Shot no. Shot Type Shot Description Shot Duration
1 Long Shot Michael opensthe doorand thenproceedsto walk down the road to the
pub.
5 secs
2 Close-up Shot of Michael’s hands checking his pockets to makes sure that he
hasn’t forgotten his wallet and his keys.
2 secs
3 Wide Shot Michael can be seen walking past the shops on the way to the pub. The
shop will be behind Michael and the camera will be placed across the
road so you get a view of the cars and people surrounding it.
5 secs
4 Wide Shot Shotof Michael lookingboth ways on the road before he is able to cross
the road. The camera is placed at the opposite side of the road so that
you are able to see Michael and the entirety of the pedestrian crossing.
7 secs
5 Wide Shot / Pan
Shot
Shot of Michael crossing the road to the pub and then entering through
the mainentrance to the pub.In the process,the camera will be focussed
on Michael and as it pans, it will focus on the pub that they are in.
10 secs
6 Long Shot As Michael walks through the entrance, the camera will be facing the
door where he isenteringtocapture a smoothcut of the walkingwithout
any hindrances.
3 secs
7 Long Shot Shotof the mainbar where the bartenderisstanding and Theo is sitting.
Michael then proceeds to sit down in the process.
3 secs
8 Over the
Shoulder Shot
Shot over Theo’s shoulder where we see Michael speaking and asking
Theo whether he has just finished work.
5 secs
9 Over the
Shoulder Shot
Shotof TheospeakingtoMichael with the camera placed over Michael’s
shoulder and he is talking about he hasn’t be able to sit around all day
because he has been busy all day.
6 secs
10 Long Shot Shot of Theo talking to the bartender asking him for a pint. He turns his
head so that he isn’t able to be seen by the camera in this scene. The
bartender is clearly in shot.
2 secs
11 Over the
Shoulder Shot
Over the shoulder facing Theo whilst he is having a sip of his drink, and
then he faces Michael to ask him how his martial arts class was.
6 secs
12 Over the
Shoulder Shot
Shot over Theo’s shoulder facing Michael where he is saying that the
dojos are teaching him all the same stuff again.
8 secs
13 Medium Shot Medium shot of Theo where he has a confused expression on his face.
Camera focussed on his face and the rest of his body will be slightly out
of focus so the expression is focussed on.
4 secs
14 Long Shot All three of the actors will be in shot and the bartender will proceed to
place the pintglasswiththe drink in it on the bar piece whilst Michael is
talking about finding another dojo.
4 secs
15 Medium Shot Thisshot will be usedinthe middle of Michael saying his lines about the
dojos and it will flow from the long shot used previously so that we can
then get focus on the character whilst he is saying his lines.
5 secs
16 Over the
Shoulder Shot
Shotfacing Theo whilst he is talking about not bothering going to a new
dojo because he has the skills he needs.
4 secs
17 Medium Shot Michael agrees with what Theo is saying. 3 secs
18 Long Shot Both of themare inshot whentheyare sippingtheirdrinksandthen they
both are startled as they hear the faint sound of police sirens.
3 secs
19 Over the
Shoulder Shot
Shot between both of them over shoulders looking at the window and
they see the red and blue lights of the police cars.
4 secs
20 Close-up Close up on Theo questioning Michael about the police cars that are in
the car park since they are the only ones in the pub.
4 secs
21 Over the
Shoulder Shot
ShotfacingMichael whenhe is sayingthathe is confusedtoobecause he
realises that he can’t be here for us.
6 secs
22 Medium Shot Cuts toa mediumshotagainof Michael whenhe usescomedyinorderto
lighten the situation by saying that Theo has robbed a bank
foreshadowing what will potentially happen.
7 secs
23 Medium Shot Shotof Theowhere he isannoyedand scared of what is going to happen
so he ignores the pun and also tells him to shut up.
3 secs
24 Medium Shot Shot of Michael saying that Theo has ruined the mood with the
comment.
3 secs
25 Long Shot Shot of the police who storm through the pub and shout at Michael and
Theo for them to put their hands in the air.
5 secs
26 Long Shot Shotof Michael,Theoand the bartenderidenticallyputtingtheirhandsin
the air with shock.
2 secs
27 Close—up Michael asks what is going on whilst worrying. 2 secs
28 Medium Shot Shotof the policeman saying that they want Michael and they want him
to keep his hands in the air.
5 secs
29 Medium Shot Shot of Michael where he is refusing to keep his airs in the air since he
believes that he hasn’t done anything wrong to deserve this.
6 secs
30 Long Shot Policemanstartstoinitiate the fightwith his lines and then they start by
charging at Michael.
9 secs
31 Wide Shot Cut to a wide shotof Michael and the policemanwhere theyare going to
swing at him and then they manage to dodge his attacks that they have
beenattemptingtogive tohim. Camera is placed facing the bar but able
to see all of the action inside.
11 secs
32 Long Shot Long shot facing Michael after he has dodged punches and grabs a
policeman’s head successfully and smashes it against the bar, whilst it
also shows the fact that he is started to get a little bit tired.
7 secs
33 Long Shot Shotfacingaway fromMichael that showsthat a policemanischargingat
himand thenhe knockshimout witha swift punch and then manages to
duck an uppercut.
10 secs
34 Medium Shot Shot of Michael kicking the body until he goes unconscious. 4 secs
35 Over the
Shoulder Shot
Shot of Michael who runs at the next police officer out of rage and then
smashes him against the wall and knocks him out. He runs out of shot.
7 secs
36 Long Shot / Pan
Shot
Long shot of Michael running out of the door trying to escape the
madness that has just happened and runs for the police. Pans to Theo’s
shocked expression then he says what has just happened.
4 secs
37 Long Shot Cut to a shot of the bartenderand Theo having a conversation about the
fact that there are bodiesinthe puband how he will get in trouble for it.
15 secs
38 Dolly Shot Shot of Michael running from the pub as fast as he can. 5 secs
39 Dolly Shot /
Close – up
Shotof Michael startingto getreallyexhaustedbutstill keeps running so
that he can make it home as fast as possible.
4 secs
40 Wide Shot / Pan
Shot
Shot of Michael not considering the road and runs across the road as
quickas possible butluckilyendsupmakingitacrosssuccessfullywith no
need to make sure that the road is safe.
5 secs
41 Dolly Shot Shotof Michael running through an estate that is more secret so that he
doesn’t get caught by the police.
7 secs
42 Dolly Shot Shot of Michael sprinting down his house road. 6 secs
43 Close-up Shot of the lock where Michael rushes to put his keys in the door. 4 secs
44 Medium Shot Shot of Michael looking into the lounge with exhaustion. 3 secs
45 Over the
Shoulder Shot
Shotover Michael’sshouldershowingthe parents worried about what is
going on and make sure that he is okay.
2 secs
46 Medium Shot Shotof Mother worriedaskingwhether everythingisokaywithaworried
expression on her face.
4 secs
47 Long Shot Shot of Michael saying that the police have tried to arrest him and that
they are also after him.
5 secs
48 Medium Shot Shot of the father on the sofa asking what he has done with confusion. 3 secs
49 Close-up Shot of Michael’s face showing that he is annoyed and saying that he
hasn’t done anything.
2 secs
50 Long Shot Shot of the mother suggesting that he comes and sits down in order to
calm him down and watch the TV with them.
6 secs
51 Pan Shot Shot of Michael and it pans as he goes and sits down on the chair, while
the mum also sits and watches the TV.
4 secs
52 Zoom Shot Shotof the TV as it showsa newsreportaboutthe townand the robbery.
Will start as a long shot and then zoom into a medium shot of the news
spokesperson while he does his report.
20 secs
53 Close-up Cut to Michael andhe hasa shockedexpressiononhisface fromwhat he
has just heard.
3 secs
54 Medium Shot Shot of Michael saying that he believes that he has been mistaken for
someone else.
4 secs
55 Medium Shot Shot of the mother where she is trying to calm down Michael. 6 secs
56 Long Shot Michael explainsthathe isworriedthattheymight capture him and take
him to jail, he stands up in the process of him chatting.
7 secs
57 Medium Shot Shot of the mother where she is trying to tell him to go up to his room
and then relax with the blinds closed so that no-one is able to see him.
5 secs
58 Long shot Michael walks up to his bedroom with an expression trying to relax. 7 secs
59 Long shot Michael enters his bedroom and then climbs on to his bed and reaches
for the blinds.
4 secs
60 Close-up Close-upof the blindsandMichael’shand.Michael pulls the blinds shut. 2 secs
61 Establishing
Shot
Establishing shot of the police station. 4 secs
62 Long shot Shotof the policemanescorting the criminal into the meeting room and
thenthey sithimdown.The main police officer is sat over the other side
of the table.
12 secs
63 Medium Shot He speaks to the criminal asking if he knows why he has been bought
here.
5 secs
64 Over the
Shoulder Shot
Shotfacingthe criminal whois aggravated and replies in a rude manner. 3 secs
65 Over the
Shoulder Shot
Shotof the mainpolice officeroverthe criminal shouldersayingthatthey
are in need of help.
5 secs
66 Over the
Shoulder Shot
Shot of the criminal over the police’s shoulder replying rudely by
swearing and saying that there is nothing in it for him.
6 secs
67 Medium Shot Shotof police officersatbythe table annoyedsaying to the criminal that
there is no need for him to get aggravated about it.
3 secs
68 Medium Shot Shot of the criminal abiding and listening to the police officer. 4 secs
69 Over the
Shoulder Shot
Shotover the criminal’sshoulderof the mainpolice officer of him telling
him the current situation.
11 secs
70 Over the
Shoulder Shot
Shot of the criminal which is confused and then is confused why he is
asking a criminal about it.
4 secs
71 Medium Shot Shot of the second police officer saying that he will probably just bribe
him for freedom.
4 secs
72 Medium Shot Shot of the criminal being sarcastic and in an angry tone. 5 secs
73 Close-up Shotof the mainpolice officerwho shouts at everyone in an angry tone.
Silence falls across the room.
6 secs
74 Medium Shot Shotof the police officerthatsaysthatif he managesto getMichael then
he will set him free and it doesn’t matter how he does it either.
11 secs
75 Over the
Shoulder Shot
The criminal replies and agrees with the deal. 3 secs
76 Over the
Shoulder Shot
Shot of the policeman saying that he is dismissed and can leave. 4 secs
77 Long Shot Shotof the criminal getting up and freed from his handcuffs whilst he is
escorted out of the room.
10 secs
78 Establishing
Shot / Drone
Shot
Drone shot of Theo’s house at night time. 7 secs
79 Long Shot Shot of the criminal checking all of the areas by the front door. 9 secs
80 Long Shot Shot the criminal checking over by the tree to see if there is the key
there.
6 secs
81 Medium Shot Shotof the criminal lookingatthe lavenderplant thinkingthatitmightbe
in there. He reaches down into the plant.
4 secs
82 Close-up Close-upof the lavenderplantandthe handas he rummages around and
eventually finds the key.
5 secs
83 Long Shot Shot with the criminal facing away from the camera and then unlocking
the door and entering.
6 secs
84 Long Shot Shotof criminal lookinginthe bathroomandthe spare room by the front
door and then doesn’t find anyone there.
7 secs
85 Medium Shot Shot of Theo in the upstairs bathroom. He is getting ready for bed. 4 secs
86 Long Shot /Pan
Shot
Shotof the criminal lookingaroundthe kitchentosee if Theoisthere and
then he proceeds to walk up the stairs.
10 secs
87 Close-up Close-up of the criminal’s foot and him stepping on a creaky stair that
then makes a loud noise to be heard throughout the house.
5 secs
88 Medium Shot Shot of Theo who stops brushing his teeth and walks out of the
bathroom.
5 secs
89 Long Shot Shot of Theo exiting the bathroom and then walking down the stairs to
investigate all the noise that has just occurred.
4 secs
90 Medium / Long
Shot
Shotof Theowalkingandreachingthe bottomof the stairs to be greeted
by the criminal who knocks him out and ties him up in a black bag. The
screen will then fade to black.
6 secs
91 Point of View
Shot
Shot taken from Theo’s perspective as the bag is taken off his head and
then the screen fades to normal. He looks around the garage and then
the killer walks into shot. He asks where ‘he’ is.
9 secs
92 Medium Shot Shotof Theoconfusedonwhohe is talkingaboutreplieswith confusion. 4 secs
93 Over the
Shoulder/Low
Angle Shot
Shot of the criminal over Theo’s shoulder standing over him and then
saying that Theo knows who he is on about.
5 secs
94 Over the
Shoulder/High
Angle Shot
Shot of Theo over the criminal’s shoulder and then he clarifies that he
has no idea what the criminal is trying to put across to him.
4 secs
95 Over the
Shoulder/Low
Angle Shot
Shotof the criminal overTheo’sshouldersayingthatTheo’s‘little friend’
has been up to no good and labels him as a criminal due to police
description.
7 secs
96 Over the
Shoulder/High
Angle Shot
Shotof Theooverthe criminal’sshouldersayingthatMichael hasn’tdone
anything wrong suggesting that the criminal has been falsely labelled.
8 secs
97 Over the
Shoulder/Low
Angle Shot
Shotof the criminal overTheo’sshouldersayingthatthe bestway to find
himis throughkidnapping Theo since he believes that he will know and
tell him the whereabouts of him.
12 secs
98 Over the
Shoulder/High
Angle Shot
Shot of Theo over the criminal’s shoulder saying that he refuses to tell
him anything.
3 secs
99 Medium Shot Shot of the criminal saying that maybe he can convince Theo and then
proceeds to pull a knife out of his pocket.
4 secs
100 Wide Shot Shotof the two with the criminal on the right and Theo and the criminal
has Theo held at knifepoint.
5 secs
101 Medium Shot Shotof Theoscared withthe knife held up close to him and then replies
quickly saying that he will bring Michael to him.
4 secs
102 Medium Shot Shotof the criminal replyingsaying good and then proceeds to put away
the knife for now and walks around behind Theo to check he is texting
Michael.
9 secs
103 Long Shot Shot of Theo attempting to get his phone whilst tied up and then
messages Michael with the criminal behind him to check to make sure
that there isn’t anything suspicious going on. Theo says to the criminal
that Michael will be there in about five seconds.
13 secs
104 Close-up Shot of the criminal who is surprised and confused that Michael will be
here infive seconds and says that he thinks that it is a bit quick but mid-
sentence is abruptly interrupted by a door slamming open.
5 secs
105 Long Shot Shot of Michael storming through the main garage door. 3 secs
106 Long Shot Shot of the criminal and Theo and the criminal questions how Michael
got there soquick.Theoreplies saying that it isn’t important how he got
there.
8 secs
107 Long Shot Shot of Michael walking towards the criminal and Theo and stopping in
front of them. Annoyed he says that he cares about Theo.
6 secs
108 Over the
Shoulder Shot
Shot of the criminal saying that they thought that kidnapping his best
friend is the best way of bringing Michael to him.
8 secs
109 Over the
Shoulder Shot
Shot of Michael over the criminal’s shoulder saying that he doesn’t
understand why he is wanted by him.
5 secs
110 Over the
Shoulder Shot
Shotof the criminal over Michael’s shoulder explaining about how he is
believed to be a criminal by Michael.
6 secs
111 Close-up Shotof Michael angry andshoutsthat he didn’t rob the bank and that he
was mistaken.
4 secs
112 Medium Shot /
Pan Shot
Shot of the criminal saying that he will convince Michael to come with
him if it means that Theo stays alive. The camera pans down to see that
the knife is bought closer to Theo.
10 secs
113 Close-up Shot of Michael shouting No with desperation. 2 secs
114 Close-up Shot of Theo saying that they have lost so that he should just go and
sacrifice him.
4 secs
115 Medium Shot Shot of the criminal looking down and then saying that Theo is going to
die a horrible death. Mid-sentence Michael knocks the knife out of his
hand and then shot of the criminal also being startled by this since they
start to have a fight.
11 secs
116 Long Shot Shot and Michael is facing away from the camera, but you can see that
Michael lands some clean punches and has the criminal on the floor.
7 secs
117 High Angle Shot Shot of the criminal on the floor and then Michael trying to punch him
and finishhimoff,butthe criminal managestododge itandMichael ends
up punching the floor in the process and injures his hand,
5 secs
118 Low Angle Shot Shotof Michael injuredwithhishandandthen goes to hold it where the
criminal startles him by hitting him a few times so he can get up and
dazes him.
4 secs
119 Wide Shot Shotof themtwowithMichael dazedand thenthe criminal landingsome
punches and having him up in a corner due to him being weak at this
point.
11 secs
120 Medium Shot Shot of Theo escaping the chair unnoticed. 5 secs
121 Medium Shot Shot of the criminal saying to Michael that he is coming with him. Theo
thencomesup behindhimandthenknocks him out with a metal object.
7 secs
122 Long Shot Long Shot of Michael and Theo getting up and then dusting themselves
off. Michael thanks Theo and then saying that it wasn’t a problem.
8 secs
123 Long Shot Shotof Michael and Theowalkingoutof the garage afterusingthe switch
to get them outside.
10 secs
124 Dolly Shot Shotof Theoand Michael walkingdownthe driveway and then stopping
out the front of the driveway.
5 secs
125 Over the
Shoulder / Long
Shot
Shot of Michael and Theo looking and discussing the ominous man
walkingdownthe other side of the pavement and the fact that he looks
like Michael.
14 secs
126 Medium Shot Shot of the robber unveiling himself to be the criminal that robbed the
bank.
4 secs
127 Medium / Wide
Shot
Shot of Michael and Theo shocked that it is the robber saying that they
should chase the robber.
5 secs
128 Over the
Shoulder/ Dolly
Shot
Shot over Theo’s shoulder of them running after him but Michael is too
quickand goesaroundthe corner before Theodoesandthengetsbeaten
up by the robber. The robber then acts like Michael’s doppelganger as
they take him to the police station.
20 secs
129 Wide Shot Shotof Theoand Michael’sdoppelgangerwalking into the police station
with Michael and then walking up to the main police officer.
8 secs
130 Medium Shot Shot of the main police officer annoyed at how they escaped his best
criminal.
5 secs
131 Over the
Shoulder Shot
Shot of the doppelganger saying that they fought him and that they
found the criminal and they shove him over to the police officer.
8 secs
132 Long Shot Shotof the criminal walkingover to his computer to compare him to the
database and then gets back up to walk up to Michael’s doppelganger.
15 secs
133 Medium Shot Shotof the police officerexplaining his apologies and says that they can
get on with their lives without being bothered.
10 secs
134 Wide Shot They both thank the police officer and walk out. 4 secs
135 Long Shot Shot of Michael’s doppelganger and Theo walking out and way of the
police station. Theo offers to go for a pint to which the doppelganger
accepts.
9 secs
136 Close-up Close-up of Michaels doppelganger’s face as he winks at the camera to
signify that he is not Michael.
3 secs
137 Long Shot Shot of them continually walking and the screen fading to black. 5 secs

Unit 16 LO3 Shooting script

  • 1.
    Shot no. ShotType Shot Description Shot Duration 1 Long Shot Michael opensthe doorand thenproceedsto walk down the road to the pub. 5 secs 2 Close-up Shot of Michael’s hands checking his pockets to makes sure that he hasn’t forgotten his wallet and his keys. 2 secs 3 Wide Shot Michael can be seen walking past the shops on the way to the pub. The shop will be behind Michael and the camera will be placed across the road so you get a view of the cars and people surrounding it. 5 secs 4 Wide Shot Shotof Michael lookingboth ways on the road before he is able to cross the road. The camera is placed at the opposite side of the road so that you are able to see Michael and the entirety of the pedestrian crossing. 7 secs 5 Wide Shot / Pan Shot Shot of Michael crossing the road to the pub and then entering through the mainentrance to the pub.In the process,the camera will be focussed on Michael and as it pans, it will focus on the pub that they are in. 10 secs 6 Long Shot As Michael walks through the entrance, the camera will be facing the door where he isenteringtocapture a smoothcut of the walkingwithout any hindrances. 3 secs 7 Long Shot Shotof the mainbar where the bartenderisstanding and Theo is sitting. Michael then proceeds to sit down in the process. 3 secs 8 Over the Shoulder Shot Shot over Theo’s shoulder where we see Michael speaking and asking Theo whether he has just finished work. 5 secs 9 Over the Shoulder Shot Shotof TheospeakingtoMichael with the camera placed over Michael’s shoulder and he is talking about he hasn’t be able to sit around all day because he has been busy all day. 6 secs 10 Long Shot Shot of Theo talking to the bartender asking him for a pint. He turns his head so that he isn’t able to be seen by the camera in this scene. The bartender is clearly in shot. 2 secs 11 Over the Shoulder Shot Over the shoulder facing Theo whilst he is having a sip of his drink, and then he faces Michael to ask him how his martial arts class was. 6 secs 12 Over the Shoulder Shot Shot over Theo’s shoulder facing Michael where he is saying that the dojos are teaching him all the same stuff again. 8 secs 13 Medium Shot Medium shot of Theo where he has a confused expression on his face. Camera focussed on his face and the rest of his body will be slightly out of focus so the expression is focussed on. 4 secs 14 Long Shot All three of the actors will be in shot and the bartender will proceed to place the pintglasswiththe drink in it on the bar piece whilst Michael is talking about finding another dojo. 4 secs 15 Medium Shot Thisshot will be usedinthe middle of Michael saying his lines about the dojos and it will flow from the long shot used previously so that we can then get focus on the character whilst he is saying his lines. 5 secs 16 Over the Shoulder Shot Shotfacing Theo whilst he is talking about not bothering going to a new dojo because he has the skills he needs. 4 secs 17 Medium Shot Michael agrees with what Theo is saying. 3 secs 18 Long Shot Both of themare inshot whentheyare sippingtheirdrinksandthen they both are startled as they hear the faint sound of police sirens. 3 secs 19 Over the Shoulder Shot Shot between both of them over shoulders looking at the window and they see the red and blue lights of the police cars. 4 secs 20 Close-up Close up on Theo questioning Michael about the police cars that are in the car park since they are the only ones in the pub. 4 secs 21 Over the Shoulder Shot ShotfacingMichael whenhe is sayingthathe is confusedtoobecause he realises that he can’t be here for us. 6 secs
  • 2.
    22 Medium ShotCuts toa mediumshotagainof Michael whenhe usescomedyinorderto lighten the situation by saying that Theo has robbed a bank foreshadowing what will potentially happen. 7 secs 23 Medium Shot Shotof Theowhere he isannoyedand scared of what is going to happen so he ignores the pun and also tells him to shut up. 3 secs 24 Medium Shot Shot of Michael saying that Theo has ruined the mood with the comment. 3 secs 25 Long Shot Shot of the police who storm through the pub and shout at Michael and Theo for them to put their hands in the air. 5 secs 26 Long Shot Shotof Michael,Theoand the bartenderidenticallyputtingtheirhandsin the air with shock. 2 secs 27 Close—up Michael asks what is going on whilst worrying. 2 secs 28 Medium Shot Shotof the policeman saying that they want Michael and they want him to keep his hands in the air. 5 secs 29 Medium Shot Shot of Michael where he is refusing to keep his airs in the air since he believes that he hasn’t done anything wrong to deserve this. 6 secs 30 Long Shot Policemanstartstoinitiate the fightwith his lines and then they start by charging at Michael. 9 secs 31 Wide Shot Cut to a wide shotof Michael and the policemanwhere theyare going to swing at him and then they manage to dodge his attacks that they have beenattemptingtogive tohim. Camera is placed facing the bar but able to see all of the action inside. 11 secs 32 Long Shot Long shot facing Michael after he has dodged punches and grabs a policeman’s head successfully and smashes it against the bar, whilst it also shows the fact that he is started to get a little bit tired. 7 secs 33 Long Shot Shotfacingaway fromMichael that showsthat a policemanischargingat himand thenhe knockshimout witha swift punch and then manages to duck an uppercut. 10 secs 34 Medium Shot Shot of Michael kicking the body until he goes unconscious. 4 secs 35 Over the Shoulder Shot Shot of Michael who runs at the next police officer out of rage and then smashes him against the wall and knocks him out. He runs out of shot. 7 secs 36 Long Shot / Pan Shot Long shot of Michael running out of the door trying to escape the madness that has just happened and runs for the police. Pans to Theo’s shocked expression then he says what has just happened. 4 secs 37 Long Shot Cut to a shot of the bartenderand Theo having a conversation about the fact that there are bodiesinthe puband how he will get in trouble for it. 15 secs 38 Dolly Shot Shot of Michael running from the pub as fast as he can. 5 secs 39 Dolly Shot / Close – up Shotof Michael startingto getreallyexhaustedbutstill keeps running so that he can make it home as fast as possible. 4 secs 40 Wide Shot / Pan Shot Shot of Michael not considering the road and runs across the road as quickas possible butluckilyendsupmakingitacrosssuccessfullywith no need to make sure that the road is safe. 5 secs 41 Dolly Shot Shotof Michael running through an estate that is more secret so that he doesn’t get caught by the police. 7 secs 42 Dolly Shot Shot of Michael sprinting down his house road. 6 secs 43 Close-up Shot of the lock where Michael rushes to put his keys in the door. 4 secs 44 Medium Shot Shot of Michael looking into the lounge with exhaustion. 3 secs 45 Over the Shoulder Shot Shotover Michael’sshouldershowingthe parents worried about what is going on and make sure that he is okay. 2 secs 46 Medium Shot Shotof Mother worriedaskingwhether everythingisokaywithaworried expression on her face. 4 secs
  • 3.
    47 Long ShotShot of Michael saying that the police have tried to arrest him and that they are also after him. 5 secs 48 Medium Shot Shot of the father on the sofa asking what he has done with confusion. 3 secs 49 Close-up Shot of Michael’s face showing that he is annoyed and saying that he hasn’t done anything. 2 secs 50 Long Shot Shot of the mother suggesting that he comes and sits down in order to calm him down and watch the TV with them. 6 secs 51 Pan Shot Shot of Michael and it pans as he goes and sits down on the chair, while the mum also sits and watches the TV. 4 secs 52 Zoom Shot Shotof the TV as it showsa newsreportaboutthe townand the robbery. Will start as a long shot and then zoom into a medium shot of the news spokesperson while he does his report. 20 secs 53 Close-up Cut to Michael andhe hasa shockedexpressiononhisface fromwhat he has just heard. 3 secs 54 Medium Shot Shot of Michael saying that he believes that he has been mistaken for someone else. 4 secs 55 Medium Shot Shot of the mother where she is trying to calm down Michael. 6 secs 56 Long Shot Michael explainsthathe isworriedthattheymight capture him and take him to jail, he stands up in the process of him chatting. 7 secs 57 Medium Shot Shot of the mother where she is trying to tell him to go up to his room and then relax with the blinds closed so that no-one is able to see him. 5 secs 58 Long shot Michael walks up to his bedroom with an expression trying to relax. 7 secs 59 Long shot Michael enters his bedroom and then climbs on to his bed and reaches for the blinds. 4 secs 60 Close-up Close-upof the blindsandMichael’shand.Michael pulls the blinds shut. 2 secs 61 Establishing Shot Establishing shot of the police station. 4 secs 62 Long shot Shotof the policemanescorting the criminal into the meeting room and thenthey sithimdown.The main police officer is sat over the other side of the table. 12 secs 63 Medium Shot He speaks to the criminal asking if he knows why he has been bought here. 5 secs 64 Over the Shoulder Shot Shotfacingthe criminal whois aggravated and replies in a rude manner. 3 secs 65 Over the Shoulder Shot Shotof the mainpolice officeroverthe criminal shouldersayingthatthey are in need of help. 5 secs 66 Over the Shoulder Shot Shot of the criminal over the police’s shoulder replying rudely by swearing and saying that there is nothing in it for him. 6 secs 67 Medium Shot Shotof police officersatbythe table annoyedsaying to the criminal that there is no need for him to get aggravated about it. 3 secs 68 Medium Shot Shot of the criminal abiding and listening to the police officer. 4 secs 69 Over the Shoulder Shot Shotover the criminal’sshoulderof the mainpolice officer of him telling him the current situation. 11 secs 70 Over the Shoulder Shot Shot of the criminal which is confused and then is confused why he is asking a criminal about it. 4 secs 71 Medium Shot Shot of the second police officer saying that he will probably just bribe him for freedom. 4 secs 72 Medium Shot Shot of the criminal being sarcastic and in an angry tone. 5 secs 73 Close-up Shotof the mainpolice officerwho shouts at everyone in an angry tone. Silence falls across the room. 6 secs
  • 4.
    74 Medium ShotShotof the police officerthatsaysthatif he managesto getMichael then he will set him free and it doesn’t matter how he does it either. 11 secs 75 Over the Shoulder Shot The criminal replies and agrees with the deal. 3 secs 76 Over the Shoulder Shot Shot of the policeman saying that he is dismissed and can leave. 4 secs 77 Long Shot Shotof the criminal getting up and freed from his handcuffs whilst he is escorted out of the room. 10 secs 78 Establishing Shot / Drone Shot Drone shot of Theo’s house at night time. 7 secs 79 Long Shot Shot of the criminal checking all of the areas by the front door. 9 secs 80 Long Shot Shot the criminal checking over by the tree to see if there is the key there. 6 secs 81 Medium Shot Shotof the criminal lookingatthe lavenderplant thinkingthatitmightbe in there. He reaches down into the plant. 4 secs 82 Close-up Close-upof the lavenderplantandthe handas he rummages around and eventually finds the key. 5 secs 83 Long Shot Shot with the criminal facing away from the camera and then unlocking the door and entering. 6 secs 84 Long Shot Shotof criminal lookinginthe bathroomandthe spare room by the front door and then doesn’t find anyone there. 7 secs 85 Medium Shot Shot of Theo in the upstairs bathroom. He is getting ready for bed. 4 secs 86 Long Shot /Pan Shot Shotof the criminal lookingaroundthe kitchentosee if Theoisthere and then he proceeds to walk up the stairs. 10 secs 87 Close-up Close-up of the criminal’s foot and him stepping on a creaky stair that then makes a loud noise to be heard throughout the house. 5 secs 88 Medium Shot Shot of Theo who stops brushing his teeth and walks out of the bathroom. 5 secs 89 Long Shot Shot of Theo exiting the bathroom and then walking down the stairs to investigate all the noise that has just occurred. 4 secs 90 Medium / Long Shot Shotof Theowalkingandreachingthe bottomof the stairs to be greeted by the criminal who knocks him out and ties him up in a black bag. The screen will then fade to black. 6 secs 91 Point of View Shot Shot taken from Theo’s perspective as the bag is taken off his head and then the screen fades to normal. He looks around the garage and then the killer walks into shot. He asks where ‘he’ is. 9 secs 92 Medium Shot Shotof Theoconfusedonwhohe is talkingaboutreplieswith confusion. 4 secs 93 Over the Shoulder/Low Angle Shot Shot of the criminal over Theo’s shoulder standing over him and then saying that Theo knows who he is on about. 5 secs 94 Over the Shoulder/High Angle Shot Shot of Theo over the criminal’s shoulder and then he clarifies that he has no idea what the criminal is trying to put across to him. 4 secs 95 Over the Shoulder/Low Angle Shot Shotof the criminal overTheo’sshouldersayingthatTheo’s‘little friend’ has been up to no good and labels him as a criminal due to police description. 7 secs 96 Over the Shoulder/High Angle Shot Shotof Theooverthe criminal’sshouldersayingthatMichael hasn’tdone anything wrong suggesting that the criminal has been falsely labelled. 8 secs
  • 5.
    97 Over the Shoulder/Low AngleShot Shotof the criminal overTheo’sshouldersayingthatthe bestway to find himis throughkidnapping Theo since he believes that he will know and tell him the whereabouts of him. 12 secs 98 Over the Shoulder/High Angle Shot Shot of Theo over the criminal’s shoulder saying that he refuses to tell him anything. 3 secs 99 Medium Shot Shot of the criminal saying that maybe he can convince Theo and then proceeds to pull a knife out of his pocket. 4 secs 100 Wide Shot Shotof the two with the criminal on the right and Theo and the criminal has Theo held at knifepoint. 5 secs 101 Medium Shot Shotof Theoscared withthe knife held up close to him and then replies quickly saying that he will bring Michael to him. 4 secs 102 Medium Shot Shotof the criminal replyingsaying good and then proceeds to put away the knife for now and walks around behind Theo to check he is texting Michael. 9 secs 103 Long Shot Shot of Theo attempting to get his phone whilst tied up and then messages Michael with the criminal behind him to check to make sure that there isn’t anything suspicious going on. Theo says to the criminal that Michael will be there in about five seconds. 13 secs 104 Close-up Shot of the criminal who is surprised and confused that Michael will be here infive seconds and says that he thinks that it is a bit quick but mid- sentence is abruptly interrupted by a door slamming open. 5 secs 105 Long Shot Shot of Michael storming through the main garage door. 3 secs 106 Long Shot Shot of the criminal and Theo and the criminal questions how Michael got there soquick.Theoreplies saying that it isn’t important how he got there. 8 secs 107 Long Shot Shot of Michael walking towards the criminal and Theo and stopping in front of them. Annoyed he says that he cares about Theo. 6 secs 108 Over the Shoulder Shot Shot of the criminal saying that they thought that kidnapping his best friend is the best way of bringing Michael to him. 8 secs 109 Over the Shoulder Shot Shot of Michael over the criminal’s shoulder saying that he doesn’t understand why he is wanted by him. 5 secs 110 Over the Shoulder Shot Shotof the criminal over Michael’s shoulder explaining about how he is believed to be a criminal by Michael. 6 secs 111 Close-up Shotof Michael angry andshoutsthat he didn’t rob the bank and that he was mistaken. 4 secs 112 Medium Shot / Pan Shot Shot of the criminal saying that he will convince Michael to come with him if it means that Theo stays alive. The camera pans down to see that the knife is bought closer to Theo. 10 secs 113 Close-up Shot of Michael shouting No with desperation. 2 secs 114 Close-up Shot of Theo saying that they have lost so that he should just go and sacrifice him. 4 secs 115 Medium Shot Shot of the criminal looking down and then saying that Theo is going to die a horrible death. Mid-sentence Michael knocks the knife out of his hand and then shot of the criminal also being startled by this since they start to have a fight. 11 secs 116 Long Shot Shot and Michael is facing away from the camera, but you can see that Michael lands some clean punches and has the criminal on the floor. 7 secs 117 High Angle Shot Shot of the criminal on the floor and then Michael trying to punch him and finishhimoff,butthe criminal managestododge itandMichael ends up punching the floor in the process and injures his hand, 5 secs
  • 6.
    118 Low AngleShot Shotof Michael injuredwithhishandandthen goes to hold it where the criminal startles him by hitting him a few times so he can get up and dazes him. 4 secs 119 Wide Shot Shotof themtwowithMichael dazedand thenthe criminal landingsome punches and having him up in a corner due to him being weak at this point. 11 secs 120 Medium Shot Shot of Theo escaping the chair unnoticed. 5 secs 121 Medium Shot Shot of the criminal saying to Michael that he is coming with him. Theo thencomesup behindhimandthenknocks him out with a metal object. 7 secs 122 Long Shot Long Shot of Michael and Theo getting up and then dusting themselves off. Michael thanks Theo and then saying that it wasn’t a problem. 8 secs 123 Long Shot Shotof Michael and Theowalkingoutof the garage afterusingthe switch to get them outside. 10 secs 124 Dolly Shot Shotof Theoand Michael walkingdownthe driveway and then stopping out the front of the driveway. 5 secs 125 Over the Shoulder / Long Shot Shot of Michael and Theo looking and discussing the ominous man walkingdownthe other side of the pavement and the fact that he looks like Michael. 14 secs 126 Medium Shot Shot of the robber unveiling himself to be the criminal that robbed the bank. 4 secs 127 Medium / Wide Shot Shot of Michael and Theo shocked that it is the robber saying that they should chase the robber. 5 secs 128 Over the Shoulder/ Dolly Shot Shot over Theo’s shoulder of them running after him but Michael is too quickand goesaroundthe corner before Theodoesandthengetsbeaten up by the robber. The robber then acts like Michael’s doppelganger as they take him to the police station. 20 secs 129 Wide Shot Shotof Theoand Michael’sdoppelgangerwalking into the police station with Michael and then walking up to the main police officer. 8 secs 130 Medium Shot Shot of the main police officer annoyed at how they escaped his best criminal. 5 secs 131 Over the Shoulder Shot Shot of the doppelganger saying that they fought him and that they found the criminal and they shove him over to the police officer. 8 secs 132 Long Shot Shotof the criminal walkingover to his computer to compare him to the database and then gets back up to walk up to Michael’s doppelganger. 15 secs 133 Medium Shot Shotof the police officerexplaining his apologies and says that they can get on with their lives without being bothered. 10 secs 134 Wide Shot They both thank the police officer and walk out. 4 secs 135 Long Shot Shot of Michael’s doppelganger and Theo walking out and way of the police station. Theo offers to go for a pint to which the doppelganger accepts. 9 secs 136 Close-up Close-up of Michaels doppelganger’s face as he winks at the camera to signify that he is not Michael. 3 secs 137 Long Shot Shot of them continually walking and the screen fading to black. 5 secs