriedman –alvit.de Fonstruct –make/share 1001 Freefonts(10,000+) Abstract Fonts (14,000+) RegularBoldItalic.com Neogrey Urban Fonts The Oatmeal Ten by Twenty FilizSahin–cute Kevin & Amanda –Cute Lettering Delights Pinterest Fonts.artill.de –Athletico Typedepot Ultratypes Freeware Fonts Project Glukfonts–swashy! FontFabric HypeforType
  • 89.
  • 90.
  • 91.
  • 92.
  • 93.
  • 94. RESOURCES: iPhoneography 07.Phototropdelic 10. Rhonna 08. Halftone2 11. Pano 09. Fragment, PolyPic 12. Noir 01.Camera+ 04. JixiPix 02. Over 05. Hipstamatic 03 Word Swag 06. Etchings
  • 95. Clockwise: Etchings • Fragment • WordSwag • Noir • Phototropedelic • Halftone2 • MokuHanga
  • 96. Apps Gone Free – 10/5/14 Trimaginator
  • 97. RESOURCES: Bibliography/Mags 07.Adobe.com 10. CreativeBloq 08. Dribbble 11. Behance 09. NextIssue/Issu InDesign/Readr 12. Blogs 01.Creative Live 04. Smashing Magazine 02. Lynda.com 05. Treehouse 03. Kelby 06. Learnable
  • 98.
  • 99.
  • 100. CONFERENCES: PepCon, InDesign CONFERENCES: Photoshop World, City tours – Corey Barker, Scott Kelby, Dave Cross - $89
  • 101. 101 Connect F R O M A T O Z Mailing Address Falvey Library Villanova University 800 Lancaster Avenue Villanova, PA 19085 Contact Info Phone: 610-519-3871 Email: joanne.quinn@villanova.edu Web: library.villanova.edu/news Look for us on Social Media Facebook.FalveyLibrary Twitter @falveylibrary Instagram Pinterest LinkedIn Google Plus YouTube RebelMouse TUmblr
  • 102.

Editor's Notes

  1. ----- Meeting Notes (10/5/14 17:58) ----- Just say no!