2. Exam requirements
โข Paper
โข FM4, section C
โข Timings & Marks
โ 2 ยพ hours for exam
โ Allow 45 mins for this question
โ Worth 30 marks
โข What will the examiner expect to see in your answer?
โ Knowledge of some of the different critical responses provoked by the chosen film
โ An appreciation of the filmโs status:
โข as a stylistically innovative film or a significant auteur work
โข contribution to the way we think theoretically about film.
โข Understanding of the issues underlying its (possibly diverse) critical reception
โข Issues relating to theme, style and structure.
โข An appreciation of how one or more critical approaches applied by the candidate
has enhanced understanding and appreciation of the chosen film.
3. To get an A...
โข Level 4 candidates will be distinguished by:
โ confident understanding
โ very detailed, accurate and precise reference to the film.
โ Effectively structured.
โ a clear and distinctive 'voice' developing.
โ evidence of a high level of understanding of the film and film issues
โ coherent analysis of film & critical and contextual issues
โ excellent written communication
โ fluent, well-structured and accurate
4. Main issues / debates / themes /
perspectives arising in Vertigo?
โข THEMES
โ identification
โ Obsession
โ misrecognition
โข VERTIGOโS CRITICAL RECEPTION
โ then (Sight & Sound & Variety reviews)
โ now (BFI top 10s / Obsessed with Vertigo / James Maxfield / Martin Rubin)
โข VERTIGOโS CANONICAL STATUS
โข Exemplifies achievements of studio system Hollywood film production
โข Mastering of film form - camerawork, editing, special effects, score and use of
mise-en-scene
โข Complexity of narrative, plot and themes
5. Main issues / debates / themes /
perspectives arising in Vertigo?
โข SIGNIFICANCE AS A HITCHCOCK FILM
โ Hitchcock as AUTEUR
โ USE OF LOCATIONS
โ RECURRING MOTIFS & SYMBOLS
โ SUCCESS OF THE FILM AS A THRILLER
โ PURE CINEMA and innovations in CINEMATOGRAPHY
โข REPRESENTATION OF GENDER
โ THE MALE GAZE
โ Gender roles (in wider society & in film itself)
โ Archetypes of Beauty
โ DOPPELGANDER โ The Madeline / Judy split
โ Masculinity in crisis
6. Main issues / debates / themes /
perspectives arising in Vertigo?
โข SPECTATORSHIP
โ The Spectatorโs relationship to Scottie as Protagonist
โ NARRATIVE structure / plot devices
โข CRITICAL PERSPECTIVES / APPROACHES
โ Feminist & Post Feminist Theory (Psychoanalytical theories of Freud &
Lacan)
โ Auteur Theory
โ Marxist Perspective
7. Hitchcock as auteur...
โข Extensive body of work
โข Considered by critics to have a signature style:
โ โa Hitchcock filmโ despite working with Studios
โข Signature style established using
โ film form
โ plot devices
โ use of characters
โ manipulation of audience
โข Genre focus
โ Exclusively crime, suspense, with comedy hybrids
8. A film about spectatorship
โข What is a spectatorship?
โ a person who sees or watches something without taking an active part
โ An onlooker
โข How does Vertigo address ideas about spectatorship?
โ Scottie becomes a spectator of Madelineโs supposed pshycological
regression
โ We watch Scottie watch Madeline
โข Encouraged to identify with the protagonist
โ We watch Scottieโs increasingly obsessive behaviour and regression
โข Encouraged to passively watch the protagonist โ breaks the bond of
idenitifcation
โ We question our own role as spectator of a film โ who are we looking at,
why do we enjoy it?
9. Past exam questions
Jan 2010
โข What does your chosen film reveal about the usefulness of one or more critical approaches
you have applied?
โข Consider debates that have arisen in the critical reception of your chosen film, either at the
time of its initial release or now or both.
โข Film scholars have argued that Vertigo is a film about cinema and about spectatorship. How
far do you think this is true?
June 2010
โข How useful has a particular critical approach been in gaining a deeper understanding and
appreciation of your chosen film?
โข Explain how your understanding of your chosen film has been influenced by critical debates.
โข What do you consider to be the important themes and ideas Hitchcock explores in Vertigo
through the use of the Madeleine/Judy character?
10. Past exam questions
Jan 2011
โข Explore some of the ways in which placing your chosen film within a broader critical
framework has helped to develop your appreciation and understanding of specific
sequences.
โข How far has critical debate about your chosen film shaped and altered your response?
โข Discuss the significance of the recurring image of the spiral in Vertigo.
June 2011
โข Explore some of the ways in which you have gained fresh insights into your chosen film as a
result of applying one or more specific critical approaches.
โข How important have been the responses of others, such as film reviewers, in influencing your
own response to your chosen film?
โข Explore some of the ways in which Hitchcock attempts to manage the audience response to
Scottie as the narrative of Vertigo unfolds.