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This document lists 4 titles: Raging Bull, Pump Up the Volume, Narcos, and Olive Kitteridge. It appears to be a timeline or list of movies or TV shows that Kaitlin Loge has watched or is interested in. The titles represent different genres including a biographical drama, coming-of-age film, crime drama series, and novel adaptation.
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Titles
These are the titles for my horror film opening credits, there are under 20 which is just about enough
Research film distributors
Showtime Networks and Take 5 Productions produced The Borgias TV series. Showtime Networks broadcasts a variety of films for an adult audience as an independent company, so their films may not be as widely known as major film studio productions. Take 5 Productions is a Canadian independent production company specializing in TV drama for adult audiences, so they also lack the recognition of major studios. Gramercy Pictures distributed Insidious as an independent production company jointly owned by Polygram.
Shot list
This document provides a shot list for a film with 15 scenes. It describes dimly lit shots in a graveyard and park including slow zooms and dissolves. Flashbacks are shown in black and white. Scenes in a church depict a woman praying alone with loud wind and dim lighting, then the door suddenly shutting as the wind stops. The shot list follows a woman through graveyards, parks and a church with ominous lighting and sound.
Evaluation question 4
This document provides guidance for answering a question about the audience for a media product. It instructs the student to visually represent their target audience through a video montage, moodboard, or online poster, showing who the audience members are, their tastes, spare time activities, and media preferences. It stresses that any visual representation should be accompanied by a brief summary paragraph and reference back to initial secondary and primary audience research.
Media
The document discusses why artists use social media. It explains that social media is an important part of being a successful artist today, as it allows artists to connect personally with fans and gain more followers. Artists can use social media to provide life updates, promote their work through tour dates and merchandise, and give fans extra access to information about the artist. Maintaining social media pages is a free way for artists to promote themselves and keep fans informed and engaged.
Titles
This document lists the 14 titles and roles for the short film "Rise From The Dead" including Director, Writer, two Actors, Composer, Sound Effects, Costume Designer, Producer, Hair, Makeup, Executive Producer, Director of Photography, and the film's title and lead actress. Kaitlin Lodge held multiple roles as director, writer, composer, and for hair, while Amber Loizou served as actor, costume designer, executive producer, and director of photography.
Woman in black – sound
The ambient sound in the opening scene creates an eerie feeling through creepy music and unnatural tapping. The first diegetic noise is a cup smashing, startling the viewer and foreshadowing something bad. Screaming from the girls then overpowers the ending music, with the screaming being high pitched against the deep, low music. Background music is played throughout, using a creepy fairground tune for ironic contrast since fairground music is meant to be happy. The diegetic voice at the end is an anonymous screaming woman saying "my baby" as the girls jump from the window, remaining mysterious.
Location Reece
This document provides a location recce for a potential film shoot. It evaluates the suitability of Fishburn Church and Graveyard based on the genre, narrative, and research. It identifies access and lighting issues at the church. A risk assessment is then conducted, identifying hazards such as night operation, lighting, glass, and costumes/makeup. For each hazard, the document explains what could cause harm and how much harm may occur. It then proposes how each risk will be managed, prioritizing elimination, reduction, isolation, control, or use of personal protective equipment. Locations and hazards are evaluated to ensure a safe shoot.
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Titles
These are the titles for my horror film opening credits, there are under 20 which is just about enough
Research film distributors
Showtime Networks and Take 5 Productions produced The Borgias TV series. Showtime Networks broadcasts a variety of films for an adult audience as an independent company, so their films may not be as widely known as major film studio productions. Take 5 Productions is a Canadian independent production company specializing in TV drama for adult audiences, so they also lack the recognition of major studios. Gramercy Pictures distributed Insidious as an independent production company jointly owned by Polygram.
Shot list
This document provides a shot list for a film with 15 scenes. It describes dimly lit shots in a graveyard and park including slow zooms and dissolves. Flashbacks are shown in black and white. Scenes in a church depict a woman praying alone with loud wind and dim lighting, then the door suddenly shutting as the wind stops. The shot list follows a woman through graveyards, parks and a church with ominous lighting and sound.
Evaluation question 4
This document provides guidance for answering a question about the audience for a media product. It instructs the student to visually represent their target audience through a video montage, moodboard, or online poster, showing who the audience members are, their tastes, spare time activities, and media preferences. It stresses that any visual representation should be accompanied by a brief summary paragraph and reference back to initial secondary and primary audience research.
Media
The document discusses why artists use social media. It explains that social media is an important part of being a successful artist today, as it allows artists to connect personally with fans and gain more followers. Artists can use social media to provide life updates, promote their work through tour dates and merchandise, and give fans extra access to information about the artist. Maintaining social media pages is a free way for artists to promote themselves and keep fans informed and engaged.
Titles
This document lists the 14 titles and roles for the short film "Rise From The Dead" including Director, Writer, two Actors, Composer, Sound Effects, Costume Designer, Producer, Hair, Makeup, Executive Producer, Director of Photography, and the film's title and lead actress. Kaitlin Lodge held multiple roles as director, writer, composer, and for hair, while Amber Loizou served as actor, costume designer, executive producer, and director of photography.
Woman in black – sound
The ambient sound in the opening scene creates an eerie feeling through creepy music and unnatural tapping. The first diegetic noise is a cup smashing, startling the viewer and foreshadowing something bad. Screaming from the girls then overpowers the ending music, with the screaming being high pitched against the deep, low music. Background music is played throughout, using a creepy fairground tune for ironic contrast since fairground music is meant to be happy. The diegetic voice at the end is an anonymous screaming woman saying "my baby" as the girls jump from the window, remaining mysterious.
Location Reece
This document provides a location recce for a potential film shoot. It evaluates the suitability of Fishburn Church and Graveyard based on the genre, narrative, and research. It identifies access and lighting issues at the church. A risk assessment is then conducted, identifying hazards such as night operation, lighting, glass, and costumes/makeup. For each hazard, the document explains what could cause harm and how much harm may occur. It then proposes how each risk will be managed, prioritizing elimination, reduction, isolation, control, or use of personal protective equipment. Locations and hazards are evaluated to ensure a safe shoot.
Mise terrified
This document analyzes and summarizes the setting, characters, and imagery in multiple scenes from films. The setting of the first scene discussed is a dimly lit graveyard, creating an eerie atmosphere and foreshadowing that something bad will occur. The second scene depicts two protagonists dressed in white, suggesting purity but also fear as their expressions are frightened. The third scene shows an old, expensive car driving up to a deserted-looking pub late at night, creating tension through the unfriendly and creepy atmosphere.
Shot list
This document provides a shot list for a film with 8 shots across 3 locations - a graveyard, park, and churchyard. The shots include dim lighting with zooms into gravestones and doors, montages of family pictures in black and white, transitions between park pictures and montages, unnatural high pitched laughing in the park with high key lighting, and a long shot of a female sitting alone in an empty church.
Shot list
This document provides a shot list for a film with 8 shots across 3 locations - a graveyard, park, and churchyard. The shots include dim lighting with zooms into gravestones and doors, montages of family pictures in black and white, transitions between park pictures and montages, unnatural high-pitched laughing in the park with high key lighting, and a long shot of a female sitting alone in an empty church.
Location recce template 2014
This document discusses potential filming locations for a project, including Fishburn Church. It finds the church suitable due to its creepy nighttime atmosphere and religious aspects linking to horror. Access and lighting issues are noted, with permission needed to film and potential darkness. A risk assessment identifies hazards like falling at night, glass, and costumes, analyzing the likelihood and level of harm from each. Control measures are proposed like extra lighting, inspecting the area, avoiding glass, and suitable clothing lengths to manage the risks.
Cinematography of zombieland
This document does not contain any substantive content to summarize. It appears to be blank or missing the intended content. A accurate 3 sentence summary cannot be generated without the underlying information and details provided in the original document.
Woman in black – sound
The opening scene establishes an eerie atmosphere through a creepy musical score and unnatural high-pitched tapping sounds. The first diegetic sound is a cup smashing, startling the viewer and foreshadowing something bad will happen. As the score ends, a girl's high-pitched screaming overpowers the lower-pitched, softer musical ending, creating an asynchronous effect that juxtaposes the diegetic screaming with the score.
Mese en scene
The setting takes place in a dimly lit, eerie graveyard that uses pathetic fallacy to foreshadow something bad through the lighting. One of the buildings is called "The Fallen Angel" which stands out in contrast to the scenery as it looks dark and unwelcoming. The graveyard symbolizes death and Christianity in the faith, while the low lighting creates an eerie feeling and encourages viewers to watch more of the film to understand why someone is standing there.
New Post Genre Research
This document summarizes several common film genres including horror, romance, and science fiction. For horror films, it discusses typical settings, themes of haunting, demons, and gore. Romance films often depict relationships through conventions like weddings and arguments. Science fiction uses futuristic settings in space or alternative worlds. The document concludes that a horror/thriller opening would be most interesting and easiest to produce for the constraints of filming on location.
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Mise terrified
This document analyzes and summarizes the setting, characters, and imagery in multiple scenes from films. The setting of the first scene discussed is a dimly lit graveyard, creating an eerie atmosphere and foreshadowing that something bad will occur. The second scene depicts two protagonists dressed in white, suggesting purity but also fear as their expressions are frightened. The third scene shows an old, expensive car driving up to a deserted-looking pub late at night, creating tension through the unfriendly and creepy atmosphere.
Shot list
This document provides a shot list for a film with 8 shots across 3 locations - a graveyard, park, and churchyard. The shots include dim lighting with zooms into gravestones and doors, montages of family pictures in black and white, transitions between park pictures and montages, unnatural high pitched laughing in the park with high key lighting, and a long shot of a female sitting alone in an empty church.
Shot list
This document provides a shot list for a film with 8 shots across 3 locations - a graveyard, park, and churchyard. The shots include dim lighting with zooms into gravestones and doors, montages of family pictures in black and white, transitions between park pictures and montages, unnatural high-pitched laughing in the park with high key lighting, and a long shot of a female sitting alone in an empty church.
Location recce template 2014
This document discusses potential filming locations for a project, including Fishburn Church. It finds the church suitable due to its creepy nighttime atmosphere and religious aspects linking to horror. Access and lighting issues are noted, with permission needed to film and potential darkness. A risk assessment identifies hazards like falling at night, glass, and costumes, analyzing the likelihood and level of harm from each. Control measures are proposed like extra lighting, inspecting the area, avoiding glass, and suitable clothing lengths to manage the risks.
Cinematography of zombieland
This document does not contain any substantive content to summarize. It appears to be blank or missing the intended content. A accurate 3 sentence summary cannot be generated without the underlying information and details provided in the original document.
Woman in black – sound
The opening scene establishes an eerie atmosphere through a creepy musical score and unnatural high-pitched tapping sounds. The first diegetic sound is a cup smashing, startling the viewer and foreshadowing something bad will happen. As the score ends, a girl's high-pitched screaming overpowers the lower-pitched, softer musical ending, creating an asynchronous effect that juxtaposes the diegetic screaming with the score.
Mese en scene
The setting takes place in a dimly lit, eerie graveyard that uses pathetic fallacy to foreshadow something bad through the lighting. One of the buildings is called "The Fallen Angel" which stands out in contrast to the scenery as it looks dark and unwelcoming. The graveyard symbolizes death and Christianity in the faith, while the low lighting creates an eerie feeling and encourages viewers to watch more of the film to understand why someone is standing there.
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HCL Notes und Domino Lizenzkostenreduzierung in der Welt von DLAU
Webinar Recording: https://www.panagenda.com/webinars/hcl-notes-und-domino-lizenzkostenreduzierung-in-der-welt-von-dlau/
DLAU und die Lizenzen nach dem CCB- und CCX-Modell sind für viele in der HCL-Community seit letztem Jahr ein heißes Thema. Als Notes- oder Domino-Kunde haben Sie vielleicht mit unerwartet hohen Benutzerzahlen und Lizenzgebühren zu kämpfen. Sie fragen sich vielleicht, wie diese neue Art der Lizenzierung funktioniert und welchen Nutzen sie Ihnen bringt. Vor allem wollen Sie sicherlich Ihr Budget einhalten und Kosten sparen, wo immer möglich. Das verstehen wir und wir möchten Ihnen dabei helfen!
Wir erklären Ihnen, wie Sie häufige Konfigurationsprobleme lösen können, die dazu führen können, dass mehr Benutzer gezählt werden als nötig, und wie Sie überflüssige oder ungenutzte Konten identifizieren und entfernen können, um Geld zu sparen. Es gibt auch einige Ansätze, die zu unnötigen Ausgaben führen können, z. B. wenn ein Personendokument anstelle eines Mail-Ins für geteilte Mailboxen verwendet wird. Wir zeigen Ihnen solche Fälle und deren Lösungen. Und natürlich erklären wir Ihnen das neue Lizenzmodell.
Nehmen Sie an diesem Webinar teil, bei dem HCL-Ambassador Marc Thomas und Gastredner Franz Walder Ihnen diese neue Welt näherbringen. Es vermittelt Ihnen die Tools und das Know-how, um den Überblick zu bewahren. Sie werden in der Lage sein, Ihre Kosten durch eine optimierte Domino-Konfiguration zu reduzieren und auch in Zukunft gering zu halten.
Diese Themen werden behandelt
- Reduzierung der Lizenzkosten durch Auffinden und Beheben von Fehlkonfigurationen und überflüssigen Konten
- Wie funktionieren CCB- und CCX-Lizenzen wirklich?
- Verstehen des DLAU-Tools und wie man es am besten nutzt
- Tipps für häufige Problembereiche, wie z. B. Team-Postfächer, Funktions-/Testbenutzer usw.
- Praxisbeispiele und Best Practices zum sofortigen Umsetzen
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The original Czech 🇨🇿 version of the presentation can be found here: https://www.slideshare.net/slideshow/hlavni-novinky-souvisejici-s-ccs-tsi-2023-2023-1695/269688092 .
The videorecording (in Czech) from the presentation is available here: https://youtu.be/WzjJWm4IyPk?si=SImb06tuXGb30BEH .
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HCL Notes and Domino License Cost Reduction in the World of DLAU
Webinar Recording: https://www.panagenda.com/webinars/hcl-notes-and-domino-license-cost-reduction-in-the-world-of-dlau/
The introduction of DLAU and the CCB & CCX licensing model caused quite a stir in the HCL community. As a Notes and Domino customer, you may have faced challenges with unexpected user counts and license costs. You probably have questions on how this new licensing approach works and how to benefit from it. Most importantly, you likely have budget constraints and want to save money where possible. Don’t worry, we can help with all of this!
We’ll show you how to fix common misconfigurations that cause higher-than-expected user counts, and how to identify accounts which you can deactivate to save money. There are also frequent patterns that can cause unnecessary cost, like using a person document instead of a mail-in for shared mailboxes. We’ll provide examples and solutions for those as well. And naturally we’ll explain the new licensing model.
Join HCL Ambassador Marc Thomas in this webinar with a special guest appearance from Franz Walder. It will give you the tools and know-how to stay on top of what is going on with Domino licensing. You will be able lower your cost through an optimized configuration and keep it low going forward.
These topics will be covered
- Reducing license cost by finding and fixing misconfigurations and superfluous accounts
- How do CCB and CCX licenses really work?
- Understanding the DLAU tool and how to best utilize it
- Tips for common problem areas, like team mailboxes, functional/test users, etc
- Practical examples and best practices to implement right away
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Timeline
- 2. RAGING BULL
- 3. PUMP UP THE VOLUME
- 4. NARCOS