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DRAMA
TYPES
One- Act Plays
One- Act Plays
Is similar to a short story in its limitations. There
is a complete drama within one act. It is brief,
condensed, and single in effect. One situation or
episode is presented, permitting no minor plots
or side actions that may distract attention for the
single purpose and effect being developed.
Characters are few in number, quickly
introduced, and very limited in character
development. Dialogue and Plot must carry the
action forward smoothly and quickly.
DEFINITION
 A one-act play is a play that has only one act, as
distinct from plays that occur over several acts.
One-act plays may consist of one or more scenes.
In recent years the 10-minute play known as
"flash drama" has emerged as a popular sub-
genre of the one-act play, especially in writing
competitions. The origin of the one-act play may
be traced to the very beginning of drama: in
ancient Greece, Cyclops, a satyr play by
Euripides, is an early example.
Elements of One- Act Play
Setting
Character/ Characterization
Plot/ Plot Structure
Conflict
Theme
Suspense and atmosphere
Setting
 - Geographical location. Where is the action of the
story taking place?
 - When is the story taking place? (Historical period,
time of day, year, etc.)
 - Is it rainy, sunny, stormy, etc.?
 -What is the daily life of the characters like? Does
the story contain local color (writing that focuses on
the speech, dress, mannerisms, customs, etc. of a
particular place)?
 - What feeling is created at the beginning of the
story? Is it bright and cheerful or dark and
frightening?
Characters
Character is a person, or sometimes even an
animal, who takes part in the action of a short
story or a piece of literary work.
main characters those who are most
important in the story
minor characters usually static or unchanging
Characterization
Characterization is the method used by the
writer/author to reveal the personality of the
character/s.
The characters are revealed according to:
1. actions of the character
2. thoughts of the character
3. descriptions of the character
4. descriptions of other characters
5. descriptions of the author
Plot
Different in one- act play from a full length play
In a one- act play, there is only time for one
significant event
Determining place for hero, where all can be
won or lost
Events leading to this, can be included without
being shown to audience
The events that follow must be inferred or
understood by the audience
Plot Structure
Five Stages
a) Introduction - The beginning of the story where
the characters and the setting is revealed.
b) Rising Action - This is where the events in the
story become complicated and the conflict in the
story is revealed (events between the introduction
and climax).
c) Climax - This is the highest point of interest and
the turning point of the story. The reader wonders
what will happen next; will the conflict be resolved
or not?
d) Falling action - The events and complications
begin to resolve themselves. The reader knows
what has
happened next and if the conflict was resolved or
not (events between climax and denouement).
e) Denouement - This is the final outcome or
untangling of events in the story.
Conflict
Conflict is the opposition of forces which
ties one incident to another and makes the
plot move.
Two Major Types
1. External - A struggle with a force outside
one's self.
2. Internal - A struggle within one's self; a
person must make some decision,
overcome pain, quiet their temper, resist an
urge, etc.
External
a. man vs. man - a type of conflict
where one character in the story has a
problem with one or more of the other
characters
b. man vs. society - a type of conflict
where a character has a conflict or
problem with some element of society-
the school, the law, the accepted way
of doing things, and so on
External
c. man vs. nature - a type of conflict
where a character has a problem with
some natural happening: snowstorm,
typhoon, avalanche, bitter cold, or any
elements common to nature
Internal
man vs. self -is a type of conflict where
a character has trouble deciding what
to do in a particular situation
Theme
The theme is the controlling idea or
the central insight.
It is the author's underlying meaning
or main idea that he is trying to
convey.
The theme may be the author's
thoughts about a topic or view of
human nature.
Theme
Theme necessary
Ask yourself: What is the play about?
Revenge? Self- discovery?
Mind needs to be clear about the theme
Characters, plots, and sub- plots need
to point to and support the theme
Sub- plots might be missing in one- act
plays
Suspense
Suspense in situations which rouse our
concern for the welfare of the
characters can be created in many
ways in a play. It can be accomplished
through a series of crises and a major
crisis or climax, foreshadowing,
surprise or use of the unexpected,
withholding information, disguise, and
the intervention of chance or fate.
Atmosphere
The atmosphere and mood of the
drama is created by the set, the
lighting, the furnishings, the music or
sound effects, the opening dialogue,
the facial expressions and gestures
of the actors, and the growing
tension of the plot.
Activity
Q. Write a short one- act play which involves two
characters following the guideline given below.
o First students imagine the situation they want to write
about and write it down on a blank sheet of paper
o Then they brainstorm the situation to come up with ideas
involving:
o the details of the characters, including their relationship and
the nature of the problem being explored (two friends, son
and father, daughter and father, husband and wife …),
o the topic they are talking about
o the problem that arises in their conversation
o the time and background of the conversation, i. e. the setting
o how the play starts and how it ends
Students may then:
 Work by themselves or with a partner
 Do the drafting at home
 Do editing in the classroom with the help of
classmates or teacher
 Read out the play to the class
Topic suggestions
 an older woman, hoping that a film of her life story would both
make her rich and free her from her dangerous past
 Pamela, a divorced career girl from the suburbs, rides the
commuter train back and forth to her glamour job in London.
However, Pamela's latest romantic coupling threatens to veer
off the track
 Revenge is a dish best enjoyed cold, and Grace has been
cooking up hers ever since her husband dumped her for
Paulette, a younger lighter Second Mrs. Marwick.
 Aspiring Playwright calls on Dionysus and Euripides for help
in winning a drama contest.
 Group of unemployed people in support group try to keep
their spirits up while their desperation level rises. Drama

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The following are the elements of one-act play

  • 2. One- Act Plays Is similar to a short story in its limitations. There is a complete drama within one act. It is brief, condensed, and single in effect. One situation or episode is presented, permitting no minor plots or side actions that may distract attention for the single purpose and effect being developed. Characters are few in number, quickly introduced, and very limited in character development. Dialogue and Plot must carry the action forward smoothly and quickly.
  • 3. DEFINITION  A one-act play is a play that has only one act, as distinct from plays that occur over several acts. One-act plays may consist of one or more scenes. In recent years the 10-minute play known as "flash drama" has emerged as a popular sub- genre of the one-act play, especially in writing competitions. The origin of the one-act play may be traced to the very beginning of drama: in ancient Greece, Cyclops, a satyr play by Euripides, is an early example.
  • 4. Elements of One- Act Play Setting Character/ Characterization Plot/ Plot Structure Conflict Theme Suspense and atmosphere
  • 5. Setting  - Geographical location. Where is the action of the story taking place?  - When is the story taking place? (Historical period, time of day, year, etc.)  - Is it rainy, sunny, stormy, etc.?  -What is the daily life of the characters like? Does the story contain local color (writing that focuses on the speech, dress, mannerisms, customs, etc. of a particular place)?  - What feeling is created at the beginning of the story? Is it bright and cheerful or dark and frightening?
  • 6. Characters Character is a person, or sometimes even an animal, who takes part in the action of a short story or a piece of literary work. main characters those who are most important in the story minor characters usually static or unchanging
  • 7. Characterization Characterization is the method used by the writer/author to reveal the personality of the character/s. The characters are revealed according to: 1. actions of the character 2. thoughts of the character 3. descriptions of the character 4. descriptions of other characters 5. descriptions of the author
  • 8. Plot Different in one- act play from a full length play In a one- act play, there is only time for one significant event Determining place for hero, where all can be won or lost Events leading to this, can be included without being shown to audience The events that follow must be inferred or understood by the audience
  • 9. Plot Structure Five Stages a) Introduction - The beginning of the story where the characters and the setting is revealed. b) Rising Action - This is where the events in the story become complicated and the conflict in the story is revealed (events between the introduction and climax).
  • 10. c) Climax - This is the highest point of interest and the turning point of the story. The reader wonders what will happen next; will the conflict be resolved or not? d) Falling action - The events and complications begin to resolve themselves. The reader knows what has happened next and if the conflict was resolved or not (events between climax and denouement). e) Denouement - This is the final outcome or untangling of events in the story.
  • 11.
  • 12. Conflict Conflict is the opposition of forces which ties one incident to another and makes the plot move. Two Major Types 1. External - A struggle with a force outside one's self. 2. Internal - A struggle within one's self; a person must make some decision, overcome pain, quiet their temper, resist an urge, etc.
  • 13. External a. man vs. man - a type of conflict where one character in the story has a problem with one or more of the other characters b. man vs. society - a type of conflict where a character has a conflict or problem with some element of society- the school, the law, the accepted way of doing things, and so on
  • 14. External c. man vs. nature - a type of conflict where a character has a problem with some natural happening: snowstorm, typhoon, avalanche, bitter cold, or any elements common to nature
  • 15. Internal man vs. self -is a type of conflict where a character has trouble deciding what to do in a particular situation
  • 16. Theme The theme is the controlling idea or the central insight. It is the author's underlying meaning or main idea that he is trying to convey. The theme may be the author's thoughts about a topic or view of human nature.
  • 17. Theme Theme necessary Ask yourself: What is the play about? Revenge? Self- discovery? Mind needs to be clear about the theme Characters, plots, and sub- plots need to point to and support the theme Sub- plots might be missing in one- act plays
  • 18. Suspense Suspense in situations which rouse our concern for the welfare of the characters can be created in many ways in a play. It can be accomplished through a series of crises and a major crisis or climax, foreshadowing, surprise or use of the unexpected, withholding information, disguise, and the intervention of chance or fate.
  • 19. Atmosphere The atmosphere and mood of the drama is created by the set, the lighting, the furnishings, the music or sound effects, the opening dialogue, the facial expressions and gestures of the actors, and the growing tension of the plot.
  • 20. Activity Q. Write a short one- act play which involves two characters following the guideline given below. o First students imagine the situation they want to write about and write it down on a blank sheet of paper o Then they brainstorm the situation to come up with ideas involving:
  • 21. o the details of the characters, including their relationship and the nature of the problem being explored (two friends, son and father, daughter and father, husband and wife …), o the topic they are talking about o the problem that arises in their conversation o the time and background of the conversation, i. e. the setting o how the play starts and how it ends
  • 22. Students may then:  Work by themselves or with a partner  Do the drafting at home  Do editing in the classroom with the help of classmates or teacher  Read out the play to the class
  • 23. Topic suggestions  an older woman, hoping that a film of her life story would both make her rich and free her from her dangerous past  Pamela, a divorced career girl from the suburbs, rides the commuter train back and forth to her glamour job in London. However, Pamela's latest romantic coupling threatens to veer off the track  Revenge is a dish best enjoyed cold, and Grace has been cooking up hers ever since her husband dumped her for Paulette, a younger lighter Second Mrs. Marwick.  Aspiring Playwright calls on Dionysus and Euripides for help in winning a drama contest.  Group of unemployed people in support group try to keep their spirits up while their desperation level rises. Drama