Vocal Communication-
       SUBTEXT
What is meant by this?
• Subtext is simply the THOUGHTS and
  FEELINGS of the character which will add
  ‘colour’ to the way the line is spoken.
• Subtext is content underneath the spoken
  dialogue.
• Under dialogue, there can be:
• conflict
• anger
• love
• pride,or other ideas and emotions.
• Subtext is the unspoken thoughts and
  motives of characters—what they really think
  and believe.
Why is it important?
• The issue of subtext determines the
  audiences reaction towards a character
  and helps them identify the situation
  they are in.
• It is also used to help the actor analyze
  ‘what is my character thinking/feeling
  at this present time’ This will then
  influence just how the line is spoken
How it relates to Stanislavski?
• For Stanislavski subtext adds “texture”
  and “richness” to action
• According to Stanislavski himself, even
  a truthfully executed action would fall
  flat without subtext
•
Examples
• Take a simple work like “Hello”
• This word would be said in so many
  different ways and tones depending on
  there feeling or situation
• If someone was in a hurry or disliked
  someone, “Hello” would be said in a
  very different way when talking to
  someone who they like or are delighted
  to see.

Vocal communication subtext

  • 1.
  • 2.
    What is meantby this? • Subtext is simply the THOUGHTS and FEELINGS of the character which will add ‘colour’ to the way the line is spoken. • Subtext is content underneath the spoken dialogue. • Under dialogue, there can be: • conflict • anger • love • pride,or other ideas and emotions. • Subtext is the unspoken thoughts and motives of characters—what they really think and believe.
  • 3.
    Why is itimportant? • The issue of subtext determines the audiences reaction towards a character and helps them identify the situation they are in. • It is also used to help the actor analyze ‘what is my character thinking/feeling at this present time’ This will then influence just how the line is spoken
  • 4.
    How it relatesto Stanislavski? • For Stanislavski subtext adds “texture” and “richness” to action • According to Stanislavski himself, even a truthfully executed action would fall flat without subtext •
  • 5.
    Examples • Take asimple work like “Hello” • This word would be said in so many different ways and tones depending on there feeling or situation • If someone was in a hurry or disliked someone, “Hello” would be said in a very different way when talking to someone who they like or are delighted to see.

Editor's Notes