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By Olivia and Claudia
• According to Peirce, 'we think only in signs' Signs take
  the form of words, images, sounds, odours, flavours,
  acts or objects, but such things have no intrinsic
  meaning and become signs only when we interpret them
  with meaning. 'Nothing is a sign unless it is interpreted
  as a sign', declares Peirce.
• Anything can be a sign as long as someone interprets it
  as 'signifying' something - referring to or standing for
  something other than itself. We interpret things as signs
  largely unconsciously by relating them to familiar
  systems of conventions. It is this meaningful use of signs
  which is at the heart of the concerns of semiotics.
• Signification is learnt.
• No active process of interpretation.
• A symbol which is understood to refer to
  something other than itself. This may be
  very simple - think of a "No Entry" road
  sign. it may get more complicated when
  reading media texts, where a sign might
  be the bright red coat that a character is
  wearing (which signals that they are
  dangerous)
The relationship between the
                         signifier and the signified is
                         referred to as 'signification', and
                         this is represented in the
                         Saussurean diagram by the
                         arrows.


The horizontal line marking the two elements
of the sign is referred to as 'the bar'.
If we take a linguistic example, the word
'Open' (when it is invested with meaning by
someone who encounters it on a shop
doorway) is a sign consisting of:
a signifier: the word open;
a signified concept: that the shop is open for
business.
The process of reading and interpreting
 signs that are displayed in a media text.
For example the connotations and
 denotations of a media text, interpreting
 the deeper meaning of a signal
Connotations- ways in which meanings are
 created.
For example meaning by association, the
 deeper meaning e.g. red connotes anger,
 passion, love, danger.
Denotations- literal or surface meaning e.g.
 red is the colour of a flower.

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Signs and signals[1]

  • 1. By Olivia and Claudia
  • 2. • According to Peirce, 'we think only in signs' Signs take the form of words, images, sounds, odours, flavours, acts or objects, but such things have no intrinsic meaning and become signs only when we interpret them with meaning. 'Nothing is a sign unless it is interpreted as a sign', declares Peirce. • Anything can be a sign as long as someone interprets it as 'signifying' something - referring to or standing for something other than itself. We interpret things as signs largely unconsciously by relating them to familiar systems of conventions. It is this meaningful use of signs which is at the heart of the concerns of semiotics.
  • 3. • Signification is learnt. • No active process of interpretation.
  • 4. • A symbol which is understood to refer to something other than itself. This may be very simple - think of a "No Entry" road sign. it may get more complicated when reading media texts, where a sign might be the bright red coat that a character is wearing (which signals that they are dangerous)
  • 5. The relationship between the signifier and the signified is referred to as 'signification', and this is represented in the Saussurean diagram by the arrows. The horizontal line marking the two elements of the sign is referred to as 'the bar'. If we take a linguistic example, the word 'Open' (when it is invested with meaning by someone who encounters it on a shop doorway) is a sign consisting of: a signifier: the word open; a signified concept: that the shop is open for business.
  • 6. The process of reading and interpreting signs that are displayed in a media text. For example the connotations and denotations of a media text, interpreting the deeper meaning of a signal
  • 7. Connotations- ways in which meanings are created. For example meaning by association, the deeper meaning e.g. red connotes anger, passion, love, danger. Denotations- literal or surface meaning e.g. red is the colour of a flower.