The document discusses street photographer Nicolas Alejandro and his candid portraits taken of strangers in Buenos Aires. It focuses on a photo praised by writer Joe Newman for its intimacy achieved through Alejandro getting into the subject's personal space, allowing the viewer to feel a personal connection. Alejandro takes photos using a wide-angle lens and moves close to his subjects, never asking permission first but deleting photos if the subject requests after. Despite starting photography only two years ago, Alejandro spends much time prowling the city streets searching for shots, publishing some of his work in an e-book.