The document provides a storyboard summary for a scene from Little Red Riding Hood. It describes Red Riding Hood leaving her mother's house with a basket of patties to bring to her grandmother, skipping through the woods while carrying the basket, and then stopping to eat one of the patties.
The document appears to be storyboard slides for a short film adaptation of Little Red Riding Hood. It consists of 43 slides with descriptions of shots showing Red Riding Hood taking a basket of patties to her grandmother's house, encountering a wolf in the woods, being chased by the wolf to her grandmother's house, and seeking help from her grandmother. The storyboard uses props like phones and wallets to represent items like the patties and poo, and depicts the story through movements and interactions between the characters.
The document appears to be storyboard slides for a short film adaptation of Little Red Riding Hood. It consists of 43 slides with descriptions of shots showing Red Riding Hood taking a basket of patties to her grandmother's house, encountering a wolf in the woods, being chased by the wolf to her grandmother's house, and seeking help from her grandmother. The storyboard uses props like phones and wallets to represent items like the patties and poo, and depicts the story through movements and interactions between the characters.
The document provides a storyboard summary for a short film adaptation of Little Red Riding Hood. It consists of 43 slides with descriptions of shots showing Red Riding Hood taking a basket of patties to her grandmother's house, encountering a wolf in the woods, arriving at her grandmother's house to find the wolf, and asking her grandmother for help. The storyboard utilizes everyday objects to represent elements of the story and focuses on key actions, locations, and camera shots to visualize the narrative.
Red Riding Hood is sent by her mother to bring a basket of patties to her grandmother's house. She is warned not to eat any of the patties on the way. Red Riding Hood skips through the woods but stops to eat a patty. Meanwhile, the Big Bad Wolf steps in some poo in the woods and becomes frustrated.
Red Riding Hood is sent by her mother to bring a basket of patties to her grandmother's house. She is warned not to eat any of the patties on the way. Red Riding Hood skips through the woods but stops to eat a patty. Meanwhile, the Big Bad Wolf steps in some poo in the woods and becomes frustrated.
The document contains a template for planning and documenting camera shots, audio, camera movement, angles, and transitions for a video. It includes fields for action, location, audio tracks, camera shots, camera movement types, camera angles, movement directions, and transition types between shots. The template is repeated for 15 numbered sections.
The document provides a shot-by-shot storyboard summary for a scene from Little Red Riding Hood. It describes 14 shots of Red Riding Hood leaving her mother's house and skipping through the woods. It then shows the wolf following Red Riding Hood's scent trail and confronting her in the woods before they both run to Grandma's house.
The document provides a storyboard summary for a scene from Little Red Riding Hood. It describes Red Riding Hood leaving her mother's house with a basket of patties to bring to her grandmother, skipping through the woods while carrying the basket, and then stopping to eat one of the patties.
The document appears to be storyboard slides for a short film adaptation of Little Red Riding Hood. It consists of 43 slides with descriptions of shots showing Red Riding Hood taking a basket of patties to her grandmother's house, encountering a wolf in the woods, being chased by the wolf to her grandmother's house, and seeking help from her grandmother. The storyboard uses props like phones and wallets to represent items like the patties and poo, and depicts the story through movements and interactions between the characters.
The document appears to be storyboard slides for a short film adaptation of Little Red Riding Hood. It consists of 43 slides with descriptions of shots showing Red Riding Hood taking a basket of patties to her grandmother's house, encountering a wolf in the woods, being chased by the wolf to her grandmother's house, and seeking help from her grandmother. The storyboard uses props like phones and wallets to represent items like the patties and poo, and depicts the story through movements and interactions between the characters.
The document provides a storyboard summary for a short film adaptation of Little Red Riding Hood. It consists of 43 slides with descriptions of shots showing Red Riding Hood taking a basket of patties to her grandmother's house, encountering a wolf in the woods, arriving at her grandmother's house to find the wolf, and asking her grandmother for help. The storyboard utilizes everyday objects to represent elements of the story and focuses on key actions, locations, and camera shots to visualize the narrative.
Red Riding Hood is sent by her mother to bring a basket of patties to her grandmother's house. She is warned not to eat any of the patties on the way. Red Riding Hood skips through the woods but stops to eat a patty. Meanwhile, the Big Bad Wolf steps in some poo in the woods and becomes frustrated.
Red Riding Hood is sent by her mother to bring a basket of patties to her grandmother's house. She is warned not to eat any of the patties on the way. Red Riding Hood skips through the woods but stops to eat a patty. Meanwhile, the Big Bad Wolf steps in some poo in the woods and becomes frustrated.
The document contains a template for planning and documenting camera shots, audio, camera movement, angles, and transitions for a video. It includes fields for action, location, audio tracks, camera shots, camera movement types, camera angles, movement directions, and transition types between shots. The template is repeated for 15 numbered sections.
The document provides a shot-by-shot storyboard summary for a scene from Little Red Riding Hood. It describes 14 shots of Red Riding Hood leaving her mother's house and skipping through the woods. It then shows the wolf following Red Riding Hood's scent trail and confronting her in the woods before they both run to Grandma's house.
The document provides a storyboard summary for a scene from Little Red Riding Hood. It describes Red Riding Hood leaving her mother's house with a basket of patties to bring to her grandmother, skipping through the woods while carrying the basket, and then stopping to eat one of the patties.
This document provides a summary of research done on the format and conventions of double page film reviews in magazines. Key points from two example reviews are analyzed, such as the use of mastheads, pull quotes, images, fonts, colors and layout techniques like columns. Overall, the research found that structuring information clearly and cohesively through formatting and design helps make reviews appealing and easy to understand for readers.
The document contains 33 sections that describe camera shots, camera movements, locations, and actions for filming. Each section provides details on camera angles, shots, movements, and transitions for unspecified footage being filmed at various indoor and outdoor locations over an unspecified period of time.
The document outlines a shot list for a film involving Little Red Riding Hood. It includes 29 shots that show Red Riding Hood leaving home with a basket of patties, encountering a wolf in the woods who follows her scent, hiding from the wolf at her grandmother's house, and her grandmother surprising them both by revealing her karate skills and defeating the wolf.
The document outlines a shot list for a film depicting Little Red Riding Hood. It includes various shots showing Red Riding Hood being given food by her mother and encountering a wolf in the woods. The wolf follows Red Riding Hood to her grandmother's house. Grandmother uses karate to defeat the wolf and protect Red Riding Hood.
This 3 sentence storyboard summary outlines the key plot points and visual elements of a short film titled "P is for Psycho". It begins with establishing shots of a low-key lit bathroom. A boy enters the bathroom and a man pulls a gun from his belt, his shadowed eyes conveying the line "Bad move kid...". The storyboard ends with two gunshots fading to black, having been created by Cheryl Jordan Osei, Tesfah Watkins-Scott, and Arbnor Hisenaj.
The document outlines a shot list for a film depicting Little Red Riding Hood. It includes 29 shots that show Red Riding Hood leaving home with a basket of patties, encountering a wolf in the woods who follows her scent trail, being chased by the wolf to her grandmother's house, hiding from the wolf with her grandmother, and her grandmother defeating the wolf with karate moves and throwing him out of the house.
The document outlines a shot list for a film involving Little Red Riding Hood. It includes 29 shots that show Red Riding Hood leaving home with a basket of patties, encountering a wolf in the woods who follows her scent, hiding from the wolf at her grandmother's house, and her grandmother surprising them both by revealing her karate skills and defeating the wolf.
This document provides a shot-by-shot storyboard for a short film scene depicting a confrontation between a man and a boy in a bathroom. The storyboard uses camera angles, shots, movements and lighting to outline the visual sequence, beginning with an establishing wide shot and zooming in on the characters through various close-up shots before culminating in the man pulling a gun and threatening the boy.
This document provides a detailed shot list for scenes involving Red Riding Hood, her mother, the woods, grandmother's house, and the wolf. It outlines 49 different shots including establishing shots, close-ups, mid shots, and more. The scenes show Red Riding Hood in the woods eating patties and being followed by the wolf, running into grandmother's house to escape the wolf, and grandmother ultimately defeating the wolf through karate moves and throwing him out of the house.
This document provides a detailed shot list for scenes involving Red Riding Hood, her mother, the woods, grandmother's house, and the wolf. It outlines 49 different shots including establishing shots, close-ups, mid shots, and more. The scenes show Red Riding Hood in the woods eating patties and being followed by the wolf, running into grandmother's house to escape the wolf, and grandmother ultimately defeating the wolf through karate moves and throwing him out of the house.
The document outlines a shot list for scenes involving Red Riding Hood, her mother, the woods, and her grandmother's house. It describes 29 shots ranging from close-ups to extreme long shots showing interactions between the characters. Key events include Red Riding Hood being sent by her mother with a basket of patties, encountering a wolf in the woods that tries to steal the basket, and her grandmother coming to the rescue and fighting off the wolf. In the end, grandmother and Red Riding Hood safely return to the house with the patties.
A teenage girl named [name] is sent by her mother to bring patties to her grandmother's house through the woods. She disobeys her mother by eating some of the patties. In the woods, she encounters a wolf-like man who questions her about the patties. She runs from him toward her grandmother's house. There, her grandmother wakes up from the smell of patties and saves [name] from the man by beating him away. However, [name] is then confronted by her grandmother about eating most of the patties herself.
The document provides a log of the production process for the front cover of a reggae music magazine. It details the various design elements considered and tested, including backgrounds, images, layouts, and fonts. Backgrounds, images, and layouts were tested and refined based on feedback. Elements like the masthead, cover lines, and main image were produced in Photoshop and refined over multiple iterations. The final design incorporated elements like a cannabis leaf in the masthead, varied font sizes for cover lines, and a large main image to appeal to the target reggae music audience.
This document summarizes the process of designing the front cover of a reggae music magazine. It discusses several background images and layouts considered before settling on the final design. Key points include:
- The designer tested different background images before choosing one with red, gold, and green patterns representing reggae culture.
- Crowd and main image layers were added and adjusted for opacity. The main image features the designer's father holding a guitar to represent reggae music.
- Early drafts did not effectively represent reggae or have balanced layout/colors. The final cover features the main image playing to an implied crowd against the chosen background.
1) The document discusses different background designs considered for a double-page magazine spread, including a black and white gradient, plain white, and a combination black and white design.
2) Headline and subhead fonts are tested, including "Impact" and "Stencil", with "Stencil" ultimately chosen for its stylish rounded characters.
3) A red drop cap is added to the first letter of the article text to draw readers in and represent the magazine's color scheme in a subtle way.
The document discusses the key stages of media production including pre-production, production, post-production, marketing and promotion, and distribution. It also discusses the importance of understanding the target audience and conducting audience research. Finally, it provides information about two publishing companies - International Publishing Company (IPC) and Emap - comparing their brand identities, magazine portfolios, and suitability for a proposed reggae music magazine.
This document summarizes the process of designing the background and layout for a magazine contents page. The designer experimented with different background designs before settling on one that faded from yellow to light green and incorporated elements from the magazine cover. Subheadings were given a dark red background to make them stand out against the brighter overall background. Key steps included using the eyedropper tool to select colors from the cover, cloning and stamping to replicate background elements, and shape tools to apply colored backgrounds in specific areas. The final design linked the contents page visually to the cover while keeping it simpler than the bright cover design.
The document discusses the layout and content planned for a double page magazine spread.
For the layout, the second design is preferred as it uses columns, boxes and borders to appear more organized than the first design. Images and articles will be placed on opposite sides and linked thematically.
The main image features the magazine's cover model and Bob Marley, representing an interview about their connection through reggae music. A second image of a female reggae singer was chosen to appeal to readers with its use of typical reggae colors, costume, props and realistic posing.
The content will include a main article and a 4-question interview relating to the cover model's career. This interview format aims to make the spread feel
The production process involves pre-production, production, and post-production stages. Pre-production includes researching the audience and planning each stage of production. Production is the creation of raw media content. Post-production consists of editing the content and proofreading before distribution. Marketing and distribution get the media product in front of audiences through various channels. Audience research is crucial to determine if a potential audience exists and their characteristics to make the media text appealing.
The document discusses the codes and conventions the author will use for their contents page for a Reggae music magazine. They will use dividers and numbering to organize sections and link images to corresponding text. They will also highlight important words in red to draw attention. Images will be rotated at a 45 degree angle with a black cannabis leaf behind for emphasis. Stories featured will relate to Reggae and Caribbean culture, and prominently feature the main cover story about an up-and-coming Reggae artist. The same color scheme of red, gold, and green used on the cover will be used to connect the contents page visually to the genre of Reggae music.
This document provides a summary of research done on the format and conventions of double page film reviews in magazines. Key points from two example reviews are analyzed, such as the use of mastheads, pull quotes, images, fonts, colors and layout techniques like columns. Overall, the research found that structuring information clearly and cohesively through formatting and design helps make reviews appealing and easy to understand for readers.
The document contains 33 sections that describe camera shots, camera movements, locations, and actions for filming. Each section provides details on camera angles, shots, movements, and transitions for unspecified footage being filmed at various indoor and outdoor locations over an unspecified period of time.
The document outlines a shot list for a film involving Little Red Riding Hood. It includes 29 shots that show Red Riding Hood leaving home with a basket of patties, encountering a wolf in the woods who follows her scent, hiding from the wolf at her grandmother's house, and her grandmother surprising them both by revealing her karate skills and defeating the wolf.
The document outlines a shot list for a film depicting Little Red Riding Hood. It includes various shots showing Red Riding Hood being given food by her mother and encountering a wolf in the woods. The wolf follows Red Riding Hood to her grandmother's house. Grandmother uses karate to defeat the wolf and protect Red Riding Hood.
This 3 sentence storyboard summary outlines the key plot points and visual elements of a short film titled "P is for Psycho". It begins with establishing shots of a low-key lit bathroom. A boy enters the bathroom and a man pulls a gun from his belt, his shadowed eyes conveying the line "Bad move kid...". The storyboard ends with two gunshots fading to black, having been created by Cheryl Jordan Osei, Tesfah Watkins-Scott, and Arbnor Hisenaj.
The document outlines a shot list for a film depicting Little Red Riding Hood. It includes 29 shots that show Red Riding Hood leaving home with a basket of patties, encountering a wolf in the woods who follows her scent trail, being chased by the wolf to her grandmother's house, hiding from the wolf with her grandmother, and her grandmother defeating the wolf with karate moves and throwing him out of the house.
The document outlines a shot list for a film involving Little Red Riding Hood. It includes 29 shots that show Red Riding Hood leaving home with a basket of patties, encountering a wolf in the woods who follows her scent, hiding from the wolf at her grandmother's house, and her grandmother surprising them both by revealing her karate skills and defeating the wolf.
This document provides a shot-by-shot storyboard for a short film scene depicting a confrontation between a man and a boy in a bathroom. The storyboard uses camera angles, shots, movements and lighting to outline the visual sequence, beginning with an establishing wide shot and zooming in on the characters through various close-up shots before culminating in the man pulling a gun and threatening the boy.
This document provides a detailed shot list for scenes involving Red Riding Hood, her mother, the woods, grandmother's house, and the wolf. It outlines 49 different shots including establishing shots, close-ups, mid shots, and more. The scenes show Red Riding Hood in the woods eating patties and being followed by the wolf, running into grandmother's house to escape the wolf, and grandmother ultimately defeating the wolf through karate moves and throwing him out of the house.
This document provides a detailed shot list for scenes involving Red Riding Hood, her mother, the woods, grandmother's house, and the wolf. It outlines 49 different shots including establishing shots, close-ups, mid shots, and more. The scenes show Red Riding Hood in the woods eating patties and being followed by the wolf, running into grandmother's house to escape the wolf, and grandmother ultimately defeating the wolf through karate moves and throwing him out of the house.
The document outlines a shot list for scenes involving Red Riding Hood, her mother, the woods, and her grandmother's house. It describes 29 shots ranging from close-ups to extreme long shots showing interactions between the characters. Key events include Red Riding Hood being sent by her mother with a basket of patties, encountering a wolf in the woods that tries to steal the basket, and her grandmother coming to the rescue and fighting off the wolf. In the end, grandmother and Red Riding Hood safely return to the house with the patties.
A teenage girl named [name] is sent by her mother to bring patties to her grandmother's house through the woods. She disobeys her mother by eating some of the patties. In the woods, she encounters a wolf-like man who questions her about the patties. She runs from him toward her grandmother's house. There, her grandmother wakes up from the smell of patties and saves [name] from the man by beating him away. However, [name] is then confronted by her grandmother about eating most of the patties herself.
The document provides a log of the production process for the front cover of a reggae music magazine. It details the various design elements considered and tested, including backgrounds, images, layouts, and fonts. Backgrounds, images, and layouts were tested and refined based on feedback. Elements like the masthead, cover lines, and main image were produced in Photoshop and refined over multiple iterations. The final design incorporated elements like a cannabis leaf in the masthead, varied font sizes for cover lines, and a large main image to appeal to the target reggae music audience.
This document summarizes the process of designing the front cover of a reggae music magazine. It discusses several background images and layouts considered before settling on the final design. Key points include:
- The designer tested different background images before choosing one with red, gold, and green patterns representing reggae culture.
- Crowd and main image layers were added and adjusted for opacity. The main image features the designer's father holding a guitar to represent reggae music.
- Early drafts did not effectively represent reggae or have balanced layout/colors. The final cover features the main image playing to an implied crowd against the chosen background.
1) The document discusses different background designs considered for a double-page magazine spread, including a black and white gradient, plain white, and a combination black and white design.
2) Headline and subhead fonts are tested, including "Impact" and "Stencil", with "Stencil" ultimately chosen for its stylish rounded characters.
3) A red drop cap is added to the first letter of the article text to draw readers in and represent the magazine's color scheme in a subtle way.
The document discusses the key stages of media production including pre-production, production, post-production, marketing and promotion, and distribution. It also discusses the importance of understanding the target audience and conducting audience research. Finally, it provides information about two publishing companies - International Publishing Company (IPC) and Emap - comparing their brand identities, magazine portfolios, and suitability for a proposed reggae music magazine.
This document summarizes the process of designing the background and layout for a magazine contents page. The designer experimented with different background designs before settling on one that faded from yellow to light green and incorporated elements from the magazine cover. Subheadings were given a dark red background to make them stand out against the brighter overall background. Key steps included using the eyedropper tool to select colors from the cover, cloning and stamping to replicate background elements, and shape tools to apply colored backgrounds in specific areas. The final design linked the contents page visually to the cover while keeping it simpler than the bright cover design.
The document discusses the layout and content planned for a double page magazine spread.
For the layout, the second design is preferred as it uses columns, boxes and borders to appear more organized than the first design. Images and articles will be placed on opposite sides and linked thematically.
The main image features the magazine's cover model and Bob Marley, representing an interview about their connection through reggae music. A second image of a female reggae singer was chosen to appeal to readers with its use of typical reggae colors, costume, props and realistic posing.
The content will include a main article and a 4-question interview relating to the cover model's career. This interview format aims to make the spread feel
The production process involves pre-production, production, and post-production stages. Pre-production includes researching the audience and planning each stage of production. Production is the creation of raw media content. Post-production consists of editing the content and proofreading before distribution. Marketing and distribution get the media product in front of audiences through various channels. Audience research is crucial to determine if a potential audience exists and their characteristics to make the media text appealing.
The document discusses the codes and conventions the author will use for their contents page for a Reggae music magazine. They will use dividers and numbering to organize sections and link images to corresponding text. They will also highlight important words in red to draw attention. Images will be rotated at a 45 degree angle with a black cannabis leaf behind for emphasis. Stories featured will relate to Reggae and Caribbean culture, and prominently feature the main cover story about an up-and-coming Reggae artist. The same color scheme of red, gold, and green used on the cover will be used to connect the contents page visually to the genre of Reggae music.
1. ACTION: house being LOCATION: just outside
1 Shown to set the scene Mums house 0:02
CAMERA SHOTS
TRANSITION TO NEXT SHOT
VLS CAMERA MOVEMENT
STATIC
STRAIGHT
2. ACTION: mum calls red LOCATION: kitchen of
2 riding hood downstairs mums house 0:06
CAMERA SHOTS
TRANSITION TO NEXT SHOT
MS CAMERA MOVEMENT
STATIC
STRAIGHT
3. ACTION: red riding hood LOCATION: in red riding
3 answers hood’s bedroom 0:03
TRANSITION TO NEXT SHOT
CAMERA SHOTS CAMERA MOVEMENT
MCU STATIC
STRAIGHT
4. ACTION: mum gives LOCATION: downstairs of
4 Instructions to red riding hood telling her
to bring a basket of patties to her grandma
mums house 0:05
This bag is acting as
the basket of patties
CAMERA SHOTS
TRANSITION TO NEXT SHOT
MLS/LS CAMERA MOVEMENT
STATIC
STRAIGHT
5. ACTION: red riding hood LOCATION: kitchen of
5 Tries to take a patty out of
the basket
mums house 0:01
This phone is
acting as the patty
This bag is acting as
the basket of patties
CAMERA SHOTS
CU TRANSITION TO NEXT SHOT
CAMERA MOVEMENT
STATIC
CAMERA ANGLES STRAIGHT
HIGH
6. ACTION: red riding hood LOCATION: kitchen of mums house
6 about to eat a patty 0:01
Phone acting as patty
TRANSITION TO NEXT SHOT
CAMERA SHOTS CAMERA MOVEMENT
CU STATIC
STRAIGHT
7. ACTION: mum puts on body LOCATION: kitchen of mums
language showing that she's
7 cross with red riding hood for attempting house 0:03
to eat the patty
TRANSITION TO NEXT SHOT
CAMERA SHOTS CAMERA MOVEMENT
MLS STATIC
STRAIGHT
9. ACTION: Red riding hood LOCATION: kitchen of
9 frowns at puts patty back mums house 0:04
In basket
Phone acting as
patty and the bag
acting as basket
TRANSITION TO NEXT SHOT
CAMERA SHOTS CAMERA MOVEMENT
MS, SIDE ANGLE STATIC
STRAIGHT
10. ACTION: red riding hood LOCATION: downstairs of
10A Picks up basket Mums house 0:08
10A,10B,10C are all the
same shot and the camera
pans. Each slide focuses
on red riding hood walking.
Altogether the time should
take 8 secs approx.
CAMERA MOVEMENT
PAN TRANSITION TO NEXT SHOT
CAMERA SHOTS
MS DIRECTION STRAIGHT
→
11. ACTION: red riding hood LOCATION: downstairs of
10B Walks to the door Mums house 0:08
10A,10B,10C are all the
same shot and the camera
pans. Each slide focuses
on red riding hood walking.
Altogether the time should
take 8 secs approx.
CAMERA MOVEMENT
PAN TRANSITION TO NEXT SHOT
CAMERA SHOTS
MS DIRECTION STRAIGHT
→
12. ACTION: red riding hood LOCATION: downstairs of
10C Waves by the door to her Mums house 0:08
mum
10A,10B,10C are all the
same shot and the camera
pans. Each slide focuses
on red riding hood walking.
Altogether the time should
take 8 secs approx.
TRANSITION TO NEXT SHOT
CAMERA SHOTS CAMERA MOVEMENT
MLS/LS STATIC
STRAIGHT
13. ACTION: red riding hood LOCATION: on the way to the
11 Waves to her mum woods just right 0:04
near to the mums house
CAMERA SHOTS
TRANSITION TO NEXT SHOT
CU & VLS CAMERA MOVEMENT
STATIC
STRAIGHT
15. ACTION: red riding hood
LOCATION: the woods
13A skipping 0:08
13A,13B,13C are all the
same shot, the camera is
still. Each slide focuses on
red riding hood skipping.
Altogether the time should
take 8 secs approx.
CAMERA SHOTS TRANSITION TO NEXT SHOT
VLS CAMERA MOVEMENT
STATIC STRAIGHT DISSOLVE FADE WIPE
MATCH JUMP SUPERIMPOSITION OTHER
16. ACTION: red riding hood
LOCATION: the woods
13B skipping 0:08
13A,13B,13C are all the
same shot, the camera is
still. Each slide focuses on
red riding hood skipping.
Altogether the time should
take 8 secs approx.
TRANSITION TO NEXT SHOT
CAMERA SHOTS CAMERA MOVEMENT
LS STATIC
STRAIGHT
17. ACTION: red riding hood
LOCATION: the woods
13C skipping 0:08
13A,13B,13C,13D are all
the same shot, the camera
is still. Each slide focuses
on red riding hood skipping.
Altogether the time should
take 8 secs approx.
TRANSITION TO NEXT SHOT
CAMERA SHOTS CAMERA MOVEMENT
MS STATIC
STRAIGHT
18. ACTION: red riding skips
LOCATION: the woods
13D Out of the scene 0:08
13A,13B,13C,13D are all
the same shot, the camera
is still. Each slide focuses
on red riding hood skipping.
Altogether the time should
take 8 secs approx.
CAMERA SHOTS
TRANSITION TO NEXT SHOT
VLS CAMERA MOVEMENT
STATIC
STRAIGHT
19. ACTION: red riding hood
LOCATION: the woods
14 skipping 0:05
CAMERA SHOTS
TRANSITION TO NEXT SHOT
VLS CAMERA MOVEMENT
STATIC
STRAIGHT
20. ACTION: basket
LOCATION: the woods
15 Full of patties 0:01
CAMERA SHOTS
TRANSITION TO NEXT SHOT
CU CAMERA MOVEMENT
STATIC
STRAIGHT
21. ACTION: red riding hood
LOCATION: the woods
16 Thinks about eating a patty 0:04
And then eats one
Phone
used as
Patty
TRANSITION TO NEXT SHOT
CAMERA SHOTS CAMERA MOVEMENT
MCU STATIC
STRAIGHT
22. LOCATION: the woods, the
17 ACTION: introduces wolf Wolf is in a bush 0:02
TRANSITION TO NEXT SHOT
CAMERA SHOTS CAMERA MOVEMENT
CU STATIC
STRAIGHT
23. ACTION: wolf steps on poo LOCATION: the woods
18 0:02
The wallet is being
used as the poo
CAMERA SHOTS
CU TRANSITION TO NEXT SHOT
CAMERA MOVEMENT
STATIC
CAMERA ANGLES STRAIGHT
HIGH
25. ACTION: wolf frustrated with
LOCATION: the woods
20 Stepping on poo 0:04
The wallet is being
used as the poo
TRANSITION TO NEXT SHOT
CAMERA SHOTS CAMERA MOVEMENT
LS STATIC
STRAIGHT
26. ACTION: red riding hood
LOCATION: the woods
21A Leaves packet trails 0:07
21A,21B,21C are all the
same shot, the camera is
tilting down. Each slide
focuses on red riding hood
leaving trails of packets.
Altogether the time should
take 7 secs approx.
The wallet is being
used as the packet
trails
CAMERA SHOTS CAMERA MOVEMENT
MLS TILT TRANSITION TO NEXT SHOT
DIRECTION STRAIGHT
CAMERA ANGLES
HIGH ↓
27. ACTION: red riding hood
LOCATION: the woods
21B Leaves packet trails 0:07
21A,21B,21C are all the
same shot, the camera is
tilting down. Each slide
focuses on red riding hood
leaving trails of packets.
Altogether the time should
take 7 secs approx.
The wallet is being
used as the packet
trails
CAMERA SHOTS CAMERA MOVEMENT
MLS TILT TRANSITION TO NEXT SHOT
DIRECTION STRAIGHT
CAMERA ANGLES
HIGH ↓
28. ACTION: red riding hood
LOCATION: the woods
21C Leaves packet trails 0:07
21A,21B,21C are all the
same shot, the camera is
tilting down. Each slide
focuses on red riding hood
leaving trails of packets.
Altogether the time should
take 7 secs approx.
The wallet is being
used as the packet
trails
CAMERA SHOTS CAMERA MOVEMENT
MLS TILT TRANSITION TO NEXT SHOT
DIRECTION STRAIGHT
CAMERA ANGLES
HIGH ↓
29. ACTION: wolf twitches nose LOCATION: the woods
22 0:02
CAMERA SHOTS
TRANSITION TO NEXT SHOT
ECU CAMERA MOVEMENT
STATIC
STRAIGHT
30. ACTION: wolf buckles
LOCATION: the woods
23 over legs 0:02
TRANSITION TO NEXT SHOT
CAMERA SHOTS CAMERA MOVEMENT
MCU STATIC
STRAIGHT
32. ACTION: wolf follows packet
LOCATION: the woods
25 trails 0:06
CAMERA SHOTS
TRANSITION TO NEXT SHOT
LS/VLS CAMERA MOVEMENT
STATIC
STRAIGHT
33. ACTION: wolf gradually
LOCATION: the woods
26 Creeps up on red riding 0:04
hood
CAMERA SHOTS
TRANSITION TO NEXT SHOT
LS/VLS CAMERA MOVEMENT
STATIC
STRAIGHT
34. ACTION : wolf grabs red
LOCATION: the woods
27 Riding hood’s basket out of 0:02
Her hand
The bag acting
as the basket
TRANSITION TO NEXT SHOT
CAMERA SHOTS CAMERA MOVEMENT
MCU STATIC
STRAIGHT
35. ACTION: wolf and red riding
28 Hood plays tug-a-war for LOCATION woods
LOCATION: the
0:03
0:00
basket
TRANSITION TO NEXT SHOT
CAMERA SHOTS CAMERA MOVEMENT
LS STATIC
STRAIGHT
36. ACTION: red riding hood
LOCATION: the woods
29 Fighting for the basket 0:02
TRANSITION TO NEXT SHOT
CAMERA SHOTS CAMERA MOVEMENT
MS STATIC
STRAIGHT
37. ACTION: the wolf
LOCATION: the woods
30 Fighting for the basket 0:02
TRANSITION TO NEXT SHOT
CAMERA SHOTS CAMERA MOVEMENT
MS STATIC
STRAIGHT
38. ACTION: both red riding
LOCATION: the woods
31 Hood and the wolf fall and 0:04
the patties fall out of basket
CAMERA SHOTS
LS
TRANSITION TO NEXT SHOT
CAMERA MOVEMENT
STATIC
STRAIGHT
CAMERA ANGLES
HIGH
39. ACTION: red riding hood LOCATION: the woods
32A picks up basket and Gets up 0:08
32A,32B are all the same
shot, the camera is still.
This slide focuses on red
riding hood getting up from
the floor. Altogether the
time should take 8 secs
approx.
This is the basket
Wolf is still down
TRANSITION TO NEXT SHOT
CAMERA SHOTS CAMERA MOVEMENT
LS STATIC
STRAIGHT
40. ACTION: picks up basket
LOCATION: the woods
32B gets up an runs 0:08
32A,32B are all the same
shot, the camera is still.
This slide focuses on red
riding hood running away.
Altogether the time should
take 8 secs approx.
TRANSITION TO NEXT SHOT
CAMERA SHOTS CAMERA MOVEMENT
LS STATIC
STRAIGHT
41. ACTION: wolf running after
LOCATION: the woods
33 Red riding hood 0:03
TRANSITION TO NEXT SHOT
CAMERA SHOTS CAMERA MOVEMENT
LS STATIC
STRAIGHT
42. LOCATION: grandmas
ACTION: door left open
34A house 0:06
34A,34B,34C are all the
same shot, the camera is
still. This slide focuses on
the door being slightly
open. Altogether the time
should take 6 secs approx.
TRANSITION TO NEXT SHOT
CAMERA SHOTS CAMERA MOVEMENT
LS STATIC
STRAIGHT
43. ACTION: red riding hood LOCATION: grandmas
34B Runs through door house 0:06
34A,34B,34C are all the
same shot, the camera is
still. This slide focuses on
red riding hood running
through the door. Altogether
the time should take 6 secs
approx.
TRANSITION TO NEXT SHOT
CAMERA SHOTS CAMERA MOVEMENT
LS STATIC
STRAIGHT
44. ACTION: wolf runs through LOCATION: grandmas
34C Door three secs later house 0:06
34A,34B,34C are all the
same shot, the camera is
still. This slide focuses on
the wolf running through the
door three seconds later.
Altogether the time should
take 6 secs approx.
TRANSITION TO NEXT SHOT
CAMERA SHOTS CAMERA MOVEMENT
LS STATIC
STRAIGHT
45. ACTION: red riding hood LOCATION: grandmas
35 running upstairs house 0:02
This may change
to a high angle
shot
TRANSITION TO NEXT SHOT
CAMERA SHOTS CAMERA MOVEMENT
MLS STATIC
STRAIGHT
46. ACTION: red riding hood LOCATION: grandmas
36 Runs into grandmas room house 0:03
TRANSITION TO NEXT SHOT
CAMERA SHOTS CAMERA MOVEMENT
LS STATIC
STRAIGHT
47. ACTION: the wolf trips over LOCATION: grandmas
37 A ball on the stairs house 0:05
The ball the
wolf trips over
CAMERA SHOTS
LS
TRANSITION TO NEXT SHOT
CAMERA MOVEMENT
STATIC
STRAIGHT
CAMERA ANGLES
HIGH
49. ACTION: grandma wakes up
LOCATION: grandmas room
39 After hearing the wolf trip on 0:03
stairs
CAMERA SHOTS
CU TRANSITION TO NEXT SHOT
CAMERA MOVEMENT
STATIC
CAMERA ANGLES STRAIGHT
HIGH
50. ACTION: red riding hood
LOCATION: grandmas room
40 Asks for help 0:02
CAMERA SHOTS
MS/MLS
TRANSITION TO NEXT SHOT
CAMERA MOVEMENT
STATIC
STRAIGHT
CAMERA ANGLES
LOW
52. ACTION: wolf crawls up the LOCATION: grandmas
42 Stairs hurt house 0:01
CAMERA SHOTS
LS
TRANSITION TO NEXT SHOT
CAMERA MOVEMENT
STATIC
STRAIGHT
CAMERA ANGLES
HIGH
53. ACTION: grandma asks
LOCATION: grandmas room
43 What's going on 0:03
TRANSITION TO NEXT SHOT
CAMERA SHOTS CAMERA MOVEMENT
MS/MLS STATIC
STRAIGHT
55. ACTION: red riding hood LOCATION: grandmas
45 hides behind grandma and bedroom 0:04
Walks to door
TRANSITION TO NEXT SHOT
CAMERA SHOTS CAMERA MOVEMENT
Over shoulder STATIC
STRAIGHT
56. ACTION: red riding hood LOCATION: grandmas
46 Hides behind grandma house 0:02
And walks in the corridor
TRANSITION TO NEXT SHOT
CAMERA SHOTS CAMERA MOVEMENT
MS/LS STATIC
STRAIGHT
57. ACTION: wolf is near the top LOCATION: grandmas
47 Of stairs house 0:01
CAMERA SHOTS
LS
TRANSITION TO NEXT SHOT
CAMERA MOVEMENT
STATIC
STRAIGHT
CAMERA ANGLES
HIGH
58. ACTION: red riding hood LOCATION: grandmas
48 tells Grandma not to go near house 0:02
wolf
TRANSITION TO NEXT SHOT
CAMERA SHOTS CAMERA MOVEMENT
MS STATIC
STRAIGHT
59. 50 0:02
Don’t go near the
Wolf Gran
INTERTILES
60. ACTION: grandma says LOCATION: grandmas
51 Stand back I’ll be fine house 0:02
TRANSITION TO NEXT SHOT
CAMERA SHOTS CAMERA MOVEMENT
MS STATIC
STRAIGHT
62. ACTION: wolf is nearly on LOCATION: grandmas
53 All fours house 0:01
CAMERA SHOTS CAMERA MOVEMENT
LS PAN TRANSITION TO NEXT SHOT
DIRECTION STRAIGHT
CAMERA ANGLES
HIGH ↑
63. ACTION: grandma gives LOCATION: Grandmas
54 A stern look to the wolf house 0:01
CAMERA SHOTS
MS
TRANSITION TO NEXT SHOT
CAMERA MOVEMENT
STATIC
STRAIGHT
CAMERA ANGLES
LOW
64. LOCATION: grandmas
ACTION: wolf looks scared
55 house 0:02
TRANSITION TO NEXT SHOT
CAMERA SHOTS CAMERA MOVEMENT
CU STATIC
STRAIGHT
65. ACTION: grandma takes
LOCATION: interior/exterior
56 Basket out of red riding 0:02
Hoods hand
Grandma
Basket
Red riding hood
TRANSITION TO NEXT SHOT
CAMERA SHOTS CAMERA MOVEMENT
MLS/LS STATIC
STRAIGHT
66. ACTION: grandma asks LOCATION: grandmas
57 The wolf if its this you want House 0:03
Phone being
represented as
patty
TRANSITION TO NEXT SHOT
CAMERA SHOTS CAMERA MOVEMENT
MLS STATIC
STRAIGHT
70. ACTION: wolf walks slowly LOCATION: grandmas
61A To grab the patty house 0:07
61A,61B,61C, are all the
same shot, the camera is
still. Each slide focuses on
the wolf walking towards
the patty to grab hold of.
Altogether the time should
take 7 secs approx.
Wallet used as
Patty
TRANSITION TO NEXT SHOT
CAMERA SHOTS CAMERA MOVEMENT
MS STATIC
STRAIGHT
71. ACTION: wolf walks slowly LOCATION: grandmas
61B To grab the patty house 0:07
61A,61B,61C, are all the
same shot, the camera is
still. Each slide focuses on
the wolf walking towards
the patty to grab hold of.
Altogether the time should
take 7 secs approx.
Wallet used as
Patty
TRANSITION TO NEXT SHOT
CAMERA SHOTS CAMERA MOVEMENT
MS STATIC
STRAIGHT
72. ACTION: wolf grabbing the LOCATION: grandmas
61C Patty with his mouth house 0:07
61A,61B,61C, are all the
same shot, the camera is
still. Each slide focuses on
the wolf walking towards
the patty to grab hold of.
Altogether the time should
take 7 secs approx.
Wallet used as
Patty
TRANSITION TO NEXT SHOT
CAMERA SHOTS CAMERA MOVEMENT
CU STATIC
STRAIGHT
73. ACTION: grandma swings LOCATION: grandmas
62A The wolf to the other side of house 0:03
room with wolf still gripping on patty
62A, 62B is the same shot
showing the movement of
grandma swinging the
wolf to the other side of
the room. Altogether the
shot will take 3 secs.
Wallet used as Red riding hood
Patty in background
TRANSITION TO NEXT SHOT
CAMERA SHOTS CAMERA MOVEMENT
MLS PAN
STRAIGHT
74. ACTION: grandma swings LOCATION: grandmas
The wolf to the other side of
62B room with wolf still gripping on patty
house 0:03
62A, 62B is the same shot
showing the movement of
grandma swinging the
wolf to the other side of
the room. Altogether the
shot will take 3 secs.
Wallet used as
Patty
CAMERA MOVEMENT
PAN TRANSITION TO NEXT SHOT
CAMERA SHOTS
MS DIRECTION STRAIGHT
←
75. ACTION: wolf slammed into LOCATION: grandmas
63 wall house 0:03
TRANSITION TO NEXT SHOT
CAMERA SHOTS CAMERA MOVEMENT
MLS STATIC
STRAIGHT
77. ACTION: red riding hood LOCATION: grandmas
65 Looks scared house 0:01
TRANSITION TO NEXT SHOT
CAMERA SHOTS CAMERA MOVEMENT
CU STATIC
STRAIGHT
78. ACTION: wolf is in a dizzy LOCATION: grandmas
66 spell house 0:02
TRANSITION TO NEXT SHOT
CAMERA SHOTS CAMERA MOVEMENT
MCU STATIC
STRAIGHT
79. ACTION: grandma gives LOCATION: grandmas
67 Patty back to red riding house 0:01
Hood to hold
TRANSITION TO NEXT SHOT
CAMERA SHOTS CAMERA MOVEMENT
MLS STATIC
STRAIGHT
80. 68 0:02
THIS BIT IS GOING
TO BE FUNNY…
INTERTILES
81. ACTION: grandma takes LOCATION: grandmas
69 Off clothes and karate house 0:04
Clothes are underneath
TRANSITION TO NEXT SHOT
CAMERA SHOTS CAMERA MOVEMENT
MLS STATIC
STRAIGHT
82. ACTION: red riding looks LOCATION: grandmas
70 In amazement house 0:01
TRANSITION TO NEXT SHOT
CAMERA SHOTS CAMERA MOVEMENT
MCU STATIC
STRAIGHT
83. ACTION: wolf looks in LOCATION: grandmas
71 amazement house 0:01
TRANSITION TO NEXT SHOT
CAMERA SHOTS CAMERA MOVEMENT
MCU STATIC
STRAIGHT
84. ACTION: grandma does LOCATION: grandmas
72 Karate moves house 0:03
TRANSITION TO NEXT SHOT
CAMERA SHOTS CAMERA MOVEMENT
LS STATIC
STRAIGHT
85. ACTION: grandma tries to LOCATION: grandmas
73 Punch the wolf but he ducks house 0:02
CAMERA SHOTS
MLS
TRANSITION TO NEXT SHOT
CAMERA MOVEMENT
STATIC
STRAIGHT
CAMERA ANGLES
P-O-V
86. ACTION: grandma kicks LOCATION: grandmas
74 Wolf downstairs house 0:02
Grandma’s foot
CAMERA SHOTS
MLS/LS
TRANSITION TO NEXT SHOT
CAMERA MOVEMENT
STATIC
STRAIGHT
CAMERA ANGLES
P-O-V
88. ACTION: wolf is seen lying LOCATION: grandmas
76 On the landing house 0:02
CAMERA SHOTS
LS
TRANSITION TO NEXT SHOT
CAMERA MOVEMENT
STATIC
STRAIGHT
CAMERA ANGLES
HIGH
89. ACTION: grandma walks LOCATION: grandmas
77A down the stairs house 0:03
77A, 77B are all the same
shot, in 77A the grandma
is walking. Altogether the
shot should take 3 secs
approx
CAMERA SHOTS
LS
TRANSITION TO NEXT SHOT
CAMERA MOVEMENT
static
STRAIGHT
CAMERA ANGLES
LOW
90. ACTION: grandmas walks LOCATION: grandmas
77B Down the stairs house 0:03
77A, 77B, are all the same
shot, in 77B the grandma
is walking. Altogether the
shot should take 3 secs
approx
CAMERA SHOTS
MLS
TRANSITION TO NEXT SHOT
CAMERA MOVEMENT
pans
STRAIGHT
CAMERA ANGLES
LOW
91. ACTION: grandma picks LOCATION: grandmas
78A Up the wolf house 0:03
78A, 78B are all the same
shot, in 78A the grandma
is picking up the wolf. The
camera then tilts up.
Altogether the shot should
take 3 secs approx
CAMERA SHOTS
MS
TRANSITION TO NEXT SHOT
CAMERA MOVEMENT
TILTS
STRAIGHT
CAMERA ANGLES
POV/ HIGH
92. ACTION: grandma throws LOCATION: grandmas
78B The wolf outside house 0:03
78A, 78B are all the same
shot, in 78B the grandma
throws the wolf outside.
Altogether the shot should
take 3 secs approx
CAMERA MOVEMENT
TRANSITION TO NEXT SHOT
CAMERA SHOTS STATIC
MS
STRAIGHT
93. ACTION: wolf is thrown LOCATION: just outside of
79 Out the house in jazzy of Grandmas house 0:03
Fresh prince style
TRANSITION TO NEXT SHOT
CAMERA SHOTS CAMERA MOVEMENT
Side shot STATIC
STRAIGHT
94. 80 0:02
THAT’S GOING TO
HURT IN THE
MORNING
INTERTILES
95. ACTION: grandma dusts LOCATION: grandmas
81 hands house 0:01
TRANSITION TO NEXT SHOT
CAMERA SHOTS CAMERA MOVEMENT
MLS STATIC
STRAIGHT
96. ACTION: red riding hood LOCATION: grandmas
82 Congratulates the grandma house 0:01
TRANSITION TO NEXT SHOT
CAMERA SHOTS CAMERA MOVEMENT
MLS STATIC
STRAIGHT
98. ACTION: basket has no LOCATION: grandmas
84 Patties left house 0:01
TRANSITION TO NEXT SHOT
CAMERA SHOTS CAMERA MOVEMENT
CU STATIC
STRAIGHT
99. ACTION: grandma asks LOCATION: grandmas
85 Where's the patties? house 0:01
TRANSITION TO NEXT SHOT
CAMERA SHOTS CAMERA MOVEMENT
MCU/MS STATIC
STRAIGHT
100. 86 0:02
WHERE’S THE
REST OF THE
PATTIES?
INTERTILES
101. ACTION: red riding hood LOCATION: grandmas
87 Swallows throat house 0:01
TRANSITION TO NEXT SHOT
CAMERA SHOTS CAMERA MOVEMENT
CU STATIC
STRAIGHT
103. ACTION: grandma closes LOCATION: grandmas
89A The door house 0:04
89A, 89B, 89C, 89D are all the
Same shot showing the movement
Of the grandma pulling out
A belt and closing the door. Altogether
The shot should take 4 secs approx.
CAMERA MOVEMENT TRANSITION TO NEXT SHOT
CAMERA SHOTS
MLS STATIC STRAIGHT
104. LOCATION: grandmas
ACTION: grandma closes
89B The door and gets belt out
house 0:04
89A, 89B, 89C, 89D are all the
Same shot showing the movement
Of the grandma pulling out
A belt and closing the door. Altogether
The shot should take 4 secs approx.
TRANSITION TO NEXT SHOT
CAMERA SHOTS CAMERA MOVEMENT
MLS STATIC
STRAIGHT
105. ACTION: grandma closes LOCATION: grandmas
89C Door with belt in hand house 0:04
89A, 89B, 89C, 89D are all the
Same shot showing the movement
Of the grandma pulling out
A belt and closing the door. Altogether
The shot should take 4 secs approx.
TRANSITION TO NEXT SHOT
CAMERA SHOTS CAMERA MOVEMENT
MLS STATIC
STRAIGHT
106. ACTION: door is closed LOCATION: grandmas house
89D 0:04
89A, 89B, 89C, 89D are all the
Same shot showing the movement
Of the grandma pulling out
A belt and closing the door. Altogether
The shot should take 4 secs approx.
TRANSITION TO NEXT SHOT
CAMERA SHOTS CAMERA MOVEMENT
MLS STATIC
STRAIGHT