This very short document repeats the name "Charlie Puth" multiple times without providing any other details. It consists solely of repeating the name "Charlie Puth" and does not contain any other substantive information that could be summarized.
This document lists 14 songs from Atlantic Records. It includes titles such as "One Call Away", "Dangerously", "Marvin Gaye", "Losing My Mind", "We Don't Talk Anymore", "My Gospel", "Up All Night", "Left Right Left", "Then There's You", "Suffer", "As You Are", "Some Type of Love", "See You Again", and "Nothing But Trouble".
This document discusses font choices for a book cover of Charlie and the Chocolate Factory by Roald Dahl. Four different fonts are described as options. Each font is evaluated on whether it has characteristics like a baseline, mean line, and cap line. The fonts are also assessed on whether the style relates to and hints at the book's content involving chocolate and sweets without reading the title.
Charlie Puth is an artist signed to Atlantic Records. Some of his popular songs include "One Call Away", "Dangerously", "Marvin Gaye", "Losing My Mind", "We Don't Talk Anymore", "My Gospel", "Up All Night", and "Left Right Left".
This document defines and provides examples of various typography terms:
- A typeface is a font family including fonts of different styles like bold or italic, while a font refers to a specific style.
- Uppercase and lowercase refer to letter case, with numerals describing numbers. A glyph is a graphic symbol representing a character.
- Other glyphs include punctuation marks. Point size measures text size in points, while alignment styles position text left, right or center.
- Kerning and tracking/leading respectively control spacing between letters and lines of text. A dingbat uses shapes instead of words.
The summary discusses reminiscing on past experiences and paths taken. It discusses how perspectives change over time and hard work leads to better places. It also references coming a long way from the past and looking forward to sharing stories when reunited with the friend.
The song talks about missing a friend and looking forward to telling them about all they have been through since they last saw each other. It discusses the journey they have been on together from the beginning and how things have changed, forcing them to see a bigger picture. The singer is eager to see their friend again to catch up on everything.
The document discusses different vinyl record labels and what elements make them appealing. It provides opinions on 5 different labels, praising aspects like the use of bright colors, creative fonts, inclusion of relevant information, and simplicity without being overdone. Overall, the document expresses a preference for vinyl labels that are visually interesting through creative design elements but still allow the key information to be easily read.
Max Hastings is a British journalist and author known for his books on 20th century military history. He has written over 20 books, many of which focus on World War II from the perspectives of the major powers involved. His books draw from extensive research and interviews to provide insightful historical accounts of key battles and leaders.
This document lists 14 songs from Atlantic Records. It includes titles such as "One Call Away", "Dangerously", "Marvin Gaye", "Losing My Mind", "We Don't Talk Anymore", "My Gospel", "Up All Night", "Left Right Left", "Then There's You", "Suffer", "As You Are", "Some Type of Love", "See You Again", and "Nothing But Trouble".
This document discusses font choices for a book cover of Charlie and the Chocolate Factory by Roald Dahl. Four different fonts are described as options. Each font is evaluated on whether it has characteristics like a baseline, mean line, and cap line. The fonts are also assessed on whether the style relates to and hints at the book's content involving chocolate and sweets without reading the title.
Charlie Puth is an artist signed to Atlantic Records. Some of his popular songs include "One Call Away", "Dangerously", "Marvin Gaye", "Losing My Mind", "We Don't Talk Anymore", "My Gospel", "Up All Night", and "Left Right Left".
This document defines and provides examples of various typography terms:
- A typeface is a font family including fonts of different styles like bold or italic, while a font refers to a specific style.
- Uppercase and lowercase refer to letter case, with numerals describing numbers. A glyph is a graphic symbol representing a character.
- Other glyphs include punctuation marks. Point size measures text size in points, while alignment styles position text left, right or center.
- Kerning and tracking/leading respectively control spacing between letters and lines of text. A dingbat uses shapes instead of words.
The summary discusses reminiscing on past experiences and paths taken. It discusses how perspectives change over time and hard work leads to better places. It also references coming a long way from the past and looking forward to sharing stories when reunited with the friend.
The song talks about missing a friend and looking forward to telling them about all they have been through since they last saw each other. It discusses the journey they have been on together from the beginning and how things have changed, forcing them to see a bigger picture. The singer is eager to see their friend again to catch up on everything.
The document discusses different vinyl record labels and what elements make them appealing. It provides opinions on 5 different labels, praising aspects like the use of bright colors, creative fonts, inclusion of relevant information, and simplicity without being overdone. Overall, the document expresses a preference for vinyl labels that are visually interesting through creative design elements but still allow the key information to be easily read.
Max Hastings is a British journalist and author known for his books on 20th century military history. He has written over 20 books, many of which focus on World War II from the perspectives of the major powers involved. His books draw from extensive research and interviews to provide insightful historical accounts of key battles and leaders.
Allied forces launched Operation Overlord, the largest seaborne invasion in history, on June 6, 1944. Code named D-Day, over 150,000 troops crossed the English Channel and stormed five beaches along the Normandy coastline in northern France. Despite facing challenges from unpredictable weather and strong German resistance, the Allied invasion succeeded in gaining a foothold in continental Europe and marked a major turning point towards victory in Europe during World War II.
Cumulus and Foam is a typeface designed by Stefan Kjartansson for YouWorkForThem after his previous successful typeface "Black Sabbath". Rather than aiming for another bestseller, Kjartansson started with simple lines and experimented making the letters look obese and deformed.
This document discusses different types of fonts including serif, sans serif, decorative, and script. Serif fonts have small lines or "flicks" at the ends of letters, while sans serif fonts do not. Decorative fonts are designed for larger text and have exaggerated features. Script fonts mimic different styles of handwriting. The document also provides examples of book covers that use different typography and color design techniques to appeal to readers and convey information about the book's content and intended audience through the cover design alone.
The document appears to be song lyrics that tell a story. It discusses traveling down different paths with a friend, seeing new perspectives, and how it has been a long day without them. The speaker says they will tell their friend all about their experiences when they see each other again.
The document defines several typography terms:
- Point size refers to the measurement of a font size, while leading is the distance between lines of text.
- A typeface is a group of fonts with the same design, while a font is a single style within a typeface like bold or italic.
- Upper case refers to capital letters and lower case to smaller letters.
- Numerals are numbers and glyphs are individual characters within a font.
- Alignment styles include left, right, centered and justified alignment of text.
- Kerning is the spacing between letters and tracking affects the density of a line of text.
- Dingbats are symbol fonts like arrows and stars.
Several letters were found in an old box in the attic. The letters appeared to be personal correspondences between family members from the early 20th century. They discussed everyday life, family news, and provided a glimpse into history from that time period through the words of ordinary people.
The document provides an evaluation of a book cover design project for Roald Dahl's "All Sorts" by a student named Karan Singh. The evaluation consists of 3 sections:
1) Explaining how the final cover communicates the themes of the book through images, colors, lighting and style.
2) Evaluating how the typeface styles and letter forms communicate the main themes of the book using correct terminology.
3) Explaining contextual influences from other designers and artists, and what was learned from them, as well as other book covers that inspired or influenced the design and why the original cover was or was not effective.
The document summarizes a book cover design project about the D-Day landings in World War 2. The design uses a dark photo from the landings surrounded by shadows to represent the event as a dark memory. A bullet-style typeface alludes to the violence of war. Through these visual elements and feedback from a D-Day veteran, the cover aims to convey the horror of the experience while making it an interesting book cover design.
This document discusses different types of fonts used in book covers including serif, sans serif, decorative, and script fonts. Serif fonts have flicks and thickness variations while sans serif fonts are more consistent in thickness and lack flicks. Decorative fonts became popular in the Victorian era and are used for titles rather than body text. Script fonts imitate handwriting and were used in the 17th-18th centuries. The document then analyzes 10 book covers and how their fonts, images, and designs relate to the books' themes.
This document discusses different versions of a book cover the author created for their book called OVERLORD. It describes 4 different book cover designs they experimented with and the design elements and photographic filters used in each. The final version features a photograph with darkened edges and bright central figures to resemble a dark memory from the past that cannot be forgotten, with bullet font used for the text to reflect the violence of war.
This document discusses potential fonts for a book cover based on the themes in George Orwell's Animal Farm. It provides descriptions of the top 3 font choices. The first font chosen has a decorative style reminiscent of commandments with some letters more symmetrical than others, suggesting inequality. The second font uses boxes around each letter to potentially represent animals trapped under tyranny. The third font has worn, broken-down letters close together to imply the animals are worn out and tightly controlled.
From graffiti to street art essay pp.pptxDamian Rarog
Street art began emerging in the 1960s with tributes to jazz musicians being written on walls in Philadelphia. It grew in the 1970s in New York City as artists like TAKI 183 and TRACY 168 began "tagging" trains. Over time, vandalism and graffiti evolved into a recognized art form. Street artists use various techniques like stencils, posters, and freehand painting to create works that can address social and political issues while beautifying public spaces. Famous street artists like Banksy, Shepard Fairey, and Space Invader have helped bring attention to causes while transforming dull areas into more vibrant places.
This document summarizes the development of a street art final project. It describes an initial idea using a dinosaur design with a bright background. However, this was deemed too plain. A second idea took inspiration from the Rolling Stones logo, featuring bright colored lips and tongues with "Street Art" text. This linked pop culture with street art. Further development combined the lips design with Andy Warhol-style backgrounds to create the final outcome, again communicating that street art is a popular growing art form.
Graffiti is mostly illegal and seen as vandalism under the law. Laws like the Criminal Damage Act 1971 make it an offense to damage property without permission, with fines or imprisonment as possible punishments. However, some places designate walls where street art is allowed legally. Temporary tape art that does not damage surfaces is also usually permitted. While street artists hold no rights over works created on private property, some cities commission murals to encourage legal street art.
Gabriela and Damian came up with the idea of taking their dinosaur made from masking tape and putting it on stickers which they then placed around Manchester in the Northern Quarter. They created stickers with their dinosaur creation and distributed them in the Northern Quarter area of Manchester.
This document discusses tape art made by the street artist Buff Diss. It notes that tape art can be done easily and effectively as it is not permanent, so it does not damage the environment and can be taken down if needed. The document also references tape art experimentation and the process of making tape art.
The document provides an overview of different types of street art found in Manchester's Northern Quarter, including stickers, posters, murals, mosaics, and political art. Stickers are small and illegally placed around alleys, while posters are larger artworks that communicate messages but are also illegally placed. Murals include a tribute to David Bowie, which was a commissioned piece. Mosaics by Space Invader feature tech-inspired characters and critique society's focus on games. Political murals address injustices like the death of Mike Brown. While the goals vary, most works described are illegal without permission, placed in alleys to avoid removal.
Ben Wilson creates tiny artworks by painting designs on pieces of chewing gum stuck to pavements. This form of street art does not damage property or break laws.
Stencil graffiti involves spraying cutout stencil designs onto surfaces using spray paint, which can damage buildings and be costly to remove.
Tile artist Space Invader creates mosaics out of ceramic tiles inspired by video games, which do not damage buildings as they are adhered with cement paste that does not leave marks when removed.
Jan Vormann does street art by filling cracks in walls with Lego blocks, repairing rather than damaging buildings.
Shepard Fairey produces sticker, poster and print art to spread messages, which
This document lists several street artists including Banksy, NeckFace, Shepard Fairey, SMATE, and Jan Vormann. Banksy is a famous anonymous street artist known for political and satirical graffiti pieces. Shepard Fairey is known for his "Obey Giant" art campaign featuring Andre the Giant. The document provides a list of notable street artists but does not include any additional context or descriptions.
Street art originated from graffiti art in New York City in the 1980s. It uses various mediums like stencils and posters to express messages in public spaces. While sometimes illegal, street art is becoming more accepted as a way to regenerate communities and share political or social commentary. Famous street artists like Banksy and Shepard Fairey often use their art to address issues like homelessness, inequality, and political campaigns. Technology has also helped street art spread more widely through advances in printing and sharing on the internet.
Street art began in the 1960s with graffiti related to jazz musician Charlie Parker in Philadelphia. Graffiti spread to New York in the 1970s and was pioneered by artists like TAKI 183. There are various reasons why people engage in graffiti, street art, and vandalism, ranging from expressing themselves artistically to gaining social acceptance to making political statements. While graffiti can beautify empty spaces and spread messages, it is also expensive to remove and can decrease property values if not properly regulated. Famous street artists like Banksy, Shepard Fairey, and Space Invader use the medium to comment on social and political issues, but their work is sometimes illegal and causes property damage.
Allied forces launched Operation Overlord, the largest seaborne invasion in history, on June 6, 1944. Code named D-Day, over 150,000 troops crossed the English Channel and stormed five beaches along the Normandy coastline in northern France. Despite facing challenges from unpredictable weather and strong German resistance, the Allied invasion succeeded in gaining a foothold in continental Europe and marked a major turning point towards victory in Europe during World War II.
Cumulus and Foam is a typeface designed by Stefan Kjartansson for YouWorkForThem after his previous successful typeface "Black Sabbath". Rather than aiming for another bestseller, Kjartansson started with simple lines and experimented making the letters look obese and deformed.
This document discusses different types of fonts including serif, sans serif, decorative, and script. Serif fonts have small lines or "flicks" at the ends of letters, while sans serif fonts do not. Decorative fonts are designed for larger text and have exaggerated features. Script fonts mimic different styles of handwriting. The document also provides examples of book covers that use different typography and color design techniques to appeal to readers and convey information about the book's content and intended audience through the cover design alone.
The document appears to be song lyrics that tell a story. It discusses traveling down different paths with a friend, seeing new perspectives, and how it has been a long day without them. The speaker says they will tell their friend all about their experiences when they see each other again.
The document defines several typography terms:
- Point size refers to the measurement of a font size, while leading is the distance between lines of text.
- A typeface is a group of fonts with the same design, while a font is a single style within a typeface like bold or italic.
- Upper case refers to capital letters and lower case to smaller letters.
- Numerals are numbers and glyphs are individual characters within a font.
- Alignment styles include left, right, centered and justified alignment of text.
- Kerning is the spacing between letters and tracking affects the density of a line of text.
- Dingbats are symbol fonts like arrows and stars.
Several letters were found in an old box in the attic. The letters appeared to be personal correspondences between family members from the early 20th century. They discussed everyday life, family news, and provided a glimpse into history from that time period through the words of ordinary people.
The document provides an evaluation of a book cover design project for Roald Dahl's "All Sorts" by a student named Karan Singh. The evaluation consists of 3 sections:
1) Explaining how the final cover communicates the themes of the book through images, colors, lighting and style.
2) Evaluating how the typeface styles and letter forms communicate the main themes of the book using correct terminology.
3) Explaining contextual influences from other designers and artists, and what was learned from them, as well as other book covers that inspired or influenced the design and why the original cover was or was not effective.
The document summarizes a book cover design project about the D-Day landings in World War 2. The design uses a dark photo from the landings surrounded by shadows to represent the event as a dark memory. A bullet-style typeface alludes to the violence of war. Through these visual elements and feedback from a D-Day veteran, the cover aims to convey the horror of the experience while making it an interesting book cover design.
This document discusses different types of fonts used in book covers including serif, sans serif, decorative, and script fonts. Serif fonts have flicks and thickness variations while sans serif fonts are more consistent in thickness and lack flicks. Decorative fonts became popular in the Victorian era and are used for titles rather than body text. Script fonts imitate handwriting and were used in the 17th-18th centuries. The document then analyzes 10 book covers and how their fonts, images, and designs relate to the books' themes.
This document discusses different versions of a book cover the author created for their book called OVERLORD. It describes 4 different book cover designs they experimented with and the design elements and photographic filters used in each. The final version features a photograph with darkened edges and bright central figures to resemble a dark memory from the past that cannot be forgotten, with bullet font used for the text to reflect the violence of war.
This document discusses potential fonts for a book cover based on the themes in George Orwell's Animal Farm. It provides descriptions of the top 3 font choices. The first font chosen has a decorative style reminiscent of commandments with some letters more symmetrical than others, suggesting inequality. The second font uses boxes around each letter to potentially represent animals trapped under tyranny. The third font has worn, broken-down letters close together to imply the animals are worn out and tightly controlled.
From graffiti to street art essay pp.pptxDamian Rarog
Street art began emerging in the 1960s with tributes to jazz musicians being written on walls in Philadelphia. It grew in the 1970s in New York City as artists like TAKI 183 and TRACY 168 began "tagging" trains. Over time, vandalism and graffiti evolved into a recognized art form. Street artists use various techniques like stencils, posters, and freehand painting to create works that can address social and political issues while beautifying public spaces. Famous street artists like Banksy, Shepard Fairey, and Space Invader have helped bring attention to causes while transforming dull areas into more vibrant places.
This document summarizes the development of a street art final project. It describes an initial idea using a dinosaur design with a bright background. However, this was deemed too plain. A second idea took inspiration from the Rolling Stones logo, featuring bright colored lips and tongues with "Street Art" text. This linked pop culture with street art. Further development combined the lips design with Andy Warhol-style backgrounds to create the final outcome, again communicating that street art is a popular growing art form.
Graffiti is mostly illegal and seen as vandalism under the law. Laws like the Criminal Damage Act 1971 make it an offense to damage property without permission, with fines or imprisonment as possible punishments. However, some places designate walls where street art is allowed legally. Temporary tape art that does not damage surfaces is also usually permitted. While street artists hold no rights over works created on private property, some cities commission murals to encourage legal street art.
Gabriela and Damian came up with the idea of taking their dinosaur made from masking tape and putting it on stickers which they then placed around Manchester in the Northern Quarter. They created stickers with their dinosaur creation and distributed them in the Northern Quarter area of Manchester.
This document discusses tape art made by the street artist Buff Diss. It notes that tape art can be done easily and effectively as it is not permanent, so it does not damage the environment and can be taken down if needed. The document also references tape art experimentation and the process of making tape art.
The document provides an overview of different types of street art found in Manchester's Northern Quarter, including stickers, posters, murals, mosaics, and political art. Stickers are small and illegally placed around alleys, while posters are larger artworks that communicate messages but are also illegally placed. Murals include a tribute to David Bowie, which was a commissioned piece. Mosaics by Space Invader feature tech-inspired characters and critique society's focus on games. Political murals address injustices like the death of Mike Brown. While the goals vary, most works described are illegal without permission, placed in alleys to avoid removal.
Ben Wilson creates tiny artworks by painting designs on pieces of chewing gum stuck to pavements. This form of street art does not damage property or break laws.
Stencil graffiti involves spraying cutout stencil designs onto surfaces using spray paint, which can damage buildings and be costly to remove.
Tile artist Space Invader creates mosaics out of ceramic tiles inspired by video games, which do not damage buildings as they are adhered with cement paste that does not leave marks when removed.
Jan Vormann does street art by filling cracks in walls with Lego blocks, repairing rather than damaging buildings.
Shepard Fairey produces sticker, poster and print art to spread messages, which
This document lists several street artists including Banksy, NeckFace, Shepard Fairey, SMATE, and Jan Vormann. Banksy is a famous anonymous street artist known for political and satirical graffiti pieces. Shepard Fairey is known for his "Obey Giant" art campaign featuring Andre the Giant. The document provides a list of notable street artists but does not include any additional context or descriptions.
Street art originated from graffiti art in New York City in the 1980s. It uses various mediums like stencils and posters to express messages in public spaces. While sometimes illegal, street art is becoming more accepted as a way to regenerate communities and share political or social commentary. Famous street artists like Banksy and Shepard Fairey often use their art to address issues like homelessness, inequality, and political campaigns. Technology has also helped street art spread more widely through advances in printing and sharing on the internet.
Street art began in the 1960s with graffiti related to jazz musician Charlie Parker in Philadelphia. Graffiti spread to New York in the 1970s and was pioneered by artists like TAKI 183. There are various reasons why people engage in graffiti, street art, and vandalism, ranging from expressing themselves artistically to gaining social acceptance to making political statements. While graffiti can beautify empty spaces and spread messages, it is also expensive to remove and can decrease property values if not properly regulated. Famous street artists like Banksy, Shepard Fairey, and Space Invader use the medium to comment on social and political issues, but their work is sometimes illegal and causes property damage.
Animal testing causes immense suffering for millions of animals each year. Experiments involve injecting animals with drugs, exposing them to radiation, removing organs, forcing inhalation of toxic gases, and inducing anxiety and depression. Most experiments provide no anesthesia, and over 70% do not reduce animal suffering. Common animals used are rats, mice, monkeys and rabbits, which experience stress, disease, and painful procedures without relief from harm. Animal testing is conducted by cosmetics and pharmaceutical companies to test products despite the cruelty involved.
This document contains summaries of 5 animal welfare advocacy advertisements:
1) A WWF tiger advertisement that educates the public that animal cruelty from hunting tigers threatens their extinction.
2) A zoo advertisement portraying zoos as prisons for animals by using handcuffs in the word "zoo".
3) An animal testing advertisement appealing to cosmetics users by depicting the suffering of a puppy used as a perfume bottle.
4) A circus advertisement aimed at circus-goers showing an unhappy monkey behind bars to argue animals are unhappy being forced to perform.
5) An extinction advertisement arguing hunting rhinos for their parts will lead to extinction despite human conservation efforts.
This document discusses animal cruelty and testing. It focuses on how animals experience cruelty, pain, suffering, abuse and are forced into cages during testing. The document maps out concepts related to animal cruelty and testing including the animals themselves, as well as who commits these acts such as adults and both men and women.
This document discusses different versions of a book cover for a book called OVERLORD. It describes 4 different book cover designs. The author settled on the 2nd version as the final book cover. This version features a filtered photo with dark edges and bright spots in the center to look like a dark memory trying to be forgotten. Bullet fonts were used for the title and author's name to reflect the theme of weapons and war. The dark and bright contrast along with the typefaces chosen help present the idea of the time period depicted in the book as a dark memory of war that cannot be forgotten.
This document discusses potential fonts for a book cover design and provides analysis of 3 font options. The first font discussed has a decorative style reminiscent of commandments with some letters more symmetrical than others, suggesting inequality. The second font discussed is sans serif inside boxes, which could represent animals trapped under tyranny. The letters have no serifs to suggest something bad is happening. The third font has standard guidelines but also decorative details, with worn letters about to fall, suitable to suggest the animals' lives falling apart under pig rule with letters close together for tight control.
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