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RIP Bronica
Bronica used
 to be one of
the dominant
players in the
    medium
    format
  segment of
  the camera
   industry.
The cameras were mostly used for
 wedding, studio and portrait photography.
Bronica died in 2004.
quot;Since the advent of digital
 photography, medium format
 sales have declined at a rapid
 pace. Imports today are just a
fraction of what they were even
         two years ago“

// Mr. Takashi Inoue, president of
   Tamron USA (Tamron owned
            Bronica)
quot;For Bronica, that slip has been
 faster since our core customer
   base, portrait and wedding
photographers, has adapted well
   to digital SLR equipment.quot;
quot;These photographers are now
   providing customers with a
quality and cost-efficient product
that has virtually eliminated their
need for the higher quality results
that medium format film or digital
       backs can provide“

 // Stacie Errera, Chief Marketing
               Officer
quot;While some customers are
faithful to the format, the current
  sales volume and devastating
  purchasing forecasts cannot
sustain the production of Bronica
          SLR products.quot;
“I believe we all understand the issues at
   hand when it comes to the business of
medium format. We have been struggling
 to find the best possible solution for the
medium format camera business under the
Bronica brand, but after careful study and
  the comprehensive consideration of the
 market situation, we have concluded that
   there is no other choice but to end this
                  business.”

   // Kenji Nakagawa, Sales Manager of
                 Tamron
The last model, the Bronica
RF645 was terminated in 2005,
   only a few years after
   it had been launched.
What
happened to
 Bronica?
Bronica first appeared in 1958
       and became an
    immediate success.
While some people claimed that
Bronica was just a cheap copy of
Hasselblad, the cameras actually
  had unique features and were
very appreciated by wedding and
     portrait photographers.
Well, the
 Hasselblad
   and the
 Bronica are
    rather
  similar, at
least in their
   looks…
Just like the Hasselblad system,
Bronica had a great advantage in
 the complete flexibility in terms
     of changing lenses, film
          magazines etc.
Bronica later on developed their
  own lenses as well and thus
 obtained a strong knowledge
         base in optics.
This may be one reason why
      Tamron acquired
    Bronica in July 1995.
Tamron is a Japanese company,
   manufacturing lenses and
    optical componentes for
 industrial and commercial use.
Sony is a major
 shareholder in
  the company
and the firm has
helped Sony to
   gain market
  shares in the
     camera
    industry.
Having a foothold in the camera
business and a strong brand like
     Bronica seemed like a
     good idea to Tamron.
Pity that this
                  was going to happen.
30

25

20

15

10

 5

 0
 1994   1995   1996   1997   1998   1999   2000   2001   2002   2003   2004   2005



             Number of film and digital
          cameras sold in the United States
Before the revolution, digital
imaging actually prospered in
 Bronica’s camera segment.
’Digital Backs’ could be attached
 to medium format cameras from
     the early 1990s and on.
These backs were mostly
    provided by firms with
little past experience in the
       camera business.
Leaf…
Imacon…
Phase One…
Kodak also
 developed
some digital
  backs…
In the beginning, digital
imaging did not pose a threat
  to Bronica or any of the
  medium format players.
It was rather an add-on,
which increased the value of
 medium format cameras
compared to SLR cameras.
It looked like this.
Yes, big and bulky.
The photographer could
decide whether to be digital
  or to use film by simply
removing the film magazine
and instead attach a digital
    back to the camera.
But the solution with a digital
  back was inconvenient,
    heavy and expensive.
The Nikon D1 from 1999 was the first
 true alternative for photographers
 who wanted only a digital camera.
From this point and on, Canon
and Nikon launched digital SLR
  cameras that got better and
    better at a furious pace.
Within a few years, the SLR
cameras were much cheaper,
 lighter and more convenient
than the digital back solution.
quot;These photographers are now
   providing customers with a
quality and cost-efficient product
that has virtually eliminated their
need for the higher quality results
that medium format film or digital
       backs can provide“

 // Stacie Errera, Chief Marketing
               Officer
Needles to say, Bronica’s revenues
 collapsed in 2000-2004.
Tamron knew about optics and
Bronica was based upon optics
   and precise mechanics.
Thus, the company had no
 competence in electronics and
had to rely on the solution with a
      digital back that was
manufactured by someone else.
Bronica was trapped, and there
     was no way out of it.
Their last model, the Bronica
RF645 suffered from the same
problem and was terminated in
  2005, only a few years after
    it had been launched.
Did Bronica have any
 chance to survive?
Maybe
Tamron didn’t
  invest as
much as they
  needed to
 keep it alive
and execute a
    digital
  strategy.
Hasselblad survived by
   collaborating with Fuji and
 thereby develop a new camera
system. Once this system was in
  place, it was natural to merge
     with Imacon, one of the
 manufacturers of digital backs.
Maybe this solution could have
kept the business running for a
 bit longer in the Bronica case,
          who knows.
But the medium format segment
  would still have been very
        competitive and
      shrinking every year.
And fighting the SLR battle with
  Canon and Nikon can not be
 regarded as a real alternative.
The Bronica cameras created
fantastic memories for people
 all around the world for more
         than 40 years.
Bronica is gone now.
Image attributions
Christian Sandström is a
                PhD student at Chalmers
               University of Technology in
               Gothenburg, Sweden. He
                writes and speaks about
                disruptive innovation and
                  technological change.




  www.christiansandstrom.org
christian.sandstrom@chalmers.se

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Bronica, Disruptive Innovation and Digital Imaging

  • 2.
  • 3. Bronica used to be one of the dominant players in the medium format segment of the camera industry.
  • 4.
  • 5. The cameras were mostly used for wedding, studio and portrait photography.
  • 7. quot;Since the advent of digital photography, medium format sales have declined at a rapid pace. Imports today are just a fraction of what they were even two years ago“ // Mr. Takashi Inoue, president of Tamron USA (Tamron owned Bronica)
  • 8. quot;For Bronica, that slip has been faster since our core customer base, portrait and wedding photographers, has adapted well to digital SLR equipment.quot;
  • 9.
  • 10. quot;These photographers are now providing customers with a quality and cost-efficient product that has virtually eliminated their need for the higher quality results that medium format film or digital backs can provide“ // Stacie Errera, Chief Marketing Officer
  • 11.
  • 12. quot;While some customers are faithful to the format, the current sales volume and devastating purchasing forecasts cannot sustain the production of Bronica SLR products.quot;
  • 13. “I believe we all understand the issues at hand when it comes to the business of medium format. We have been struggling to find the best possible solution for the medium format camera business under the Bronica brand, but after careful study and the comprehensive consideration of the market situation, we have concluded that there is no other choice but to end this business.” // Kenji Nakagawa, Sales Manager of Tamron
  • 14.
  • 15. The last model, the Bronica RF645 was terminated in 2005, only a few years after it had been launched.
  • 17.
  • 18. Bronica first appeared in 1958 and became an immediate success.
  • 19.
  • 20. While some people claimed that Bronica was just a cheap copy of Hasselblad, the cameras actually had unique features and were very appreciated by wedding and portrait photographers.
  • 21. Well, the Hasselblad and the Bronica are rather similar, at least in their looks…
  • 22.
  • 23. Just like the Hasselblad system, Bronica had a great advantage in the complete flexibility in terms of changing lenses, film magazines etc.
  • 24. Bronica later on developed their own lenses as well and thus obtained a strong knowledge base in optics.
  • 25.
  • 26. This may be one reason why Tamron acquired Bronica in July 1995.
  • 27.
  • 28. Tamron is a Japanese company, manufacturing lenses and optical componentes for industrial and commercial use.
  • 29.
  • 30.
  • 31. Sony is a major shareholder in the company and the firm has helped Sony to gain market shares in the camera industry.
  • 32.
  • 33.
  • 34. Having a foothold in the camera business and a strong brand like Bronica seemed like a good idea to Tamron.
  • 35. Pity that this was going to happen. 30 25 20 15 10 5 0 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 Number of film and digital cameras sold in the United States
  • 36. Before the revolution, digital imaging actually prospered in Bronica’s camera segment.
  • 37. ’Digital Backs’ could be attached to medium format cameras from the early 1990s and on.
  • 38. These backs were mostly provided by firms with little past experience in the camera business.
  • 40.
  • 42.
  • 44.
  • 45. Kodak also developed some digital backs…
  • 46.
  • 47. In the beginning, digital imaging did not pose a threat to Bronica or any of the medium format players.
  • 48. It was rather an add-on, which increased the value of medium format cameras compared to SLR cameras.
  • 49. It looked like this.
  • 50.
  • 51. Yes, big and bulky.
  • 52. The photographer could decide whether to be digital or to use film by simply removing the film magazine and instead attach a digital back to the camera.
  • 53. But the solution with a digital back was inconvenient, heavy and expensive.
  • 54. The Nikon D1 from 1999 was the first true alternative for photographers who wanted only a digital camera.
  • 55. From this point and on, Canon and Nikon launched digital SLR cameras that got better and better at a furious pace.
  • 56. Within a few years, the SLR cameras were much cheaper, lighter and more convenient than the digital back solution.
  • 57. quot;These photographers are now providing customers with a quality and cost-efficient product that has virtually eliminated their need for the higher quality results that medium format film or digital backs can provide“ // Stacie Errera, Chief Marketing Officer
  • 58. Needles to say, Bronica’s revenues collapsed in 2000-2004.
  • 59. Tamron knew about optics and Bronica was based upon optics and precise mechanics.
  • 60.
  • 61. Thus, the company had no competence in electronics and had to rely on the solution with a digital back that was manufactured by someone else.
  • 62.
  • 63. Bronica was trapped, and there was no way out of it.
  • 64.
  • 65. Their last model, the Bronica RF645 suffered from the same problem and was terminated in 2005, only a few years after it had been launched.
  • 66.
  • 67.
  • 68. Did Bronica have any chance to survive?
  • 69. Maybe Tamron didn’t invest as much as they needed to keep it alive and execute a digital strategy.
  • 70. Hasselblad survived by collaborating with Fuji and thereby develop a new camera system. Once this system was in place, it was natural to merge with Imacon, one of the manufacturers of digital backs.
  • 71.
  • 72. Maybe this solution could have kept the business running for a bit longer in the Bronica case, who knows.
  • 73.
  • 74. But the medium format segment would still have been very competitive and shrinking every year.
  • 75. And fighting the SLR battle with Canon and Nikon can not be regarded as a real alternative.
  • 76. The Bronica cameras created fantastic memories for people all around the world for more than 40 years.
  • 77.
  • 79.
  • 81.
  • 82. Christian Sandström is a PhD student at Chalmers University of Technology in Gothenburg, Sweden. He writes and speaks about disruptive innovation and technological change. www.christiansandstrom.org christian.sandstrom@chalmers.se