The Stolen is a story about Young Charlotte Lockton (Alice Eve), she has settled in the North Island with her wealthy husband, David. But her life’s dreams are shattered when he’s murdered on their farm and her baby son is kidnapped. A month after paying a ransom, frustrated with the apathy of the authorities and distrusting of her staff, she decides to track him down on her own.
And so begins her journey through the wilds of an untamed New Zealand. She comes into contact with Villains, Suffragettes, Hustlers, Chinese Grocers and native Maori Warriors. And she’s forced to join a convoy of Whores, Dancers and Ex-Cons heading for the rough mining community of Goldtown.
There she meets Joshua McCullen (Jack Davenport,) the owner of the mining town: a man who is key to uncovering the truth behind the disappearance of her son, forcing her to fight to the death for what she holds most dear.
‘The Stolen’ is an exciting and unique balance of gripping narrative, dynamic action, arresting visuals, and fully-rounded characters offering ripe potential for great performances.
After deciding for our project to be within the horror genre, Me and Beth performed some background genre research, mostly through watching a selection of films and making notes/taking screen shots etc. while Luke began looking for appropriate locations for the opening.
The Stolen is a story about Young Charlotte Lockton (Alice Eve), she has settled in the North Island with her wealthy husband, David. But her life’s dreams are shattered when he’s murdered on their farm and her baby son is kidnapped. A month after paying a ransom, frustrated with the apathy of the authorities and distrusting of her staff, she decides to track him down on her own.
And so begins her journey through the wilds of an untamed New Zealand. She comes into contact with Villains, Suffragettes, Hustlers, Chinese Grocers and native Maori Warriors. And she’s forced to join a convoy of Whores, Dancers and Ex-Cons heading for the rough mining community of Goldtown.
There she meets Joshua McCullen (Jack Davenport,) the owner of the mining town: a man who is key to uncovering the truth behind the disappearance of her son, forcing her to fight to the death for what she holds most dear.
‘The Stolen’ is an exciting and unique balance of gripping narrative, dynamic action, arresting visuals, and fully-rounded characters offering ripe potential for great performances.
After deciding for our project to be within the horror genre, Me and Beth performed some background genre research, mostly through watching a selection of films and making notes/taking screen shots etc. while Luke began looking for appropriate locations for the opening.
2137ad Merindol Colony Interiors where refugee try to build a seemengly norm...luforfor
This are the interiors of the Merindol Colony in 2137ad after the Climate Change Collapse and the Apocalipse Wars. Merindol is a small Colony in the Italian Alps where there are around 4000 humans. The Colony values mainly around meritocracy and selection by effort.
2137ad - Characters that live in Merindol and are at the center of main storiesluforfor
Kurgan is a russian expatriate that is secretly in love with Sonia Contado. Henry is a british soldier that took refuge in Merindol Colony in 2137ad. He is the lover of Sonia Contado.
Explore the multifaceted world of Muntadher Saleh, an Iraqi polymath renowned for his expertise in visual art, writing, design, and pharmacy. This SlideShare delves into his innovative contributions across various disciplines, showcasing his unique ability to blend traditional themes with modern aesthetics. Learn about his impactful artworks, thought-provoking literary pieces, and his vision as a Neo-Pop artist dedicated to raising awareness about Iraq's cultural heritage. Discover why Muntadher Saleh is celebrated as "The Last Polymath" and how his multidisciplinary talents continue to inspire and influence.
Hadj Ounis's most notable work is his sculpture titled "Metamorphosis." This piece showcases Ounis's mastery of form and texture, as he seamlessly combines metal and wood to create a dynamic and visually striking composition. The juxtaposition of the two materials creates a sense of tension and harmony, inviting viewers to contemplate the relationship between nature and industry.
1. Lara Millard's
"The Last One" (2015 Student Short Film)
Review by:
Ashley J. Wilding (Professional Filmmaker & Cinematographer)
I am a professional filmmaker,writer, editor, actor and cinematographer
from Shifnal, Shropshire UK. I am always reaching out to other local and
distant filmmakers to help them improve and innovate new styles as well as themes for their
own creative works.
I gave The Last One a viewing on the 6th February 2016 and for a first time short film it's very
well envisioned, realistic looking, offers something original and the editing behind it isn't half
bad either. Personally for a handheld film like this neither professional or heavy editing is
acquired as it would take away the first-person and hand-held feel; therefore completely
eliminating Lara’s aim.
Issues I encountered with “The Last One”
Creating a film is not something you can done overnight. It requires many skill sets, years of
experience, team effort and patience but even then you are not guaranteed to produce a film
that is 100% perfect without running into problems.
The only issues I saw with The Last One is a quick second shot where Rhydian shows little facial
reaction when he gets his arm bitten by an undead count. The second is when the camera pans
down his bloodied arm and cuts to a still image of his ripped open wrist. Some of fading edits
and transitions were slightly outof sync here but this doesn't affect the viewing experience all
that much. According to Lara Millard this was a result of limited resources, timeand budgeting
issues so this is understandable and unavoidable at best.
Although, the wrist effects in the photo looked decent and gruesome; the use of colour and
textures made it look realistic.
Things I LIKED about “The Last One”
2. Audio -- Firstly I would like to put my finger on the voice acting throughout the entire film.
The beginning is a perfect example of normal human conversation, emotions, bodily
interaction and how it suddenly changes to something much more drastic and horrifying;
implying things can go from good to bad in a matter of seconds. This definitely gets things
moving and had me wondering what was going on until Rhydian first spoke about the
anonymous plague. The effects on the voices and its soundtrack synced well and played a huge
part in getting the atmosphere and story flowing. The humans we hear previously turned out to
be a flashback sequence and then somebody running away in the present day was very well put
together. The passage of time and the balance between normalisation and total devastation is
cleverly done. Hearing the protagonist dwelling on his past and now crumbled future brings out
a realistic set of emotions and shows how he’s coping with the ordeal. His voicealone makes
us as an audience feel powerless toward him and somewhat lost in the process.
The power behind his slowly deteriorating voice describes the whole situation like it's no
laughing matter and it's in fact a very frightening world to live alone in. The Last One delivers
powerful dialogue throughout and left me speechless by how realisticit sounded. The way it
portray kind of shows how somebody would actually cope in a world like that (hopefully it’ll
never come to that, if it does I have a cricket bat under the stairs).
Camera Work & Envisioning -- The entire film was shot through a handheld camera which gave a
very good first person perspective and a found-footage feel. The style of it kept reminding me of
the 1999 Daniel Myrick film The Blaire Witch Project (if you've watched it you'll know what I
mean).
Some of the scenes and filming quality had me feeling like I was actually Rhydian walking
around recording everything.
I was also intrigued by how well Lara Millard uses elements of both Horror and Psychological
Horror in her film to help tell the story of Rhydian, the effects of the plague, the deceased family
and comrades. The way it's been edited, her usage of filters and desired camera angles made it
look realistic, dark, emotional and gave an overall haunting experience. Seeing a world absent of
all human activity provides of a sense of loneliness, a high level of insecurity and a steep drop
into insanity.
The Last One maintained a constant haunting atmosphere from start to finish and this makes
you feel like everything you've done, wanted and loved is gone forever in the blink of an eye. The
3. film symbolises the End of Humanity very well, for instance the graveyard scenes show
Rhydian strolling around needlessly; this implies that Rhydian is feeling lost, outnumbered
and powerless toward uncontrollable forces, and escaping it is inevitable.
Having the remainder of the film set in a darkish woodland adds to the atmosphere, it builds
more tension and adds a psychological effect; it creates a reoccurring thought that something is
lurking behind a particular bush or tree.
It was intriguing to see how Lara Millard used a dark woodland theme to keep things flowing
right up until the very end. These kind of places are a common fear amongst most people due
its overall quietness, eerielocations and sudden noises. Dark woodland areas are frequently
seen in such horror films, video games and also read about in horror stories in order to create a
sense of danger and insecurity, making them a place not to visit under any circumstance.
The combination of dark places and zombies can be a very unsettling and nightmarish image.
This experimental theme worked particularly well in The Last One.
Watching Rhydian stroll through a darkish woodland area is a great way to add to the scare
factor as you don't know where or how many undead numbers he will encounter and especially
how the trees help block out daylight (partially), hence making it more difficult to see them.
Lastly I would like to put my opinion across on the film's ending. Shortly after Rhydian loses his
human consciousness and becomes another walker, the famous saying from Edgar Allen Poe's
"The Raven" is read out by an actor and just after that is the moment where Rhydian's eyes
change from human to zombie and the film fades out. Combining the sentence, ambient sounds
and zombie eyes, this made the scene very spooky and somewhat unsettlingly. This definitely
sent a shiver down my spine and I've never seen anything like that in a film before! The ending is
a perfect example of both originality and creativity.
The Raven quote worked flawlessly as it implies that Rhydian is now under supernatural control
and there is no way of getting out of it. The last ever human has been claimed and the earth is
left to crumble for all eternity.
4. Overall, for a 5 minute project your film was great, there was a lot of original content present
which kept me hooked and entertained from start to finish. Some transitions and edits may not
have been on point but that is all down to limited resources and was unavoidable at best.
Your choice of locations were great for this specific theme and built a great atmosphere, and
this film shows great examples of urban decay. For a limited time in makeup and costume
design; the special effects you created for the protagonist and zombies really stood out and I
enjoyed it.
The film surely lives up to its name. :-)
I hope many more good reviews come your way.