The document discusses the genesis and representation of rhythmic ideas through time. It explores how rhythm emerges from the imagination and is represented through symbolic vocabularies that ignite different levels of attention. Rhythmic ideas are described as having singularities and differential relations that can be characterized as change through difference and repetition, or permanence through difference and repetition.

1. The Rhythmic Idea and the musical
representation
of time
Indioney Rodrigues

2. Summary 1
The genesis of Ideas
and their representation

3. Rhythm
memory
self, latent subject
imagination
apprehension
sensibility
emphases
3

4. Rhythmicalisation
Will
intuitive
rational
+ rhythmic
functions
igniting
levels of attention
emotional
instinctual
dimensional
motional constraining
temporal
- modalities
symbolic vocabularies
energetic
dispositional
History and Culture
4

5. The virtual
object’s structure quality quantity
singularities
Idea
differential relations
igniting
***
levels of
attention
constraining
symbolic
vocabularies
5

6. Singularities
Change (development)
Permanence (variation)
Differential relations
Difference (diffusion-dissonance)
Repetition (fusion-consonance)
6

7. representation
concept
quality quantity
singularities
Representation
Rhythmic Idea
differential relations
igniting
***
levels of
attention
constraining
symbolic
vocabularies
7

8. representation
virtual
False movement
perception
field
8

9. Change representation
Permanence
Rhythmic Idea Dramatisation
Difference virtual Lyricisation
Repetition
perception
field
9

10. intensity
Time
Change as difference
Change as repetition
extensity
Permanence as difference
Permanence as repetition
future present
past
10