Group Number: 12
Group Members: Sherif Khairy, Jordan Kij, Casey King, & Miho Kinoshita
Media Object:
Our group project will be based on “The Interview”, a film that was originally supposed to be released in theaters around the world, however due to threats from North Korea and online hacks, Sony released the film on streaming services, such as Netflix and Google Play. The reason we’ve decided to tackle “The Interview”, directed by Evan Goldberg and Seth Rogen is because the film has received multiple threats and backlash from the North Korea. The plot of the film is about a journalist, who lands an interview with the North Korean dictator Kim Jong-un. Later on in the film the journalist goes on a mission, where he must assassinate the dictator. During the month of July 2014, North Korean ambassador, Ja Song Nam spoke about the film to the United Nations, where he declared that North Korea considered this is an act of war, he also stated that “A reckless United States can provocate insanity”. However, despite the hacks and threats, Sony released the film in limited theaters and later on “The Interview” was released on streaming services, such as Netflix. That's why our group finds this topic so interesting, so much hard work went into trying to release the film, even though Sony knew they were taking a major risk.
Elements Of A Semantic Approach To Film Genre
Violence In Films Essay
The History of Film Essay
Film As An Art Form
Theme and Technique in Films
film crime Essay
My Greatest Movies Essay
Essay on Film Making
Comparing Two Films Essay
Why Comedy Movies Are So Great Essay
Crime Films Essay
Historical Accuracy in Films Essay
Movie Analysis : Film And Film Genre Essay
Comparison Of Two Films: Essay
Film and video production Essay
How To Analyze Films Essay
Thesis On Film And Architecture
My Favorite Movie Essay
Foreign Films Vs. Local Films Essay
Importance Of Short Films
Group Number: 12
Group Members: Sherif Khairy, Jordan Kij, Casey King, & Miho Kinoshita
Media Object:
Our group project will be based on “The Interview”, a film that was originally supposed to be released in theaters around the world, however due to threats from North Korea and online hacks, Sony released the film on streaming services, such as Netflix and Google Play. The reason we’ve decided to tackle “The Interview”, directed by Evan Goldberg and Seth Rogen is because the film has received multiple threats and backlash from the North Korea. The plot of the film is about a journalist, who lands an interview with the North Korean dictator Kim Jong-un. Later on in the film the journalist goes on a mission, where he must assassinate the dictator. During the month of July 2014, North Korean ambassador, Ja Song Nam spoke about the film to the United Nations, where he declared that North Korea considered this is an act of war, he also stated that “A reckless United States can provocate insanity”. However, despite the hacks and threats, Sony released the film in limited theaters and later on “The Interview” was released on streaming services, such as Netflix. That's why our group finds this topic so interesting, so much hard work went into trying to release the film, even though Sony knew they were taking a major risk.
Elements Of A Semantic Approach To Film Genre
Violence In Films Essay
The History of Film Essay
Film As An Art Form
Theme and Technique in Films
film crime Essay
My Greatest Movies Essay
Essay on Film Making
Comparing Two Films Essay
Why Comedy Movies Are So Great Essay
Crime Films Essay
Historical Accuracy in Films Essay
Movie Analysis : Film And Film Genre Essay
Comparison Of Two Films: Essay
Film and video production Essay
How To Analyze Films Essay
Thesis On Film And Architecture
My Favorite Movie Essay
Foreign Films Vs. Local Films Essay
Importance Of Short Films
AARONHello All,After watching all the films in Week Two’s.docxransayo
AARON:
Hello All,
After watching all the films in Week Two’s content (with the exception of The Birth of a Nation) discuss at least 5 storytelling/narrative/plot) devices or editing choices that you have seen in recent films or TV shows. How did these devices or choices help drive the story? Then link those narrative techniques to the films you watched.
A: The five editing choices that I am stoked to talk about this week includes: close ups on actors, cross cutting, continuity editing, contiguity editing, and shot reverse shot.
· Close ups. He has the golden idol, his whip as well, but he did not know that a boulder was about to squash him like a bug. Who can forget the zoom in and close up of Harrison Ford in Indiana Jones Raiders of the Lost Ark? It makes sense that the average person would crap themselves upon realizing a few ton boulder is about to bid them a crushing defeat, but not for Indiana Jones. The audience shares in the pending disaster through the editing technique of a close up. As the camera pans in, we are able to see that the hero is just as worried about himself as the audience is. It is that conveyed emotion that draws us back to classics like the Indiana Jones series time and time again!
· Inception is an action movie that used cross cutting quite well. Cross cutting (Moura, 2014) is the technique of alternating between two or more scenes that are happening simultaneously but in different locations. It is down pouring in an American city while two gunmen on a motorcycle attempt to hijack a fifteen passenger bus. At the same time one of the stars of the movie is engaged in a battle of fisticuffs with a man in a hotel hallway. It turns out that the fight in the hallway is not happening in the real world, rather while the passengers in the van are in some sort of dream like state. As the van rolls off the road and flips side over side, the viewer notices that gravity is affected in the dream reality based on the orientation of the rolling van. The viewer is only aware of this phenomenon because of the use of cross cutting in nothing less than a superior manner.
· Continuity editing is the art of hiding the editing process from the viewer because the dialogue and actual scene convey enough information for the audience to understand what is happening. (Cameroon, 2012). The body is what is left after the dead guy mouthed off to the wrong good fella. As the body is being dragged out of the establishment where the murder took place, one of the men dragging the body tells the good fella who killed that man that they will take the body to his mother’s house. The scene transitions from the body being dragged through a building to a car pulling into a driveway. The audience is able to draw the conclusion that the body has been loaded into the car, and that the car has arrived to the house of the good fella’s mother without having to see those actual scenes unfold. The movie is of course the instant classic G.
9 Film and Its Impact on SocietyI believe it’s through f.docxevonnehoggarth79783
9 Film and Its Impact
on Society
I believe it’s through film that our culture
and values are passed along.
Who’s the good guy, who’s the bad guy,
what’s right, what’s wrong.
—Peter Lalonde
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goo66081_09_c09_229-254.indd 229 1/5/11 1:15 PM
CHAPTER 9Section 9.1 Film: Beyond Entertainment
Chapter Objectives
After reading this chapter, students should:
• Be able to discuss how film can impact
society and how society may impact film
• Understand the influence of regulation and
censorship in Hollywood
• Be familiar with the Hollywood Production
Code of 1930 and its replacement by the
MPAA ratings system
• Understand some of the ways that films are
edited for television broadcast
• Be familiar with the Hollywood blacklist
and the extent of its impact
• Understand the impact of social media,
such as Facebook and Twitter, on film
today
9.1 Film: Beyond Entertainment
Since their inception, movies have provided inexpensive mass entertainment; cinema is an incredibly popular medium. As we have already seen, audiences spent more than $10 billion on movie tickets in 2009. People definitely enjoy going to the movies;
that much is obvious. It is clear that movies have had a profound impact on society. And
not only are audiences influenced by what they see at the movies; audiences influence
what is shown in theaters as well.
Whether it is in appearance, fashion, or behavior, films romanticize a certain lifestyle
that is eagerly imitated by audiences. Fashion magazines promise that we can “Get
Angelina’s Look” if we follow the tips inside. Celebrity gossip publications keep readers
up-to-date on the comings and goings of seemingly everyone who has appeared in a
movie. The Internet and social media are practically choked with chatter about film—
box-office results, reviews, gossip, and more. Beyond such obviously shallower aspects,
film can influence how we live, our morality, and our behavior. What is open to discus-
sion, however, is the direction of the influence—do films influence culture or do they
reflect it? Or is it both?
Howard Beale’s mad rant
in Network was given
new currency in the 2010
electoral campaign when
a gubernatorial candidate
uttered part of a line from
the film: “I’m as mad as hell
and I’m not going to take
this anymore.”
Courtesy Everett Collection
goo66081_09_c09_229-254.indd 230 1/5/11 1:15 PM
CHAPTER 9Section 9.1 Film: Beyond Entertainment
Yes, we go to the movies to be entertained; as Steven J. Ross says in Movies and American
Society, we go “to laugh, cry, boo, cheer, be scared, thrilled, or simply to be amused for a few
hours. But movies are something more than just an evening’s entertainment. They are also
historical documents that help us see—and perhaps more fully understand—the world in
which they were made” (Ross, 2002). Movies, in other words, have something to say, often
beyond their literal meaning. Even b.
Scandal! Teasers June 2024 on etv Forum.co.zaIsaac More
Monday, 3 June 2024
Episode 47
A friend is compelled to expose a manipulative scheme to prevent another from making a grave mistake. In a frantic bid to save Jojo, Phakamile agrees to a meeting that unbeknownst to her, will seal her fate.
Tuesday, 4 June 2024
Episode 48
A mother, with her son's best interests at heart, finds him unready to heed her advice. Motshabi finds herself in an unmanageable situation, sinking fast like in quicksand.
Wednesday, 5 June 2024
Episode 49
A woman fabricates a diabolical lie to cover up an indiscretion. Overwhelmed by guilt, she makes a spontaneous confession that could be devastating to another heart.
Thursday, 6 June 2024
Episode 50
Linda unwittingly discloses damning information. Nhlamulo and Vuvu try to guide their friend towards the right decision.
Friday, 7 June 2024
Episode 51
Jojo's life continues to spiral out of control. Dintle weaves a web of lies to conceal that she is not as successful as everyone believes.
Monday, 10 June 2024
Episode 52
A heated confrontation between lovers leads to a devastating admission of guilt. Dintle's desperation takes a new turn, leaving her with dwindling options.
Tuesday, 11 June 2024
Episode 53
Unable to resort to violence, Taps issues a verbal threat, leaving Mdala unsettled. A sister must explain her life choices to regain her brother's trust.
Wednesday, 12 June 2024
Episode 54
Winnie makes a very troubling discovery. Taps follows through on his threat, leaving a woman reeling. Layla, oblivious to the truth, offers an incentive.
Thursday, 13 June 2024
Episode 55
A nosy relative arrives just in time to thwart a man's fatal decision. Dintle manipulates Khanyi to tug at Mo's heartstrings and get what she wants.
Friday, 14 June 2024
Episode 56
Tlhogi is shocked by Mdala's reaction following the revelation of their indiscretion. Jojo is in disbelief when the punishment for his crime is revealed.
Monday, 17 June 2024
Episode 57
A woman reprimands another to stay in her lane, leading to a damning revelation. A man decides to leave his broken life behind.
Tuesday, 18 June 2024
Episode 58
Nhlamulo learns that due to his actions, his worst fears have come true. Caiphus' extravagant promises to suppliers get him into trouble with Ndu.
Wednesday, 19 June 2024
Episode 59
A woman manages to kill two birds with one stone. Business doom looms over Chillax. A sobering incident makes a woman realize how far she's fallen.
Thursday, 20 June 2024
Episode 60
Taps' offer to help Nhlamulo comes with hidden motives. Caiphus' new ideas for Chillax have MaHilda excited. A blast from the past recognizes Dintle, not for her newfound fame.
Friday, 21 June 2024
Episode 61
Taps is hungry for revenge and finds a rope to hang Mdala with. Chillax's new job opportunity elicits mixed reactions from the public. Roommates' initial meeting starts off on the wrong foot.
Monday, 24 June 2024
Episode 62
Taps seizes new information and recruits someone on the inside. Mary's new job
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From the Editor's Desk: 115th Father's day Celebration - When we see Father's day in Hindu context, Nanda Baba is the most vivid figure which comes to the mind. Nanda Baba who was the foster father of Lord Krishna is known to provide love, care and affection to Lord Krishna and Balarama along with his wife Yashoda; Letter’s to the Editor: Mother's Day - Mother is a precious life for their children. Mother is life breath for her children. Mother's lap is the world happiness whose debt can never be paid.
Young Tom Selleck: A Journey Through His Early Years and Rise to Stardomgreendigital
Introduction
When one thinks of Hollywood legends, Tom Selleck is a name that comes to mind. Known for his charming smile, rugged good looks. and the iconic mustache that has become synonymous with his persona. Tom Selleck has had a prolific career spanning decades. But, the journey of young Tom Selleck, from his early years to becoming a household name. is a story filled with determination, talent, and a touch of luck. This article delves into young Tom Selleck's life, background, early struggles. and pivotal moments that led to his rise in Hollywood.
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Early Life and Background
Family Roots and Childhood
Thomas William Selleck was born in Detroit, Michigan, on January 29, 1945. He was the second of four children in a close-knit family. His father, Robert Dean Selleck, was a real estate investor and executive. while his mother, Martha Selleck, was a homemaker. The Selleck family relocated to Sherman Oaks, California. when Tom was a child, setting the stage for his future in the entertainment industry.
Education and Early Interests
Growing up, young Tom Selleck was an active and athletic child. He attended Grant High School in Van Nuys, California. where he excelled in sports, particularly basketball. His tall and athletic build made him a standout player, and he earned a basketball scholarship to the University of Southern California (U.S.C.). While at U.S.C., Selleck studied business administration. but his interests shifted toward acting.
Discovery of Acting Passion
Tom Selleck's journey into acting was serendipitous. During his time at U.S.C., a drama coach encouraged him to try acting. This nudge led him to join the Hills Playhouse, where he began honing his craft. Transitioning from an aspiring athlete to an actor took time. but young Tom Selleck became drawn to the performance world.
Early Career Struggles
Breaking Into the Industry
The path to stardom was a challenging one for young Tom Selleck. Like many aspiring actors, he faced many rejections and struggled to find steady work. A series of minor roles and guest appearances on television shows marked his early career. In 1965, he debuted on the syndicated show "The Dating Game." which gave him some exposure but did not lead to immediate success.
The Commercial Breakthrough
During the late 1960s and early 1970s, Selleck began appearing in television commercials. His rugged good looks and charismatic presence made him a popular brand choice. He starred in advertisements for Pepsi-Cola, Revlon, and Close-Up toothpaste. These commercials provided financial stability and helped him gain visibility in the industry.
Struggling Actor in Hollywood
Despite his success in commercials. breaking into large acting roles remained a challenge for young Tom Selleck. He auditioned and took on small parts in T.V. shows and movies. Some of his early television appearances included roles in popular series like Lancer, The F.B.I., and Bracken's World. But, it would take a
As a film director, I have always been awestruck by the magic of animation. Animation, a medium once considered solely for the amusement of children, has undergone a significant transformation over the years. Its evolution from a rudimentary form of entertainment to a sophisticated form of storytelling has stirred my creativity and expanded my vision, offering limitless possibilities in the realm of cinematic storytelling.
Skeem Saam in June 2024 available on ForumIsaac More
Monday, June 3, 2024 - Episode 241: Sergeant Rathebe nabs a top scammer in Turfloop. Meikie is furious at her uncle's reaction to the truth about Ntswaki.
Tuesday, June 4, 2024 - Episode 242: Babeile uncovers the truth behind Rathebe’s latest actions. Leeto's announcement shocks his employees, and Ntswaki’s ordeal haunts her family.
Wednesday, June 5, 2024 - Episode 243: Rathebe blocks Babeile from investigating further. Melita warns Eunice to stay clear of Mr. Kgomo.
Thursday, June 6, 2024 - Episode 244: Tbose surrenders to the police while an intruder meddles in his affairs. Rathebe's secret mission faces a setback.
Friday, June 7, 2024 - Episode 245: Rathebe’s antics reach Kganyago. Tbose dodges a bullet, but a nightmare looms. Mr. Kgomo accuses Melita of witchcraft.
Monday, June 10, 2024 - Episode 246: Ntswaki struggles on her first day back at school. Babeile is stunned by Rathebe’s romance with Bullet Mabuza.
Tuesday, June 11, 2024 - Episode 247: An unexpected turn halts Rathebe’s investigation. The press discovers Mr. Kgomo’s affair with a young employee.
Wednesday, June 12, 2024 - Episode 248: Rathebe chases a criminal, resorting to gunfire. Turf High is rife with tension and transfer threats.
Thursday, June 13, 2024 - Episode 249: Rathebe traps Kganyago. John warns Toby to stop harassing Ntswaki.
Friday, June 14, 2024 - Episode 250: Babeile is cleared to investigate Rathebe. Melita gains Mr. Kgomo’s trust, and Jacobeth devises a financial solution.
Monday, June 17, 2024 - Episode 251: Rathebe feels the pressure as Babeile closes in. Mr. Kgomo and Eunice clash. Jacobeth risks her safety in pursuit of Kganyago.
Tuesday, June 18, 2024 - Episode 252: Bullet Mabuza retaliates against Jacobeth. Pitsi inadvertently reveals his parents’ plans. Nkosi is shocked by Khwezi’s decision on LJ’s future.
Wednesday, June 19, 2024 - Episode 253: Jacobeth is ensnared in deceit. Evelyn is stressed over Toby’s case, and Letetswe reveals shocking academic results.
Thursday, June 20, 2024 - Episode 254: Elizabeth learns Jacobeth is in Mpumalanga. Kganyago's past is exposed, and Lehasa discovers his son is in KZN.
Friday, June 21, 2024 - Episode 255: Elizabeth confirms Jacobeth’s dubious activities in Mpumalanga. Rathebe lies about her relationship with Bullet, and Jacobeth faces theft accusations.
Monday, June 24, 2024 - Episode 256: Rathebe spies on Kganyago. Lehasa plans to retrieve his son from KZN, fearing what awaits.
Tuesday, June 25, 2024 - Episode 257: MaNtuli fears for Kwaito’s safety in Mpumalanga. Mr. Kgomo and Melita reconcile.
Wednesday, June 26, 2024 - Episode 258: Kganyago makes a bold escape. Elizabeth receives a shocking message from Kwaito. Mrs. Khoza defends her husband against scam accusations.
Thursday, June 27, 2024 - Episode 259: Babeile's skillful arrest changes the game. Tbose and Kwaito face a hostage crisis.
Friday, June 28, 2024 - Episode 260: Two women face the reality of being scammed. Turf is rocked by breaking
Panchayat Season 3 - Official Trailer.pdfSuleman Rana
The dearest series "Panchayat" is set to make a victorious return with its third season, and the fervor is discernible. The authority trailer, delivered on May 28, guarantees one more enamoring venture through the country heartland of India.
Jitendra Kumar keeps on sparkling as Abhishek Tripathi, the city-reared engineer who ends up functioning as the secretary of the Panchayat office in the curious town of Phulera. His nuanced depiction of a young fellow exploring the difficulties of country life while endeavoring to adjust to his new environmental factors has earned far and wide recognition.
Neena Gupta and Raghubir Yadav return as Manju Devi and Brij Bhushan Dubey, separately. Their dynamic science and immaculate acting rejuvenate the hardships of town administration. Gupta's depiction of the town Pradhan with an ever-evolving outlook, matched with Yadav's carefully prepared exhibition, adds profundity and credibility to the story.
New Difficulties and Experiences
The trailer indicates new difficulties anticipating the characters, as Abhishek keeps on wrestling with his part in the town and his yearnings for a superior future. The series has reliably offset humor with social editorial, and Season 3 looks ready to dig much more profound into the intricacies of rustic organization and self-awareness.
Watchers can hope to see a greater amount of the enchanting and particular residents who have become fan top picks. Their connections and the one of a kind cut of-life situations give a reviving and interesting portrayal of provincial India, featuring the two its appeal and its difficulties.
A Mix of Humor and Heart
One of the signs of "Panchayat" is its capacity to mix humor with sincere narrating. The trailer features minutes that guarantee to convey giggles, as well as scenes that pull at the heartstrings. This equilibrium has been a critical calculate the show's prosperity, resounding with crowds across different socioeconomics.
Creation Greatness
The creation quality remaining parts first rate, with the beautiful setting of Phulera town filling in as a scenery that upgrades the narrating. The meticulousness in portraying provincial life, joined with sharp composition and solid exhibitions, guarantees that "Panchayat" keeps on hanging out in the packed web series scene.
Expectation and Delivery
As the delivery date draws near, expectation for "Panchayat" Season 3 is at a record-breaking high. The authority trailer has previously created critical buzz, with fans enthusiastically anticipating the continuation of Abhishek Tripathi's excursion and the new undertakings that lie ahead in Phulera.
All in all, the authority trailer for "Panchayat" Season 3 recommends that watchers are in for another drawing in and engaging ride. Yet again with its charming characters, convincing story, and ideal mix of humor and show, the new season is set to enamor crowds. Write in your schedules and prepare to get back to the endearing universe of "Panchayat."
Tom Selleck Net Worth: A Comprehensive Analysisgreendigital
Over several decades, Tom Selleck, a name synonymous with charisma. From his iconic role as Thomas Magnum in the television series "Magnum, P.I." to his enduring presence in "Blue Bloods," Selleck has captivated audiences with his versatility and charm. As a result, "Tom Selleck net worth" has become a topic of great interest among fans. and financial enthusiasts alike. This article delves deep into Tom Selleck's wealth, exploring his career, assets, endorsements. and business ventures that contribute to his impressive economic standing.
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Early Life and Career Beginnings
The Foundation of Tom Selleck's Wealth
Born on January 29, 1945, in Detroit, Michigan, Tom Selleck grew up in Sherman Oaks, California. His journey towards building a large net worth began with humble origins. , Selleck pursued a business administration degree at the University of Southern California (USC) on a basketball scholarship. But, his interest shifted towards acting. leading him to study at the Hills Playhouse under Milton Katselas.
Minor roles in television and films marked Selleck's early career. He appeared in commercials and took on small parts in T.V. series such as "The Dating Game" and "Lancer." These initial steps, although modest. laid the groundwork for his future success and the growth of Tom Selleck net worth. Breakthrough with "Magnum, P.I."
The Role that Defined Tom Selleck's Career
Tom Selleck's breakthrough came with the role of Thomas Magnum in the CBS television series "Magnum, P.I." (1980-1988). This role made him a household name and boosted his net worth. The series' popularity resulted in Selleck earning large salaries. leading to financial stability and increased recognition in Hollywood.
"Magnum P.I." garnered high ratings and critical acclaim during its run. Selleck's portrayal of the charming and resourceful private investigator resonated with audiences. making him one of the most beloved television actors of the 1980s. The success of "Magnum P.I." played a pivotal role in shaping Tom Selleck net worth, establishing him as a major star.
Film Career and Diversification
Expanding Tom Selleck's Financial Portfolio
While "Magnum, P.I." was a cornerstone of Selleck's career, he did not limit himself to television. He ventured into films, further enhancing Tom Selleck net worth. His filmography includes notable movies such as "Three Men and a Baby" (1987). which became the highest-grossing film of the year, and its sequel, "Three Men and a Little Lady" (1990). These box office successes contributed to his wealth.
Selleck's versatility allowed him to transition between genres. from comedies like "Mr. Baseball" (1992) to westerns such as "Quigley Down Under" (1990). This diversification showcased his acting range. and provided many income streams, reinforcing Tom Selleck net worth.
Television Resurgence with "Blue Bloods"
Sustaining Wealth through Consistent Success
In 2010, Tom Selleck began starring as Frank Reagan i
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240529_Teleprotection Global Market Report 2024.pdfMadhura TBRC
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Meet Crazyjamjam - A TikTok Sensation | Blog EternalBlog Eternal
Crazyjamjam, the TikTok star everyone's talking about! Uncover her secrets to success, viral trends, and more in this exclusive feature on Blog Eternal.
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From Slave to Scourge: The Existential Choice of Django Unchained. The Philos...Rodney Thomas Jr
#SSAPhilosophy #DjangoUnchained #DjangoFreeman #ExistentialPhilosophy #Freedom #Identity #Justice #Courage #Rebellion #Transformation
Welcome to SSA Philosophy, your ultimate destination for diving deep into the profound philosophies of iconic characters from video games, movies, and TV shows. In this episode, we explore the powerful journey and existential philosophy of Django Freeman from Quentin Tarantino’s masterful film, "Django Unchained," in our video titled, "From Slave to Scourge: The Existential Choice of Django Unchained. The Philosophy of Django Freeman!"
From Slave to Scourge: The Existential Choice of Django Unchained – The Philosophy of Django Freeman!
Join me as we delve into the existential philosophy of Django Freeman, uncovering the profound lessons and timeless wisdom his character offers. Through his story, we find inspiration in the power of choice, the quest for justice, and the courage to defy oppression. Django Freeman’s philosophy is a testament to the human spirit’s unyielding drive for freedom and justice.
Don’t forget to like, comment, and subscribe to SSA Philosophy for more in-depth explorations of the philosophies behind your favorite characters. Hit the notification bell to stay updated on our latest videos. Let’s discover the principles that shape these icons and the profound lessons they offer.
Django Freeman’s story is one of the most compelling narratives of transformation and empowerment in cinema. A former slave turned relentless bounty hunter, Django’s journey is not just a physical liberation but an existential quest for identity, justice, and retribution. This video delves into the core philosophical elements that define Django’s character and the profound choices he makes throughout his journey.
Link to video: https://youtu.be/GszqrXk38qk
Create a Seamless Viewing Experience with Your Own Custom OTT Player.pdfGenny Knight
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In today’s digital age, streaming services have become an integral part of our entertainment lives. Among the myriad of options available, XCIPTV stands out as a premier choice for those seeking seamless, high-quality streaming. This comprehensive guide will delve into the features, benefits, and user experience of XCIPTV, illustrating why it is a top contender in the IPTV industry.
In the vast landscape of cinema, stories have been told, retold, and reimagined in countless ways. At the heart of this narrative evolution lies the concept of a "remake". A successful remake allows us to revisit cherished tales through a fresh lens, often reflecting a different era's perspective or harnessing the power of advanced technology. Yet, the question remains, what makes a remake successful? Today, we will delve deeper into this subject, identifying the key ingredients that contribute to the success of a remake.
Reimagining Classics - What Makes a Remake a Success
The Epoch Times: Interview with Grant Heslov on Good Night & Good Luck
1. (L-R) Writer Grant Heslov, actor David Strathairn and
director/actor George Clooney attend the premiere of
Good Night, and Good Luck.(Evan Agostini/Getty
Images)
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Interview with Grant Heslov
Co-writer, Actor and Producer of Good Night and Good Luck
By Frederic Eger
Epoch Times Montreal Staff
Nov 24, 2005
The Epoch Times: In Good Night & Good Luck, the two main themes
are the social and political role of media, and, the use of fear from
the third power to gain popularity or to control the masses. Why did
you particularly choose to portray persons from the past (beyond the
personal interest of George Clooney for the Edward R. Murrow
character)? You could have portrayed journalists that are
contemporary to us, like Peter Jennings or Dan Rather, journalists
that are in there own way committed to trying to bring awareness to
the public and performing investigative journalism. Why did you
choose to go back so far into time?
Grant Heslov: I feel that the best way to examine contemporary
issues is to look back in time and examine if things have or haven't
changed. In this case, the issues that Murrow was dealing with are
entertainment versus the news. I think this is as relevant today as it
was back in the 1950's. There is that same fight. Also, Murrow is the
gold standard of broadcast journalism.
The Epoch Times: Is Murrow considered the kind of index reference for broadcast journalism and news magazine hosting?
Grant Heslov: In a way, yes, he is at the bar. Also, his battle with McCarthy is one of the two most historical moments of
broadcast journalism in terms of taking on an issue and investigating on it; I think another example was Walter Cronkite with
the Vietnam War, that also went that far. And it actually changed policy in a way. So I don't think Murrow single handedly
brought out McCarthy. He certainly gave a big show. Arthur Miller did the same thing in his play the Crucible; he was
attacking the red scare and the blackness that came with it at that particular moment of American History. What was
interesting to us was that Murrow as a journalist and Arthur Miller as a writer were denouncing the same general psychosis
going on in America.
The Epoch Times: How much were you and George Clooney influenced by Michael Moore's Fahrenheit 911 and Robert
Greenwald's Outfoxed, in terms of willingness to initiate a project that dealt with the same issues; media criticism, political
issues and the links between the third and the fourth power ?
Grant Heslov: I would say that if it had influenced us, it was in a way you probably would not expect. We did not want to be
heavy handed. We did not want to use an iron fist, we did not want just to be one sided. We really wanted to make a piece
that appeared more subtle and less heavy handed. These films(Fahrenheit 9/11, Outfoxed) have their utility and market, but
that's not what we were trying to do. We tried to avoid their approaches and find limited ways to bring up our point of view.
There is a scene toward the end in which Murrow talks with Paley and Paley says "why didn't you bring out about your history
? Were you afraid of protecting non-communists? I thought we were censoring there. And we all censor." And we've used that
scene because we wanted to show Murrow wasn't perfect in what he was doing as a professional on a daily basis. So if
Michael Moore's or Robert Greenwald documentaries had an influence on us, it was more in helping us to try to be a little
more subtle.
The Epoch Times: Good Night & Good Luck was shot quite quickly in 6 weeks, in black and white, to keep a certain balance
between archive footage and the film itself. And we see it as a pretty standard budget movie for a Hollywood film. But what
was impressive was the historical reconstitution, the re-enactment of this everyday television event that was sort of "See it
now !" I wanted to know how you managed to give such fluidity, such life, to that show, just as if it was today, just like if we
were there. Can you give more details about what it involved in terms of daily personal commitment, production design and
content ?
Grant Heslov: Jim Bissell, the production designer, just designed a fantastic set. It was one sound stage and not a huge one,
but what George wanted is that if you want to be able to shoot any direction. He wanted to be able to see through glasses,
to see deep background action happening. And Robert Elswit, the Director of Photography, George (Clooney) and I watched a
lot of archive footage and tested film stocks; we just went through countless tests to figure out what we wanted to shoot on
and how we wanted it to look.
The Epoch Times: Camera movements shift so much and appear so remarkable, kind of like the ones of ER(the television
show).
Grant Heslov: Obviously, George is extremely familiar with that aesthetic. We watched a lot Pamela Baker's documentaries,
we watched the film Lenny. We watched numerous amounts of film to figure out and determine the style and aesthetics we
were exactly looking for. By doing so, from the initial ideas and concepts we had for the style of the movie it ended up being
completely different by the time we started shooting. But, really, all the credit goes to George because he really had very
specific visions of what he wanted the film to look like. And the way he wanted the sound to be like. And just the feeling the
film had to deliver. George had put together a tremendous team of people who would be able to give reality to the vision he
had.
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2. The Epoch Times: What is also amazing is the way he managed to recreate the atmosphere of the time, likely due to the
daily consultancy of the real Joe and Shirley Wershba on the set. Was this a helpful and exciting experience?
Grant Heslov: The presence of the real Joe and Shirley Wershba did help us a lot. Every morning you'd show up and all the
actors would have had New-York Times from that day in the script linked to the American History. The actors would be
reading the papers then we would have been talking of some of the events. So under the dialogues that George and I wrote,
actors would add further conversations going on, about the current events being covered by CBS. Sometimes we were
bringing them in the forefront of the set and scene if they really worked well, sometimes we were just leaving these
conversations in the background. The objective we wanted to reach was to feel the atmosphere of a real working newsroom,
where actually people were talking over each other and there was multiple conversations
The Epoch Times: George Clooney has said "It's a film of passion and I'd do it for no money." The amazing thing, according to
the press file, is that George Clooney proved that this statement is accurate since he put his house as collateral in order to
get the completion bond from the financial institutions in order to do the movie. The question is double. How far did you all
have to go in terms of compromising to put together the budget of that film? Three production companies and a studio were
involved, what did that project mean?
Grant Heslov: The truth is it's hard to get any money for a black and white film. Nobody wants to make a black and white
film. And we from the beginning really wanted the film to be black and white. That really made it difficult. Now, because
George and Steven Soderbergh are involved in Section Eight Productions, we were lucky to have such names that we could
push stuff through. If we were just two kids out of film school trying to make our first film, I think we would still be trying to
raise money. So I sort of look at it like we are really lucky that with these names on board we sort of managed to go through
obstacles that would have been walls in other conditions. Todd Wagner from 2929 Productions and Jeff Skoll from
Participant Productions stepped up and financed the project.
The Epoch Times: Have you been confronted by any form of censorship from the financial institutions considering the fact
that these financiers were arguing that because George Clooney was recovering from back and neck surgery he wouldn't have
been able to handle the project ? Didn't it look like a biased way of saying you will not make your movie on Murrow against
McCarthy?
Grant Heslov: No, no. The truth is when you are making a film the director had to be bonded. There are certain things that
have to be in place. As for me, I didn't feel that they were censoring in any way. It didn't mean they didn't want George to
make the film. But, there are certain responsibilities that everybody has to assume and it was just a lot for George
physically. He and I had no doubt we would be able to make the film. We knew it wouldn't be an issue at all�
The Epoch Times: I really felt that putting the house as a collateral was an important personal sacrifice. Grant Heslov:
Sure, it was certainly a personal sacrifice, because sure he was willing to take what it took to get the film made. No
question about that.
The Epoch Times: The conclusion of Good Night & Good Luck, if you think about it, is quite pessimistic because of a certain
nostalgia that is perceptible from beginning to end. This film tells us in a way: " Please take a look at men that believed in
what they were doing, that had a sense of what the word responsibility meant, and that fought for what they thought was
right." In a certain way, you are saying "This doesn't exist anymore". What feeling do you want to generate from the audience
when they leave the auditorium? Do you want people to get involved politically, specifically in the field of media awareness?
Grant Heslov: I don't agree on your assessment that the film brings out a pessimistic feeling when leaving the auditorium.
It's quite the opposite. The truth in democracies, they go wacky every once and a while. If something bad happens, the
citizens get scared and then they overreact, and then there is a correction. And in this case, Murrow was part of the
correction. I think that in World War II, the Japanese bombed Pearl Harbor, we took all the Asian-Americans and locked
them up in prison. Then, we apologized and fixed it. In a way, we are honoring and holding up for the world to see what a
great journalist Murrow was. I think there are a lot of journalists all over the world. This film isn't a knock on journalists in
any way. But, for me, in certain ways, it's a knock on the public. They have to demand less entertainment and more news.
We certainly don't want the audience to walk out with a pessimistic frame of mind, but on the contrary an optimistic one.
We have mechanisms to make the world right. And in these mechanisms that is their job, to question authorities, to bring to
light unknown issues for the public.
The Epoch Times: What would be the message you would like to spread on Good Night and Good Luck ?
Grant Heslov: By the end of the day, the reason we make films, and that one in particular, is that it will generate a debate.
You hope it makes the people leaving the theater questioning a lot of things and having a discussion in favor or against or
regardless party. That's what I hope it does and it seems it is what it is doing. People have to feel optimistic and excited
about the possibility to bring awareness and mobilize.
The Epoch Times: Do you believe a drama narratives can generate more action than a documentary ?
Grant Heslov: I think they both can generate a lot[of action], I don't think necessarily that one can generate more or better
than the other. But, I do think that dramatic narrative, once it reaches success, has a potential to reach a much wider
audience. If you compare Fahrenheit 911 to Apocalypse Now, I tend to think Apocalypse Now had more influence. And I am
sure there are other examples. But look, I love documentaries and even regardless of the subject. But still, I feel a
narrative, structured the right way, might have an incredible impact.
Interview given to Frederic Eger, a regular Epoch Times contributor.
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