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What would I look like if I
  would get painted??

       STEPHANIE RAMIREZ
     ART AND WOMEN FALL 2011
Art and Women teaches us how male artists
have depicted the female gender through paintings.
The male gaze is a system in art where men paint the
female nude as an object for other men to gaze upon,
making them the “male owner spectator”, painting
women as posing objects and not as the human
beings that they are. Men concentrated only on the
female body without use of action or resistance.
       How about the women of color? For they
weren’t the first choice when it came to painting the
female body. How do male artists display their image
of the colored female body?
(Painting Below) “Olympia”, Edouard
                                              Manet, 1863




(Painting above) “Lady Elizabeth Murray and
Dido Belle Lindsay”, unknown artist, 1779
 “Lady Elizabeth Murray and Dido Belle Lindsay” – What
  does this painting display at first glance??
 The two girls are actually cousins
 Dido Belle Lindsay although raised by the same family
  she was not allowed into the social society
 When guests were invited she could not eat at the table


 “Olympia” – the African American woman is clearly the
  maid and she is looking directly at the white woman
  while she lies there nude.
 At first glance viewers automatically look at the female
  nude
Paul Gauguin’s Primitives




“Two Tahitian Women”,
                                    “Te Arii Vahine Aka The Kings Wife”, 1896
1899
 Gauguin was a French, Post-Impressionist artist. His
  paintings of Tahitian women represent violence and
  control. Replay the unequal relationship of the male
  artist and female model in the inequalities of the
  white male artist’s relationship to native women.
  Paintings bind women to nature , the male gaze looks
  down on them. (Chadwick pg. 290)
 A majority of Gauguin’s collection of Tahitian the
  women were always surrounded by fruits.
 Women were considered PRIMITIVE
OUR FEMALE VIEW




Frida Kahlo, “Self-Portrait as wounded   Maria Magdalena Campos-Pons, “When I am
deer”, 1946                              not here / Estoy Alla”, 1994
 Frida painted this self-portrait after the failed attempt to
  operate her back in New York; expresses her disappointment
  after the operation on her spine
 The deer is surrounded by trees and trapped, interpreting
  Frida’s desperation and frustration to have a successful
  operation
 Frida Kahlo was not able to bear children after her accident,
  she had attempted a few times each failing; being robbed from
  the opportunity of motherhood was also expressed in her
  artwork

 Maria Magdalena Campos-Pon, illustrates a depiction of
  women living through motherhood with the two milk bottles
  right above the breasts. In my opinion this particular painting
  represents breast feeding
(above)
Judy Baca,
“The Great
Wall of Los   (left) Marta Maria Perez-
Angeles”,     Bravo, “Protection”, 1990.
1976-1984.
 Judy Baca: The People’s History Mural illustrating the
  dustbowl migration of the 1930s.
 Thousands fled to California after severe drought &
  economic hardship.
 The image of the mother and children fleeing in my
  opinion represents once again motherhood, courage,
  and family. The mother is wearing a bandana that
  covers half of her face: she looks fearless and
  determined
 Perez-Bravo’s artwork were mostly photographs of
  herself taken by her husband in specific situations that,
  “explore feminine identity and the condition of being
  female in ways that counter patriarchally constructed
  stereotypes of womanhood” (Chadwick, 428).
So…What would I look like if I would get painted??




   Alice Neel, “Pregnant Maria”, 1964
Bibliography

Chadwick, Whitney. Women, Art, and Society. Thames
& Hudson. New York. 2007. Fourth Edition.

“Frida Kahlo – Self-portrait as wounded deer (1946)”.
Found on Flicker.com. 03 December 2011.

“Lady Elizabeth Murray and Dido Belle Lindsay”. Found
on a Blog – Pauline’s Pirates and Privateers. 03
December 2011.

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The Male Gaze vs. The Female View

  • 1. What would I look like if I would get painted?? STEPHANIE RAMIREZ ART AND WOMEN FALL 2011
  • 2. Art and Women teaches us how male artists have depicted the female gender through paintings. The male gaze is a system in art where men paint the female nude as an object for other men to gaze upon, making them the “male owner spectator”, painting women as posing objects and not as the human beings that they are. Men concentrated only on the female body without use of action or resistance. How about the women of color? For they weren’t the first choice when it came to painting the female body. How do male artists display their image of the colored female body?
  • 3. (Painting Below) “Olympia”, Edouard Manet, 1863 (Painting above) “Lady Elizabeth Murray and Dido Belle Lindsay”, unknown artist, 1779
  • 4.  “Lady Elizabeth Murray and Dido Belle Lindsay” – What does this painting display at first glance??  The two girls are actually cousins  Dido Belle Lindsay although raised by the same family she was not allowed into the social society  When guests were invited she could not eat at the table  “Olympia” – the African American woman is clearly the maid and she is looking directly at the white woman while she lies there nude.  At first glance viewers automatically look at the female nude
  • 5. Paul Gauguin’s Primitives “Two Tahitian Women”, “Te Arii Vahine Aka The Kings Wife”, 1896 1899
  • 6.  Gauguin was a French, Post-Impressionist artist. His paintings of Tahitian women represent violence and control. Replay the unequal relationship of the male artist and female model in the inequalities of the white male artist’s relationship to native women. Paintings bind women to nature , the male gaze looks down on them. (Chadwick pg. 290)  A majority of Gauguin’s collection of Tahitian the women were always surrounded by fruits.  Women were considered PRIMITIVE
  • 7. OUR FEMALE VIEW Frida Kahlo, “Self-Portrait as wounded Maria Magdalena Campos-Pons, “When I am deer”, 1946 not here / Estoy Alla”, 1994
  • 8.  Frida painted this self-portrait after the failed attempt to operate her back in New York; expresses her disappointment after the operation on her spine  The deer is surrounded by trees and trapped, interpreting Frida’s desperation and frustration to have a successful operation  Frida Kahlo was not able to bear children after her accident, she had attempted a few times each failing; being robbed from the opportunity of motherhood was also expressed in her artwork  Maria Magdalena Campos-Pon, illustrates a depiction of women living through motherhood with the two milk bottles right above the breasts. In my opinion this particular painting represents breast feeding
  • 9. (above) Judy Baca, “The Great Wall of Los (left) Marta Maria Perez- Angeles”, Bravo, “Protection”, 1990. 1976-1984.
  • 10.  Judy Baca: The People’s History Mural illustrating the dustbowl migration of the 1930s.  Thousands fled to California after severe drought & economic hardship.  The image of the mother and children fleeing in my opinion represents once again motherhood, courage, and family. The mother is wearing a bandana that covers half of her face: she looks fearless and determined  Perez-Bravo’s artwork were mostly photographs of herself taken by her husband in specific situations that, “explore feminine identity and the condition of being female in ways that counter patriarchally constructed stereotypes of womanhood” (Chadwick, 428).
  • 11. So…What would I look like if I would get painted?? Alice Neel, “Pregnant Maria”, 1964
  • 12. Bibliography Chadwick, Whitney. Women, Art, and Society. Thames & Hudson. New York. 2007. Fourth Edition. “Frida Kahlo – Self-portrait as wounded deer (1946)”. Found on Flicker.com. 03 December 2011. “Lady Elizabeth Murray and Dido Belle Lindsay”. Found on a Blog – Pauline’s Pirates and Privateers. 03 December 2011.