The document contains 3 poems about love and nature. The first poem compares the speaker's love to a summer's day, saying she is more lovely. The second poem describes the speaker seeing himself reflected in his love, like autumn leaves or a dying fire. The third poem says true love is eternal and does not change over time.

2. 1.What do you mean
the word Man?
2.How about web of
life?
3.What is your idea on

4. speech [speech]
(plural speech·es)
noun
1. speaking ability: the ability to speak (often used before a noun)
2. communication by speaking: the act of communicating by
speaking
3. utterances: things that are said
recordings of human speech
4. spoken language: spoken language, especially as distinct from
the written language
effective communication in both speech and writing
5. address: a talk given to an audience
6. particular way of speaking: a particular way of speaking or using
language, especially that of a person or group.

5. • “130”
My mistress' eyes are nothing like the sun;
Coral is far more red than her lips' red;
If snow be white, why then her breasts are dun;
If hairs be wires, black wires grow on her head.
I have seen roses damasked, red and white,
But no such roses see I in her cheeks;
And in some perfumes is there more delight
Than in the breath that from my mistress reeks.
I love to hear her speak, yet well I know
That music hath a far more pleasing sound;
I grant I never saw a goddess go;
My mistress, when she walks, treads on the ground.
And yet, by heaven, I think my love as rare
As any she belied with false compare

6. “18 “
Shall I compare thee to a summer's day?
Thou art more lovely and more temperate:
Rough winds do shake the darling buds of May,
And summer's lease hath all too short a date:
Sometime too hot the eye of heaven shines
And often is his gold complexion dimmed;
And every fair from fair sometimes declines,
By chance or nature's changing course
untrimmed;
But thy eternal summer shall not fade,
Nor lose possession of that fair thou ow'st;
Nor shall death brag thou wander'st in his shade,
When in eternal lines to time thou grow'st:
So long as men can breathe, or eyes can see,
So long lives this, and this gives life to thee.

7. 73
That time of year thou mayst in me behold
When yellow leaves, or none, or few, do hang
Upon those boughs which shake against the cold,
Bare ruined choirs, where late the sweet birds sang.
In me thou seest the twilight of such day
As after sunset fadeth in the west;
Which by and by black night doth take away,
Death's second self that seals up all in rest.
In me thou seest the glowing of such fire,
That on the ashes of his youth doth lie,
As the deathbed whereon it must expire,
Consumed with that which it was nourished by.
This thou perceiv'st, which makes thy love more strong,
To love that well, which thou must leave ere long.

8. 116
Let me not to the marriage of true minds
Admit impediments; love is not love
Which alters when it alteration finds,
Or bends with the remover to remove:
O, no, it is an ever-fixèd mark,
That looks on tempests and is never shaken;
It is the star to every wand'ring bark,
Whose worth's unknown, although his highth be taken.
Love's not Time's fool, though rosy lips and cheeks
Within his bending sickle's compass come;
Love alters not with his brief hours and weeks,
But bears it out even to the edge of doom.
If this be error and upon me proved,
I never writ, nor no man ever loved.

9. Tell Me Where Is Fancy Bred
Tell me where is fancy bred,
Or in the heart or in the head?
How begot, how nourishèd?
Reply, reply.
It is prompted in the eyes,
With gazing fed; and fancy dies
In the cradle where it lies.
Let us all ring fancy's knell:
I'll begin it—Ding, dong, bell.
Ding, dong, bell.

10. “Where the Bee Sucks, There Suck I “
Where the bee sucks, there suck I:
In a cowslip's bell I lie;
There I couch when owls do cry.
On the bat's back I do fly
After summer merrily.
Merrily, merrily shall I live now
Under the blossom that hangs on the bough.

11. Ang taong
nagababasa ay
pagasa ng
bayan!