This document analyzes the opening sequences of two films - a thriller called "Retribution" and a comedy called "The Imposters" - through a nine-frame analysis. It finds that while some conventions are shared between the genres, such as displaying the film title, the thriller opening challenges conventions through unusual fonts, music, and credit positioning to build tension. In contrast, the comedy takes a more straightforward approach with centered credits and nature shots. Through shots of the victim, the thriller establishes a dark, confined setting and uses lighting and angles to convey vulnerability and power dynamics consistent with the genre.