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The purpose sublten theory with prspective of Eklavya. 
Name:-Gohel Daya b 
Roll no:-4 
Sem :-1(M.A) 
Paper no:-4 Indian writing in English pre independence. 
Submitted to:-S.B.Gardi department of English M.K.B.U.
The purpose sublten theory with prspective of Eklavya. 
Introduction:- 
T.P Kailasm write in the present play. It is 
present play private mythology on T.P kailasm. These play his two 
act. He highlights Eklavya become the greatest of Eklavya concerns 
the theory with the prspective of Eklavya
 About the story of eklavya. 
 > The eklavya was the son of Hiranyadhanus. 
 >The young kaurav and pandav princes the matrial 
arts. 
 He himself trained by 
 Parshurama sixth incarnation of vishnu himself 
trainde by shiv. 
 Eklavya managed to gain an audience with drona.
 The great Indian epic Mahabharta, he present the 
legendry hero with so called “tribal” original Eklavya 
refused by the royal preceptor dronacharya, the 
military trainer , made himself equipped in the art of 
archarya thought dedicated practice in front of a 
clay model of dronacharya. However he pay to 
gurudakshina.
 Postcolonialism. 
 The post colonialism theory with the social group in 
the critical theory. 
 Social. 
 Politically. 
 Geographically. 
 In the 1970s the application of subltern began to de 
not the colonized people.
 The new perspective of the history of an imperial 
colony. 
 The point of view of the colonized man and woman. 
 Which respected , marxist ,historian already. 
 In the 1980s the scope of enquiry of subltern 
studies was applied as an “intervention in south 
indian histrography.
 The concept of subaltern in The purpose. 
 Two major characters in the play. 
 It belief that arjuna, the prince has right to learn 
archery. 
 Eklavya by learning archery proves arjuna wrong. 
 T.P kailasm eklavya is revolutionry . 
 Knowledge for arjuna by giving his thumb as 
gurudakshina.
Conclusion 
 Eklavya a lot of a suffered a class ,cast and race . we never 
given their turn speak and if they raised their voice of for their 
rights their always suppressed by the dominant culture.
Thank 
you……………!!!

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The purpose sublten theory with perspective of eklvay.

  • 1. The purpose sublten theory with prspective of Eklavya. Name:-Gohel Daya b Roll no:-4 Sem :-1(M.A) Paper no:-4 Indian writing in English pre independence. Submitted to:-S.B.Gardi department of English M.K.B.U.
  • 2. The purpose sublten theory with prspective of Eklavya. Introduction:- T.P Kailasm write in the present play. It is present play private mythology on T.P kailasm. These play his two act. He highlights Eklavya become the greatest of Eklavya concerns the theory with the prspective of Eklavya
  • 3.  About the story of eklavya.  > The eklavya was the son of Hiranyadhanus.  >The young kaurav and pandav princes the matrial arts.  He himself trained by  Parshurama sixth incarnation of vishnu himself trainde by shiv.  Eklavya managed to gain an audience with drona.
  • 4.  The great Indian epic Mahabharta, he present the legendry hero with so called “tribal” original Eklavya refused by the royal preceptor dronacharya, the military trainer , made himself equipped in the art of archarya thought dedicated practice in front of a clay model of dronacharya. However he pay to gurudakshina.
  • 5.  Postcolonialism.  The post colonialism theory with the social group in the critical theory.  Social.  Politically.  Geographically.  In the 1970s the application of subltern began to de not the colonized people.
  • 6.  The new perspective of the history of an imperial colony.  The point of view of the colonized man and woman.  Which respected , marxist ,historian already.  In the 1980s the scope of enquiry of subltern studies was applied as an “intervention in south indian histrography.
  • 7.  The concept of subaltern in The purpose.  Two major characters in the play.  It belief that arjuna, the prince has right to learn archery.  Eklavya by learning archery proves arjuna wrong.  T.P kailasm eklavya is revolutionry .  Knowledge for arjuna by giving his thumb as gurudakshina.
  • 8. Conclusion  Eklavya a lot of a suffered a class ,cast and race . we never given their turn speak and if they raised their voice of for their rights their always suppressed by the dominant culture.