The scarletpimpernelfinal
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The document discusses the novel The Scarlet Pimpernel by Baroness Orczy, its film adaptations from 1934 and 1982, and analyzes the films and story in their historical contexts. Some of the key themes examined include liberty versus tyranny, life versus death, and varying visions of the French Revolution. The document also explores attitudes and perspectives portrayed, and why the French Revolution continues to interest filmmakers.
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This document summarizes the history and evolution of the zombie genre in cinema. It begins with early influential films from the 1920s-1940s that helped establish tropes of the genre. George Romero is credited with beginning the modern zombie film with Night of the Living Dead in 1968, setting conventions like flesh-eating zombies and survival in an enclosed space. The genre then expanded with Italian zombie films and comedic takes in the 2000s, as well as fictional depictions of "real" zombies.
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Gothic horror is a sub-genre of Gothic fiction that uses elements of fear and terror conveyed through literature and film to explore themes of unnatural romance and humanity's dark side through stories of monsters, vampires, and characters with dual personalities. Some key Gothic horror works mentioned include Nosferatu, one of the earliest vampire films from 1972; the 1910 Frankenstein film, one of the first zombie films; and the 1886 novella Strange Case of Dr Jekyll and Mr Hyde by Robert Louis Stevenson about a man with a split personality.
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Gothic horror is a sub-genre of Gothic fiction that uses elements of fear and terror conveyed through literature and film to explore themes of unnatural romance and humanity's dark side through stories of monsters, vampires, and characters with dual personalities. Some key Gothic horror works mentioned include Nosferatu, one of the earliest vampire films from 1972; the 1910 Frankenstein film, one of the first zombie films; and the 1886 novella Strange Case of Dr Jekyll and Mr Hyde by Robert Louis Stevenson about a man with a split personality.
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The document provides an excerpt from Chapter 1 of The Scarlet Pimpernel by Baroness Orczy. It describes the setting of Paris in September 1792 during the French Revolution. Citizens are executing aristocrats daily via the guillotine. At the barricades, Sergeant Bibot enjoys catching aristocrats trying to escape disguised and sends them to their deaths. He brags about how he will catch the elusive English spy known as the Scarlet Pimpernel who has been helping many aristocrats escape France.
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Technology has greatly impacted the quality and special effects used in horror films over time. Early horror films from the 1900s based on novels and books had short run times of only 15 minutes and contained obvious endings with clear distinctions between good and evil. By the 1920s, silent films with wax figure stories and remakes of films like Hands of Orlac were being created with longer run times of over 60 minutes. The 1930s saw the first horror film with sound, Dracula, and the first in color, Doctor X, adding new dimensions of terror. Plots continued becoming more complex in the 1940s with films like I Walked With A Zombie containing nurse drama and vampire rumors. Modern horror films have many subgenres and focus
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The document discusses the typical characters found in horror films from the 1930s to the 2000s. In the 1930s and 1940s, characters included vampires, werewolves, and madmen featured in films like Dracula and The Wolf Man. In the 1950s-1960s, new subgenres emerged featuring characters like survivors of war or nuclear holocaust in armageddon films and people possessed by demonic forces in films like Rosemary's Baby. The 1970s-1980s saw the rise of occult-focused films with characters portrayed as possessed or reincarnated. Slasher films dominated the 1990s with madmen killer characters, while remakes and sequels in the 2000s often involved teenagers as vulnerable
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This document discusses the history and subgenres of horror films. It outlines key monsters used in horror, including zombies, aliens, ghosts, mummies, and demons. It provides details on the origins of the genre in the late 19th century and traces the timeline of horror through the 20th century as genres like slashers and torture porn emerged. Technology has allowed special effects to advance, impacting what is possible in modern horror films.
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The document traces the history of horror films from the late 19th century to the 2000s. Some of the earliest horror films were short, silent films produced in France and adapted from popular horror literature of the time. In the 1920s, successful adaptations of Dr. Jekyll and Mr. Hyde and Dracula established these stories and characters in the public consciousness. The 1930s saw a rise in films featuring monsters, mad scientists, vampires and werewolves. The 1950s brought a combination of science fiction and horror. Iconic films of later decades included Psycho (1960s), The Exorcist and Texas Chain Saw Massacre (1970s), A Nightmare on Elm Street (1980s), Scream
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This document provides information about the film genre project for a creative arts class. It includes definitions of the term "genre" and lists examples of different film genres. It also describes an activity where students will watch a montage of mainstream film genres and identify common stylistic elements. Finally, it discusses the German Expressionist film genre, providing context and describing its distinctive visual style including bizarre sets, unusual angles, shadows, and characters. Students are asked to create a drawing representing German Expressionism.
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The document discusses the genre of film noir, providing examples of classic and modern films that fall into this category. Some key characteristics of film noir include flawed protagonists, femme fatales, and stories centered around crime and mystery. Two films highlighted are Detour from 1945, about a hitchhiker who takes over a dead man's identity, and Shutter Island from 2010, where two marshals investigate the disappearance of an inmate at an asylum for the criminally insane.
The history of the horror genre
This document summarizes key aspects of the horror genre, including common subgenres (supernatural, slasher, comedy, action), origins in the late 19th century, common monsters (zombies, aliens, ghosts, mummies, demons), and the timeline of major developments in horror films from the early 20th century to present day. Technology has allowed for more advanced special effects and CGI, enhancing the impact of films on audiences.
History of horror
The document discusses the history and evolution of horror movies from their roots in 19th century Gothic literature through the present day. It describes how early silent films from Germany in the 1920s helped establish the genre. The 1930s saw a rise in mad scientist and monster movies influenced by books like Frankenstein. The 1950s brought mutant creatures and alien invasion films capitalizing on nuclear fears. Slashers and graphic body horror became popular in the 1980s. Modern horror continues to play on real-world fears and update classic films with new scare techniques.
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The document provides a timeline of the history of horror films from the 1890s to the 2000s. It highlights some of the earliest films featuring supernatural events in the late 1890s and early 1900s. In the 1930s-1940s, Universal Pictures had success with Gothic horror films like Dracula and Frankenstein. The 1950s-1960s saw the emergence of science fiction horror films dealing with threats like alien invasions. The 1970s featured many films with occult and demonic themes like The Exorcist. Slasher films became popular in the 1980s and 1990s, while the 2000s saw remakes and sequels to classic franchises as well as new independent horror films.
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The document traces the history and evolution of the horror genre from its origins in Gothic literature in the late 1700s through early films in the 1890s and 1900s to modern psychological horrors of the 1990s and 2000s. It notes key authors and films that helped establish conventions like haunted houses and castles as settings during nighttime. Universal Pictures played a major role in popularizing horror films in the 1930s with films like Dracula and Frankenstein.
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This document provides a historical overview of physiological thrillers from the 1920s to the 21st century. It summarizes key thriller films from each era that reflected the social and political climates of the time, from Hitchcock's Blackmail in the aftermath of WWI, to Reed's The Third Man during WWII, to Fincher's Seven in the 1990s following the Rwandan genocide. The document uses example films to illustrate how the thriller genre evolved alongside and commented on major world events over the past century.
4. the history of the genre of murder mystery
The history of the murder mystery genre in film has evolved over the decades from the 1900s to present day. Early silent films featured simplistic mysteries, while 1940s-50s films grew darker and more violent. The 1960s-70s saw updates of classic novels and period pieces set in the 1930s-40s. From the 1980s on, neo-noir and psycho-thriller styles emerged, with more complex plots, international settings, and fast-paced action sequences. The changing nature of audiences required more intricate mysteries to avoid predictability.
History of Horror: The 1940s
During World War 2, the horror genre shifted from Britain to America as horror films were banned in Britain. Hollywood began producing more horror films to entertain domestic audiences. These 1940s horror films often featured creatures influenced by the war, including Frankenstein, werewolves, and cat people. One influential film was 1941's The Wolf Man, which established werewolf tropes and was influenced by propaganda depicting Hitler as the "Big Bad Wolf". Another success was 1942's Cat People, a psychological thriller presenting women as dangerous beings. However, the genre moved to less artistic, more comedic sequels and crossovers that diluted the scare factor of the classic monsters.
Murder Mystery History
Murder mystery films originated in the early 1900s when crime films were popular. There were two main types - open mysteries which revealed the perpetrator early on, and closed mysteries or "whodunits" where the criminal was unknown. Alfred Hitchcock directed many famous murder mysteries in the 1920s-1930s that helped establish the genre. Through the 1950s-1990s, murder mysteries expanded widely on television and film, often combining with other genres like horror or fantasy. Into the 21st century, the genre continues to adapt novels and develop new psychological thrillers and suspenseful stories.
Horror genre history
The document discusses the history of the horror genre from German Expressionism in the early 20th century through various eras up to the 2000s. It covers movements like Gothic horror in the 19th century, Universal Studios monsters in the 1930s, wartime films of the 1940s focusing on primal creatures, the rise of mutant creatures and alien invaders in the 1950s due to World War 2, the popularity of ghosts and zombies in the 1960-70s, the peak of Hammer Films in the UK, the slasher and gore films of the 1980s, and the resurgence of torture porn genres in the 2000s. The eras saw shifting trends in monsters and themes reflective of the times.
Genre research
This document discusses the history of early thrillers and provides examples from the 1920s-1930s including Safety Last, M, and Murders in the Zoo. It also mentions psychological thriller subgenres that focus on the protagonist's mental state, giving examples like Along Came a Spider. The document then profiles Alfred Hitchcock as the "Master of Suspense" and lists some of his notable early films like The 39 Steps and The Lady Vanishes that helped establish the suspense-thriller genre.
The Sniper
1. The document is a short story written by Irish author Liam O'Flaherty about a republican sniper during the Irish Civil War in June 1922.
2. As the sniper lies wounded on a rooftop, he kills the enemy sniper and car that spot him. When he goes to identify the dead body of the enemy sniper, he discovers it is his own brother.
3. The story highlights the human cost of civil war through the tragic moment when the sniper realizes he has killed his own brother.
Media task 4
This document provides a historical overview of the horror film genre from 1900 to 2012. It describes the emergence and evolution of different subgenres over time, including German expressionist films in the 1920s, Universal monster movies in the 1930s, Hammer Horror films in Britain in the 1950s-60s, occult and psychological horror in the 1970s, slasher films in the 1980s, Japanese horror remakes in the 1990s-2000s, and modern found footage and reboots. Key films that pushed boundaries or became popular franchises are also highlighted for each era.
Andrzej Klimowski
Andrzej Klimowski is a Polish graphic artist and illustrator known for his poster designs for theatre, opera, and films. He is obsessed with drawing eyes, faces, hands, angels, and devils. Klimowski has also illustrated book covers and magazine articles. The document provides a list of plays by British playwright Harold Pinter that Klimowski has created artwork for. It concludes with citations of websites featuring more information about Klimowski and his work.
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The document discusses different types of thriller genres including crime thrillers, psychological thrillers, and spy thrillers. It provides characteristics and examples for each genre. Crime thrillers focus on solving mysteries and use techniques like red herrings to mislead the audience. Psychological thrillers explore unstable mental states and topics such as perception and identity. Spy thrillers involve espionage and solving crimes with the protagonist in danger. The document also discusses the career and films of Alfred Hitchcock as an example of a director who mastered suspense techniques.
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The document provides an excerpt from Chapter 1 of The Scarlet Pimpernel by Baroness Orczy. It describes the setting of Paris in September 1792 during the French Revolution. Citizens are executing aristocrats daily via the guillotine. At the barricades, Sergeant Bibot enjoys catching aristocrats trying to escape disguised and sends them to their deaths. He brags about how he will catch the elusive English spy known as the Scarlet Pimpernel who has been helping many aristocrats escape France.
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The document is an excerpt from Chapter 1 of The Scarlet Pimpernel by Baroness Orczy. It describes the scene at the West Barricade in Paris in September 1792 during the French Revolution, where Sergeant Bibot is overseeing the gates and ensuring no aristocrats attempt to flee the city to escape execution. Bibot recounts how another sergeant was sent to the guillotine for allowing a family of aristocrats to escape disguised in a cart, which was supposedly driven by the elusive English spy known as the Scarlet Pimpernel. Bibot prepares to close the gates for the night as covered market carts prepare
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This document provides a general presentation of an optional English course curriculum that uses art-oriented activities and ICT to develop students' communication skills. The curriculum is designed for elementary, lower-secondary, and upper-secondary levels. It includes general and specific competencies, learning activities, contents, and evaluation strategies. The curriculum also includes lesson plans and teaching resources to help teachers implement the course. The goal is to create an interactive learning environment through cross-curricular and transdisciplinary approaches using art, ICT, and general themes.
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Horror Genre Presentation
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Lesson 6 hitchcock as autuer master acronym
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History of horror films
History of horror films by Rodrigo Alonso
This is a powerpoint that took me a long time to make about the horror genre.
It covers horror films trough the decades and its genres and subgenres.
I hope that you like it !
History of genre
The document traces the evolution of horror films over time, from the late 19th century introduction of dancing skeletons and mad doctors to more modern themes involving serial killers, monsters, and apocalyptic scenarios. Key developments included the first vampire film "Nosferatu" in the 1920s, the introduction of iconic villains like Dracula, Frankenstein, and The Mummy in 1931, the rise of sci-fi horrors in the 1950s involving aliens and creatures, and influential films like "The Exorcist" and "The Shining" in the 1970s that incorporated religious and psychological themes. Horror continues to draw from these foundations while also adapting to current interests around topics like everyday fears, serial murderers
Horror finished
The document provides an overview of the history and conventions of horror films. It discusses:
- The origins of horror films in the late 19th century with George Melies' short films.
- The rise in popularity and budgets of horror films in the 1960s with films like The Exorcist.
- Common conventions like characters (victims, villains), settings (isolated places), narratives (hero's quest), lighting techniques, and icons.
- Famous directors like William Friedkin, Roman Polanski, and George Romero who helped advance the genre.
- The typical target audience of younger males and analysis of some influential films like The Shining, Paranormal Activity,
Horror finished
The document provides an overview of the history and conventions of horror films. It discusses:
- The origins of horror films in the late 19th century with George Melies' short films.
- The rise in popularity and budgets of horror films in the 1960s with influential films like The Exorcist.
- Common conventions like characters (victims, villains), settings (isolated places), narratives (hero's quest), lighting techniques, and icons.
- Examples of subgenres like slasher, body horror, and psychological horror films.
- Typical audiences for horror (males aged 15-24) and factors influencing the genre's popularity.
Famous thriller directors
Alfred Hitchcock was a famous English film director born in 1899 in London. He worked in various jobs before joining the film industry in the 1920s. Some of his most notable silent films included The Pleasure Garden and The Lodger. In 1940, he moved to Hollywood where he became extremely successful and famous, with many of his films bearing his name. His 1960 film Psycho was particularly influential, featuring graphic violence and sexuality and establishing conventions for horror film music and editing. It was a major commercial success. Hitchcock died in 1980, having directed over 50 films in a career that left a significant influence on the film industry.
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Horror finished
The document provides an overview of the horror genre, including:
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2) Descriptions of common horror subgenres like psychological horror, body horror, and slasher films.
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FLAMBÉ Finals at Quizotic 2015 by Aryapriya Ganguly
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Early Life and Backgrounds
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Dwayne Johnson: From Wrestling Royalty to Hollywood Superstar
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留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
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本公司拥有海外各大学样板无数，能完美还原。
1:1完美还原海外各大学毕业材料上的工艺：水印，阴影底纹，钢印LOGO烫金烫银，LOGO烫金烫银复合重叠。文字图案浮雕、激光镭射、紫外荧光、温感、复印防伪等防伪工艺。材料咨询办理、认证咨询办理请加学历顾问Q/微741003700
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留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
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The scarletpimpernelfinal
- 2. The Scarlet Pimpernel • The Novel • Film Adaptations • Films in Context • Themes •Attitudes/Perspectives • Interest
- 3. The Novel • Baroness Orczy • Play 1903 • Novel 1905 • Plot • Characters “They seek him here, they seek him there, Those Frenchies seek him everywhere. Is he in heaven? Or is he in hell? That damned elusive Pimpernel!” William Bast and Baroness Emmuska Orczy, The Scarlet Pimpernel, DVD, directed by Clive Donner, Columbia Broadcasting System , 1992.
- 4. Film Versions 1934 1982
- 5. Films in Context What is going on in the World in… 1934? 1982? How might this effect Britain?
- 9. Themes • Liberty vs. Tyranny • Life vs. Death • Paranoia, Conspiracy, Secrets • Varying visions of the Revolution
- 10. Attitudes and Perspectives • Anglo-centric • Terror-centric • Conservative
- 11. Why the continuing interest in the French Revolution in film? 1. Despotic resistance 2. Violence 3. Why an interest in The Scarlet Pimpernel
- 13. The End
Editor's Notes
- Minimize contendAdd all animation; specifically bullet pointsCut down slidesCreate overview slide
- Originated as a short story, was eventually sold as a play, which was then adapted into a novel in 1905 by its creator, Baroness "Emmuska" Orczy Baroness Orczy was born in Hungary but became established in England and is recognized as a British writer Espionage, romance, and adventurePresents a classic heroic tale of good triumphing over evil The main character, Sir Percy Blakeney, conceals his true identity as the Scarlet Pimpernel by behaving as an aristocratic fool while saving numerous French aristocrats from Madame Guillotine. Other main characters:Marguerite St.-Just, Percy’s wifePaul Chevaulin-Employee of the Republic and Marguerite's former love interestArmand St. Just- Marguerite's brother, employee of the Republic, League of the Scarlet PimpernelRobespierreThe DauphinThe League of the Scarlet Pimpernel
- 1934: Directed by Howard YoungStarring Leslie HowardLess like the Novel than 1982 version1982:Clive DonnerBritish New Wave DirectorAppeals to “youth”Theme of overcoming Despotism in Donner films
- What is going on in the World in…1934?Dictators on the rise in Europe specifically Italy and GermanyWWII is approaching1982?Second Cold WarFear of communism
- Notice how Marguerite explains the different visions of the Revolutions Notice how England is presented as safe, light, peacefulPercy’s reaction to the King’s execution
- Image: Source: Museum of the French Revolution 93.12/From an English periodical of 1819Liberty vs. TyrannyEngland=sanctuary for émigrés and those who escapedFrance=interrogative, tyrannical, manipulativeLife vs. DeathEngland vs. FranceParanoia, Conspiracy, SecretsDemonstrated in the relationship between Marguerite and Percy, Marguerite and Chauvelin, Armand and Chauvelin, The League vs. The RepublicVarying visions of the RevolutionDemonstrated through interaction between Chauvelin and Marguerite Put below in new slide:Terror- centric1792-1795Very violent atmosphere in FrancePro-MonarchyShock at King’s executionPlot to save the DauphinRestoration is of clear intentAnglo-centricFrance=unsafe, chaotic, godlessEngland=peaceful, moral, safe
- FearFear of a despotic governmentFear of chaosFear of violenceViolenceEngagingWhy an interest in The Scarlet PimpernelGood triumphing over evil