Questionnaire
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George Barnstable completed a 10 question questionnaire for a music magazine company. The questions covered demographic information like age, gender, socioeconomic status. It also asked about preferences related to hip hop magazines specifically, including favorite features, color schemes, artists, subscription options, and best advertising methods.
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BA & Beyond 2018 overview
The document appears to be a programme for a 2018 conference that will include keynote speeches from Adrian Reed on lessons business analysts can learn from magic. There will also be sections on speakers, founding partners, and sponsors of the conference. Attendees can use the hashtag #BABeyond18 to discuss the conference online.
Storyboard
1) The storyboard establishes the setting of "Mulberry Way" and introduces the main protagonist Archie through shots of a road sign and Archie taking out bins behind his house while feeling watched.
2) Scenes show Archie receiving threatening texts and growing worried, John leaving the hospital with antidepressants, and Jess at a doctor's appointment with a hooded figure.
3) The storyboard builds tension through shots of Archie running in the woods while being chased and finding something shocking under a sheet.
Meeting Notes 10
The meeting notes summarized the following:
1) They filmed the establishing scene first since it was the opening scene and they were at a good location. They also filmed an important chase scene in the woods.
2) They shot some scenes about a drug addiction storyline, leaving the rest to film the next day along with an affair scene. This put them halfway through filming and on track to finish the next day.
3) They took still photos of the protagonists in various locations for the magazine cover and posters.
Meeting Notes 11
The meeting notes summarized the following:
1) The production team discussed completing any remaining filming shots, selecting a final location for an affair scene, and taking a cast photo in front of a road sign.
2) They were pleased to complete all agenda items and felt they obtained every necessary shot to create a professional trailer.
3) A suitable cast photo was taken that could be used for the trailer poster. They decided to film the affair scene in a car for a change in scenery and to allow the use of shot-reverse-shot techniques.
Meeting Notes 12
The meeting notes summarize a production meeting at St. Andrew's Catholic School that took place on October 5th, 2017. Three individuals, Giacomo Pisa, George Barnstable, and Tom Owen were present to discuss the production. The agenda and meeting notes were not fully documented. Actions to be taken were not specified.
Meeting Notes 2
The meeting discussed researching the target audiences of soap operas and analyzing what would make their trailer appealing to these audiences. They assessed the socio-economic needs of typical soap opera viewers and how to tailor their trailer accordingly. Actions included further research on theories to expand their knowledge and better prepare them for creating their trailer.
Meeting Notes 1
Tom Owen, George Barnstable, and Giacomo Pisa met to discuss their advanced production project on soap opera trailers. They agreed to research common themes in soap opera trailers like drugs and crime. The group viewed sample trailers from East Enders and Emmerdale for inspiration. Their next steps are to watch more soap opera trailers to gain more knowledge and set up a group chat to communicate and coordinate individual tasks.
Meeting Notes 8
Tom Owen, George Barnstable, and Giacomo Pisa met to draft two letters - one to Atlantic Records requesting permission to use a song in a soap opera advert, and another to Surrey County Council requesting permission to film on public roads. As a group, they proofread the letters and researched email addresses to send the letters to the proper contacts at each organization. Tom then sent the letters from a new email account and committed to checking it daily for responses.
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BA & Beyond 2018 overview
The document appears to be a programme for a 2018 conference that will include keynote speeches from Adrian Reed on lessons business analysts can learn from magic. There will also be sections on speakers, founding partners, and sponsors of the conference. Attendees can use the hashtag #BABeyond18 to discuss the conference online.
Storyboard
1) The storyboard establishes the setting of "Mulberry Way" and introduces the main protagonist Archie through shots of a road sign and Archie taking out bins behind his house while feeling watched.
2) Scenes show Archie receiving threatening texts and growing worried, John leaving the hospital with antidepressants, and Jess at a doctor's appointment with a hooded figure.
3) The storyboard builds tension through shots of Archie running in the woods while being chased and finding something shocking under a sheet.
Meeting Notes 10
The meeting notes summarized the following:
1) They filmed the establishing scene first since it was the opening scene and they were at a good location. They also filmed an important chase scene in the woods.
2) They shot some scenes about a drug addiction storyline, leaving the rest to film the next day along with an affair scene. This put them halfway through filming and on track to finish the next day.
3) They took still photos of the protagonists in various locations for the magazine cover and posters.
Meeting Notes 11
The meeting notes summarized the following:
1) The production team discussed completing any remaining filming shots, selecting a final location for an affair scene, and taking a cast photo in front of a road sign.
2) They were pleased to complete all agenda items and felt they obtained every necessary shot to create a professional trailer.
3) A suitable cast photo was taken that could be used for the trailer poster. They decided to film the affair scene in a car for a change in scenery and to allow the use of shot-reverse-shot techniques.
Meeting Notes 12
The meeting notes summarize a production meeting at St. Andrew's Catholic School that took place on October 5th, 2017. Three individuals, Giacomo Pisa, George Barnstable, and Tom Owen were present to discuss the production. The agenda and meeting notes were not fully documented. Actions to be taken were not specified.
Meeting Notes 2
The meeting discussed researching the target audiences of soap operas and analyzing what would make their trailer appealing to these audiences. They assessed the socio-economic needs of typical soap opera viewers and how to tailor their trailer accordingly. Actions included further research on theories to expand their knowledge and better prepare them for creating their trailer.
Meeting Notes 1
Tom Owen, George Barnstable, and Giacomo Pisa met to discuss their advanced production project on soap opera trailers. They agreed to research common themes in soap opera trailers like drugs and crime. The group viewed sample trailers from East Enders and Emmerdale for inspiration. Their next steps are to watch more soap opera trailers to gain more knowledge and set up a group chat to communicate and coordinate individual tasks.
Meeting Notes 8
Tom Owen, George Barnstable, and Giacomo Pisa met to draft two letters - one to Atlantic Records requesting permission to use a song in a soap opera advert, and another to Surrey County Council requesting permission to film on public roads. As a group, they proofread the letters and researched email addresses to send the letters to the proper contacts at each organization. Tom then sent the letters from a new email account and committed to checking it daily for responses.
Meeting Notes 7
The meeting notes document the seventh planning meeting for an advanced production class soap opera. It lists the attendees and agenda topics which included finalizing the song, beginning a shot list, and planning shots for specific locations. The notes describe starting to plan shots and filming to have a clear plan for the day of shooting. Actions items are to start editing the chosen song and finish the shot list for the final production plan.
Meeting Notes 9
Tom Owen, George Barnstable, and Giacomo Pisa met to check email for a reply from the local council regarding filming permission on public streets. They discovered the council had emailed back with directions to a lengthy 10-step filming permission form requiring details on planned filming locations, impacts to traffic and the public, and emergency plans. The group successfully completed and submitted the long, in-depth form interpreting their production plans.
Meeting Notes 4
The meeting notes summarize a production meeting for an advanced soap opera project. They discussed potential characters and locations for filming the soap opera trailer. They also reviewed other successful soap opera trailers to integrate techniques and appealing locations into their own trailer.
Meeting Notes 3
The meeting notes summarize a production meeting where they watched and analyzed trailers for two popular soap operas. They discussed the characters portrayed, shots used, and techniques employed to convey heroes and villains. This analysis provided inspiration for establishing shots and depth of research needed for their own professional-looking trailer.
Meeting Notes 6
The meeting notes summarize a planning session for a school soap opera production. They discussed continuing their search for a soundtrack, further planning shots using a storyboard, and editing details of the synopsis. They also developed multiple storylines for the opera, including adding a female actor and a pregnancy storyline. Additionally, they created a plan for the shots in the soap opera trailer and now have a clear idea of the storylines and total length of the trailer.
Meeting Notes 5
The meeting notes summarized the following:
1) The group decided on casting Giacomo as the male protagonist and asked others outside the group to take on acting roles.
2) They searched online for soundtracks that would fit the ideas behind their soap opera trailer.
3) The group reviewed and refined the synopsis, making small changes and additions to fully plan out their trailer.
Magazine Mind Map - Mind Map and Research
George Barnstable is creating an ancillary product for his OCR Media Studies course. He has researched the TV magazine "Inside Soap" to inspire his own soap opera magazine cover. His document includes research on the history, circulation, target audience, design elements like images, language, pricing, headlines, and conventions used by "Inside Soap".
Mind map - Pre Production Planning
This mind map outlines pre-production planning for a new soap opera called "The Dark Horse". It identifies key elements such as the ominous title, main protagonists and antagonists, locations that will be used (including a pub, woodlands, and residential houses), and social issues that may be addressed like pregnancy and religion. Competition from other popular soaps is acknowledged, with the target audience identified as primarily females aged 15-60 who enjoy crime and mystery genres. Filming locations secured in Surrey include houses, woods, and a pub that will be used to film opening scenes and a dramatic affair.
Shot List
This document appears to be a shot list for a film or video project. It likely contains a numbered or bullet pointed list of the scenes, shots, or sequences that need to be filmed to complete the project. The shot list would help the director, cinematographer, and crew efficiently plan and execute the visual elements needed to tell the story.
Storyboard
This document contains a storyboard for a project titled "Sycamore Rise" created by three people: Giacomo Pisa, Tom Owen, and George Barnstable. It lists their names and what appear to be student or employee IDs. In a few sentences or less, it introduces the creative collaborators and implies they are working on a storyboard together.
Ancillary Product 1 - Poster Textual Analysis
This document analyzes different soap opera promotional posters and discusses elements that make them effective. It examines the use of taglines, images, logos, and social media integration in posters for EastEnders, Hollyoaks, and Coronation Street. The conclusion recommends repeating elements like social media hashtags to engage viewers, eye-catching titles and mysterious taglines, and brand logos with air time/date to inform viewers where and when to watch.
Timeline
The trailer begins with a sign for "Sycamore Rise" and shows a boy taking out bins while being watched from bushes. He gets a threatening text and seems fearful. It then cuts to a depressed man taking antidepressants. The boy hurries inside as the killer watches. It shows a pregnant woman in pain at the doctor as the depressed man leaves the hospital. The trailer builds tension and ends revealing only the killer in black before cutting to the film title and details.
Target Audience Analysis Task
The document discusses the target audience of soap opera genre. It argues that the stereotypical target audience is white-British women aged 25-40, as they have increased free time at home in the evenings to watch soap operas due to gender stereotypes. It also notes that soap operas can appeal to all ages and socioeconomic classes by addressing real-life issues. Modern soap operas, like Coronation Street, are trying to attract younger digitally native audiences through social media platforms like Twitter.
Propp's Character Roles and Functions Task
This document discusses two soap opera trailers and analyzes them using Propp's character roles and narrative functions. For the EastEnders trailer, it is difficult to identify character roles as no clear villain or hero is shown. Each character is presented as potentially credible for the killing to build suspense. For the Hollyoaks trailer, initially a male seems like the hero but is later shown in rage, making all characters seem like villains. Both trailers allow the audience to speculate on who committed the crime and connect through social media. The EastEnders trailer depicts villainy and violation of interdiction. The Hollyoaks trailer shows struggle and punishment at the end, suggesting one character as the killer.
Primary Research Results Breakdown
George Barnstable conducted primary research on soap operas. The research found that Hollyoaks and Eastenders were the most popular soap operas among respondents aged 13-18. Crime, love, and jealousy were the most associated genres. The research also found that soap opera storylines are seen as predictable, but audiences can still be surprised by outcomes. This suggests developing a mysterious trailer that does not reveal the outcome in order to generate greater interest and retention of audiences.
Storyboard
1) The storyboard establishes the setting of "Mulberry Way" through a zoom in on a road sign.
2) It shows scenes of the main protagonist Archie taking out bins while being watched, finding his phone with threatening messages, and running through woods in fear while checking over his shoulder.
3) Additional scenes include John walking from the hospital holding antidepressants, Jess at a doctor's appointment with a killer, and shots of the killer dressed in black holding a knife.
Mind Map - Pre Production Planning
This mind map outlines pre-production planning for a new soap opera called "The Dark Horse". It identifies key elements such as the title/connotations, protagonists and antagonists, social issues that will be addressed like pregnancy and murder, and locations like a pub and woodlands that will be used. Competition from other soaps like EastEnders and Emmerdale is acknowledged, with the goal of attracting an audience of females ages 15-60 who enjoy crime drama. Research on genres and the target time slot is referenced to help make the soap appealing to viewers.
Magazine Mind Map
This document provides a mind map and research for generating ideas for an ancillary TV magazine front cover. It discusses the history, circulation figures, target audience needs, main headline ideas, images, language, price, potential headlines, synergy opportunities, page layout positioning, colors, and fonts that could be used. The goal is to create a magazine cover that will appeal to its target working class readership.
Poster Mind Map
This document is a mind map and research for a student's advanced portfolio project on creating a poster for a soap opera. It discusses theme ideas for the poster including using a black background, incorporating mysterious phone texts, depicting happy scenery that turns sad/angry, and maintaining a mysterious tone. It also mentions using hashtags on social media to create synergy across different promotional materials. The conclusion states that high quality images of stars will be taken and edited in Photoshop along with special effects and a bold font for the poster.
Independent Textual Analysis
This document provides an analysis of two soap opera trailers from Coronation Street and EastEnders. For the Coronation Street trailer, it summarizes the verbal codes that signify an escalating situation and Michelle's hatred, and the non-verbal codes that show Michelle's lack of emotion and her being dressed in black to denote her as villainous. For the EastEnders trailer, it summarizes the verbal codes that show a lack of hope and Keegan's care-free attitude, and the non-verbal codes that imply Keegan's rebellious youth through his clothing and body language. It concludes by stating what elements would be repeated from each trailer, such as Michelle's black clothing and Keegan's
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Meeting Notes 7
The meeting notes document the seventh planning meeting for an advanced production class soap opera. It lists the attendees and agenda topics which included finalizing the song, beginning a shot list, and planning shots for specific locations. The notes describe starting to plan shots and filming to have a clear plan for the day of shooting. Actions items are to start editing the chosen song and finish the shot list for the final production plan.
Meeting Notes 9
Tom Owen, George Barnstable, and Giacomo Pisa met to check email for a reply from the local council regarding filming permission on public streets. They discovered the council had emailed back with directions to a lengthy 10-step filming permission form requiring details on planned filming locations, impacts to traffic and the public, and emergency plans. The group successfully completed and submitted the long, in-depth form interpreting their production plans.
Meeting Notes 4
The meeting notes summarize a production meeting for an advanced soap opera project. They discussed potential characters and locations for filming the soap opera trailer. They also reviewed other successful soap opera trailers to integrate techniques and appealing locations into their own trailer.
Meeting Notes 3
The meeting notes summarize a production meeting where they watched and analyzed trailers for two popular soap operas. They discussed the characters portrayed, shots used, and techniques employed to convey heroes and villains. This analysis provided inspiration for establishing shots and depth of research needed for their own professional-looking trailer.
Meeting Notes 6
The meeting notes summarize a planning session for a school soap opera production. They discussed continuing their search for a soundtrack, further planning shots using a storyboard, and editing details of the synopsis. They also developed multiple storylines for the opera, including adding a female actor and a pregnancy storyline. Additionally, they created a plan for the shots in the soap opera trailer and now have a clear idea of the storylines and total length of the trailer.
Meeting Notes 5
The meeting notes summarized the following:
1) The group decided on casting Giacomo as the male protagonist and asked others outside the group to take on acting roles.
2) They searched online for soundtracks that would fit the ideas behind their soap opera trailer.
3) The group reviewed and refined the synopsis, making small changes and additions to fully plan out their trailer.
Magazine Mind Map - Mind Map and Research
George Barnstable is creating an ancillary product for his OCR Media Studies course. He has researched the TV magazine "Inside Soap" to inspire his own soap opera magazine cover. His document includes research on the history, circulation, target audience, design elements like images, language, pricing, headlines, and conventions used by "Inside Soap".
Mind map - Pre Production Planning
This mind map outlines pre-production planning for a new soap opera called "The Dark Horse". It identifies key elements such as the ominous title, main protagonists and antagonists, locations that will be used (including a pub, woodlands, and residential houses), and social issues that may be addressed like pregnancy and religion. Competition from other popular soaps is acknowledged, with the target audience identified as primarily females aged 15-60 who enjoy crime and mystery genres. Filming locations secured in Surrey include houses, woods, and a pub that will be used to film opening scenes and a dramatic affair.
Shot List
This document appears to be a shot list for a film or video project. It likely contains a numbered or bullet pointed list of the scenes, shots, or sequences that need to be filmed to complete the project. The shot list would help the director, cinematographer, and crew efficiently plan and execute the visual elements needed to tell the story.
Storyboard
This document contains a storyboard for a project titled "Sycamore Rise" created by three people: Giacomo Pisa, Tom Owen, and George Barnstable. It lists their names and what appear to be student or employee IDs. In a few sentences or less, it introduces the creative collaborators and implies they are working on a storyboard together.
Ancillary Product 1 - Poster Textual Analysis
This document analyzes different soap opera promotional posters and discusses elements that make them effective. It examines the use of taglines, images, logos, and social media integration in posters for EastEnders, Hollyoaks, and Coronation Street. The conclusion recommends repeating elements like social media hashtags to engage viewers, eye-catching titles and mysterious taglines, and brand logos with air time/date to inform viewers where and when to watch.
Timeline
The trailer begins with a sign for "Sycamore Rise" and shows a boy taking out bins while being watched from bushes. He gets a threatening text and seems fearful. It then cuts to a depressed man taking antidepressants. The boy hurries inside as the killer watches. It shows a pregnant woman in pain at the doctor as the depressed man leaves the hospital. The trailer builds tension and ends revealing only the killer in black before cutting to the film title and details.
Target Audience Analysis Task
The document discusses the target audience of soap opera genre. It argues that the stereotypical target audience is white-British women aged 25-40, as they have increased free time at home in the evenings to watch soap operas due to gender stereotypes. It also notes that soap operas can appeal to all ages and socioeconomic classes by addressing real-life issues. Modern soap operas, like Coronation Street, are trying to attract younger digitally native audiences through social media platforms like Twitter.
Propp's Character Roles and Functions Task
This document discusses two soap opera trailers and analyzes them using Propp's character roles and narrative functions. For the EastEnders trailer, it is difficult to identify character roles as no clear villain or hero is shown. Each character is presented as potentially credible for the killing to build suspense. For the Hollyoaks trailer, initially a male seems like the hero but is later shown in rage, making all characters seem like villains. Both trailers allow the audience to speculate on who committed the crime and connect through social media. The EastEnders trailer depicts villainy and violation of interdiction. The Hollyoaks trailer shows struggle and punishment at the end, suggesting one character as the killer.
Primary Research Results Breakdown
George Barnstable conducted primary research on soap operas. The research found that Hollyoaks and Eastenders were the most popular soap operas among respondents aged 13-18. Crime, love, and jealousy were the most associated genres. The research also found that soap opera storylines are seen as predictable, but audiences can still be surprised by outcomes. This suggests developing a mysterious trailer that does not reveal the outcome in order to generate greater interest and retention of audiences.
Storyboard
1) The storyboard establishes the setting of "Mulberry Way" through a zoom in on a road sign.
2) It shows scenes of the main protagonist Archie taking out bins while being watched, finding his phone with threatening messages, and running through woods in fear while checking over his shoulder.
3) Additional scenes include John walking from the hospital holding antidepressants, Jess at a doctor's appointment with a killer, and shots of the killer dressed in black holding a knife.
Mind Map - Pre Production Planning
This mind map outlines pre-production planning for a new soap opera called "The Dark Horse". It identifies key elements such as the title/connotations, protagonists and antagonists, social issues that will be addressed like pregnancy and murder, and locations like a pub and woodlands that will be used. Competition from other soaps like EastEnders and Emmerdale is acknowledged, with the goal of attracting an audience of females ages 15-60 who enjoy crime drama. Research on genres and the target time slot is referenced to help make the soap appealing to viewers.
Magazine Mind Map
This document provides a mind map and research for generating ideas for an ancillary TV magazine front cover. It discusses the history, circulation figures, target audience needs, main headline ideas, images, language, price, potential headlines, synergy opportunities, page layout positioning, colors, and fonts that could be used. The goal is to create a magazine cover that will appeal to its target working class readership.
Poster Mind Map
This document is a mind map and research for a student's advanced portfolio project on creating a poster for a soap opera. It discusses theme ideas for the poster including using a black background, incorporating mysterious phone texts, depicting happy scenery that turns sad/angry, and maintaining a mysterious tone. It also mentions using hashtags on social media to create synergy across different promotional materials. The conclusion states that high quality images of stars will be taken and edited in Photoshop along with special effects and a bold font for the poster.
Independent Textual Analysis
This document provides an analysis of two soap opera trailers from Coronation Street and EastEnders. For the Coronation Street trailer, it summarizes the verbal codes that signify an escalating situation and Michelle's hatred, and the non-verbal codes that show Michelle's lack of emotion and her being dressed in black to denote her as villainous. For the EastEnders trailer, it summarizes the verbal codes that show a lack of hope and Keegan's care-free attitude, and the non-verbal codes that imply Keegan's rebellious youth through his clothing and body language. It concludes by stating what elements would be repeated from each trailer, such as Michelle's black clothing and Keegan's
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How to Create a More Engaging and Human Online Learning Experience
Questionnaire
- 1. Name: George Barnstable Candidate Number: 3010 1 Questionnaire – Music Magazine Unit G321:FoundationPortfolioinMediaStudies – AS MediaStudies Planning& ResearchEvidence. (Pleaseput a tick next to youranswerforeachquestion) Q1) Howoldare you? o Under15 years o 16-24years o 25-32years o 33-40years o 41+years Q2) What is yourgender? o Male o Female o Other Q3) Accordingto the Socio-Economicneeds,wherewouldyouplaceyourselfinthetable? o A – HighManagement o B - MiddleManagement o C1– OfficeSupervisors o C2– Skilledmanual labor workers o D – Semi Skilled o E – Unemployed Q4) What do youbelieveisthe most importantfeatureofa HipHop’smagazinesfront cover? o Masthead o MainImage o MainHeadline o SubTitles o Slogan o Barcode/Date/IssueNumber/Price Q5)What colourschemedo you believelooksbestonaHipHopmagazine? o Red, blackandwhite o Orange, blackandwhite o Silver,blackandwhite o Red, goldandwhite o Red, silverandwhite Q6)WhichHipHopstars interest you? o Drake o Kanye West o Tylerthe Creator o Chancethe Rapper o PartyNextDoor o Other (pleasespecify)
- 2. Name: George Barnstable Candidate Number: 3010 2 Q7) What is the most amountof moneyyouwouldpayfora HipHopmagazine? o Less than 99p o £1 to £1.99 o £2 to £2.99 o £3 to £3.99 o £4 to £4.99 o Morethan £5 Q8) From thislist ofnames, whichis yourfavourite? o Pablo o Ghost o Sweet Q9) Wouldyoupurchasea monthlysubscriptionto aHipHopmagazine? o Yes o No o Dependsonthe cost Q10) What do you believeisthe bestway to advertisea HipHopmagazine? o Social Media o TV adverts o Leaflets o Billboards o Official Website o Posters