The social class is represented as unhappy in the documentary. Scenes show the parents fighting in separate shots with objects between them to depict their emotional separation and angry facial expressions. The children are shown in another room with blank expressions, lacking movement and seeming bored as if used to the arguments. A shot of the room shows the boys and girl on opposite sides, emotionally separated like their parents. Close-ups of the father show him as working class and unhappy, forcefully hitting tools as if venting his anger through the noise and blocking out other thoughts.

1. Camera AngleThe social class in ‘the street’ are represented of as unhappy. At the beginning of the extract the parents are shown fighting. They aren’t shown in the same shot, they’re always shown separately in a medium long shot with something in-between them to show their emotional separation. It also always show then with angry facial expressions and hand gestures to represent the social class as unhappy.There is a medium shot of the children sitting in the next room from the parents. Their blank expressions and lack of movement represent them as unhappy and they show no sign of enjoyment and seem bored, as if they are used to these arguments. A medium shot of the room shows the boys and the girl on other sides of the room, shows them as not – united and as emotionally separated as the parents.A close up and medium close up of the father character shows him as working class and unhappy. It shows the actor hitting the tools with force, as if to vent his anger out of them, and the noise from what he is doing can be heard, to emphasize all his anger because it shows him channeling everything into hitting this tool, he has blocked out all other thought.