This document discusses how a student's media product for a music video assignment uses, develops, and challenges conventions of real music videos. It analyzes conventions around titles, locations, shots, editing, pacing, and other elements. For titles, it notes pop and dance videos often have them while the student's indie rock track did not. It uses conventions like shots of the singer, band togetherness, and traveling scenes. Some conventions are challenged, like only featuring male characters and not highlighting the band's image. Overall, the student pulls from real music video styles but puts their own spin on conventions.
Stress management sounds like something easy to do.. yes, it is easy but we never care about it until we reach the maximum of our tolerance. Why not manage it now because, in fact, Stress management is a key to business/ work/ relationship/ and life success!!!
Stress management sounds like something easy to do.. yes, it is easy but we never care about it until we reach the maximum of our tolerance. Why not manage it now because, in fact, Stress management is a key to business/ work/ relationship/ and life success!!!
Panchayat Season 3 - Official Trailer.pdfSuleman Rana
The dearest series "Panchayat" is set to make a victorious return with its third season, and the fervor is discernible. The authority trailer, delivered on May 28, guarantees one more enamoring venture through the country heartland of India.
Jitendra Kumar keeps on sparkling as Abhishek Tripathi, the city-reared engineer who ends up functioning as the secretary of the Panchayat office in the curious town of Phulera. His nuanced depiction of a young fellow exploring the difficulties of country life while endeavoring to adjust to his new environmental factors has earned far and wide recognition.
Neena Gupta and Raghubir Yadav return as Manju Devi and Brij Bhushan Dubey, separately. Their dynamic science and immaculate acting rejuvenate the hardships of town administration. Gupta's depiction of the town Pradhan with an ever-evolving outlook, matched with Yadav's carefully prepared exhibition, adds profundity and credibility to the story.
New Difficulties and Experiences
The trailer indicates new difficulties anticipating the characters, as Abhishek keeps on wrestling with his part in the town and his yearnings for a superior future. The series has reliably offset humor with social editorial, and Season 3 looks ready to dig much more profound into the intricacies of rustic organization and self-awareness.
Watchers can hope to see a greater amount of the enchanting and particular residents who have become fan top picks. Their connections and the one of a kind cut of-life situations give a reviving and interesting portrayal of provincial India, featuring the two its appeal and its difficulties.
A Mix of Humor and Heart
One of the signs of "Panchayat" is its capacity to mix humor with sincere narrating. The trailer features minutes that guarantee to convey giggles, as well as scenes that pull at the heartstrings. This equilibrium has been a critical calculate the show's prosperity, resounding with crowds across different socioeconomics.
Creation Greatness
The creation quality remaining parts first rate, with the beautiful setting of Phulera town filling in as a scenery that upgrades the narrating. The meticulousness in portraying provincial life, joined with sharp composition and solid exhibitions, guarantees that "Panchayat" keeps on hanging out in the packed web series scene.
Expectation and Delivery
As the delivery date draws near, expectation for "Panchayat" Season 3 is at a record-breaking high. The authority trailer has previously created critical buzz, with fans enthusiastically anticipating the continuation of Abhishek Tripathi's excursion and the new undertakings that lie ahead in Phulera.
All in all, the authority trailer for "Panchayat" Season 3 recommends that watchers are in for another drawing in and engaging ride. Yet again with its charming characters, convincing story, and ideal mix of humor and show, the new season is set to enamor crowds. Write in your schedules and prepare to get back to the endearing universe of "Panchayat."
Create a Seamless Viewing Experience with Your Own Custom OTT Player.pdfGenny Knight
As the popularity of online streaming continues to rise, the significance of providing outstanding viewing experiences cannot be emphasized enough. Tailored OTT players present a robust solution for service providers aiming to enhance their offerings and engage audiences in a competitive market. Through embracing customization, companies can craft immersive, individualized experiences that effectively hold viewers' attention, entertain them, and encourage repeat usage.
Meet Crazyjamjam - A TikTok Sensation | Blog EternalBlog Eternal
Crazyjamjam, the TikTok star everyone's talking about! Uncover her secrets to success, viral trends, and more in this exclusive feature on Blog Eternal.
Source: https://blogeternal.com/celebrity/crazyjamjam-leaks/
From Slave to Scourge: The Existential Choice of Django Unchained. The Philos...Rodney Thomas Jr
#SSAPhilosophy #DjangoUnchained #DjangoFreeman #ExistentialPhilosophy #Freedom #Identity #Justice #Courage #Rebellion #Transformation
Welcome to SSA Philosophy, your ultimate destination for diving deep into the profound philosophies of iconic characters from video games, movies, and TV shows. In this episode, we explore the powerful journey and existential philosophy of Django Freeman from Quentin Tarantino’s masterful film, "Django Unchained," in our video titled, "From Slave to Scourge: The Existential Choice of Django Unchained. The Philosophy of Django Freeman!"
From Slave to Scourge: The Existential Choice of Django Unchained – The Philosophy of Django Freeman!
Join me as we delve into the existential philosophy of Django Freeman, uncovering the profound lessons and timeless wisdom his character offers. Through his story, we find inspiration in the power of choice, the quest for justice, and the courage to defy oppression. Django Freeman’s philosophy is a testament to the human spirit’s unyielding drive for freedom and justice.
Don’t forget to like, comment, and subscribe to SSA Philosophy for more in-depth explorations of the philosophies behind your favorite characters. Hit the notification bell to stay updated on our latest videos. Let’s discover the principles that shape these icons and the profound lessons they offer.
Django Freeman’s story is one of the most compelling narratives of transformation and empowerment in cinema. A former slave turned relentless bounty hunter, Django’s journey is not just a physical liberation but an existential quest for identity, justice, and retribution. This video delves into the core philosophical elements that define Django’s character and the profound choices he makes throughout his journey.
Link to video: https://youtu.be/GszqrXk38qk
Scandal! Teasers June 2024 on etv Forum.co.zaIsaac More
Monday, 3 June 2024
Episode 47
A friend is compelled to expose a manipulative scheme to prevent another from making a grave mistake. In a frantic bid to save Jojo, Phakamile agrees to a meeting that unbeknownst to her, will seal her fate.
Tuesday, 4 June 2024
Episode 48
A mother, with her son's best interests at heart, finds him unready to heed her advice. Motshabi finds herself in an unmanageable situation, sinking fast like in quicksand.
Wednesday, 5 June 2024
Episode 49
A woman fabricates a diabolical lie to cover up an indiscretion. Overwhelmed by guilt, she makes a spontaneous confession that could be devastating to another heart.
Thursday, 6 June 2024
Episode 50
Linda unwittingly discloses damning information. Nhlamulo and Vuvu try to guide their friend towards the right decision.
Friday, 7 June 2024
Episode 51
Jojo's life continues to spiral out of control. Dintle weaves a web of lies to conceal that she is not as successful as everyone believes.
Monday, 10 June 2024
Episode 52
A heated confrontation between lovers leads to a devastating admission of guilt. Dintle's desperation takes a new turn, leaving her with dwindling options.
Tuesday, 11 June 2024
Episode 53
Unable to resort to violence, Taps issues a verbal threat, leaving Mdala unsettled. A sister must explain her life choices to regain her brother's trust.
Wednesday, 12 June 2024
Episode 54
Winnie makes a very troubling discovery. Taps follows through on his threat, leaving a woman reeling. Layla, oblivious to the truth, offers an incentive.
Thursday, 13 June 2024
Episode 55
A nosy relative arrives just in time to thwart a man's fatal decision. Dintle manipulates Khanyi to tug at Mo's heartstrings and get what she wants.
Friday, 14 June 2024
Episode 56
Tlhogi is shocked by Mdala's reaction following the revelation of their indiscretion. Jojo is in disbelief when the punishment for his crime is revealed.
Monday, 17 June 2024
Episode 57
A woman reprimands another to stay in her lane, leading to a damning revelation. A man decides to leave his broken life behind.
Tuesday, 18 June 2024
Episode 58
Nhlamulo learns that due to his actions, his worst fears have come true. Caiphus' extravagant promises to suppliers get him into trouble with Ndu.
Wednesday, 19 June 2024
Episode 59
A woman manages to kill two birds with one stone. Business doom looms over Chillax. A sobering incident makes a woman realize how far she's fallen.
Thursday, 20 June 2024
Episode 60
Taps' offer to help Nhlamulo comes with hidden motives. Caiphus' new ideas for Chillax have MaHilda excited. A blast from the past recognizes Dintle, not for her newfound fame.
Friday, 21 June 2024
Episode 61
Taps is hungry for revenge and finds a rope to hang Mdala with. Chillax's new job opportunity elicits mixed reactions from the public. Roommates' initial meeting starts off on the wrong foot.
Monday, 24 June 2024
Episode 62
Taps seizes new information and recruits someone on the inside. Mary's new job
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In the vast landscape of cinema, stories have been told, retold, and reimagined in countless ways. At the heart of this narrative evolution lies the concept of a "remake". A successful remake allows us to revisit cherished tales through a fresh lens, often reflecting a different era's perspective or harnessing the power of advanced technology. Yet, the question remains, what makes a remake successful? Today, we will delve deeper into this subject, identifying the key ingredients that contribute to the success of a remake.
Skeem Saam in June 2024 available on ForumIsaac More
Monday, June 3, 2024 - Episode 241: Sergeant Rathebe nabs a top scammer in Turfloop. Meikie is furious at her uncle's reaction to the truth about Ntswaki.
Tuesday, June 4, 2024 - Episode 242: Babeile uncovers the truth behind Rathebe’s latest actions. Leeto's announcement shocks his employees, and Ntswaki’s ordeal haunts her family.
Wednesday, June 5, 2024 - Episode 243: Rathebe blocks Babeile from investigating further. Melita warns Eunice to stay clear of Mr. Kgomo.
Thursday, June 6, 2024 - Episode 244: Tbose surrenders to the police while an intruder meddles in his affairs. Rathebe's secret mission faces a setback.
Friday, June 7, 2024 - Episode 245: Rathebe’s antics reach Kganyago. Tbose dodges a bullet, but a nightmare looms. Mr. Kgomo accuses Melita of witchcraft.
Monday, June 10, 2024 - Episode 246: Ntswaki struggles on her first day back at school. Babeile is stunned by Rathebe’s romance with Bullet Mabuza.
Tuesday, June 11, 2024 - Episode 247: An unexpected turn halts Rathebe’s investigation. The press discovers Mr. Kgomo’s affair with a young employee.
Wednesday, June 12, 2024 - Episode 248: Rathebe chases a criminal, resorting to gunfire. Turf High is rife with tension and transfer threats.
Thursday, June 13, 2024 - Episode 249: Rathebe traps Kganyago. John warns Toby to stop harassing Ntswaki.
Friday, June 14, 2024 - Episode 250: Babeile is cleared to investigate Rathebe. Melita gains Mr. Kgomo’s trust, and Jacobeth devises a financial solution.
Monday, June 17, 2024 - Episode 251: Rathebe feels the pressure as Babeile closes in. Mr. Kgomo and Eunice clash. Jacobeth risks her safety in pursuit of Kganyago.
Tuesday, June 18, 2024 - Episode 252: Bullet Mabuza retaliates against Jacobeth. Pitsi inadvertently reveals his parents’ plans. Nkosi is shocked by Khwezi’s decision on LJ’s future.
Wednesday, June 19, 2024 - Episode 253: Jacobeth is ensnared in deceit. Evelyn is stressed over Toby’s case, and Letetswe reveals shocking academic results.
Thursday, June 20, 2024 - Episode 254: Elizabeth learns Jacobeth is in Mpumalanga. Kganyago's past is exposed, and Lehasa discovers his son is in KZN.
Friday, June 21, 2024 - Episode 255: Elizabeth confirms Jacobeth’s dubious activities in Mpumalanga. Rathebe lies about her relationship with Bullet, and Jacobeth faces theft accusations.
Monday, June 24, 2024 - Episode 256: Rathebe spies on Kganyago. Lehasa plans to retrieve his son from KZN, fearing what awaits.
Tuesday, June 25, 2024 - Episode 257: MaNtuli fears for Kwaito’s safety in Mpumalanga. Mr. Kgomo and Melita reconcile.
Wednesday, June 26, 2024 - Episode 258: Kganyago makes a bold escape. Elizabeth receives a shocking message from Kwaito. Mrs. Khoza defends her husband against scam accusations.
Thursday, June 27, 2024 - Episode 259: Babeile's skillful arrest changes the game. Tbose and Kwaito face a hostage crisis.
Friday, June 28, 2024 - Episode 260: Two women face the reality of being scammed. Turf is rocked by breaking
240529_Teleprotection Global Market Report 2024.pdfMadhura TBRC
The teleprotection market size has grown
exponentially in recent years. It will grow from
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compound annual growth rate (CAGR) of 28.2%. The
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exponential growth in the next few years. It will grow
to $70.77 billion in 2028 at a compound annual
growth rate (CAGR) of 26.0%.
Experience the thrill of Progressive Puzzle Adventures, like Scavenger Hunt Games and Escape Room Activities combined Solve Treasure Hunt Puzzles online.
Tom Selleck Net Worth: A Comprehensive Analysisgreendigital
Over several decades, Tom Selleck, a name synonymous with charisma. From his iconic role as Thomas Magnum in the television series "Magnum, P.I." to his enduring presence in "Blue Bloods," Selleck has captivated audiences with his versatility and charm. As a result, "Tom Selleck net worth" has become a topic of great interest among fans. and financial enthusiasts alike. This article delves deep into Tom Selleck's wealth, exploring his career, assets, endorsements. and business ventures that contribute to his impressive economic standing.
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Early Life and Career Beginnings
The Foundation of Tom Selleck's Wealth
Born on January 29, 1945, in Detroit, Michigan, Tom Selleck grew up in Sherman Oaks, California. His journey towards building a large net worth began with humble origins. , Selleck pursued a business administration degree at the University of Southern California (USC) on a basketball scholarship. But, his interest shifted towards acting. leading him to study at the Hills Playhouse under Milton Katselas.
Minor roles in television and films marked Selleck's early career. He appeared in commercials and took on small parts in T.V. series such as "The Dating Game" and "Lancer." These initial steps, although modest. laid the groundwork for his future success and the growth of Tom Selleck net worth. Breakthrough with "Magnum, P.I."
The Role that Defined Tom Selleck's Career
Tom Selleck's breakthrough came with the role of Thomas Magnum in the CBS television series "Magnum, P.I." (1980-1988). This role made him a household name and boosted his net worth. The series' popularity resulted in Selleck earning large salaries. leading to financial stability and increased recognition in Hollywood.
"Magnum P.I." garnered high ratings and critical acclaim during its run. Selleck's portrayal of the charming and resourceful private investigator resonated with audiences. making him one of the most beloved television actors of the 1980s. The success of "Magnum P.I." played a pivotal role in shaping Tom Selleck net worth, establishing him as a major star.
Film Career and Diversification
Expanding Tom Selleck's Financial Portfolio
While "Magnum, P.I." was a cornerstone of Selleck's career, he did not limit himself to television. He ventured into films, further enhancing Tom Selleck net worth. His filmography includes notable movies such as "Three Men and a Baby" (1987). which became the highest-grossing film of the year, and its sequel, "Three Men and a Little Lady" (1990). These box office successes contributed to his wealth.
Selleck's versatility allowed him to transition between genres. from comedies like "Mr. Baseball" (1992) to westerns such as "Quigley Down Under" (1990). This diversification showcased his acting range. and provided many income streams, reinforcing Tom Selleck net worth.
Television Resurgence with "Blue Bloods"
Sustaining Wealth through Consistent Success
In 2010, Tom Selleck began starring as Frank Reagan i
Meet Dinah Mattingly – Larry Bird’s Partner in Life and Loveget joys
Get an intimate look at Dinah Mattingly’s life alongside NBA icon Larry Bird. From their humble beginnings to their life today, discover the love and partnership that have defined their relationship.
Young Tom Selleck: A Journey Through His Early Years and Rise to Stardomgreendigital
Introduction
When one thinks of Hollywood legends, Tom Selleck is a name that comes to mind. Known for his charming smile, rugged good looks. and the iconic mustache that has become synonymous with his persona. Tom Selleck has had a prolific career spanning decades. But, the journey of young Tom Selleck, from his early years to becoming a household name. is a story filled with determination, talent, and a touch of luck. This article delves into young Tom Selleck's life, background, early struggles. and pivotal moments that led to his rise in Hollywood.
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Early Life and Background
Family Roots and Childhood
Thomas William Selleck was born in Detroit, Michigan, on January 29, 1945. He was the second of four children in a close-knit family. His father, Robert Dean Selleck, was a real estate investor and executive. while his mother, Martha Selleck, was a homemaker. The Selleck family relocated to Sherman Oaks, California. when Tom was a child, setting the stage for his future in the entertainment industry.
Education and Early Interests
Growing up, young Tom Selleck was an active and athletic child. He attended Grant High School in Van Nuys, California. where he excelled in sports, particularly basketball. His tall and athletic build made him a standout player, and he earned a basketball scholarship to the University of Southern California (U.S.C.). While at U.S.C., Selleck studied business administration. but his interests shifted toward acting.
Discovery of Acting Passion
Tom Selleck's journey into acting was serendipitous. During his time at U.S.C., a drama coach encouraged him to try acting. This nudge led him to join the Hills Playhouse, where he began honing his craft. Transitioning from an aspiring athlete to an actor took time. but young Tom Selleck became drawn to the performance world.
Early Career Struggles
Breaking Into the Industry
The path to stardom was a challenging one for young Tom Selleck. Like many aspiring actors, he faced many rejections and struggled to find steady work. A series of minor roles and guest appearances on television shows marked his early career. In 1965, he debuted on the syndicated show "The Dating Game." which gave him some exposure but did not lead to immediate success.
The Commercial Breakthrough
During the late 1960s and early 1970s, Selleck began appearing in television commercials. His rugged good looks and charismatic presence made him a popular brand choice. He starred in advertisements for Pepsi-Cola, Revlon, and Close-Up toothpaste. These commercials provided financial stability and helped him gain visibility in the industry.
Struggling Actor in Hollywood
Despite his success in commercials. breaking into large acting roles remained a challenge for young Tom Selleck. He auditioned and took on small parts in T.V. shows and movies. Some of his early television appearances included roles in popular series like Lancer, The F.B.I., and Bracken's World. But, it would take a
From the Editor's Desk: 115th Father's day Celebration - When we see Father's day in Hindu context, Nanda Baba is the most vivid figure which comes to the mind. Nanda Baba who was the foster father of Lord Krishna is known to provide love, care and affection to Lord Krishna and Balarama along with his wife Yashoda; Letter’s to the Editor: Mother's Day - Mother is a precious life for their children. Mother is life breath for her children. Mother's lap is the world happiness whose debt can never be paid.
As a film director, I have always been awestruck by the magic of animation. Animation, a medium once considered solely for the amusement of children, has undergone a significant transformation over the years. Its evolution from a rudimentary form of entertainment to a sophisticated form of storytelling has stirred my creativity and expanded my vision, offering limitless possibilities in the realm of cinematic storytelling.
Maximizing Your Streaming Experience with XCIPTV- Tips for 2024.pdfXtreame HDTV
In today’s digital age, streaming services have become an integral part of our entertainment lives. Among the myriad of options available, XCIPTV stands out as a premier choice for those seeking seamless, high-quality streaming. This comprehensive guide will delve into the features, benefits, and user experience of XCIPTV, illustrating why it is a top contender in the IPTV industry.
Maximizing Your Streaming Experience with XCIPTV- Tips for 2024.pdf
Question 1
1. In what ways does your media product use,
develop or challenge forms and conventions
of real media products?
Daniella Johnston
2. Title
Here are some real media
products that have title
sequences for their music
videos. After looking at
various styles and genres, I
found that this is used more
frequently on genres such as
RnB, dance and pop in
comparison to indie and
rock, although there are still
a few that challenge the
convention. Analysing three
music videos that were of a
similar genre and theme to
my track, which also didn’t
have a title sequence,
influenced my decision not
to use one on my own video.
3. Setting/location
The very first shot shows the skyline of Manchester.
The camera slowly tracks/zooms forward getting
closer to the buildings to create the effect of
entering the city.
As you can see it is similar to the ‘Use Somebody’
and ‘Standing in the dark’ videos as they are both set
during the evening we can see the New York skyline
in both. We didn’t want to challenge this convention
as we feel this type of shot establishes prime
location effectively and begins to take you on your
journey through the rest of the video.
4. We tried to use as little settings as possible in the video to make
travelling easier and so we could make more valuable use of the time
we had to film. Because of this, our video has 3 prime locations:
• College – on stage performances/backstage footage
• On the road/in a car travelling
• City centre
5. City centre
• Urban look
• Lively nightlife/bright lights reflect busy lifestyle of the
band
• Allows comparisons and develops the concept
• Manchester is home to many rock bands
6. On the road
• Rock videos usually feature some form of journey or behinds the scenes
footage
• Makes it more exciting for audiences and allows them to divert away from
reality – Uses and gratifications theory
• We used this convention of real music videos of this genre. Our video
allows audiences to see a day in the perspective of the band – back stage
and performing
• Exclusive feel
• We challenged the convention of bands having drivers and living a life of
luxury. In our video they tour alone and are more independent.
7. College – backstage footage/on stage
performances
• It is extremely common for a rock video to include live performances
• We decided it was crucial for our video therefore we have used this
convention
• All shots taken in the drama studio at college
• Use of lighting equipment makes it look more realistic
8. Camerawork
Rock videos usually contain a variety of shot types from extreme
close ups to long shots, with the use of handheld shots, heavy focus
on the playing of instruments as well as lip sync. These are very
important within a rock video and I have tried to use many different
ones in my music video.
10. Shots of lead singer
• Medium/close up/extreme close
up//long/still/low angle/high angle
Inspiration from Lawson's
‘Standing in the dark’ as it
has similar themes of
loneliness and longing for
someone.
11. Band shots
In terms of the positioning in the frame, lead singers are always in the centre and closer to the front.
Audiences will recognise the lead singer the most as rock videos tend to show vocalists more frequently
compared to any other members of the band. Bands perform relatively close together to signify their
unity. Another convention is showing male gestures of friendship e.g. laughing together, or in my video,
dancing in the car whilst on the road. My video can be likened to all of the above therefore the band
shots use and develop forms of real media products.
Wide/long/moving/medium
Here are some real examples
12. Editing
• Black and white
• Fast paced and slow motion
• Cross fade
• Straight cuts
• Continuity
13. Pace
Our video uses slow motion
like the ‘Use Somebody’
one during a shot where a
band member is sliding
towards the camera. It gives
the audience more time to
take things in
Fast motion highlights
busy life style, makes
the video look more
interesting and fits in
with the pace of the
song. It is used in a
variety of real media
products.
14. Black and white
• Creates a mood that colour cannot achieve
• Empathises the themes of darkness, being lonely and feeling ‘down or grey’
developing the concept
16. • Real media products of this genre tend to be incredibly performance based
• Shots of the band with the vocalist being the main focus
• Narratives are sometimes used showing a romance between the lead singer and a
girl/some form of current affair – they relate to the lyrical meaning of the song
• Concepts can be developed
• Our video is predominantly performance based with a slight concept behind it
• Ideology ‘anybody can get lonely sometimes’
Genre
17. Narrative
• Looking at narrative structure implies that we explore the the way in which the
information contained within a text is revealed to us
• Roland Barthes describes texts as “a galaxy of signifiers, not a structure of signifies;
it has no beginning; we gain access to it by several entrances, none of which can
be authoritatively declared to be the main one”
• Our video could has an unconventional narrative – it is elliptical
• A structure in which certain key pieces of information or events are omitted. It is
up to the audience to fill in the gaps
• Audiences don’t know what he could use when he sings ‘Use Somebody’ but they
are able to understand he is lonely
• This is established through the use of direct mode of address and close up shots of
the lead singer allowing audiences to share the point of view with him and
empathise with him
18. Introducing the characters
• Uses conventions of
the actual ‘Use
Somebody’ video
• Fade allows you to see
where he is
• Makes it look like he is
in the Hilton hotel in
Manchester
• It introduces the lead
singer for the first
time whilst
establishing the
setting
19. There are only males in the video. We could argue that this
challenges conventions of real media products but it also uses
them too.
Examples:
20. Costumes
It uses and develops conventions of this genre as the characters in my video are wearing rather
plain and casual clothing, all dark or dull in colour. For example, ripped skinny jeans, baggy t-
shirts and laced trainers highlight the bands youth and the ‘care free’ messy stereotype
associated with rock and indie music lovers. It’s almost as if bands of these genres over look their
image, they don’t use this to promote their music like mainstream artists.
Real media products
My final product
21. Iconography/props
• Instruments - they are a traditional rock band
consisting of guitarists, a lead vocalist and a
drummer.
• Smoking/drinking – this develops the rock music
stereotype of rebellion and allows audiences to see
they are normal people.
• Car and busy road – highlights their busy lifestyle
and how they spend a lot of their time travelling.
We pulled out some iconography and props
from existing media texts of the same genre
and used them in our own to make it a
conventional rock music video.
22. One thing which we noticed is that many well known
bands and singers wear sunglasses making them conform
to our stereotypical representation of ‘stars’. This is evident
in a variety of real media products.
• Challenged the convention
• Highlights the band care less about their image and more
about the music
• Creates a sense of closeness as it allows direct mode of
address
23. Image manipulation
• Darkness with high contrast levels – edgy tone
• Altered the brightness and levels adding shadow to his face
• Fits in with themes of loneliness and allows continuity
• We didn’t use special effects – not common in rock videos
24. Ancillary 1
Conventions I have used and developed
Plain disc including label logos and
information
Track listing
Barcodes
Consistency throughout both
Conventions I have challenged
No identity of the band included on the
digipack e.g. no name/image
Different sized text on list to highlight well
known tracks/singles
Same image on the front and the back
25. Ancillary 2
Band name
Same images from digipack
Album name
Mention of
known singles
Direct language and used of
red to empathise the
text/make it stand out
Editor's Notes
Although we were limited to filming in Manchester, we feel it has a vibrant and urban look which could be likened to locations in other media products similar to ours. With a lively nightlife and bright lights, we feel it highlights the busy lifestyle of the band. We can make comparisons between the lead singers life and a regular persons who lives in the city, helping develop the concept that he is lonely. Manchester is also home to many successful rock bands.
It was noticeable in many rock videos that we watched that they all featured some form of journey or behind the scenes footage. This makes bands look more approachable and is exciting for audiences to watch and enjoy as they are taken into the exclusive footage of what happens when they are off stage. In a sense it allows them to divert away from reality, as suggested in Blumler and Katz’s Uses and Gratifications theory, suggesting why audiences chose to watch particular media texts for other than their content. Our video allows audiences to see a day in the perspective of the band, whilst they are backstage and travelling as well as performing. Shots of the motorway show they are always on the go whilst ones of the band inside the car give the video a more exclusive feel. Usually we would see a celebrity being driven opposed to driving themselves in a video. We have challenged this convention used in real media products as one of the members of the band are driving them to each venue. They have more independence than we’d normally see in a typical music video.
It is extremely common for videos of this genre to include live performances. We decided this was crucial for our video and used the drama studio at college for the shots on stage of the band performing. Lighting equipment made these look more convincing, like they were playing to an audience. Live performances are a typical convention of rock and promote the band to the audience. It keeps the focus on the music itself and the actual talents that the members of the band have.
Zooming shot was the first type of shot we used – takes you into the city and you are beginning your journey through the rest of the video. You know where it is going to be set so it is also an establishing shot. Low angle used whilst band are performing represent the dominance and power of the band which can also be associated with rock music. Tracking is taking you through the city to where the lead singer is. The low angle shot here allows us to look up to hotel where he is alone. Medium shots are average – they allow a wider range to be used and show enough but not too much. Extreme close ups and close ups allow you to see the facial expressions clearer and understand how a character is feeling. Example above shows the lead singer looking down with shadow on his face, looking miserable. We can empathise with him and understand how he is feeling because we are up close to him. The other one highlights the immaturity and rebellious nature of the band linking with the rock music stereotypes. Still shots using tripod to ensure they are steady and so the camera could focus properly.
The shots in our video that aren't of the city or the band together, are all of the lead singer sitting alone singing to the camera. When deciding which type of camera shots to use for these we took inspiration from lawsons music video ‘standing in the dark’ as it has similar themes of loneliness and longing for someone like ‘use somebody’. Because of this we used and developed conventions from this real music video and as you can see we have used similar shots. The example above shows a medium shot, both lead singers are sat facing the camera but showing clear emotions. The lead singer of Lawson is closing his eyes whilst the lead singer in our video is covering his face – both of these highlight they are fed up and desire change. We also used close ups, extreme close ups, long shots and shots at different angles when filming the lead singer.
The editing is usually snappy and fast paced, to match the normally fast tempo of rock songs. We took this into consideration and did the same thing in our music video. We usually cut on the beat to keep the mood of the video consistent and so the shots matched with the music and lyrics. This slide lists the editing techniques we have used in our video, we feel it makes it look more professional and interesting.
Pace was one of the most important parts of the editing process when putting together our music video. We altered the speed of our footage, sometimes slowing it down and sometimes speeding it up. We did this so the shots matched the pace of the music and it flowed better. Our video used slow motion like the use somebody video during a shot where a band member is sliding towards the camera. This gives the audience more time to take things in, makes it less overwhelming but him coming so up close to camera makes the video more in your face like rock music is thought to be. Fast motion highlights the busy life style of the band, we decided to speed up shots where they are travelling and on the road, just like many other real media products. The first two images you can see are taken from the killers video ‘runaways’ and ‘use somebody’ by kings of leon. Ours are very similar to these and have the same effects, therefore this is another way our video uses and develops conventions of real media products.
This is used in real media products for various reasons. A common reason use is to make footage appear to be from an earlier time in history or during dream or memory sequence. We decided to use it create the effect of being in the audience watching them perform, creating a memory. Moreover, it covers up the different lighting used and allows continuity as the black and white sequence consists of shots from different days. Black and white creates a mood that colour cannot achieve. It breaks down the range of bright and fast shots so the video is not too overwhelming for the viewer but also adds to the dark tones used in the video. It empathises the theme of darkness, being lonely and feeling ‘down or grey’ developing the concept we tried to encode into the video.
After watching many music videos of this genre, I realized that the most obvious convention of a rock video is that they tend to be incredibly performance based, with shots covering the whole band playing, yet focusing mainly on the front vocalist. Narrative music videos are also used, however to find a video with no shots of a band performing together would be very unlikely. Storylines typically show a romance between the lead singer and a girl or some form of current affair, relating to the meanings of the lyrics. Sometimes rock music videos also form around a concept. We wanted to incorporate all three styles of genre into our video. Due to a lack of characters to star in the video, we were unable to do this. It is this reason that there are no females in our video and there is no relationship involving the lead singer. This differs from many rock videos, as nearly all the ones we viewed had females in, therefore we could argue that it challenges this convention of real media products of this genre. Our video is predominantly performance based, showing the band performing together and playing to the camera, and the lead singer singing directly to the camera. There is a slight concept behind our video. We tried to encode the ideology that ‘anybody can get lonely sometimes’ into it. I feel the range of shots used make this clear.
Most artists within Rock videos give off the impression they are living the dream, always smiling and loving what they're doing. Most narratives are the band having fun behind the scenes and enjoying their performance to audiences.
We were unable to find females to be in our video and due to being lost for time we went ahead and decided to have a male dominated video, with no females in at all. This highlights the genre as rock music tends to be favored more by male audiences than female ones. We could argue having only males in the video challenges conventions of real media products as when researching we did come across many that did have females in for the narratives. However, most only had one female in so we feel like having none doesn’t make much difference. It also uses conventions of real media products too as the killers have lots of videos which only star the band.
One thing which we noticed is that many well known bands and singers wear sunglasses making them conform to our stereotypical representation of ‘stars’. This is evident in a variety of real media products. We wanted to challenge this convention and therefore did not use this piece of iconography as we want to highlight that the band care more about the music than their image, and to create a sense of closeness during close ups with the lead singer as it allows him to use direct mode of address. If he wore sunglasses the audience wouldn’t be able to establish a relationship with him and empathise with his character.
The hue of the rock music videos are usually quite dark, but with high contrast levels, to give the video an overall dark and edgy tone. After filming we realized that our footage of the lead singer was brighter than it should be and felt the need to alter the brightness and levels in premiere to make the overall image look darker and to add shadow to his face. This makes the video fit in with the songs themes of loneliness and allows continuity as the majority of it is set during the evening. We used no special effects as these are not common in videos of this genre and we wanted our video to conform to the typical conventions used in rock.