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Batik is a process using ‘resists’ for making designs on a fabric. The
conventionalBatik process hasa resist or a physicalblock in some form or
the other to prevent desired areas on the fabric from being penetrated by
dye.
Generally wax is used as a resist in Batik. The block printed areas where
resists are in place, come out as un-dyed areas in the dyed fabric and
could be coloured differently in repeat wax dye process. This can be
repeated severaltimesat the same place or different places with wax-dye
process time and again for every subsequent colour change.
Batik can be done with various types of dye & wax on cotton, silk and
other naturalfabrics. Cottonis easy to work with and generally gives best
results. Repeated waxing and dyeing over the same place gets newer
overlapping results.
The idea in multi-layer colouring isto start with lighter shades of the dye
and proceed to deeper ones. Here care is taken that wax resist is neither
light nor heavy since lighter would mean possible penetration of dye onto
resist area and heavy would mean the wax will not resist properly and
could cause patches or dye spreads when removed.
Batik is a processof decorating cloth by covering a part of it with a coat of
wax and thendyeing the cloth. The waxed areas keep their original color
and whenthe wax is removed the contrast between the dyed and undyed
areas gives the pattern.

2. One of the significant features if this art is that is very simple and can be
done by anyone. Colorful batik prints grace the home furnishings with
elegance and style.
History
The history of Indian batik can be traced as for back as 2000 years.
Indians knew resist method of printing designs on cotton fabrics long
before any other country had even tried it. Indian cotton and dyes were
very popular. The indigoblue was one of the earliest dyes to be used. The
elaborate processof dyeing and waxing wasone of the hitchesthat caused
the art to decline. Batik tapestries were elaborate illustrations of the art,
culture, and traditions of the days of the yore.
Batik Technique:
The art of batik is a three-stage processof waxing, dyeing and dewaxing.
There are also several sub-processes like preparing the cloth, tracing the
designs, stretching the cloth on the frame, waxing the area of the cloth
that does not need dyeing, preparing the dye, dipping the cloth in the dye,
boiling the cloth to remove wax and washing the cloth in soap.
The characteristic effects of the batik are the fine cracks that appears in
the wax, which allow small amounts of the dye to seep in. Batik wax
exercises an important function in the process of batik printing. Proper
usage of wax results into an impeccable batik work. 30 percent beeswax
and 70 percent paraffin wax are generally applied.
During application wax should be overheated or it will catch fire. The
common batik fabrics that make for excellent batik prints are cambric,
poplin, voiles and pure silk are used. Natural colors derived from barksof
trees, leaves, flowers and minerals were used.
The rarer but finer Pen Batik saris
The rarer type of Batik is Pen Batik. Fine designs are made on the fabric
using ‘Tjanting’tools. Molten wax at a certaintemperature iscarefully put
on the design lines with Batik dropper pen.

3. A lot of care has to be takensince too thina layer could give way to colour
dye through surface cracks. Temperature of the wax is normally kept
between200 and 230 degrees. In the former or conventional method vats
or tubswith boiling water are used to melt away the wax. In the latter a
small tub with hot water is generally preferred. After the entire resist
dyeing process is over, and the wax has melted away in hot water, a
neatly dyed plain or designed fabric is available.
Parineeti- AboutheAuthor:
The author is a young lady, a freelancespecializing inethnic fabrics, more
devoted to sarees. With a penchant for travelling at will and to ethnic
destinationsinparticular, her fund of knowledge on the subject of ethnic
sarees is vast and fairly appreciated.
She could be contacted at press@unnatisilks.com or 040-64555251.
Shiva- About the Author
The author is a client , a freelance specializing inethnic fabrics, more
devoted to sarees. With a penchant for travelling at will and to ethnic
destinationsinparticular, hisfund of knowledge on the subject of ethnic
sarees is vast and fairly appreciated.
He could be contacted at press@unnatisilks.com or 040-64555251.
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