This document discusses various mirroring images found within Jehovah's Witness publications when viewed through a mirror. Several pictures from Watchtower magazines and books contain hidden images of demons, monsters, or pagan symbols when reflected in a mirror placed in strategic locations. The document provides multiple examples of pieces of art that reveal a goat head, dragon, bat, werewolf, demon's face, beheaded man, and other disturbing images through mirror reflection. It suggests these hidden images are evidence of subliminal messaging related to witchcraft or pagan worship secretly embedded within the publications.
This document discusses and provides examples of alleged subliminal and satanic images hidden in publications by Jehovah's Witnesses. It claims the Watchtower Society has published books and magazines containing subtle, encrypted images designed to influence readers' subconscious minds or enable communication for occult groups. Examples shown include faces appearing in hands, thumbs, and other body parts in artwork. More elaborate "mirroring images" are created by placing a mirror across artwork to reveal composite images of devil faces, skulls, and symbols of madness and evil. The document suggests these images are intentionally designed to be found only by those already knowledgeable in occult topics. Ordinary readers would not notice anything strange without the context provided.
This document discusses various images found in Jehovah's Witness publications that contain hidden or subliminal images when viewed through a mirror. Some examples mentioned include demon faces hidden in images of Jesus' crucifixion, a dragon hidden on the cover of The Watchtower magazine, and decapitated heads hidden in other artwork when viewed with a mirror. The document suggests that these hidden images are inappropriate and not aligned with the religious messages of the publications.
This document discusses subliminal images allegedly hidden in publications by Jehovah's Witnesses. It provides several examples found in books and magazines where hidden or mirrored images seem to depict faces or occult symbols. The founder of Jehovah's Witnesses, Charles Taze Russell, had interests in the Great Pyramid of Giza and its supposed meanings. Subliminal images are meant to influence people subconsciously or enable secret communication within occult groups. The document examines pieces of art that, when mirrored, reveal faces of demons or entities from occult belief systems. It suggests the presence of these images indicates the literature promotes an "encrypted satanic cult".
This document discusses placing mirrors next to images from religious texts to reveal hidden or "mirrored" images, some of which are described as satanic or demonic. Specific examples mentioned include placing a mirror by Jesus' face to show Belphegor, a demon from witchcraft, and turning an image 90 degrees and adding a mirror to decode an encrypted mirrored image of a man from the parable of the rich man and Lazarus.
This document discusses several instances where placing a mirror on Watchtower publications reveals hidden or subliminal images, including demons, witches, bats, dragons, and a decapitated man. Some key examples given are finding a demon's face in images of Jesus' crucifixion, a werewolf hidden in pictures from books, and a beheaded man in an issue of The Watchtower magazine. The document argues these findings show subliminal images related to witchcraft and pagan symbols secretly embedded in Watchtower artwork.
The document provides an overview of Philippine folk narratives, myths, gods/goddesses, folktales, legends, and elements of stories. It notes that folk narratives are stories passed down orally over generations that reflect tradition and beliefs. Myths typically explain natural phenomena or actions of gods/heroes. The document then lists many gods and goddesses from Philippine mythology and provides examples of folktales, legends, and elements of stories like setting, characters, plot, theme, point of view, and types of conflict.
This document discusses and provides examples of alleged subliminal and satanic images hidden in publications by Jehovah's Witnesses. It claims the Watchtower Society has published books and magazines containing subtle, encrypted images designed to influence readers' subconscious minds or enable communication for occult groups. Examples shown include faces appearing in hands, thumbs, and other body parts in artwork. More elaborate "mirroring images" are created by placing a mirror across artwork to reveal composite images of devil faces, skulls, and symbols of madness and evil. The document suggests these images are intentionally designed to be found only by those already knowledgeable in occult topics. Ordinary readers would not notice anything strange without the context provided.
This document discusses various images found in Jehovah's Witness publications that contain hidden or subliminal images when viewed through a mirror. Some examples mentioned include demon faces hidden in images of Jesus' crucifixion, a dragon hidden on the cover of The Watchtower magazine, and decapitated heads hidden in other artwork when viewed with a mirror. The document suggests that these hidden images are inappropriate and not aligned with the religious messages of the publications.
This document discusses subliminal images allegedly hidden in publications by Jehovah's Witnesses. It provides several examples found in books and magazines where hidden or mirrored images seem to depict faces or occult symbols. The founder of Jehovah's Witnesses, Charles Taze Russell, had interests in the Great Pyramid of Giza and its supposed meanings. Subliminal images are meant to influence people subconsciously or enable secret communication within occult groups. The document examines pieces of art that, when mirrored, reveal faces of demons or entities from occult belief systems. It suggests the presence of these images indicates the literature promotes an "encrypted satanic cult".
This document discusses placing mirrors next to images from religious texts to reveal hidden or "mirrored" images, some of which are described as satanic or demonic. Specific examples mentioned include placing a mirror by Jesus' face to show Belphegor, a demon from witchcraft, and turning an image 90 degrees and adding a mirror to decode an encrypted mirrored image of a man from the parable of the rich man and Lazarus.
This document discusses several instances where placing a mirror on Watchtower publications reveals hidden or subliminal images, including demons, witches, bats, dragons, and a decapitated man. Some key examples given are finding a demon's face in images of Jesus' crucifixion, a werewolf hidden in pictures from books, and a beheaded man in an issue of The Watchtower magazine. The document argues these findings show subliminal images related to witchcraft and pagan symbols secretly embedded in Watchtower artwork.
The document provides an overview of Philippine folk narratives, myths, gods/goddesses, folktales, legends, and elements of stories. It notes that folk narratives are stories passed down orally over generations that reflect tradition and beliefs. Myths typically explain natural phenomena or actions of gods/heroes. The document then lists many gods and goddesses from Philippine mythology and provides examples of folktales, legends, and elements of stories like setting, characters, plot, theme, point of view, and types of conflict.
Este documento describe el imperialismo y el apartheid. Explica que el imperialismo surgió en el siglo XIX cuando las potencias europeas buscaban nuevos mercados y recursos. Luego describe dos tipos de colonias: de explotación y de poblamiento. También explica que el apartheid fue un régimen en Sudáfrica en 1944 que segregaba a los negros mediante medidas como la prohibición de matrimonios interraciales y servicios públicos separados. Finalmente, menciona a dos activistas anti-apartheid: Steve Biko y Nelson Mandela.
Este documento trata sobre la contaminación de los océanos y sus efectos en las sirenas y otros animales marinos. Las sirenas discuten cómo los humanos han contaminado los océanos a través de la basura, contaminación atmosférica, residuos nucleares, vertidos tóxicos y fugas de hidrocarburos, lo que ha atrapado, enfermado, mutado y matado a muchos animales marinos. Las sirenas instan a los humanos a reducir el consumo de plástico, usar transporte no contaminante, limpiar las
Pratap Kumar Behera's curriculum vitae provides information about his education, qualifications, computer skills, work experience, achievements, and personal details. He has completed 10+2 level education in Orissa and Delhi. His computer skills include MS Office, networking, and basic knowledge of VMware. He has over 1 year 8 months of experience in customer care at Altisource and 5 years 3 months of experience in troubleshooting printers and computers at WIPRO. He was awarded best agent at WIPRO. His hobbies include watching TV, reading newspapers, playing football, and dancing.
This document discusses internet communication and the role of audiences. It introduces common interactive tools used for internet communication like comments, retweets, hashtags, and polls. It then discusses how information can be added to or reduced when passed between groups in an activity. The document also explores how audiences are no longer passive, but can act as sources, gatekeepers, and influence the direction of public opinion. It notes both the benefits and risks of audiences editing or adding commentary to information that could violate authors' intentions.
The student learned about different types of professional writing and techniques to make writing clear, concise, complete, correct and courteous. Through assignments like a complaint letter and memo, the student practiced applying these techniques. The course helped distinguish business writing from academic writing. It is important because the skills learned will benefit the student in future courses, careers and marketing field competitions, where professional writing is essential.
Luthfan Adhy Lesmana presents a portfolio of mechanical engineering design works. The portfolio includes designs for a TMT ring forming machine, a conveyor system with an orientation changer, and an automatic screen printing machine. For each design, the document provides details on design inspiration, key design features, technical specifications, software used, and time spent on design. The portfolio demonstrates Luthfan's skills in mechanical design, CAD, engineering calculations, and project management.
Subliminal images in Watchtower publications (part 1) English SpanishJOHNNY34JULIUS
Este documento describe cómo se han encontrado imágenes subliminales ocultas en publicaciones de los Testigos de Jehová. Estas incluyen rostros humanos en manos y brazos, así como imágenes compuestas al colocar un espejo en ciertas ilustraciones. Se argumenta que estas imágenes están destinadas a comunicarse con miembros de sociedades ocultas y pueden formar cabezas de demonios u otras formas sugestivas de locura y maldad cuando se ven de cierta manera. El documento proporciona varios ejemplos
Tegan Arazny is a 31-year-old Caucasian singer, actor, and dancer from Australia. She holds a Bachelor of Theatre degree with Distinction from CQUniversity Mackay Conservatorium and has experience in educational theatre, children's theatre, fringe festivals, cruise ships, and more. Her professional skills include musical theatre, acting, dancing, voice acting, stage management, and directing. She has a singing range from G3 to Bb5 and can perform in musical theatre, jazz, blues, country, and pop styles.
Maria Dolores Sanchez has over 15 years of experience in staffing and human resources. She is currently an on-site recruiter at Honda Campus, where she is responsible for recruiting, supervising 80 employees, processing payroll, and maintaining compliance. Previously, she held recruiting roles at various staffing agencies and distribution centers, where she recruited and placed temporary employees, supervised over 100 employees, and ensured regulatory compliance. She has a BA in Business Administration from a university in Mexico.
Tanjore Painting: Rich Heritage and Intricate Craftsmanship | Cottage9Cottage9 Enterprises
Explore the exquisite art of Tanjore Painting, known for its vibrant colors, gold foil work, and traditional themes. Discover its cultural significance today!
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Este documento describe el imperialismo y el apartheid. Explica que el imperialismo surgió en el siglo XIX cuando las potencias europeas buscaban nuevos mercados y recursos. Luego describe dos tipos de colonias: de explotación y de poblamiento. También explica que el apartheid fue un régimen en Sudáfrica en 1944 que segregaba a los negros mediante medidas como la prohibición de matrimonios interraciales y servicios públicos separados. Finalmente, menciona a dos activistas anti-apartheid: Steve Biko y Nelson Mandela.
Este documento trata sobre la contaminación de los océanos y sus efectos en las sirenas y otros animales marinos. Las sirenas discuten cómo los humanos han contaminado los océanos a través de la basura, contaminación atmosférica, residuos nucleares, vertidos tóxicos y fugas de hidrocarburos, lo que ha atrapado, enfermado, mutado y matado a muchos animales marinos. Las sirenas instan a los humanos a reducir el consumo de plástico, usar transporte no contaminante, limpiar las
Pratap Kumar Behera's curriculum vitae provides information about his education, qualifications, computer skills, work experience, achievements, and personal details. He has completed 10+2 level education in Orissa and Delhi. His computer skills include MS Office, networking, and basic knowledge of VMware. He has over 1 year 8 months of experience in customer care at Altisource and 5 years 3 months of experience in troubleshooting printers and computers at WIPRO. He was awarded best agent at WIPRO. His hobbies include watching TV, reading newspapers, playing football, and dancing.
This document discusses internet communication and the role of audiences. It introduces common interactive tools used for internet communication like comments, retweets, hashtags, and polls. It then discusses how information can be added to or reduced when passed between groups in an activity. The document also explores how audiences are no longer passive, but can act as sources, gatekeepers, and influence the direction of public opinion. It notes both the benefits and risks of audiences editing or adding commentary to information that could violate authors' intentions.
The student learned about different types of professional writing and techniques to make writing clear, concise, complete, correct and courteous. Through assignments like a complaint letter and memo, the student practiced applying these techniques. The course helped distinguish business writing from academic writing. It is important because the skills learned will benefit the student in future courses, careers and marketing field competitions, where professional writing is essential.
Luthfan Adhy Lesmana presents a portfolio of mechanical engineering design works. The portfolio includes designs for a TMT ring forming machine, a conveyor system with an orientation changer, and an automatic screen printing machine. For each design, the document provides details on design inspiration, key design features, technical specifications, software used, and time spent on design. The portfolio demonstrates Luthfan's skills in mechanical design, CAD, engineering calculations, and project management.
Subliminal images in Watchtower publications (part 1) English SpanishJOHNNY34JULIUS
Este documento describe cómo se han encontrado imágenes subliminales ocultas en publicaciones de los Testigos de Jehová. Estas incluyen rostros humanos en manos y brazos, así como imágenes compuestas al colocar un espejo en ciertas ilustraciones. Se argumenta que estas imágenes están destinadas a comunicarse con miembros de sociedades ocultas y pueden formar cabezas de demonios u otras formas sugestivas de locura y maldad cuando se ven de cierta manera. El documento proporciona varios ejemplos
Tegan Arazny is a 31-year-old Caucasian singer, actor, and dancer from Australia. She holds a Bachelor of Theatre degree with Distinction from CQUniversity Mackay Conservatorium and has experience in educational theatre, children's theatre, fringe festivals, cruise ships, and more. Her professional skills include musical theatre, acting, dancing, voice acting, stage management, and directing. She has a singing range from G3 to Bb5 and can perform in musical theatre, jazz, blues, country, and pop styles.
Maria Dolores Sanchez has over 15 years of experience in staffing and human resources. She is currently an on-site recruiter at Honda Campus, where she is responsible for recruiting, supervising 80 employees, processing payroll, and maintaining compliance. Previously, she held recruiting roles at various staffing agencies and distribution centers, where she recruited and placed temporary employees, supervised over 100 employees, and ensured regulatory compliance. She has a BA in Business Administration from a university in Mexico.
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Explore the exquisite art of Tanjore Painting, known for its vibrant colors, gold foil work, and traditional themes. Discover its cultural significance today!
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3. Coloque el espejo en el lado izquierdo del círculo
amarillo y obtendrá la siguiente imagen reflejada
(mirroring image):
Place the mirror on the left side of the yellow circle
and you’ll get the following mirroring image:
4.
5. THE CRUCIFIXION
The following image can be
found in several Watchtower
publications (e.g. page 32 of
the AWAKE! Magazine, issue
January 2012 // page 230 of
the book “Draw Close to
Jehovah”):
LA CRUCUFIXIÓN:
la siguiente imagen puede ser
encontrada en varias
publicaciones (ejemplo: pagine
32 de la revista “Despertad!”
de enero de 2012 // pagina 230
del libro “Acerquémonos a
Jehová” // página 18 de la
revista la atalaya del 15 de
febrero de 2006):
Page 230 of the
book “Draw
Close to
Jehovah”
Pagina 230 del
libro
“Acerquémonos a
Jehová”
6. Place a mirror in
the middle of the
image and you’ll
get a demon’s face
in the Jesus’s
body:
Coloque el espejo al
costado del pecho
de Jesús y obtendrá
la imagen reflejada
de un demonio:
7. Now, we’ll show
the same piece of
art as it appears
on page 32 of the
AWAKE!
Magazine, issue
January 2012:
Ahora, vamos a
mostrar la misma
pieza de arte tal
como aparece en
la página 32 de la
revista
¡DESPERTAD!,
edición de enero
de 2012:
8. If you follow
the same
procedure
you’ll get the
same result:
Siga el mismo
procedimiento y
obtendrá el
mismo
resultado.
9. Now, on page 230
of the book “Draw
Close to Jehovah”,
place the mirror
next to Jesus’s
body and a terrible
face will be
exposed:
Ahora, en la página
230 del libro
"Acerquémonos a
Jehová", coloque el
espejo junto al
cuerpo de Jesús y
un rostro terrible
quedará expuesto:
10. Goat head in the book "Revelation: Its Grand Climax at Hand!“
Cabeza de cabra en el libro “APOCALIPSIS: ¡SE ACERCA SU MAGNÍFICA CULMINACIÓN!"
The following
mirroring image
was found on page
156 of the book
"Revelation: Its
Grand Climax at
Hand!"
La siguiente imagen
reflejada (mirroring
image) se ha obtenido
de la página 156 del
libro "APOCALIPSIS:
¡Se Acerca su
Magnífica
Culminación!"
11. The original image is
this:
La imagen original es
ésta:
To get this mirroring
image you must
rotate the original
figure 90° in the anti-
clockwise direction:
Para lograr la imagen
reflejada (mirroring
image) tiene que girar
la figura en sentido
anti-horario:
12.
13. This mirroring image
represents the god of
witches levitating.
Compare this mirroring
image with the traditional
position adopted by some
magicians, fakirs and
witches when they
levitate:
La imagen completa
representa al dios de los
brujos levitando.
Compárese esta imagen
con la posición
tradicional que adoptan
algunos magos, faquires
o brujos al levitar:
14. “THE WATCHTOWER”,
ISSUE 1 AUGUST 2010
(COVER)
The following image is on
the cover of “The
Watchtower” magazine,
issue August 1, 2010:
IMAGEN
REFLEJADA(MIRRORI
NG IMAGE)
DESCUBIERTA EN LA
REVISTA ATALAYA (1
DE AGOSTO DE
2010):
La siguiente imagen
corresponde a la
cubierta de la edición
del 1 de agosto de 2010
de la revista “LA
ATALAYA”:
15. Turn the cover 90° clockwise and place a mirror on the right side of the yellow
square. You will get a dragon:
Gire la cubierta 90º hacia la derecha. Luego
coloque un espejo en el lado derecho del
cuadrado amarillo y obtendrá un dragón:
18. Now, if you look at the
mirroring image
carefully you will notice
a gliding bat over the
dragon’s head.
The bat is deeply related
to witchcraft.
Ahora, si se fija usted
bien, notará que encima
de la cabeza del dragón
se forma un murciélago
volando.
El murciélago está
profundamente
relacionado con la
brujería.
19. BAT IN THE BOOK “LIFE—
HOW DID IT GET HERE? BY
EVOLUTION OR BY
CREATION?”
The following piece of art is
on page 6 of the book "Life,
How Did It Get Here? By
Evolution or by Creation?”:
MURCIÉLAGO EN EL LIBRO
“LA VIDA ¿CÓMO SE
PRESENTÓ AQUÍ?"
La siguiente imagen se
encuentra en la página 6 del
libro “La Vida, ¿Cómo se
Presentó Aquí?”:
20. Turn the cover 180° clockwise and place a
mirror on the right side of the red square. You
will get a huge bat:
Gire la imagen 180° y coloque el espejo en el borde
derecho del cuadrado rojo y obtendrá un enorme
murciélago volando:
21.
22.
23. THE GOD OF THE WITCHES IN THE FIRE:
The following image is on page 21 of the magazine “La
Atalaya”, January 1st, 2008:
EL DIOS DE LOS BRUJOS
EN EL FUEGO
La siguiente imagen
aparece en la página 21 de
la revista "La Atalaya", del 1
de enero de 2008:
24. This piece of art represents Elijah, the prophet, asking God to send fire from heaven to consume an offering.
God answered his prayer and sent fire from heaven. This picture, however, hides a scene related to worship
the “horned god of the witches”. Turn right (a bit) the image and then place the mirror on the right side of the
yellow square:
Representa a Elías pidiendo a Dios que envíe fuego del cielo para consumir una ofrenda. Dios responde su oración y
envía fuego del cielo. Esta pintura, sin embargo, oculta una escena relacionada con la adoración del dios cornudo de
los brujos. Para ello se debe girar un poco la imagen y luego colocar el espejo en el lado derecho del cuadrado amarillo:
25.
26. This piece of art appears again on page 10 of “The
Watchtower” magazine, issue September 15th, 1997:
27. If you follow the same procedure you’ll get the same result:
28. FACES
The next image is on
page 31 of the
Watchtower magazine,
issue April 2012:
29. With the help of a mirror a hidden
mirroring image is evidenced in the
middle of the piece of art; a pair of
piercing eyes looking directly to the
reader.
30. In the Greco-Roman mythology the werewolf play a key role.
Mount Lykaion (Λύκαιον ὄρος) is a mountain in Arcadia where an altar of Zeus
was located. Zeus Lykaios was said to have been born and brought up on it, and
was the home of Pelasgus and his son Lycaon, who is said to have founded the
ritual of Zeus practiced on its summit. This seems to have involved a human
sacrifice, and a feast in which the man who received the portion of a human
victim was changed to a wolf, as Lycaon had been after sacrificing a child.
The epithet Lykaios ("wolf-Zeus") is assumed by Zeus only in connection with the
Lykaia, which was the main Arcadian festival. In the founding myth, of Lycaon's
banquet for the gods that included the flesh of a human sacrifice, perhaps one of
his sons, Nyctimus or his grandson, Arcas, Zeus overturned the table and struck
the house of Lycaon with a thunderbolt; his patronage at the Lykaia can have
been little more than a formula. Long afterward, in the late 3rd century CE, the
philosopher Porphyry reported that Theophrastus had compared the sacrifice "at
the Lykaia in Arcadia" with Carthaginian sacrifices to Moloch.
33. Place a mirror on
the left side of
the yellow square
and you will get
an unbelievable
werewolf.
34.
35. WAREWOLF MIRRORING IMAGE ON
PAGE 23 OF THE BOOK “GOOD NEWS
FROM GOD”:
Place a mirror in the middle of the original
piece of art and you will get this warewolf.
36. DEMON’S FACE IN FIRE
The following picture is on page 28 of the book "Learn From the Great Teacher":
37. Now place the mirror in the fire and you will get this mirroring image:
41. "THE
WATCHTOWER",
ISSUE AUGUST
15th, 2007:
The following piece
of art is on page 16
of the "The
Watchtower"
magazine, issue
August 15th, 2007:
"LA ATALAYA", 15
DE AGOSTO DE
2007:
la siguiente pieza de
arte se encuentra en
la página 16 de la
revista "La Atalaya"
del 15 de agosto de
2007:
42. Place a mirror
in the middle
of this piece
of art and you
will get this
beheaded
man:
Coloque el
espejo en
medio del
cuadro y
obtendrá este
hombre
decapitado:
43. This mirroring
image is very
clear. This
man has just
been
decapitated.
He is
struggling for
breath (a
common
reaction of a
human body
that has just
been
decapitated).
47. Place a
mirror in the
middle of
this piece of
art and you
will get this
headless
man:
The headless man is one of the
main characters of Halloween.
Take a look at the headless man
of the movie "Sleepy Hollow",
directed by Tim Burton:
48. “LEARN FROM THE
GREAT TEACHER”,
PAGE 91:
The following image is
on page 91 of the
"Learn From the Great
Teacher“ book.
49. The stag-headed demon is exposed by placing the
mirror on the right edge of the blue square:
50. Stag Stag-headed demon According to the
anthropologist
Margaret Murray,
the appearance of
the "horned god of
the witches" could
be like a ram, a
goat, a stag, a bull
or a deer. The
costume
sometimes worn
by the chief or the
witches (main
sorcerer) when he
officiated at th
ceremonies or
rituals (in medieval
times) resembled
these animals.
51.
52. Engravings that show the chief of the
witches (wearing a horned mask) presiding a
coven in ancient times.
53. THE DEVIL’S
FACE
The following
picture is on page
35 of the book
"What does the
Bible Really
Teach?“:
EL ROSTRO DEL
DIABLO
La siguiente
imagen se
encuentra en la
página 35 del libro
"¿Qué Enseña
Realmente la
Biblia?":
54. Place a mirror on the right side of the yellow square and you’ll get a demon’s face
with fungs:
Observen ahora cómo, al girar esta imagen (y con la ayuda de un espejo) se forma el rostro de un
diablo con colmillos:
55. Esta es una imagen
reflejada (mirroring image)
de tipo Foto-mosaico. Es
decir, se utiliza diferentes
elementos de la pintura
original (ej. ropas, ramas,
hojas, et.) para formar los
ojos, la nariz, los colmillos,
el cuello, las cejas, etc.
This is a Photomosaic
mirroring image. That is,
different elements of the
original painting are used
(e.g. Clothes, branches,
leaves, et.) To form the eyes,
nose, teeth, neck, eyebrows
and shoulders of the resulting
mirroring image demon’s
face:
56.
57.
58. The following
image is on
page 27 of
“THE
WATCHTOWER
” magazine,
issue JULY 1,
2012
La siguiente
imagen se
encuentra en la
página 27 de la
revista “LA
ATALAYA” del 1
de Julio de
2012
59. Coloque un espejo
en el borde
izquierdo del
cuadrado rojo y
obtendrá la
cabeza de un
buitre monstruoso
el cual se conoce
con el nombre de
Akbaba.
Place a mirror on
the left edge of
the red square
and you’ll get the
head of a
monstrous vulture
(Akbaba):
60. Evidently, this mirroring
image depicts a
monstruous versión of
the King vulture.
Es evidente que esta
imagen reflejada
(mirroring image) es
una versión monstruosa
del buitre rey.
61. You can find
information about
this demon on page
12 of the
Dictionnaire Infernal
writen by Collin
Plancy and published
in Paris in 1863.
Se puede encontrar
referencias de este
demonio en la pagina
12 en el Dictionnaire
Infernal, escrito por
Collin de Plancy,
publicado en Paris en
1863.
Photo: King Vulture
Fotografía: El Buitre Rey