Ip 4 Art

Ip 4 Art
Baroque Period
Unit 4 IP
Art Appreciation
Nicole Woodford
American Intercontinental University
May 6, 2012
Abstract
"Baroque was born in Italy, and later adopted in France, Germany, Netherlands, and Spain. The word "baroque" was first applied to the art of period
from the late 1500s to the late 1700s, by critics in the late nineteen century. Baroque covers a wide range of styles and artists. In painting and sculpture
we recognize three main forms of Baroque:
Baroque that was primarily associated with the religious tensions within Western Christianity: division on Roman Catholicism and Protestantism. In
response to the Protestant Reformation of the early sixteen century, the Roman Catholic Church had embarked in the 1550s ... Show more content on
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Instead the wealth father welcomes his son back into the home. "The aged artist's power of realism is not diminished, but increased by psychological
insight and spiritual awareness. Expressive lighting and colouring and the magic suggestiveness of his technique, together with a selective simplicity of
setting, help us to feel the full impact of the event." (Rembrandt's Prodigal Son, 2012). Just like Caravaggio's art, Rembrandt's art had a biblical
perspective with their art, that is displayed with energy and feeling.
The rising of the cross by: Peter Paul http://static.artbible.info/large/rubens_oprichtig.jpg The rising of the cross is also a religious baroque painting,
the painting shows Jesus being risen up on the after being crucified, the painting is filled with drama and power. The strong, tainted figures lug the
ropes in order to raise the cross, carrying the pale body of Jesus. drama and power. The strong, tainted figures lug the ropes in order to raise the cross,
carrying the pale body of Jesus. The influence of Michelangelo and Tintoretto on Rubens is obvious in the muscular bodies. Peter Paul Rubens was a
renowned diplomatic artist.
All of the Baroque paintings

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Critique of The Raising of the Cross Essay
The Raising of the Cross is one in a series of paintings based on the crucifixion of Christ by Peter Paul Rubens. This piece was painted between
1609 and 1610 with oil on canvas in life size with the centerpiece of the triptych measuring 15'2" by 11'2". It is now displayed in the Cathedral of Our
Lady in Antwerp, Belgium (Dunton, 164). Peter Paul Rubens was a Flemish artist that painted in Baroque style, his paintings were mostly of religious
and mythical origin and his skill in such has been highly regarded in his lifetime and since. (www.peterpaulrubens.com) Born June 28, 1577, Rubens
development as a painter, apparently, started early. After his father's death and his family moving to Antwerp he decided he wished to be a painter...
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In the center panel of The Raising of the Cross, there are many men struggling to lift Christ on the cross. I think the implied significance of this is
the biblical reference to the weight of the sins of the world being on Christ and his death being the ultimate sacrifice. Ruben seems to portray this by
showing how heavy a weight that is by the men struggling to lift Christ. The angling of the cross and the styling of the painting is very similar to
Ruben's artistic inspirations, such as Caravaggio (Getlein 425). Besides the cross, there seems to be a clearly implied line pointing to the sign above
Jesus' head where it states that he is "Jesus the Nazarene, King of the Jews" in multiple languages (Bible, Gospel of John 19:19–20). There appears to
be, what looks like, a skull in the wall behind the cross, this would likely be the skull of Goliath, since the hill is Golgotha (the Place of the Skull)
(Bible, Mark 15:22). Jesus is clearly more brightly lit than the rest of the painting giving him emphasis in the image and the rocks behind the group
being subordinate to them. The man in red that is lifting the cross seems to stand out among the men, he isn't dressed the same and he's darker
skinned than the rest, I suspect this could be Simon of Cyrene, the man that was ordered to carry Jesus' cross after he collapsed (Bible, Luke
23:26)and Cyrene is in modern–day Libya and Simon

The Baroque Period
Artists and Artworks from the Baroque Period
Nathan Hale
American Intercontinental University
Abstract
The author of this paper examines three works of art from three different artists from the Baroque Period. He compares the different works of art and
discusses similarities, differences, and the techniques that were used.
The Baroque period ran from 1600 to 1770, Artist of that time used different techniques that were used during the renaissance period to bring drama to
art. An immense amount of art in that period shows fantastic energy and emotion. These pieces of art that were designed and created during the
Baroque period brought out emotion in the onlookers of the ... Show more content on Helpwriting.net ...
The color of the sculpture is of skin tone, but the way Bernini sculpted the lines created shadowing in his skin. You can tell the strength of David by
all the carved out muscles that are all over his body. Peter Paul Rubens a renowned humanist and diplomat in his time. Was the most influential
baroque painters in northern Europe. He studied works of Michelangelo. When he returned up north he was very sought after and opened a large
studio with much assistance. He was known for the beauty he painted when painting nudes, but there was a propensity for everything in his
painting to have a sense of sensuality, his freedom with the brush influenced many painters. The rising of the cross 1610 to 1611 which was painted
oil on panel. He painted this piece of art for an important Roman Catholic cathedral in his homeland. He paints the elevation of the cross after
returning to Flanders from Italy. The main panel illustrates muscle men attempting to lift the cross, and the unbearable weight of Christ of the cross.
This piece of art is jumping out on the onlooker it simply is amazing leading to the picture of Christ . The visual vitality makes this piece a baroque
piece of art. The center of this beautiful painting is filled with drama and power. The strong figures lug the rope to raise up the cross. While the other
muscly men carry and raise a pale looking Jesus. You

Peter Paul Rubens Research Paper
Life
Did you know Peter Paul Ruben had about 388 paintings and drawings all together? He painted and drew pictures of queens and kings, self portraits,
family portraits, and even religious thing. But at the start he wasn't thinking of making this a successful career.
He was a Flemish man, known for his astonishing paintings and printmaking. Peters father, Jan Rubens was married to a woman named Maria
Pypelincks. Maria gave birth to Peters older sister Christine rubens in 1571. Then six years later Jan Rubens had an affair with Anna of saxony, the
second wife of William l of orange. Jan went to court for it and was thrown in prison. Following Jan Rubens imprisonment for the affair,Peter Paul
rubens was born. Peter Paul Rubens passion was to paint. He had said "My passion comes from the heavens, not from earthly musings." He was born
on June,28,1577 in Siegen, Nassau–dillenburg, Holy Roman Empire ( now known as North Rhine–Westphalia)– and died on may,30,1640( age 64)
Antwerp, Spanish Netherlands( now known as Belgium). ... Show more content on Helpwriting.net ...
Rubens and Isabella Brandt, the Honeysuckle Bower, c. 1609. Alte Pinakothek
In 1610 the rubens moved into a studio house where he did most of his paintings. Life was better than peter expected. He had his dream garden studio
house and an amazing supportive wife. He had everything he needed to fulfill his dream.
The garden designed by Rubens at the Rubenshuis in

Prometheus Bound
Visual Analysis: Prometheus Bound Peter Paul Rubens' painting, Prometheus Bound, is a large oil painting on canvas currently on display at the
Philadelphia Museum of Art. The painting is approximately sized at eight by seven feet and portrays the Greek Titan Prometheus chained to a cliff as
his liver is eaten by an eagle. Rubens captures and allows the viewer to experience the most dramatic and gruesome moment of the myth, when the
majestic bird attacks the Titan, by implementing the tenebrism technique, a unique composition and perspective, and symbolism. Prometheus Bound
was painted by Peter Paul Rubens with assistance from Franz Snyder during the Flemish Baroque period in the South Netherlands. Rubens started the
piece in 1611–1612, however ... Show more content on Helpwriting.net ...
For example, in the myth, Prometheus steals fire from the gods to give to the struggling humans, which ultimately led to the progression of humanity.
The flaming torch in the bottom left is a symbol and attribute for Prometheus, however it also represents his crime. Also, according to the myth,
when Zeus, the king of the gods, discovers that the Titan defied his orders and stole the fire from Olympus, he punished Prometheus by expelling
him Olympus, chaining him to the top of a mountain, and sentencing him to have his liver eaten by an eagle every day for all eternity. The eagle,
however, is not just a part of the story. The predatory bird is a symbol of Zeus inGreek mythology. Another symbol for Zeus is storm clouds, because
he is the god of the sky and lightning. In the painting, the sky is full of dark grey and tumultuous storm clouds, which may represent Zeus' anger at the
Titan, while also conveying a serious tone. The painting also reveals green land in the distance and far below the peak of the mountain. Rubens may
have included the green scenery in the background, behind the cliffs and Prometheus to emphasize the Titan's isolation from the rest of the world as
part of his punishment. The chains in the painting also convey a sense of isolation,

Essay about ART HISTORY 102
Color VS. Drawing Which is more important color or drawing? These two have always been fought over for centuries by Poussiniste and Rubenistes.
Two great pieces of art that were created in the 1600's are Peter Paul Rubens' The Caledonian Boar Hunt and Nicolas Poussin's Landscape with Calm.
While Rubens argues that color is the most important part of the painting Poussin argues that the drawing is more important. In the paragraphs below I
will talk about the paintings each individually and then compare them. The first painting I will be talking about is Rubens' The Caledonian Boar Hunt.
This painting is a depiction of mythological event. The myth that is depicted in this painting is when the goddess Diana sent a boar to punish King ...
The painting shows man and nature in harmony. A clear sign that he focused mostly on drawing is the geometric forms used in the painting. He used
very calm tonality to give it the calmness. His artwork and brushwork are very fluid and focused. This painting has no historical meaning because this
painting was after his transition from historical to landscape. Instead of telling a story it is supposed to evoke a calm mood. The golden light
contributes to its peacefulness. Now that I have explained both paintings individually, in the following paragraph I will talk about their differences and
what makes them different. In this world there no two people who do something the exact same way. Poussin and Rubens are no exception. In fact their
almost complete opposites there are several things that make them different. The first thing that makes the two paintings and artist differ is their
believe of which part of the painting is the most important , while Rubens believes that the color is more important Poussin believes that the drawing is
the more important part. The next subject that makes them different is their brush work while Rubens has Energetic brushwork Poussin has fluid and
calm brushwork. The next difference is that while Rubens painting has a story and is about a myth Poussin painting is just a simple landscape painting
with no story. The final difference I saw was that while Rubens painting was about a struggle

Peter Paul Rubens The Descent From The Cross
Peter Paul Rubens was one of the most well known and successful European artist from the 17th century. He came to be what he is by achieving
difficulties along the road. Rubens's art portrayed religion, history, and mythology. He was known for works such as " The Descent from the Cross"
and " Wolf and Fox Hunt". But , one specific painting that caught my eye was " Christ on a Cross". Christ on a cross was painted
Christ on a cross Rubens used oil on wood, and other necessities to paint this piece. The height is 169.898 inches and the length 122.441 inches. The
colors that are used in the piece are somewhat faded, but also somewhat bright.
The dull colors were smudged a little together on certain portions of the painting. The piece shows Jesus ... Show more content on Helpwriting.net ...
In the top portion of the image, you see that Jesus and the two other individual simply have fabric tied around their waists to cover their genitals.
But one other has a different color of loincloth, unlike the other two. I do not why one of them has a different color of loincloth. The soldiers also
have a metal vest with designs , you can see them if you look closely. Towards the middle of the painting, Jesus body is the brightest out of all three.
On the right bottom part of the painting, are the Virgin Mary and St. John, they are looking to their left at what is unfolding before their eyes.
The roman soldiers in the painting can be seen riding brown and white horses. Some soldiers in the painting appear to be armed with spears or
other weapons. Towards the right bottom corner there is a soldier with a strange weapon of some sort, looking like he is going to use it on the
deceased corpse of the crucified man on the right. To the bottom left there is a soldier sitting on a brown horse, watching as the others do harm to the
deceased corpse. On the bottom left, it shows that the roman soldiers check whether or not the crucified are dead or

Peter Paul Rubens Raising Of The Cross Essay
The piece that stood out to me the most from the readings was Peter Paul Rubens' The Raising of the Cross. I believe the piece is a culmination of
influences from his predecessors and contemporaries and religious works of the Baroque period. I also see this work in particular as a very obvious
embodiment of emotional realist art, though with its own original and unique interpretation of the art style. It is apparent that the Carracci brothers'
Ceiling of Gallery inspired Rubens' work. From studying their work, Rubens learned anatomical accuracy and realistic physical representations of
bodies. In Ruben's painting, the bodies depicted are all realistic and anatomically probable, a stark contrast from early humanist work which illustrated
huge, heroic, near science–defying bodies that were more akin to mythology than actual beings. The figures in Rubens' work are certainly idealized,
with Christ being very muscular himself, but there is also believability to their depictions. For example, the old woman on the side mourning Christ's
crucifixion is thoroughly detailed, and simply looks to be real, or something we would perceive in day–to–day life.... Show more content on
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Caravaggio was known for his realistic, dramatic, emotion–evoking works, which is mirrored in Rubens' The Raising of the Cross. Rubens' painting
evokes a lot of emotions for the audience and transcends classical art forms that simply evoked thoughts detached of emotion. Rubens' also utilized a
technique that Caravaggio popularized: tenebrism. In the Raising of the Cross, all peripheral figures are dimmed and in the dark, while Christ, the
focal point has a bright light cast upon him, to draw viewers closer to Christ, literally and

Peter Paul Rubens Prometheus Bound
As a child, I traveled to Europe and visited various museums that housed numerous famous paintings. I remember walking into museums and not
understanding anything, I could never actually understand the sheer brilliance behind these works of art. Now, after taking this Art History course, I
can safely say that I understand and appreciate art a lot more. I would love to go visit all those museums again, just to see the art works from a
completely different perspective. When I saw the Sistine Chapel a few years ago, I thought it was absolutely beautiful, but I didn't really know what
the paintings stood for therefore seeing it now would be a completely different experience. After visiting the Philadelphia Museum of Art, there was one
painting that really stood out for me, Prometheus Bound by Peter Paul Rubens
Peter Paul Rubens too was a Flemish born artist, who was born in Germany and was known for the Baroque style, which is a type of European
architecture. This painting was one of the leading examples of Baroque art. ... Show more content on Helpwriting.net ...
The color and lighting used in this painting help heighten and bring out the emotions that are being shown. This particular method, known as
'chiaroscuro,' interplays light and dark shades to give more meaning to the subject. The illumination of Prometheus highlights his goodness and purity
as compared to the darker tones that are used in the depiction and the background of the eagle characterizing it's evil and morbid nature. Additionally,
Prometheus is clad only a blue and white cloth. Traditionally blue has always been the color of protection, used to ward off evil, and white is known
as the color of purity. The apparent break of dawn in the backdrop could also depict hope, perhaps in some way foreshadowing Prometheus' eventual
rescue by

Peter Paul Rubens
Born in 1577 in a small German town called Siegen, Peter Paul Rubens lived a successful life of an artist. From birth he led a wealthy life with his
father, Jan Rubens, from a family of spice merchants. Jan was a successful lawyer in Antwerp before fleeing from the city to escape the religious
war. His life crumbled, however, when Jan died in 1587, leaving his wife to raise Peter and his brother and sister. He left school at the age of
thirteen to serve as a page. It was here that he had the opportunity to copy prints from artist such as Durer and Holbein. He began formal classes in
1591 with Adam van Noort in his studio. He then moved onto being an apprentice to Otto van Veen. Van Veen had notable influence upon Rubens'
early style. Van Veen

Peter Paul Rubens The Consequences Of War
In 1638, Peter Paul Rubens painted The Consequences of War as an allegory for the mood in Europe towards the Thirty Years War. The Thirty Years
War was a series of wars throughout Europe that decimated cities and cultures. The wars were mainly due to a feud between Protestants and Catholics
after the Counter–Reformation. The wars began in 1618 and lasted until 1648, so Rubens work of art, The Consequences of War, couldn't have come at
a more powerful or influential time. Furthermore, Flanders, the location where Rubens lived at the time, was in the midst of the war. Flanders was its
own army at the time, and there were numerous horrific battles in the area, which brought out chaos amongst the Flanders citizens. Everyone was
frightened for their ... Show more content on Helpwriting.net ...
It is around 6 feet tall and 12 feet long which makes some of the more prominent figures around 5 feet tall. The mood created and the size are two
very Baroque aspects that Rubens includes in order to make the viewer feel connected to the work of art more. Additionally, each figure tells their
own story, but each of their individual stories adds to the overall theme. First, there is a woman figure on the far left who is a personified version
of Europe. The woman is in despair, flailing her arms up, and has tears in her eyes. This represents the mood of all the European citizens throughout
the Thirty Years War, and if a viewer looks at her they would feel connected on an emotional level. Next, there is Venus who is desperately trying to
hold back her lover Mars from inevitably going to war. Venus is portrayed as a beautiful, nearly nude figure who is highlighted with lots of light.
Rubens includes lots of diagonals to show movement in the image, and to show how the story being told is not over– another very Baroque
characteristic. Another crucial figure is Mars, the God of War. Mars is headed off to war, being pulled by Fury

Baroque Vs. Baroque Renaissance
The style that followed the Renaissance is usually called 'Baroque'. 'But, while it is easy to identify the earlier style by definite marks of recognition,
this is not so simple in the case of Baroque.' Baroque is considered to be 'one of the great periods of art history', and it is generally identified as being
developed by Caravaggio, Gianlorenzo Bernini and Annibale Carracci. The Baroque period developed in Europe in around 1600, and it can be seen
partly as a reaction against the intricate and formulaic Mannerism that dominated the Late Renaissance. Nevertheless, to see Baroque as simply being a
reaction against Renaissance ideals and norms is simplistic. Modern scholarship has identified within the Baroque clear signs of a return to ... Show
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By synthesising these elements, I will establish how the Baroque can be distinguished from its precursors.
The term 'Baroque', like many period designations, is not a complementary one. It had the connotation of meaning 'bizarre taste' that does not follow
the rules of the classical. This provides one basic definition of the Baroque; its contrast to classicism, despite the fact that Baroque was a reaction to,
and an adaption of, the classical tradition. 'The word 'Baroque' was a term employed by critics of a later period who fought against the tendencies of
the seventeenth century, and wanted to hold them up to ridicule. Baroque really means... grotesque, and it was used by men who insisted that the
forms of classical building should never have been used or combined except in the ways adopted by the Greeks and Romans...'
After the idealism of the Renaissance, and the slightly 'forced' nature of Mannerism, Baroque above all reflected the religious tensions of the age–
notably the desire of the Catholic Church in Rome (as annunciated at the Council of Trent) to reassert itself in the wake of the Protestant Reformation.
Thus, Baroque art became synonymous with the Catholic Counter–Reformation. Baroque art in Catholic nations reflected the desire of Emperors and
monarchs to strengthen their political position and glorify their own divine grandeur. By comparison, Baroque art in

An Analysis Of David Slaying Goliath By Peter Paul Rubens
"David Slaying Goliath" by Peter Paul Rubens is an example of Renaissance art. This painting depicts a well–known Bible story of a young Israelite
boy named David who kills the giant, Goliath, with a slingshot, and chops off his head with a sword. Rubens has chosen to illustrate this Bible story at
the moment when David is about to hack off Goliath's head with the giant's sword. In addition, we see armor–clad soldiers rushing into battle in the
background. In "David Slaying Goliath," Peter Paul Rubens uses color, value, and line to illustrate the dynamism and energy within the painting that
makes it look realistic. In addition, these elements contribute to the sense of excitement and anticipation of the event depicted. First of all, Rubens uses
dark and light colors throughout the painting to emphasize movement and fluidity. The most obvious use of movement through color appears on
David. David's bright red drapery is what draws our eyes in first because David is the most important object in the painting. The different shades of
red emphasize movement because it accentuates the folds of the drapery, making it flow. The warmth of the red in his drapery contrasting with the
darkness of the ground gives off intensity and seriousness of the scene. Furthermore, there is bright red blood on Goliath's forehead, where David
struck him with a rock. The red blood sticks out, making the scene a bit more realistic and exciting. The dark and light colors used in the sky also shows

The Fall of Phaeton
The Catholic Baroque period of the 17th century set forth an artistic style that used a much more dramatic use of color. Furthermore, contrasts between
light and dark became more apparent as darks became darker, and brights became brighter. Images often depicted grandiose visions, martyrdom, intense
psychological moments, intense light, ecstasies and conversions. Paintings became more direct and dramatic as well, attempting to draw the viewer
into the scene to participate. Depictions during this era also felt emotionally straining, on top of feeling physically and psychologically real. The era
was dominated by several figures; for example, Giovanni Lorenzo Bernini, Caravaggio and Rembrandt, but the metaphorical crown of the Catholic
Baroque era goes to Peter Paul Rubens.
Peter Paul Rubens was and is one of the most celebrated artists in Europe; both throughout the course of his lifetime, as well as throughout the entire
Catholic Baroque era. His works are currently on display in some of the most prominent museums around the world; including the Musee du Louvre in
Paris, The Metropolitan Museum in New York City, The Getty Museum in Los Angeles and many more. Peter Paul Rubens is accredited as the master
of the Baroque period by many, and with his art he unknowingly created a set of rules that almost all Catholic Baroque art follows.
One of Peter Paul Rubens most distinguished and discussed works is The Fall of Phaeton, an oil painting on canvas. Created between 1604 and

Peter Paul Rubens Dichotomy
Peter Paul Rubens is known as one of the great artists of the Baroque period. Notorious for his paintings of religious scenes, mythology, and portraits,
his style is easily recognizable through his portrayal of large, pale, nude women (Johnson 144, 145). In his painting, Diana and Her Nymphs Departing
for the Hunt, Rubens positions Diana, a goddess in Roman mythology, at the forefront of the piece partially topless, reflecting her fertility and
sexuality; meanwhile in the background a confrontation between a nymph and satyr display the conflict between nakedness and nudity, male and
female, and obscene and control. Diana is the Roman goddess of the moon, the hunt, childbearing, and chastity. According to the Cleveland Museum of
Art, different... Show more content on Helpwriting.net ...
In the article, "Erotic Ambiguities: The Female Nude in Art," Helen McDonald, graduate of fine arts at University of Melbourne, argues that the
difference between nude and naked can be simplified to the difference between "privilege form over matter, male over female, and art over
obscenity" (McDonald 61). In order for the naked body to "survive as art," Rubens must "discipline" and "regulate" the body (McDonald 61). In the
painting, Diana and her nymphs are nude as opposed to naked because they are bounded by clothes and their body movements seem controlled.
However, the satyr is naked instead of nude because his motions appear erratic and forceful, not within bounds, and the nymph is trying to control
him. Diana, the goddess of the hunt, epitomizes control in the photo not just through her body language but because she has the power to tame wild
animals, which is illustrated with her interaction with the dogs in the painting. Additionally, Nicole Sault in "The Savage Body" claims that a
"savage" can be distinguished through "his nakedness" and that savages are typically portrayed as males until they have been controlled, in which
they are depicted as female (Sault 4). The male satyr is a clear representation of a savage through his bare, partially animalistic body, while Diana is
noticeably calm and composed. The

Peter Paul Rubens The Raising Of The Cross
I had a chance to search through and I was able to locate these two well know painter's during the Baroque times. Peter Paul Rubens and Rembrandt
van Rijn, Starting off with Peter Ruebens (23–26) pg. 738, The Raising of the Cross is one in a progression of compositions taking into account the
torturous killing of Christ this painting was created by Peter Paul Rubens. This painting was created somewhere around 1609 and 1610 with oil on
canvas. It is currently shown in the Cathedral of Our Lady in Antwerp, Belgium. He was a Flemish artist that painted in Baroque style, his artistic
creations were for the most part of religious and legendary inception and his expertise in such has been profoundly respected in his lifetime and since.
He was Born

Anthony Van Dyck And His Influence During The Baroque Period
This essay focuses on Anthony Van Dyck and his influence during the baroque
period, his portrayal of people through portraiture and the work that focuses on depicting
religious and mythological paintings such as Daedalus and Icarus, around 1620. As well as
exploring his life and influence through portraiture.
The artist, Anthony Van Dyckknown most notably for his impact within the
baroque period, around 1621–72. Was known for his portrayal in religious works as well as
his portraits. He was the pupil of Hendrick van Balen, a Flemish baroque painter and
stained–glass designer; this allowed him to flourish as an artist at such an early age. Soon
after, he became Peter Paul Rubens assistant; Rubens another ... Show more content on Helpwriting.net ...
The baroque period was very important piece European art history, in which all
forms of art was changed under the influence of "religious and ideological movements of
the Catholic Counter–Reformation in Europe." (Sandywell, 1st Edition, 2011) This era
lasted from early 1600 to late 1800. The baroque period can also be broken down into two
sub categories: Italian baroque and Spanish baroque. The paintings during the baroque

period this time heavily focused on building and expanding their work on "naturalistic
tradition reestablished during the Renaissance" (Lagasse, 2017) specifically in ways art
was more focused on playing with depth and space. Letting the eye perceive something
with greater depth or space through the use of color manipulation. This really impacts the
viewer, and helps them receive a sense of emotion through art. Works had "A heightened
sense of drama was achieved through chiaroscuro", (Lagasse, 2017) playing with tints and
tones or lightness and darkness within a piece of painting. The added effect of depth
through colour was really thought out and changed art during this era. To create a realistic
piece that portrays emotion caught the attention of people. Compared to older works of art
that had been used for propaganda, building incredible structures, or to worship their God;
the

Research Paper On Peter Paul Rubens
Peter Paul Rubens, a painter and an inspiration to many, was brought to this earth in a town called Siegen in Westphalia (which is now Germany)
on June 28, 1577 and passed on May 30th, 1640. He was one of seven siblings. His parents cherished and loved him dearly, but once his father
passed away in 1587 the family picked up and moved to the Spanish Netherlands (now Belgium) where they each when about their own lives. He
received his education in art and married twice, he also had eight children. It has been said that "Peter Paul Rubens was one of the most famous and
successful European artists of the 17th century, and is known for such works at The Descent from the Cross, Wolf and Fox Hunt, and The Garden of
Love"(Peter Paul Rubens Bio). The Garden of Love was a very unique and intriguing piece he painted. It not only has a beautiful story behind it, but
it is a wonderfully put together piece. In The Garden of Love Rubens is celebrating his marriage and love for his second wife Helena Fourment. She is
posed to be the most beautiful woman in Antwerp. The piece has taken place from a court feast, it is shown that the people are smitten with love and
have cupids all around. This reflects the artist in a way that shows his happiness to have found such a beautiful wife and wonderful people to celebrate
it with. He ... Show more content on Helpwriting.net ...
He was happy to show how much he loved and cared for his wife. He was able to express his thoughts and feelings into this piece. It showed so much
detail and dedication, which reflects the type of person he was.
Bibliography
Bishop, Philip E. "Chapter 10." Adventures in the Human Spirit. 7th ed. Upper Saddle River, NJ: Prentice Hall, 1999. 277. Print.
"The Garden of Love, 1610 by Peter Paul Rubens." The Garden of Love, 1610 by Peter Paul Rubens. N.p., n.d. Web. 20 Mar. 2016.
"Peter Paul Rubens Biography." Bio.com. A&E Networks Television, n.d. Web. 20 Mar.

San Velazquez 's Las Meninas
Kim 1
Diego VelГЎzquez 's Las Meninas
Las Meninas by Diego VelГЎzquez is depicted as a group portrait of Spanish King Philip IV (8 April 1605 – 17 September 1665) at the Habsburg
court. The painting well demonstrates VelГЎzquez 's painting techniques that can be recognized by dramatic mood, rich color and extreme contrast
between light and dark. It is absolutely extraordinary and implies influences VelГЎzquez has had, especially Flemish Baroque realism. VelГЎzquez had
a deeper ambition in his mind when creating this masterpiece. He wanted to earn the title that can ensure him a high position in society. So,
VelГЎzquez had this desire for an aristocratic title better than any other single court positions he could get.
Diego VelГЎzquez was born in ... Show more content on Helpwriting.net ...
Greatest Works of Art of Western Civilization. New York: Artisan, 1997., 226
. VelГЎzquez used refined techniques and composition so effectively to create this masterpiece describing the presence of the royal family. To create
such a high–class art, he emphasized his techniques and ability by reflecting reality in the painting. A clear and description of the royal court, Las
Meninas is a masterpiece that demonstrates both VelГЎzquez 's skill as a painter and the complexities of human intellectualism. The figures are painted
near life–sized to show many things; overwhelming realism, complexities, and symbolism.
The painting is oil on canvas completed in 1656. At first, the painting was called El Cuadro de la Familia in seventeenth–century the Royal Palace at
Madrid Martin, John Rupert. Baroque. New York: Harper & Row, 1977., 337
. The main focal point is Infanta Margarita Maria, the royal princess who stares the audience from the middle of the painting. Around her are two of
the Queen 's maids of honor, Dona Maria Augustina on the left and Dona Isabel de Velasco on the right. There are two older people behind the
princess, Dona Marcela de Ulloa and Guarda Damas. There is also VelГЎzquez himself standing back of the easel. He indicates his privilege by putting
himself in the painting. All these people in the

Peter Paul Rubens Massacre Of The Innocents
Religious imagery has been a staple in artistic culture throughout history. It has been used to communicate ideals and concepts to communities while
encouraging the worship of a holy being. Often, it also represents certain important qualities of the artist responsible for the making. In terms of
Catholicism, biblical scenes have been painted, sculpted, and repeatedly represented artistically in order to provide a strictly visual representation of
what many believe is God's word. The content that is displayed in these works is often graphic in order to convey the intensity and importance of what
is being shown. It is important that viewers see and understand the brutality of certain sacred events so as to educate themselves and to prevent
themselves from committing or supporting any correlated evils. ... Show more content on Helpwriting.net ...
A particularly vivid scene is displayed in Peter Paul Rubens' first portrayal of the slaughter of many innocent civilians of Bethlehem. The Context of
Peter Paul Reuben's Massacre of the Innocents serves as an expression the artist's identity through the historical content that he has chosen to paint,
through the obvious influences of the techniques used in the creation, and the artist's intention when creating the piece. Each of these components
speaks to who Rubens' is as an artist and as a person. An artist's work is an acceptable expression of their identity because each piece is a reflection
their beliefs, a reflection of their influences and who they look up to, and also a reflection of their own

Faceton Museum
Over the spring break, my parents decided to take me to visit colleges. Of the two colleges we visited, one of them is located near Washington
D.C. We were supposed to visit Georgetown University, but we had one day to relax, so my family decided to visit the National Gallery of Art.
My dad originally suggested the Smithsonian Museum, but my said that on Yelp, the National Gallery of Art was ranked 1st in museums in
Washington, which is much better than Smithsonian, which was ranked 12th. So, we left our hotel and arrived at the museum just as soon as it
opened. The National Gallery of Art, funded by the government, had free admissions. In addition to free admission, there were free audio tours that
you could sign up for. Basically, you would give the man at the desk a valuable item (e.g., your driver license, I.D., credit card) and, in exchange, he
gave you this device that sort of looked like an old flip phone. In order for the device to work, you would go to specific paintings and punch in the
numbers that should be shown next to the title of the piece. You would then bring the device up to your ears as it plays an audio clip mostly explaining...
The color scheme of the piece could be called monochromatic. A large majority of the piece is simply the different shades of brown and orange
that are used for the lions and the rocks. However, Sir Peter Rubens decides to add a bright red colored cloth behind Daniel in order to add variety
and interest to the viewer. With the use of all the elements of design, Sir Peter achieved various other principles of design. Balance, for instance, is
established through the placement of the forms in the piece. Although more lions are on the left side of the piece, the lions on the right are much more
bigger than the left, with more details and also more action to their forms as well. The main figure, Daniel, is also not entirely centered, which helps
balance the painting

Hero and Leander by Peter Paul Reubens
During this semester's course we have studied various styles of art throughout Europe, and what has intrigued me the most is Baroque art. Baroque, as
we have studied it, is a period of artistic style that used exaggerated motion and clear, easily interpreted detail to produce drama, in sculpture, and
painting. Baroque style began in Rome, Italy in the 1600s and quickly spread throughout Europe. The Baroque style was endorsed by the Roman
Catholic Church, in their response to the Protestant Reformation. The Church encouraged artists to create works of art that would connect their
audience intellectually and emotionally with religious themes. For my final visual analysis I have chosen Hero and Leander, by Peter Paul Rubens
(Figure 1). Rubens created this oil on canvas painting between 1604 and 1605 in Lombardy, Italy. Ruben's painting features Leander, a youth of
Abydos, who used to swim across the waters at night to Sestos on the opposite side to meet his lover Hero, a priestess of Aphrodite. The painting
measures 96 X 127 cm and is currently located in the Yale University Art Museum, in New Haven, Connecticut. (Early mythological paintings) From
Hero and Leander we can see the influence that Michelangelo and Titian had on Rubens during his career, in particular, how the human body moves in
extreme ways. Emil Kren and Daniel Marx, on the Web Gallery of Art, give a nice summary of the subject of Ruben's painting.
The subject of the painting is a legend according to which

Peter Paul Rubens ( 1577-1640 )
Peter Paul Rubens (1577–1640) painted The Raising of the Cross in 1609–1610, when he was about the age of the martyred Christ. Until 1794, this
colossal work (central panel: 460 x 340 cm, side panels: 460 x 150 cm) was part of the high altar of the St. Walburgis Church, which was later
demolished. The painting was once taken away by the emperor when Napoleon ruled France. However, the painting was returned to Antwerp in 1815,
and it is located in the Our Lady's Cathedral since 1816.
The whirling strength, the impelling dynamism that characterize this masterpiece full of drama and pathos are striking. Nevertheless the whole
presentation appears coherent and balanced. The grunting, pushing, pulling, and lifting from the men to raise the cross showed great strength,
movement, and endurance to perform the task that caused "Jesus of Nazareth, King of the Jews" to ask Almighty God to forgive them due to lack of
knowledge.
Brief Biographical
Peter Paul Rubens (June 28, 1577 – May 30, 1640) was a prolific seventeenth–century Flemish Baroque painter, and a proponent of an exuberant
Baroque style that emphasized movement, color, and sensuality. (1) He is born in Siegen, Westphalia in Germany. He and his brother were sent to a
Latin school in Antwerp. Due to lack of money, Rubens' mother withdrew him from school in 1590 and sent him as a page to the Countess of Lalaing
at the age of 13. She needed the extra money to pay a dowry for his sister. Although his job was very prestigious,

Essay on Formal Analysis and Historical Context of Artwork
Peter Paul Rubens' masterpiece, Venus and Adonis, is not only a significant artwork of the baroque
–period in Europe during the seventeenth century,
but it also tells the mythological story that begins with love, and ends in tragedy. Displayed in the Metropolitan Museum of Art, this painting is
admired for representing the unique baroque–style of this era, as well as Rubens' particular use of the medium and how it reaches those who are
viewing it. His attention to detail and crafty use of symbolism within the painting assist viewers in deciphering the story, along with the values of the
period in which Rubens was living. In studying the composition of the work and noting the historical context from which it came, one can ultimately ...
Considering its position within the museum and in comparison to the other works with which it is exhibited, the painting definitely holds a dominance
in the room and must therefore draw much attention from viewers. It size, as well as its subject matter, make it a very notable piece of artwork as well.
Peter Paul Rubens uses the story of Venus, the goddess of love, and Adonis, Venus' mortal lover, as the focus for his work. Their story, originally
told in Ovid's Metamorphoses, begins with the struggle of love as Venus tries to stop Adonis from voyaging on his hunt by attempting to seduce
him ("Titian..."). Her struggle to keep him with her, because she knows of his fate, ends in tragedy as Adonis is killed by a wild boar. The scene that
is depicted within the painting is Venus in the middle of restraining Adonis, with the help from her son Cupid, who latches himself on to Adonis' leg.
Adonis appears calm and assuring, for he is gently caressing Venus' leg in a seductive fashion, while his dogs wait eagerly in the background (Adams
350). Along with the hidden seduction that lies in Venus' face and Adonis' touch, other hints of symbolism are incorporated throughout the work.
Adonis' dogs can be said to represent impatience, for the further of the two dogs appears to possess a somewhat

Peter Paul Rubens Essay
In 1600, Peter Paul Rubens left his home in Antwerp, and he set off to Italy. Soon after arriving in Italy, Ruben entered the service of the Duke of
Mantua, Vincenzo Gonzaga.
The duke's palace had a great art collection, and Ruben found time to visit various other cities in Italy since he wasn't expected to be at the household
all of the time.
Rubens completed his education in Rome.
During Rubens' first visit to Rome, he painted 3 altarpieces for the Church of Sta Croce.
In 1603, Peter's duke sent Peter on a diplomatic mission to Spain where he made an equestrian portrait of the Duke of Lerma.
In 1605, Rubens decided to stay in Rome for 3 years, and during this period of, he commissioned and created various pieces of art and decoration.
... Show more content on Helpwriting.net ...
Maria in Vallicella. At first, he created an altarpiece that showed St. Gregory, various other saints, and Madonna and Child. The poor lighting in the
church did not make a good impression of this altarpiece. Then, Rubens decided to replace this altarpiece with three images painted on slate.
His mother's sickness and death would change Rubens' career forever. When Rubens heard that his mother was sick, he left Italy to return to Antwerp,
but he would never come back.
In Antwerp, the sovereigns, or rulers, of Spanish Netherlands appointed Ruben as court painter. Archduke Albert and his consort, Isabella.
Rubens created the "Four Philosophers", and the humanistic atmosphere pf Antwerp helped to inspire and influence the work of art. This painting is a
commemorative one with Justus Lipsius with 2 pupils being Rubens and his brother.
The "Raising of the Cross" meant for the church of St. Walburga, and this piece of art made him the leading master of the city.

Soon after, Rubens created hunting pieces with men fighting beasts as well as more religious yet worldly pieces of art such as "Descent From the
Cross" and "Great Last

Daniel In The Lions Den Essay
Sir Peter Paul Rubens is the artist who created, "Daniel in the Lions' Den. This oil painting was create on canvas it is said to be created from 1614
through 1616. This painting illustrates the story in the bible called "Daniel in the Lions' Den". After spending night in a lion's den, he became a
biblical hero. The royal ministers did not approve of Daniel praying to god. So they threatened him and told him that he must only pray to King
Darius. Daniel disobeyed their orders and continued to pray to god. The royal ministers persuaded King Darius to condemn Daniel and throw him in a
den of lions. The next morning king Darius went to the den and found Daniel still alive and praying to god. From the history of this painting we learn
why and what... Show more content on Helpwriting.net ...
They did this too excite anyone who was faithful to their religion. They felt as they could only truly appreciate the suffering of Christ by going
through similar scenarios. Rubens painted this piece to draw emotional reaction from viewers. Daniel provided the perfect example of someone who
was sentenced to death for praying to god. He showed that through personal faith, endurance, strength, and consistency; one could survive any
condition. Rubens intentionally faced the lions towards the viewers, he made them look life size and like they are actually moving around. He did
this so that we may feel as if we were in the same situation as

Prometheus : The Myth Of Prometheus
As legend dictates, the myth of Prometheus represents one of the most cruel and heartbreaking depictions of what it means to betray authority in doing
what one believes to be best. As the myth goes, Prometheus was a Titan instrumental who was instrumental in shaping the human race. In order to
make man feel less vulnerable and weak, Prometheus decided to steal fire from the forges of Hephaestus so that humans could create tools out of
metal; he sought to empower humans in their struggles with this gift. However, Zeus was angry with Prometheus for his transgression, and therefore
punished him by isolating him and chaining him to a rock, and sending an eagle each and every day to peck out his liver for all of eternity
(Cartwright). Stories like those of the Titan have been captured via art throughout history. Both theRenaissance and the Baroque period referred back to
and paid homage to many classical elements of Greco–Roman culture through architecture, sculpture, and painting. This classical influence, along with
a renewed devotion to religion inspired by the Counter–Reformation, used art to inspire emotion in the churchgoers' and the general public audience.
One of these artists was the Flemish artist Peter Paul Rubens, who painted both religious and mythological scenes. One of his greatest works was a
gigantic canvas representing the punishment of Prometheus that was co–painted with his assistant, Frans Snyders. Rubens' Prometheus Bound
represents how mythological

Comparison Of Mattias GrГјnewald And Peter Paul Rubens
What could be the difference between the art influences with 100 years? Mattias GrГјnewald and Peter Paul Rubens are artists from two different eras.
Both were influenced their work with the Catholic religion. The two have painted very similarly alters that are both of the crucifixions of Christ. They
both show how much pain and agony with the way they portrayed their Christ.
Mattias GrГјnewald a German artist born in 1475 in the city of Wurzburg, Germany. He was widely known as the greatest GermanRenaissance artist no
matter what century for his religious paintings and drawings. He gave the audiences a visionary experience seeing how intense the expressionism and
color attributed to his works. We can only find 10 pieces associated to GrГјnewald with the earliest dated from 1503 so in his late 20's is when we start
to see his art pieces. Mr. GrГјnewald didn't always follow the rules of Renaissance art he would lean more towards the late medieval period. In
Germany, there was German Renaissance movement that advanced throughout the Germans but was divided by politics and religion which caused
some of them to go into Italy to view where it was originated from and to get more knowledge of all the Italian Renaissance. ... Show more content on
Helpwriting.net ...
Guido Guersi commissioned the Isenheim altarpiece for the main altar at the Monastery. This Monastery was designed for monks who were
ministered to people who were patients affect specifically those who had suffered from the plague as well as other treatment for skin diseases. They
were also specialized ergotism was a common skin disease that was very painful like burning sensation throughout the body that was caused by rye
fungus. The altar was sculpted by Niklaus Hagenauer which contained three saints and 6

Peter Paul Rubens Venus And Adonis
The next work is from Peter Paul Rubens. This creation was probably made in mid–1630 during his stay in Madrid. The painting is named "Venus and
Adonis". We can find that Rubens was one of the most interested artists of endowing the art of painting with prestige. He is the symbol of the baroque
scholar Velazquez always wanted to imitate. This is due to its wide humanistic and religious culture, the mastery of several languages, the skills for
diplomacy and its natural intelligence. Rubens reaped important prizes and noble distinctions of the kings of Spain and England that allowed him to
acquire the dominion of Steen. For this reason he always self–portraits as a perfect gentleman, dressed elegantly and with the distinctive elements of his
... Show more content on Helpwriting.net ...
According to Pacheco, Velazquez's father–in–law, Rubens copied all of Tiziano's paintings during his stay in Madrid. Among the mythological scenes
Rubens copied in Madrid is Venus and Adonis, which today houses the Prado Museum. The copy unfortunately has disappeared, but we can get a
rough idea of how it was thanks to this version painted years later. Taking as a source the Ovid's "Metamorphoses" tells the story of Adonis: Venus
and Persephone were fascinated by his beauty and it had to be Zeus who settled the matter, deciding that Adonis lived a third of the year with
Aphrodite, the other with Persephone and the third where he wished. However, two–thirds of the year was spent by Adonis in the company of
Aphrodite. For reasons unknown, Artemisia was angry with the young boy and during a hunt sent a wild boar against him, which mortally wounded
him. In this way, Persephone, goddess of the Hells, would enjoy exclusively the young

Abduction Of The Daughters Of Leucippus
Abduction of the Daughters of Leucippus is an oil painting created by Peter Paul Rubens in 1617. Peter Paul Rubens was a German–born Flemish
Baroque painter. Baroque is a style that emphasizes movement, color, and sensuality. His catholic upbringing was influential in his religious
references in his art. He was knighted by Philip IV in Spain and by Charles I in England. He was quoted saying, "My passion comes from the
heavens, not from earthly musings." He began his art apprenticeship at the early age of fourteen. He studied classic Greek and Rome art and was
highly influence by the great Italian artists Leonardo da Vinci, Raphael, and Michelangelo. He began his artistic journey by working under Adam van
Noort and Otto van Veen. During his... Show more content on Helpwriting.net ...
Ruben's work was highly copied and he was able to establish the copyrights for his prints in Holland, England, France, and Spain. At the mature age of
fifty–three, he married his young 16 year old niece. This sexual pervasiveness toward young females were reflected in his work. He used his niece as
an inspiration for the beautiful female figures in many of his paintings. Five years before his death in 1935, Rubens purchased an estate outside of the
Belgian city of Antwerp. He used the surrounding landscape as an influence in his later paintings. After producing 8 children and many great works of
art, Rubens passed away in 1640 due to complications of heart stemming from chronic gout.
Abduction of the Daughters of Leucippus by Per Paul Ruben is an oil painting from 1617. Both young girls have elegant fabric encompassing the
back of their legs. Other than the fabric, the girls are completely nude. Their skin tone is very light, as if they have not seen much sun. Neither girl
is wearing any shoes on their feet. The girl positioned closest to the ground has a golden blonde braid of hair hanging from her head. The Girl on
top has beautifully curled hair. She also has a white cloth encompassing the uppermost portion of her arm. There is an arm bracelet around the lower
girl's upper right arm. The men are wearing finely crafted shoes or boots. Their skin is a darker bronze tone as if they

A Comparative Visual Analysis : David Slaying Goliath
Reflection Paper: A Comparative Visual Analysis
This paper gives a comparative visual analysis of two artworks from the same period; "David Slaying Goliath", by Peter Paul Rubens, c. 1616 and "The
Sense of Touch", by Jusepe de Ribera, c. 1615–1616. Despite the fact that the artworks are from the same period, they are both unique in terms of
details and the themes they represent. This visual analysis compares and contrasts the way in which the artists employed the different characteristics of
the baroque movement to come up with their unique compositions. "David Slaying Goliath, c. 1616 by Peter Paul Rubens" (Norton Simon museum n.p)
David Slaying Goliath Ruben's painting is based on a religious theme. It shows the triumph of David over the Philistine giant Goliath. The moment
capture by Ruben is after the fall of Goliath. The composition shows David in the act of severing the giant's head. He has his right foot on the dead
body of Goliath while his sword is raised behind his back, ready to fall on the neck of goliath. "The Sense of Touch, c. 1615–1616, by Jusepe de Ribera"
(Norton Simon museum n.p)
The Sense of Touch The theme of Jusepe's composition is based on senses. The composition depicts a blind man holding a three dimensional sculpture
with his left hand while he uses his right to discern its features. On the foreground of the composition, the artist included a painting which can be seen
laying flat on the table.
Comparison and Contrast The Sense of Touch and

Christ Triumphant Over Sin and Death by Peter Paul Ruben...
Christ Triumphant Over Sin and Death by Peter Paul Ruben
Man has been painting since the beginning of existence. In fact, it was one of the very first methods of expression and communication ever used
by humans. Art has been used to represent diverse kinds of religion, beliefs, and points of from all around the world as a form of expression that
could last forever and speak every language. At this time I am going to refer to a specific form of art. This type of art is painting. I am also going to
refer to a particular painting. This distinct painting is titled Christ Triumphant Over Sin and Death by Peter Paul Ruben (1577–1640) and is in the
Columbus Art Museum located in Columbus, Ohio. This painting of Christ Triumphant ... Show more content on Helpwriting.net ...
Christ is sitting on top of a rock, holding a scepter in his left hand. This scepter is a symbol of power and authority. There are two angels bringing
crowns to Christ made of laurel flowers and there is also an archangel bringing a vivid red cape for the lord. Right beside the angels you can see
the fire of hell in crimson and saffron bright colors. It is very easy to perceive the power that Christ holds over all. Under his feet a snake seems to
be slithering representing sin. Also beneath him there is a skull representing death. The strengths for the painting are a perfect match between the title
and the artist representation. The background was made trying to get the attention of the viewer in Christ and the objets around him, but it is almost
impossible to describe the place. The colors of the background are dark and out of focal point; what I think leaves up to the viewer imagination to
decide were it took place. It is very easy to understand the meaning of the painting but I cannot make a real description of were it suppose to take place.
The idea of the painting seems to represent the difference between good and evil. It also seems to be teaching us that in all situations goodness will
persevere over evil. Peter Paul Ruben feeds us this idea when he applies beaming active colors to the faces on the characters in the painting. He does
this in order to pull the observer into the overall theme of the piece.

The Art And Baroque Art Of Peter Paul Rubens
Peter Paul Rubens (b. Siegen, Germany, 1577; d. Antwerp, 1640) was a Flemish painter revered as the most versatile and influential baroque artist of
Northern Europe in the 17th century. Rubens's art emphasizes the theory of artistic imitation, and blends features of the Italian High Renaissance and
Northern realism with elements from antiquity. Rubens specialized in making altarpieces, portraits, landscapes, and history paintings of mythological
and allegorical subjects. In his painting Venus and Adonis, mid–1630s, Rubens juxtaposed Ovid's "Metamorphoses" (book X) and Titian's Venus and
Adonis, 1553–1554, to generate his own invention that relies on his theories of artistic imitation. Rubens painting is predominantly influenced by, but
not modeled after Titian's piece, which he copied in Madrid in 1629. Rubens was born in the German town of Siegen, in Westphalia. His father, Jan
Rubens, a lawyer and alderman of Antwerp, had fled the Spanish Netherlands in 1568 with his wife, Maria Pypelinckx, and four children to escape
religious persecution for his Calvinist beliefs. After Jan's death in 1587, the family returned to Antwerp, where young Peter Paul, raised in his mother's
Roman Catholic faith, and received a classical education. His humanist education seriously began with his apprenticeship to Otto van Veen, with whom
he probably worked with from 1594 to 1598. During this period, Antwerp developed into an important center for the Counter Reformation due to a
serious

Unit 5 IP Art Appreciation AIU Online Essay
Unit 5 IP
September 28, 2013
Among the three artists Rubens, Caravaggio, and Rembrandt there have been many magnificent works of art. There are many different similarities and
differences within each Artists works, aesthetic qualities and symbolic significance, as well as the artists' points of view for each work of art. Rubens, (
Peter Paul Rubens) "was a prolific seventeenth–century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized
movement, color, and sensuality. He is well–known for his Counter–Reformation altarpieces, portraits, landscapes, and history paintings of
mythological and allegorical subjects." He began by visiting many famous artists and copying some of their works of art to ... Show more content on
Helpwriting.net ...
Both Caravaggio's and Rubens painting are grotesque and dramatic, yet a beautiful display of their own imagery. (Caravaggio.org 2013) A writer
named Walter Wallace gives an incredible and justifying description of Rembrandt ( Rembrandt Van Rijn). He states "In life Rembrandt suffered far
more misfortune than falls to the lot of an ordinary man, and he bore it with the utmost nobility.... The child of poor, ignorant Dutch peasants,
Rembrandt was born with near–miraculous skill in art. As an uneducated young man, he established himself in Amsterdam, married a beautiful,
wealthy, sympathetic girl named Saskia, and enjoyed a brief period of prosperity and fame. However, because men of genius are always misunderstood
by the public, fate snatched him by the throat.... Rembrandt responded with a masterpiece, a fact unfortunately apparent only to him and his wife.
Everyone else, from the burghers to the herring–peddlers, thought the painting was dreadful. Rembrandt's patrons hooted in rage and derision,
demanding changes that the artist, secure in the knowledge that posterity would vindicate him, stubbornly refused to make."(Wallace 1968) Like
Caravaggio and Ruben, his works could be just as realistic and gruesome, yet seem to take your breath

Analysis of the Triumph of Divine Love
The art piece that I selected for my analysis is called The Triumph of Divine Love by Peter Paul Rubens. The artwork is an oil painting on canvas,
circa 1625. This piece of art was commission by Isabella Clara Eugenia, Infanta of Spain and Portugal. The Triumph of Divine Love was one of
eleven art pieces in a series portraying the Eucharist cycle, an important issue in the Catholic–Protestant strife. Its purpose was to aid in the Catholic
Reformation and the artwork was to be displayed at the Convento de las Descalzas Reales in Madrid. (Ringling Museum n.d.)
The scene it portrays shows a woman holding an infant while she stands on a chariot drawn by two lions. Surrounding her in the air and around her
feet are sixteen angels or ... Show more content on Helpwriting.net ...
There are also several doves at the bottom of the painting, presumably indicating purity and perhaps symbols of love as well. (Wall Text 2012) The
focal point of the painting is the woman with infant. This is shown by the lighting in the painting being directly on her, the bright red that she is
wearing, and the circling of the putti around her figure along with the majority of their gazes being directed at her. The bright light directly behind her
and the infant could possibly be coming from the sun behind the clouds in the sky, the putti to her upper right holding the torch, or it could be
symbolic in that it is the infant's halo and representative of his divine nature. The overall piece is not overly dark but the lighting seems to be most
focused on the woman, infant, her other children, and the flying putti. This is an example of tenebrism. The flying putti are shown in a ring around the
woman, some holding hands. Some have feathered wings; others have either insect or fairy–like wings. They all seem to have individual faces and
expressions and all express happiness. The putti are contorted in different positions as they fly in the air, and Rubens uses foreshortening with the
limbs to achieve this and show movement and action in the piece, especially with the two putti directly above the woman's head and the back of their
feet showing to the viewer. He also uses chiaroscuro to give the putti volume shown by the lighting

The Works Of Eugene Delacroix
Eugene Delacroix, born on April 26 1798, was a French painter who had a lot of influence on Romanticism. He studied art at age 17 and academic
painter, Baron Pierre–Narcisse Guerin, mentored him. He learned from the romantic Landscapist and used some of their techniques. Early on in his
life, he demonstrated the influence that Michelangelo and Peter Paul Rubens, two excellent artists, had on his painting. Delacroix intensely studied
Michelangelo's modeling of figures and the matter of life or death he brought to the canvas. He was also deeply affected by Rubens ' treatment of
color. Romantic artist play around with emotions, divinity found in nature and the sense of creativity or imagination. He developed his own style over
the years and had a unique approach with color. His style was to show pain and suffering in his work through bright colored canvases which exploded
with energy.
Delacroix's use of color was influential in the development of Impressionist and also of Post–Impressionist painting. His inspiration came mostly from
historical or contemporary events or literature, and also the visit to Morocco in 1832 provided him with further exotic subjects. Delacroix Debuted
at the Paris salon of 1822 where he exhibited his first painting Dante and Virgil in hell which was inspired by Dante's Divine comedy but influenced
by Michelangelo and Paul Peter Rubens style as I said before. Later on, as his experience keep growing and his style maturing, Delacroix painted "the

Brief Review Of The Sacrifice Of Isaac By Peter Paul Rubens
Touring at the Nelson Atkins Museum of Art, I got to see many paintings from different eras. The area that interested me the most was the Baroque
style. Specifically, the painting called "The Sacrifice of Isaac" by Peter Paul Rubens which stands around 55 ВЅ x 43 ВЅ inches (Zarling, 2014). It is
an oil painting on wood panel was made in 1612–1613 Baroque period ("Peter Paul", n.d.). Since the Counter–Reformation, the style of paintings has
become more realistic and dramatic with light, color and space. The Sacrifice of Isaac painting fits the baroque style because of the drama
represented. Therefore, the body positions of the characters makes it more theatrical. Such as, Abraham in the red cloak is hunch over slightly looking
up with a knife

Art Appreciation Unit 4 Ip Essay
From the Baroque Period through the Romantic Age
May 20, 2010
Unit 4 Individual Project
ART205–1002B–12
American InterContinental University
Abstract
During this assignment I will talk about three types of Work of Art from three different artists from theBaroque period through the postmodern era. 1).
Michelangelo Merisi da Caravaggio; 2) Rembrandt van Rijn; and 3) Peter Paul Rubens, these three artists were known for their religious theme in their
art work. The naturalism that was visibly demonstrated in each of the artist work with high contrast of lighting that noticeably appeared in these
paintings. Each artist was well known and respected for their work.
The three artists Works of Art that I have chosen are:... Show more content on Helpwriting.net ...
Until the late 19th century many biographers and art scholars deliberately ignored Caravaggio work. Some people felt as if his work was to natural
or just ordinary. (Sayre, 2010) His work of art was characterized by displaying weakness or humankind. Sometime people had a difficult time trying
to figure out if his painting was religious or not. In fact the contrast in his paintings between light and dark tones was evident in the spiritual content
and its representation in the painting. (Sayre, 2010) Caravaggio became ill on a beach in Port Ercole. Caravaggio passed away July 18, 1610 after
battling with malaria which he fought to overcome.
Rembrandt van Rijn: The Resurrection of Christ c. 1635–39 (Oil on Canvas)
Description of Rembrandt Work of Art
The Resurrection of Christ is from the Baroque period. This work of art portrays the sense of dramatic antagonism that Caravaggio achieved by
manipulating light across full range of tones, changing the intensity and transforming its radiance this was done so that every beam and shadow
expressed a dissimilar emotional content. (Sayre, 2010) In Rembrandt painting he focused on using emotional contrast between light and dark tones to
emphasize the emotional difference. Here you can see pure light radiating out of the tomb of darkness. Christ himself begins to rise from the tomb in

the light of true symbolic

Saturn Devouring His Son Research Paper
The Myth of Saturn Devouring His Son
The myth of Saturn devouring his son is a dark, morbid, and ghoulish story. The Greek Titan, Saturn overthrew is father and married the goddess of
fertility. Saturn then learned of a prophecy that one of his sons would overthrow him like he did his father. He then became obsessed with thwarting the
prophecy. At the birth of each child, Saturn would devour the infant. Saturn's wife hid their last child, Zeus, whom fully grown, fulfilled the prophecy
and became ruler of the Olympians. There are rumors that Saturn would get sexual pleasure out of consuming his children but that has never been
confirmed. Many artists over the years have painted this myth, putting their own creative twist on it. Two very well–known artists who drew inspiration
from the myth are Francisco Goya with his work Saturn Devouring His Son (1819–1823) and Peter Paul Rubens' Title (1636)
Francisco Goya, (1746–1828) was a Spanish artist often is known to sometimes be called "the father of modern art." ... Show more content on
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Saturn and the child are painted in bright colors in the center of the canvas to stand out from the dark background. Saturn is holding a long metal
tool that looks like a royal staff and like the scythe of Death. The stars in the sky above him could be a sign of the planet named after him. The child
in his arms has his head thrown back screaming and the audience can see the horrified look on his face. Saturn's head is down with a look of
determination as he tears his son's flesh. Rubens paints the flesh being torn off the child, and the viewer's eye is drawn directly there. Rubens
highlights this horrible act of cannibalism with realistic looking figures, and Saturn's total lack of remorse helps us see how evil his act is. Saturn
appears to be in control of the situation, and is choosing to destroy his son to keep his

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