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The
High Resolution Audio
Movement
Cookie Marenco - Blue Coast Music
Matty Karas - Media ReDefined
Quiles & Cloud - Performances
Welcome
Quiles & Cloud
Maria Quiles and Rory Cloud
Recording Live and Direct to DSD
Visit BlueCoastMusic.com
for information on a free download of this performance
Welcome
Cookie Marenco, Blue Coast Music
Footnote: This slide Added for those not able to attend presentation.
Cookie offers brief history of her involvement in music industry.. 30 years commercial recording
studio, awards, entry to audiophile market with Blue Coast Records.
What is High Resolution Audio?
Grammy.org, Consumer Electronics Industry,
Digital Entertainment Group
Sony Entertainment, Warner Bros, Universal Music
Agreed on High Resolution Audio Definitions
Master Quality Recording Sources
Agreed On as of June 2014
MQ-P From a PCM master source 48 kHz/20 bit or higher
MQ-A From an analog master source
MQ-C From a CD master source (44.1 kHz/16 bit content)
MQ-D From a DSD/DSF master source (typically 2.8 or 5.6 MHz content)
At NAMM 2015
We Are Not Here to Discuss Pros and Cons of
PCM vs DSD Recording or Downloads!
Instead we are here to celebrate the advances being made
that answer the question…..
Footnote: This slide Added for those not able to attend presentation.
Why High Resolution Audio?
Footnote: Rather than pull from information that cannot be verified, the following slides come from our internal information that
we can verify and show why we believe high resolution audio is a growing market.
Blue Coast Music Pageview Growth Chart
Since First DSD Downloads Released in June 2010.
2014
Revenue
ByFormat
2014 Revenue
By Format
936
979
1337
1613
26654
88641
35061
203000
Jan 2015
September 2014
Alexa Ranking
42729
255211
Alexa
1
75,000
150,000
225,000
300,000
Alexa Website Ranking Chart in November 2014 (Blue) and January 2015 (Red)
1% Adoption of High Resolution Audio
Represents $150 million
in Annual Music Sales*
and Increased Demand for Products and Services
from Recording to Consumer Delivery
Footnote: This slide Added for those not able to attend presentation.
* Based on approximate worldwide music sales of $15 billion in 2013.
Six Stages for Opportunity
HRA Products and Services can be developed for every Stage
Mixing
Format
Mastering
Format
Reseller,
Remastering
and Delivery
Recording
format
Consumer
Home
Storage
Authoring
Conversions
and metadata
Artist and Producer in control
Delivery to
Label
Aggregator Retail Customer
I wondered if you could help me with selecting a download format if its not too much of an imposition.
I guess that as the first generation recording, the wav format is arguably most “accurate”. However, I’d usually want to compress
the wav files anyway so I probably wouldn’t go with the wav version unless it was noticeably better than the DSD and/or FLAC
versions.
So my questions are
1. Am I right in assuming the FLAC and DSD versions were created directly from the original wav files?
2. What preferences/suggestions do you have about the merits of the formats in this particular case?
I’m building up quite a decent collection of DSD recordings. Only a few years ago, I wouldn’t have imagined that would be
possible. The work you’ve done in championing the format has been really significant.
Thanks and Happy New Year to you all.
Cheers
Customer service email 1/15/2015 Would you know how to answer?
Footnote: An example of what the audiophile record label needs to know when answering consumer questions. This leads to
information that professional audio engineers need to know, address and provide for successful entry to HRA.
Q & A
Cookie Marenco, Blue Coast Music
Matty Karas, Media ReDefined**
A No Nonsense Q&A on High Resolution Audio
(Followed by Audience Questions)
Footnote: This slide Added for those not able to attend presentation.
** At this point in presentation, Cookie introduces Matty who asks her questions that a mainstream
music listener would want to know. Example “do I need to buy a whole new music collection?”. Matty
is the music curator for a widely read and well respected technology magazine called “Media
ReDefined”.
Thank you for coming!
Special Thanks to:
Matty Karas
Maria Quiles and Rory Cloud
Sony for providing gear and support
David Schwartz and NAMM for hosting
Visit BlueCoastMusic.com for more information.
End of Presentation
Attendees visited the tables outside the room to listen to a playback of
Quiles & Cloud recorded earlier in the presentation.
Playback was on the new Sony Walkman using Sony headphones to monitor.
Great interest in this playback.
Footnote: This slide Added for those not able to attend presentation.
Slides Not Shown Follow…
ran out of time….
What is Provenance?
The history of a recording from multitrack to
home playback disc or download.
We recommend adopting disclosure
when selling downloads
Early Adopters vs. Mainstream Consumers
Early Adopters … Have a Need
Pulling the HRA Movement
Willing to pay as much as $60 for a Stereo
Download
Price of less concern than getting more music of
quality
Willing to spend time putting together a listening
system
Demand manufacturers are knowledgeable
Mainstream Consumers … Don’t have a Need
Fear repurchasing their collections
Consumption and Convenience more important
than quality
Require simple operations and no investment of
time
Trust that they are being sold quality without
research
Debate whether there is an audible difference
2014 A Look Back
Neil Young’s Pono Music Raises $12 million
Sony Announces New $1200 Walkman at CES 2015
Tidal HiFi Launches HRA Streaming Services
5 Gig Albums in Demand (double DSD)

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Namm 2015 The High Resolution Audio Movement -- Cookie Marenco

  • 1. The High Resolution Audio Movement Cookie Marenco - Blue Coast Music Matty Karas - Media ReDefined Quiles & Cloud - Performances
  • 2. Welcome Quiles & Cloud Maria Quiles and Rory Cloud Recording Live and Direct to DSD Visit BlueCoastMusic.com for information on a free download of this performance
  • 3. Welcome Cookie Marenco, Blue Coast Music Footnote: This slide Added for those not able to attend presentation. Cookie offers brief history of her involvement in music industry.. 30 years commercial recording studio, awards, entry to audiophile market with Blue Coast Records.
  • 4. What is High Resolution Audio? Grammy.org, Consumer Electronics Industry, Digital Entertainment Group Sony Entertainment, Warner Bros, Universal Music Agreed on High Resolution Audio Definitions
  • 5. Master Quality Recording Sources Agreed On as of June 2014 MQ-P From a PCM master source 48 kHz/20 bit or higher MQ-A From an analog master source MQ-C From a CD master source (44.1 kHz/16 bit content) MQ-D From a DSD/DSF master source (typically 2.8 or 5.6 MHz content)
  • 6. At NAMM 2015 We Are Not Here to Discuss Pros and Cons of PCM vs DSD Recording or Downloads! Instead we are here to celebrate the advances being made that answer the question….. Footnote: This slide Added for those not able to attend presentation.
  • 7. Why High Resolution Audio? Footnote: Rather than pull from information that cannot be verified, the following slides come from our internal information that we can verify and show why we believe high resolution audio is a growing market.
  • 8. Blue Coast Music Pageview Growth Chart Since First DSD Downloads Released in June 2010.
  • 10.
  • 11. 936 979 1337 1613 26654 88641 35061 203000 Jan 2015 September 2014 Alexa Ranking 42729 255211 Alexa 1 75,000 150,000 225,000 300,000 Alexa Website Ranking Chart in November 2014 (Blue) and January 2015 (Red)
  • 12. 1% Adoption of High Resolution Audio Represents $150 million in Annual Music Sales* and Increased Demand for Products and Services from Recording to Consumer Delivery Footnote: This slide Added for those not able to attend presentation. * Based on approximate worldwide music sales of $15 billion in 2013.
  • 13. Six Stages for Opportunity HRA Products and Services can be developed for every Stage Mixing Format Mastering Format Reseller, Remastering and Delivery Recording format Consumer Home Storage Authoring Conversions and metadata Artist and Producer in control Delivery to Label Aggregator Retail Customer
  • 14. I wondered if you could help me with selecting a download format if its not too much of an imposition. I guess that as the first generation recording, the wav format is arguably most “accurate”. However, I’d usually want to compress the wav files anyway so I probably wouldn’t go with the wav version unless it was noticeably better than the DSD and/or FLAC versions. So my questions are 1. Am I right in assuming the FLAC and DSD versions were created directly from the original wav files? 2. What preferences/suggestions do you have about the merits of the formats in this particular case? I’m building up quite a decent collection of DSD recordings. Only a few years ago, I wouldn’t have imagined that would be possible. The work you’ve done in championing the format has been really significant. Thanks and Happy New Year to you all. Cheers Customer service email 1/15/2015 Would you know how to answer? Footnote: An example of what the audiophile record label needs to know when answering consumer questions. This leads to information that professional audio engineers need to know, address and provide for successful entry to HRA.
  • 15. Q & A Cookie Marenco, Blue Coast Music Matty Karas, Media ReDefined** A No Nonsense Q&A on High Resolution Audio (Followed by Audience Questions) Footnote: This slide Added for those not able to attend presentation. ** At this point in presentation, Cookie introduces Matty who asks her questions that a mainstream music listener would want to know. Example “do I need to buy a whole new music collection?”. Matty is the music curator for a widely read and well respected technology magazine called “Media ReDefined”.
  • 16. Thank you for coming! Special Thanks to: Matty Karas Maria Quiles and Rory Cloud Sony for providing gear and support David Schwartz and NAMM for hosting Visit BlueCoastMusic.com for more information.
  • 17. End of Presentation Attendees visited the tables outside the room to listen to a playback of Quiles & Cloud recorded earlier in the presentation. Playback was on the new Sony Walkman using Sony headphones to monitor. Great interest in this playback. Footnote: This slide Added for those not able to attend presentation.
  • 18. Slides Not Shown Follow… ran out of time….
  • 19. What is Provenance? The history of a recording from multitrack to home playback disc or download. We recommend adopting disclosure when selling downloads
  • 20. Early Adopters vs. Mainstream Consumers Early Adopters … Have a Need Pulling the HRA Movement Willing to pay as much as $60 for a Stereo Download Price of less concern than getting more music of quality Willing to spend time putting together a listening system Demand manufacturers are knowledgeable Mainstream Consumers … Don’t have a Need Fear repurchasing their collections Consumption and Convenience more important than quality Require simple operations and no investment of time Trust that they are being sold quality without research Debate whether there is an audible difference
  • 21. 2014 A Look Back Neil Young’s Pono Music Raises $12 million Sony Announces New $1200 Walkman at CES 2015 Tidal HiFi Launches HRA Streaming Services 5 Gig Albums in Demand (double DSD)