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Creative Commons for the Non-Profit Sector - Connecting Up 2009

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    Notes on slide 1

    Creative Commons: Copyright and options for creative practitioners Delivered by Elliott Bledsoe, Project Officer, Creative Commons Australia on Monday, 21 April 2008 to first year Creative Industries students at Queensland University of Technology.

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    Creative Commons for the Non-Profit Sector - Connecting Up 2009 - Presentation Transcript

    1. creative copyright copyright + options for creative practitioners elliott bledsoe
    2.  
    3.  
    4.  
    5. copyright
    6. a right
    7. to copy
    8. copyright
    9. creator’s rights
    10. right to access
    11. original works
    12. original works literary works
    13. original works dramatic works literary works
    14. original works musical works literary works dramatic works
    15. original works artistic works literary works dramatic works musical works
    16. other subject matter
    17. other subject matter sound recordings
    18. other subject matter films sound recordings
    19. other subject matter tv broadcasts sound recordings films
    20. other subject matter sound broadcasts sound recordings films tv broadcasts
    21. other subject matter published editions sound recordings films tv broadcasts sound broadcasts
    22. copyright
    23.  
    24. all rights reserved
    25. bundle of rights
    26. 5 rights
    27. the right to
    28. the right to copy
    29. the right to adapt copy
    30. the right to publish copy adapt
    31. the right to perform the right to publish copy adapt publish
    32. the right to broadcast copy adapt publish perform
    33. can’t touch this copy adapt publish perform the right to broadcast
    34. ask permission
    35. ask permission each time
    36. ask permission each use
    37. permission culture
    38. 3 stories
    39. james joyce
    40. james joyce
    41. public performance
    42. public performance
    43. derivative work
    44. no readings
    45. dean gray - american edit
    46. dean gray - american edit
    47. derivative work
    48. derivative work
    49. communication
    50. pulled the album
    51. robert greenwald
    52. robert greenwald
    53. outfoxed
    54. copied footage
    55. copied footage
    56. refusing to license
    57. “ as a practical matter the high costs of litigation force most filmmakers to simply remove the material in question.”
    58. permission in advance 
    59.  
    60. opt in
    61. flexible
    62. facilitates sharing
    63. easy to understand
    64. apply worldwide
    65. general permission granted 
    66. nonexclusive permission granted 
    67. worldwide permission granted 
    68. 4 elements
    69. attribution : acknowledge the author BY
    70. attribution: acknowledge the creator BY
    71. noncommerical : no commercial use NC
    72. noncommercial: no commercial use NC
    73. no derivatives : no changes to the work ND
    74. no derivatives: no changes to the work ND
    75. share alike : remix my work, yours must be remixable too SA
    76. share alike: remix my work, yours must be remixable too SA
    77.  
    78.  
    79. 6 licences
    80. BY-NC 6 licences BY-ND BY-NC-ND BY-SA BY-NC-SA BY
    81. contact
    82. elliott bledsoe project officer creative commons australia +61 7 3138 9597 0405059367 [email_address] http://creativecommons.org.au This presentation is available at http://creativecommons.org.au/cipp
    SlideShare Zeitgeist 2009

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