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The Pre-Reformation clergyman best known for his belief that the Bible should be available to all people and in a language they could understand, not just Latin, was:
“The Lord Is My Banner” is:
The Roman Catholic clergy (prior to the Reformation) saw all congregants as channels through which divine grace was transmitted.
“The Lord, Our Righteousness” is:
John Calvin felt that music was to be sophisticated and offered by trained vocalists and instrumentalists. The role of the congregation was to be spectators.
Which of the following was NOT an influence upon evangelical gospel music of the mid 1930s to 1970?
Historically, changes in music worship styles and open expressions of emotion accompanied every Great Awakening.
Music and worship styles of the second Great Awakening were based primarily on popular music of the day composed by songwriters in Europe.
The two basic forms of music and worship expression that owed out from the Reformation include:
God Himself has no less than 12 Hebrew names that identify His character and purpose. “God the Mighty Creator” is:
“The Lord, Our Provider” is:
The “altar call” was a worship innovation of the third Great Awakening and was attributed to:
The main ideas of the reformation were a call to purify the church, salvation by God’s grace and not by man’s works, and the strong belief that the Bible, not tradition of the church, should be sole spiritual authority.
The New Testament focuses on music as a facilitator for communicating a vital, personal relationship with Jesus Christ.
The Lord who heals is
The Great Awakenings were characterized by a renewed commitment to personal evangelism, concern for neighbors and friends, passion for world-evangelism, and a sense of urgency to tell others about Christ.
“The Lord Is My Peace” is:
“Jesus-Salvation Now” is:
The evangelist, Billy Sunday, partnered with musician, ____________________ in 1909 and ministered in large evangelistic campaigns across the United States.
The evangelistic team most influential in bringing about change in music and worship during the late nineteenth century was Dwight L. Moody and Ira Sankey.
In the New Testament church there is clear evidence of the styles of music and musical practices besides those that were in practice within the walls of the Jewish synagogue.
“Jehovah-Lord” is:
William Seymour was a key leader in the ____________________ Revival that had over a 90-year impact upon the way people worshiped in that day and paved the way for what is known today as Charismatic (or Pentecostal) worship.
“The Lord Is There” is:
Perhaps the most important innovation of the Pre-Reformation period was the invention of the printing press by ____________________________.
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WRSP 101 Quiz 3
WRSP 101 Quiz History of Worship
1. The Pre-Reformation clergyman best known for his belief that the Bible should be
available to all people and in a language they could understand, not just Latin, was:
2. “The Lord Is My Banner” is:
3. The Roman Catholic clergy (prior to the Reformation) saw all congregants as channels
through which divine grace was transmitted.
4. “The Lord, Our Righteousness” is:
5. John Calvin felt that music was to be sophisticated and offered by trained vocalists and
instrumentalists. The role of the congregation was to be spectators.
6. Which of the following was NOT an influence upon evangelical gospel music of the mid
1930s to 1970?
7. Historically, changes in music worship styles and open expressions of emotion
accompanied every Great Awakening.
8. Music and worship styles of the second Great Awakening were based primarily on
popular music of the day composed by songwriters in Europe.
9. The two basic forms of music and worship expression that owed out from the
Reformation include:
10. God Himself has no less than 12 Hebrew names that identify His character and purpose.
“God the Mighty Creator” is:
11. “The Lord, Our Provider” is:
12. The “altar call” was a worship innovation of the third Great Awakening and was
attributed to:
13. The main ideas of the reformation were a call to purify the church, salvation by God’s
grace and not by man’s works, and the strong belief that the Bible, not tradition of the
church, should be sole spiritual authority.
14. The New Testament focuses on music as a facilitator for communicating a vital, personal
relationship with Jesus Christ.
15. The Lord who heals is
16. The Great Awakenings were characterized by a renewed commitment to personal
evangelism, concern for neighbors and friends, passion for world-evangelism, and a sense
of urgency to tell others about Christ.
17. “The Lord Is My Peace” is:
18. “Jesus-Salvation Now” is:
19. The evangelist, Billy Sunday, partnered with musician, ____________________ in 1909
and ministered in large evangelistic campaigns across the United States.
20. The evangelistic team most influential in bringing about change in music and worship
during the late nineteenth century was Dwight L. Moody and Ira Sankey.
21. In the New Testament church there is clear evidence of the styles of music and musical
practices besides those that were in practice within the walls of the Jewish synagogue.
2. 22. “Jehovah-Lord” is:
23. William Seymour was a key leader in the ____________________ Revival that had over
a 90-year impact upon the way people worshiped in that day and paved the way for what
is known today as Charismatic (or Pentecostal) worship.
24. “The Lord Is There” is:
25. Perhaps the most important innovation of the Pre-Reformation period was the invention
of the printing press by ____________________________.