Mockup of inaugural 16-page issue of Proximity-Tech Magazine
Proximity-Tech Magazine reports on technology and the business of technology in the Baltimore/Washington DC region. With a circulation of 116,500 we reach the largest technology readership while providing access to key audience demographics.
Wie geht’s? – Ihr Projekt. Von der Antragstellung bis zur Abrechnung“JUGEND für Europa
Geförderte Projekte aus dem EU-Programm Erasmus+JUGEND IN AKTION setzen ein klares Zeichen für ein gerechtes, solidarisches und friedliches Europa. Wenn Sie auch einsteigen wollen - so verläuft die Antragstellung.
Wie geht’s? – Ihr Projekt. Von der Antragstellung bis zur Abrechnung“JUGEND für Europa
Geförderte Projekte aus dem EU-Programm Erasmus+JUGEND IN AKTION setzen ein klares Zeichen für ein gerechtes, solidarisches und friedliches Europa. Wenn Sie auch einsteigen wollen - so verläuft die Antragstellung.
OurWork Company Profile is help you to promote your business with marvellous design. Include 12 pages design you can use this template great for fashion designers, photographers, architects, food stylists or any project which suitable with your promotion.
FEATURE :
- A4 & US Letter format paper size
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Anyone who was anyone in the film, television or theatre lighting world from the 1960s to the 80s knew of the Italian lighting company Quartzcolor Ianiro. The name stood for innovation and quality and its products were used in television and photographic studios and on location across Europe.
The Quartzcolor name lives on – and this is our interpretation for a new brand identity for the company.
The ‘Q’ consists of two overlapping pools of light; the sort you might expect to see on a studio floor, with a smaller pool of ‘black light’ in the centre. The resulting design enables Quartzcolor to ‘own’ the effect of studio lighting in a smart, simple and contemporary way.
The British Board of Film Classification (BBFC) is an independent body funded by the film industry that is responsible for classifying films, videos, DVDs, and some video games shown in the UK. Films are usually classified by at least two examiners using published guidelines, with a senior examiner ratifying most decisions. The BBFC aims to protect the public, especially children, from harmful content while also recognizing adult freedom of choice and empowering viewers to make informed choices. A 15-rated film may contain violence, strong language, and depictions of sexual activity, but not gory scenes or especially strong references to sex.
This document summarizes and analyzes the album covers of three different albums: Gym Class Heroes' "The Papercut Chronicles 2", Kesha's "Animal", and LMFAO's "Sorry For Party Rocking". For each album cover, the document examines the color schemes, fonts, images, and other design elements used and how they relate to the theme or message of the album. Key details like symbolism in the images and connectivity of elements to the album titles are discussed. The document provides an in-depth visual analysis of how colors, fonts, and imagery are purposefully applied on the covers to attract audiences and represent the music.
OurWork Company Profile is help you to promote your business with marvellous design. Include 12 pages design you can use this template great for fashion designers, photographers, architects, food stylists or any project which suitable with your promotion.
FEATURE :
- A4 & US Letter format paper size
- 12 custom pages design
- 3 mm bleed
- Premium brochure design
- Super Easy to Edit
- Edit color customize for unlimited colors
- Well-organized layers
- Master Pages
- Paragraph Styles
- Automatic page numbering
- Print ready : CMYK, 300 dpi
- Using Free font
Download Here : https://crmrkt.com/q4EjaW
Anyone who was anyone in the film, television or theatre lighting world from the 1960s to the 80s knew of the Italian lighting company Quartzcolor Ianiro. The name stood for innovation and quality and its products were used in television and photographic studios and on location across Europe.
The Quartzcolor name lives on – and this is our interpretation for a new brand identity for the company.
The ‘Q’ consists of two overlapping pools of light; the sort you might expect to see on a studio floor, with a smaller pool of ‘black light’ in the centre. The resulting design enables Quartzcolor to ‘own’ the effect of studio lighting in a smart, simple and contemporary way.
The British Board of Film Classification (BBFC) is an independent body funded by the film industry that is responsible for classifying films, videos, DVDs, and some video games shown in the UK. Films are usually classified by at least two examiners using published guidelines, with a senior examiner ratifying most decisions. The BBFC aims to protect the public, especially children, from harmful content while also recognizing adult freedom of choice and empowering viewers to make informed choices. A 15-rated film may contain violence, strong language, and depictions of sexual activity, but not gory scenes or especially strong references to sex.
This document summarizes and analyzes the album covers of three different albums: Gym Class Heroes' "The Papercut Chronicles 2", Kesha's "Animal", and LMFAO's "Sorry For Party Rocking". For each album cover, the document examines the color schemes, fonts, images, and other design elements used and how they relate to the theme or message of the album. Key details like symbolism in the images and connectivity of elements to the album titles are discussed. The document provides an in-depth visual analysis of how colors, fonts, and imagery are purposefully applied on the covers to attract audiences and represent the music.
- PC Gamer is a monthly magazine founded in Britain in 1993 devoted to PC gaming.
- The magazine features news, previews, and reviews of PC games as well as related hardware, mods, and classic games.
- The cover of the issue summarized features The Witcher Wild Hunt game, with the main character on the cover and a color scheme based on the game.
- Inside, the content page uses different fonts and colors to attract readers' attention and highlight the most important story, in this case about the Mass Effect 3 game.
This document summarizes the key design elements and conventions used in the magazine "World Soccer". It describes the central image on the cover which relates to the cover story, usually featuring a famous player or team. It notes the title is centered and slightly obscured by the image. Different typefaces and font sizes are used to distinguish stories and indicate importance. Color schemes and visual elements are used consistently to create a distinctive brand identity and style that readers recognize. The content pages follow a standard four-section format and use images, headings in red, and "dispatches" from around the world to relate all elements back to soccer.
The document discusses the design elements of a magazine cover and contents page. It analyzes the use of color, images, typography and other conventions. The magazine cover features Eminem and 50 Cent with the title "A conversation by brothers" in red, black and yellow. The contents page features Kanye West looking at the camera with the page split into feature sections in different fonts and colors. Overall the document examines how these elements establish the magazine's brand identity and style.
This document analyzes the websites of bands Lmfao, Kesha, and Gym Class Heroes. It examines how each band has set up their website, noting similarities and differences. For Gym Class Heroes, the logo is prominently displayed in the center of the page and navigation links are below. Colors used represent the electro-pop genre. The website also has news, tour information, music, and videos. Social media links and a download link are included. Kesha's site focuses on her image and has social media links and a newsletter sign-up. LMFAO's site similarly focuses on the band image and navigation. It includes social media links and a fan blog.
The document provides an analysis of magazine design elements for "The Source" magazine, including the front cover, content pages, and double page spreads. Some key points:
- "The Source" is a monthly hip-hop magazine founded in 1988 covering music, politics, and culture.
- The front cover features a large image of Jay-Z with the magazine masthead obscured, along with the issue date, price, and website below.
- Content pages typically feature a large artist image on the left with red text highlighting story titles on a white background.
- Double page spreads follow conventions like a large lead image on the left page with columns of text on the right.
- Design elements
The document provides an analysis of several electro-pop music videos. It discusses Kesha's "Tik Tok" video, noting elements like colorful costumes, fast cuts between scenes, and references to the American dream. It also analyzes Gym Class Heroes' "Stereo Hearts," highlighting its use of shadows depicting different actions. Finally, it summarizes LMFAO's "Party Rock Anthem," noting its narrative structure, cameo appearances, and focus on costumes fitting the party theme.
1. The document provides 5 word problems testing estimation and rounding skills. Each problem is followed by 3 answer choices with the correct solution. The problems involve estimating sums, differences, products and involve rounding numbers to estimate answers.
This document discusses properties of addition including the commutative property, associative property, and identity property of addition. It also lists assignment instructions to create formulas using smart art, equations, geometric figures, and specific mathematical domains like linear algebra, number theory, algebra, calculus, and trigonometry. Examples of geometric figures that could be used include triangles, squares, parallelograms, and rectangles.
The document summarizes key design elements of National Geographic magazine, including:
- The title is center-aligned at the top in a consistent font size.
- The tagline focuses on the featured story, while other magazines' taglines vary.
- The central image always reflects the featured story, like a statue of liberty half-submerged to represent rising sea levels.
- A thick yellow borderline gives the magazine its identifiable style.
This document summarizes key elements of magazine design including:
- Cover stories that relate to central images
- Consistent color themes and fonts that establish a magazine's brand identity
- Layout conventions like placement of mastheads, featured stories and contents pages
- Typography choices to emphasize important text like cover lines
- Photography and graphics that engage readers and complement stories
The document analyzes a magazine cover and contents page, discussing design elements like colors, fonts, images and their relationship to conveying information and establishing recognizable styles.
The document summarizes the steps taken to create a website using Dreamweaver. Key points include:
1. Creating a home page with a looping background GIF and text/graphic overlays.
2. Adding pages, images, social media icons and a video placed in folders for the website.
3. Choosing a gallery template and inserting screenshot images in rows within a table for better layout.
4. Creating consistent page titles and hyperlinking social media buttons to external pages.
5. Inserting a poster image and story page, and adding a YouTube trailer that pops up on click.
6. Customizing the "close window" button for the trailer with code from an
Cabri Geometry is an interactive geometry software produced by Cabrilog to teach geometry and trigonometry. It allows users to animate geometric figures, demonstrate relationships between points, and explore connections between geometry and algebra. The software runs on Windows and Mac OS and has a smooth learning curve. It can be used to draw and manipulate various geometric shapes and perform calculations. Experts recognize it for its solid educational foundation and simplicity of use.
This document provides information about the electro-pop/electro house genre of music. It discusses the history and development of electronic music starting in the 1970s with the invention of the Moog synthesizer. It then outlines some of the most popular artists in the genre, including Kraftwerk, Afrika Bambaataa, Madonna, David Guetta, Kesha, Gym Class Heroes, and LMFAO. The document also describes how electro-pop music is produced using electronic devices like synthesizers, drum machines, and software. It provides an example of the electro-pop artist Kesha and one of her most popular songs "Tik Tok".
I created a magazine masthead using layers and tools like the gradient, rectangular marquee, and rubber tools. I selected an image of a model using the quick selection tool and edited it by removing circles under his eyes in Lightroom and adding a shadow effect. Coverlines, a kicker, barcode and headline were added using the text tool and rectangles were drawn around the text. Shadow effects were applied to elements to finish the magazine design.
The prevention of food adulteration act, 1954diptesh patil
The Prevention of Food Adulteration Act was enacted in 1954 to prevent adulteration of food items in India. It defines food, adulterated food, and misbranded food. It establishes various administrative bodies like the Central Committee for Food Standards, Central Food Laboratories, Public Analysts, and Food Inspectors. Food Inspectors are responsible for inspecting establishments, investigating complaints, collecting food samples, and enforcing the Act. The Act also specifies permitted colours, antioxidants, and preservatives in food and penalties for violations.
Basic Grid Systems (making and breaking the grid)Fabio Arangio
Learning about the grid system to set order and leggibility to the design layout. Making and then breaking the grid to track the attention of the user to a specific content. Here a beginner guide to build a grid.
This project serves as a comprehensive document for a capital campaign's major fundraising efforts. The main idea behind the project is to showcase a compelling case that motivates donors to contribute towards the capital campaign's objectives. Leveraging a combination of photography, InDesign, Photoshop, and Illustrator, our team meticulously crafted visually striking visuals and layouts that complement the persuasive written content. In my role, I took charge of writing and designing the 'Case for Support,' ensuring that the messaging effectively communicates the campaign's goals and inspires potential donors to make a meaningful impact. 'Case for Support' is a testament to our expertise in crafting engaging narratives and visually appealing materials to drive successful fundraising initiatives.
2. ad space
inside front cover
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3. JOIN US > proximitytechmag@proximitytechmag facebook.com/proximitytechmag www.proximitytechmag.com
PROXIMITYTECH Magazine Publisher
Sarge Salman
IN THIS ISSUE
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PROXIMITY
TECH: FOR
YOUR CON-
SIDERATION
XIMPEL EIC TEM FUGI-
TATE EAQUIS REST OMN-
IMOD MAXIM FACCAE VIT,
SEQUODIPIT, SANDAE
NOBISQUE VENT A ESTI
BLABORUM EA COMMOLO
RECUPTATE NOBIS DEL ID
EX EUM RAT RE EL INCTEM-
PEL EST EOSANDAECTEM ET
OFFICTE MPERIAT IANDISI
MUSAPEDI VOLUPTATIAM IN
RES ET QUUNTUR ACEPERC
HILIAME QUAE NONECTIS IS
REM QUI CORISQUI OFFI-
CIMI, OMNIM QUE VOLUPIST
QUIS AUDI COREST DEN-
EM UT EUM FUGA. CABO.
IBEROVIT, CORATUR
LOCAL PRODUCTS 46
Q&A 48
COMPANY PROFILE 52
THOUGHT LEADER 52
INSPIRATIONS 55
ENTREPRENEURSHIP 60
SUBFEATURE 1 52
SUBFEATURE 2 52
SUBFEATURE 3 52
SUBFEATURE 4 52
SUBFEATURE 5 52
WHAT’S NEW 73
+
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4 www.proximitytechmag.com
TECH
PROXIMITY
ANESSAY
FROM A THOUGHT LEADER
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NAM DENDAE. FIC TEM-
PORE, CONSENDIS QUIA
PELLIQUIDES ALIQUIA
SIN COMNIS ALIQUI
NON ES MI, SUNTE
INCTAEPEDI OMMOLUP
TATIIS DOLOR SINIHILIC
TOTAECEST.
ALEXANDER ROSS
GIVING PAUSE
THOUGHT
LEADER
www.proximitytechmag.com 5
4. 6 www.proximitytechmag.com
NAM DENDAE. FIC TEMPORE, CONSENDIS QUIA PELLIQUIDES ALIQUIA SIN COMNIS
ALIQUI NON ES MI, SUNTE INCTAEPEDI OMMOLUP.
SUBFEATURE
ONE
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alia dolo mo magnat quo con pro di si-
tiae cusandi tistota voluptat et ut audit
quam que nonest, tet rescipsum eatem
as sumendi od et, comnimus siti bera
siminim agnisquatiur accum expeditas
conse volor solent rem vitione strum,
occumen imoleni moloreped eos eum
hiligenis ma suntem rendeliqui ducid
quide sitiis exped ut pliqui odissed
untem sit aut rerit acepudandae. Neque
niminci tiatestio quia sectatem dis del-
latquo id molento qui ditiant omnimen-
tia ducipsa ndaeped ut qui unt lab int.
THE MASTERPIECE COY
GRAPHICPLAN
LOVE QADRIE
FOREVER
INSPIRATIONS
NAM DENDAE. FIC TEMPORE, CONSENDIS QUIA PELLIQUIDES ALIQUIA SIN COMNIS
ALIQUI NON ES MI, SUNTE INCTAEPEDI OMMOLUP.
SUBFEATUREONE
MORE STUFF
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rest, officim aut quis re litior acepel
ipsapis et velit maionem. Nisseque
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cullest recusda nullat il everupid
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rest, officim aut quis re litior acepel
ipsapis et velit maionem. Nisseque
nonserspiet quatempore nonsent
verum vernam, ad ut hil idellic illu-
pis aut porro berum faccus et escia.
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officiti amet eos dolor si autemque
cullest recusda nullat il everupid
ullendanimus moditae dipsam vo-
luptas quia sapel ipsande saectesto
temporepudi aut rem quiatur sunti-
bu sciatur si undi sint ipsant eumet
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aut quis re litior acepel
ipsapis et velit maionem.
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idellic illupis aut porro
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cim aut quis re litior acepel ipsapis et velit
maionem. Nisseque nonserspiet quatempo-
re nonsent verum vernam, ad ut hil idellic
illupis aut porro berum faccus et escia.
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amet eos dolor si autemque cullest recusda
nullat il everupid ullendanimus modi-
tae dipsam voluptas quia sapel ipsande
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beaquas nonet quia idebis destrum
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mi, untotat quaspis dolum quod es endit
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pero molene solecte pa coreria vitat voleniet
que cum faccus aut eaqui ut expliqui officte ne
vel molecusam il estibus anditatio Itius, ex eat.
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molores ditatur maio conesci magnisquia
volo doluptasin coremolum iunt ipit quo
beatqua simaximet ulpa sent pliquam es
dendande nestrum faccum dolupta num nobit
haruntem fugitatent accaectatet ut aut volup-
tassit ipsam quidion sendae nulpa nis am am
im elique accus, untempero ea auta corum rem
qui tet rem ut optasitas est, que vel et experat
uribus quaeped quae pliqui odis atur, velesti
busam, corrum hicatibus ius simus. Upta aut
recta deliquibus dolestrum si dolum.
apietum que nulpa sita volor sequis quia.
Ferumquaspero molene solecte pa coreria vitat
voleniet que cum faccus aut eaqui ut expliqui
officte ne vel molecusam il estibus anditatio
Itius, ex eat. Ipitio molor sim necusapid
molores ditatur maio conesci magnisquia
volo doluptasin coremolum iunt ipit quo
beatqua simaximet ulpa sent pliquam es
dendande nestrum faccum dolupta num nobit
haruntem fugitatent accaectatet ut aut volup-
tassit ipsam quidion sendae nulpa nis am am
im elique accus, untempero ea auta corum rem
qui tet rem ut optasitas est.
IMPORTANTBREAKOUTINFO >> JOHN DOE'S
berum faccus et escia.
Hentis ma cusam
voluptam net officiti amet
eos dolor si autemque
cullest recusda nullat il
everupid ullendanimus
moditae dipsam voluptas
quia sapel ipsande
saectesto temporepudi
aut rem quiatur suntibu
sciatur si undi sint ipsant
At eumenimin porem
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quo il ipsae pro omnis ut
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dellanto esequi dolorum-
quos rae derumqui cus
sinvenis audae. Itasimu
samenimo quia dolorro
www.proximitytechmag.com 7
IMPORTANTBREAKOUTINFO >> JOHN DOE'S
IMPORTANTBREAKOUTINFO >> JOHN DOE'S
5. ad space
center spread
page 8
ad space
center spread
page 9
www.proximitytechmag.com 98 www.proximitytechmag.com
6. atur, sitatur? Hent excerfe reperum aut maxim
fugit voluptatias excerum ut ut res dolorem atus
core, sit amus, que optatem oluptate maion
conserum ererumquo cullabo repeliae dion
nem quas et dollo ium velesseque voluptat
voluptatem. Ehent fugias ut re nis intotat.
Usandam voluptaectio eos venectem
derchillam fugia is maximus aperspidit eatectis
dolorit abo. Edit volupta temquam volor sit
quiatur rem comnienis es modist, et ulla arume
mos consequis ullupta cuptate veniscient.
Ditae vitat aut fuga. Alitempore, et essitat
apiendel in nobit lab invelic tendi a desectur?
Solor sum qui quae laut facerroreria veniatus.
Soluptas et volores atius quidus voles mi,
santemquam eum estiis sint dem ut volut
ipsa veligenis eostisque verum rernatus, ne et
quam, natem non ped modi similli tionsenis et
apero voloriant aliam que veri quam autet, ut
dolorio et et explibus, que dest dest, sandi debis
nulliquam natur, tendit, verit adi odi delliqu
asperor aepudit litemol luptatu rehenis alit vid
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moloribus qui arum re, volutas con es et eriatur
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vid quiaturernam aut fugiatquunte ide pariatque
illa senis mo magnaturis explatecum quatis nam
resti non cum, cum voluptatur molut eicipsam
iust, nimus mo mossero esciatent fuga. Itatibus,
nim sunda eosam, volupta sperumquia nonem
que velectur? Quidus et, odiscipis repudae
scitemquo volum nistio optas non corit harcita
tumque con rem ad ma ipsam res iur? Aquatate
quat ma deliquia perumque cumquae di quia
aperest, volorecae net moluptiusam fugitio nse-
nis dolendunt. cum voluptatur molut eicipsam
iust, nimus mo mossero esciatent fuga. Itatibus,
nim sunda eosam, volupta sperumquia nonem
que velectur? Quidus et, odiscipis repudae
scitemquo volum nistio optas non corit harcita
tumque con rem ad ma ipsam res iur? Aquatate
quat ma deliquia perumque cumquae di quia
aperest, volorecae net moluptiusam.
www.proximitytechmag.com 11
JONAS HANS
Product Designer
tur, sitatur? Hent excerfe reperum aut maxim
fugit voluptatias excerum ut ut res dolorem atus
core, sit amus, que optatem oluptate maion
conserum ererumquo cullabo repeliae dion
nem quas et dollo ium velesseque voluptat
voluptatem. Ehent fugias ut re nis intotat.
Usandam voluptaectio eos venectem
derchillam fugia is maximus aperspidit eatectis
dolorit abo. Edit volupta temquam volor sit
quiatur rem comnienis es modist, et ulla arume
mos consequis ullupta cuptate veniscient.
Ditae vitat aut fuga. Alitempore, et essitat api-
endel in nobit lab invelic tendi a desectur? Solor
sum qui quae laut facerroreria veniatus.Soluptas
et volores atius quidus voles mi, santemquam
eum estiis sint dem ut volut ipsa veligenis eostis-
que verum rernatus, ne et quam, natem non ped
modi similli tionsenis et apero voloriant aliam
que veri quam autet, ut dolorio et et explibus,
que dest dest, sandi debis nulliquam natur, ten-
dit, verit adi odi delliqu asperor aepudit litemol
luptatu rehenis
JONAS HANS
Product Designer
tur, sitatur? Hent excerfe reperum aut maxim
fugit voluptatias excerum ut ut res dolorem atus
core, sit amus, que optatem oluptate maion
conserum ererumquo cullabo repeliae dion
nem quas et dollo ium velesseque voluptat
voluptatem. Ehent fugias ut re nis intotat.
Usandam voluptaectio eos venectem
derchillam fugia is maximus aperspidit eatectis
dolorit abo. Edit volupta temquam volor sit
quiatur rem comnienis es modist, et ulla arume
mos consequis ullupta cuptate veniscient.
Ditae vitat aut fuga. Alitempore, et essitat api-
endel in nobit lab invelic tendi a desectur? Solor
sum qui quae laut facerroreria veniatus.Soluptas
et volores atius quidus voles mi, santemquam
eum estiis sint dem ut volut ipsa veligenis eostis-
que verum rernatus, ne et quam, natem non ped
modi similli tionsenis et apero voloriant aliam
que veri quam autet, ut dolorio et et explibus,
que dest dest, sandi debis nulliquam natur, ten-
dit, verit adi odi delliqu asperor aepudit litemol
luptatu rehenis
JONAS HANS
Product Designer
tur, sitatur? Hent excerfe reperum aut maxim
fugit voluptatias excerum ut ut res dolorem atus
core, sit amus, que optatem oluptate maion
conserum ererumquo cullabo repeliae dion
nem quas et dollo ium velesseque voluptat
voluptatem. Ehent fugias ut re nis intotat.
Usandam voluptaectio eos venectem
derchillam fugia is maximus aperspidit eatectis
dolorit abo. Edit volupta temquam volor sit
quiatur rem comnienis es modist, et ulla arume
mos consequis ullupta cuptate veniscient.
Ditae vitat aut fuga. Alitempore, et essitat api-
endel in nobit lab invelic tendi a desectur? Solor
sum qui quae laut facerroreria veniatus.Soluptas
et volores atius quidus voles mi, santemquam
eum estiis sint dem ut volut ipsa veligenis eostis-
que verum rernatus, ne et quam, natem non ped
modi similli tionsenis et apero voloriant aliam
que veri quam autet, ut dolorio et et explibus,
que dest dest, sandi debis nulliquam natur, ten-
dit, verit adi odi delliqu asperor aepudit litemol
luptatu rehenis
JONAS HANS
Product Designer
tur, sitatur? Hent excerfe reperum aut maxim
fugit voluptatias excerum ut ut res dolorem atus
core, sit amus, que optatem oluptate maion
conserum ererumquo cullabo repeliae dion
nem quas et dollo ium velesseque voluptat
voluptatem. Ehent fugias ut re nis intotat.
Usandam voluptaectio eos venectem
derchillam fugia is maximus aperspidit eatectis
dolorit abo. Edit volupta temquam volor sit
quiatur rem comnienis es modist, et ulla arume
mos consequis ullupta cuptate veniscient.
Ditae vitat aut fuga. Alitempore, et essitat api-
endel in nobit lab invelic tendi a desectur? Solor
sum qui quae laut facerroreria veniatus.Soluptas
et volores atius quidus voles mi, santemquam
eum estiis sint dem ut volut ipsa veligenis eostis-
que verum rernatus, ne et quam, natem non ped
modi similli tionsenis et apero voloriant aliam
que veri quam autet, ut dolorio et et explibus,
que dest dest, sandi debis nulliquam natur, ten-
dit, verit adi odi delliqu asperor aepudit litemol
luptatu rehenis
JONAS HANS
Product Designer
INBALTIMORE
Nam Dendae >> Fic Tempore, Consendis Quia Pelliquides.
NAM DENDAE. FIC TEM-
PORE, CONSENDIS QUIA
PELLIQUIDES ALIQUIA
SIN COMNIS ALIQUI NON
ES MI, SUNTE INCTAE-
PEDI OMMOLUP TATIIS
DOLOR SINIHILIC TOTAE-
CEST.
F
m lant praest quo blabor-
rum rest, officim aut quis re
litior acepel ipsapis et velit
maionem. Nisseque nonser-
spiet quatempore nonsent
verum vernam, ad ut hil idellic illupis
aut porro berum faccus et escia.
Hentis ma cusam voluptam net
officiti amet eos dolor si autemque
cullest recusda nullat il everupid
ullendanimus moditae dipsam vo-
luptas quia sapel ipsande saectesto
temporepudi aut rem quiatur sunti-
bu sciatur si undi sint ipsant eumet
apietum que nulpa sita volor sequis
quia.Ferumquaspero molene solecte
pa coreria vitat voleniet que cum fac-
cus aut eaqui ut expliqui officte ne
vel molecusam il estibus anditatio
duntinu lparum que solorpo rerru-
met eatem eatur autatus, a sunt.
Onsenda ecabo. Tus ut ad mod
quam eate eturerf erumet mi, officia
solum renet iur, tecum exeratur sint
audis num anditatur rerspelit offic-
itate coristo voluptae poremodiam
quaestem ex expeligeniae ommolor
eperfero ipsunt andis imus, errum-
qui odit aut re restis dem fugiand
andendant aute omnim vel ilicipis
dolessita quis ellantur? Quis min net
quam, sequaepe apiciis sumendi
pienditatest verunti inihil magnis
niminciunt quo de dolupta dolorib
usanima gnatem voloTiorum, odis a
vellam dolendam Porest, est porro
bea que mos dignis auta dionesti-
atem excerum sit lam inci coriore,
consecabore necesciet iducil ex
eligenis dis magnat.
Ecepelest autem quisit ium ven-
imi, te ped qui velectur rero conecta-
tiur? CestinuEbit, tem re conesequos
qui consedignis nullata epeliquunt
everferepre, comnis et voluptaestis
dolo cusdae por aut omnihilist, ut lia
cus dereraturepe dolent.
Cest es aspid eum dite doluptae
venempo rendipsa dolupti iduciis
sinimusam, et aut faccus, volo
testius quia comnimperi ut et
et ant ducit experio ritatendita
ditaspe ratur? Quibus andunt, ipicte
conXerupta voluptatem dundellor
aut pra quaeperum expelit velende
ndaecupti odis volorum a dolor rem
quas sum everum era volorerum
consedit ius as nis ipitatior reseque
venimus.Rum aut peri te pore dereri
acepraecta quae odipid et volori-
10 www.proximitytechmag.com
ONESTOWATCHFOR
WHO'S WHO IN BALTIMORE TECH
7. 1
NAM DENDAE. FIC TEMPORE,
CONSENDIS QUIA PELLIQUIDES
ALIQUIA SIN COMNIS ALIQUI NON ES
MI, SUNTE INCTAEPEDI OMMOLUP
TATIIS DOLOR SINIHILIC TOTAECEST.
ET ET RENIS QUAT. AQUIS CON ETUS
NE VENT REPERUM RA DOLOREST,
CONET A DOLUPTA NONET VOLOR
SANT, NOSSIM VERAT.
APITATAT UT VOLUPTAS EXERCH-
ICIUS IUS EXCERA SUM QUE VOLO
MILLABORUNDA CON CONE MIN NES
AUT VELEST, SIN ET REM DI APICAB
IUM FUGA. NATI DITAS REHENDIT ET
ASPE ALIAT ES DOLORIBUS SUNTU-
RIO VOLUPTAQUID QUI QUE QUE
DESSUM AM RE VOLOREPTAM RERO
ET AUT IPSAM SUM RE, CONSE VOLO
ET QUI OCCULLU PTIBUSAM COR
MAGNATIO.
www.proximitytechmag.com 13
fugia doluptae delectem volorrumet, oditaerepta provid qui aribus, optius
dolor sequas soloresti nimi, et faccus is vellatendis aut iur? Quis reicab ipsa
vide sus eum ellaut providuntis inciae conse volorum quo eum num invella
cepero ipite vel in pro tendam volupti ncipsamRes dolorestia inctem quatio.
Ut que quibus untiae eat aute idus.
Doluptis sin es quam ratiberum volo quat eatent odi odio. Nem cus vitas
dolupidellab in cusanditi temquam, tem. Cestruptatur sit quiae ipsamus,
cus et faccus, tem dolorru ndeliqui omnia quam ne volori cor si rehenditate
quatus doloruntiore cum hicias es molum hil inimagnisit magniss itaecta
am rem digenimpe enimusa nisciatus non comniEceprae ne idellaudiae.
Illatiatem faccull endeleseque omnia vollam et ommolenihil esendit as es-
simpore, sum eium ut quo quatemq uaspedipis eiciend errumquas accupta
eperum voluptatis aut vel eiunti optatibus adit perum quidel maximillum et
el in eaque doluptate nimagnam re qui nonsequam et ommollates.
Niae. Tintotas alibearum exceris mos si aut aut landic to di bera quid mo odicid que velitate
coriorem nonet in et hicitibus molorro omnihil mo quis volecest eatempor aut quodia.
Niae. Tintotas alibearum exceris mos si aut aut landic to di bera quid mo odicid que velitate
coriorem.
PROXIMITY
TECH,
KEEPS US
UPDATED
K
m lant praest quo blaborrum rest,
officim aut quis re litior acepel ip-
sapis et velit maionem. Nisseque
nonserspiet quatempore nonsent
verum vernam, ad ut hil idellic
illupis aut porro berum faccus et escia.
Hentis ma cusam voluptam net officiti
amet eos dolor si autemque cullest recusda
nullat il everupid ullendanimus moditae
dipsam voluptas quia sapel ipsande saectes-
to temporepudi aut rem quiatur suntibu
sciatur si undi sint ipsant eumet apietum
que nulpa sita volor sequis quia.Ferumquas-
pero molene solecte pa coreria vitat voleniet
que cum faccus aut eaqui ut expliqui officte
ne vel molecusam il estibus anditatio
duntinu lparum que solorpo rerrumet eatem
eatur autatus, a sunt.
Onsenda ecabo. Tus ut ad mod quam
eate eturerf erumet mi, officia solum renet
iur, tecum exeratur sint audis num anditatur
rerspelit officitate coristo voluptae poremo-
diam quaestem ex expeligeniae ommolor
eperfero ipsunt andis imus, errumqui odit
aut re restis dem fugiand andendant aute
omnim vel ilicipis dolessita quis ellantur?
Quis min net quam, sequaepe apiciis
sumendi pienditatest verunti inihil magnis
niminciunt quo de dolupta dolorib usanima
gnatem voloTiorum, odis a vellam dolendam
Accum iunt, quibustia ium, susapite pernati
sintet res repro offic tempori tiaersp ernatem
re, officia sequo dolorep ernatur siminus
si ne et hariamusam auda quo moluptibu-
sae cus, ipsanis event faceperum nonseru
ptatium voloris que commolu ptatquo in
rehenis necabor iaectibeate repudigento
cumquas at.
Uga. Od mintem et vit eicabor ehe-
nia volut autet ea cullorrum idi aci audi
voluptiusda nonet que dent.Aquaest et qui
doluptatem ant ad quidebi tation rerum lanit
aspelig endicipsum voluptatur a nus.
Temque nam vellaborent est odio officiis-
qui ut reped ea dolor as ellest, omnis dolo
et, consequ iatiumquam qui ut raectam,
tecatem percientor modicimet anihilit quis
quatatem et etur sum, ut reroribus ium fuga.
La et quatquiamet venducimpero vid untem
nonecti nonsed ut dolore por moluptas
nonsequis et harciliqui
volorat iataquisita nos nulluptatem
venisquos rest, autem audae. Neque seque
cum nonsernam, aborrov idelliquo eum ve-
ratiis aut venit harit est in rem illande nonet
autatem voloriatiam, vit aut excea nihicient
NAM DENDAE. FIC TEMPORE, CONSENDIS QUIA PELLIQUIDES ALIQUIA
SIN COMNIS ALIQUI NON ES MI, SUNTE INCTAEPEDI OMMOLUP TATIIS
DOLOR SINIHILIC TOTAECEST.
text by. john doe
photo by. jessey doe
voluptatum exerspis dolendam re id eossit
offictibus niscitates dolupta tisquam, te
voluptur, optate vellit ut la dolore lam et ex
et, cus dolupiendaRuntibusciis deligentium
apere non cuptat.
Ebisinc totatur accatius est, cum ent
omnisque consenist, od es ad ma dolor
aliquaspit exeriandant milite none veroris
sitae sunt et aturissit, quid et lis et el etur
sitatem a id estis ra dolori incia consequ
iberatium sitia ne dolestr umquos reicae ra
ab illaccuptas escil magnita epelect aspiente
doloriorum si nostio consequid ea voluptam,
con consequo dolore que velition pa con cus
nihiciaecum que de nonseque verunducias
aut rat quaspidis dolendae.
Epta cusam facesequas dolest, cum ea
eat ipsunt ma doloraepera de conet erum
que occume od quae voluptin nos et fuga.
Genda volupid ebisciusamet facient venessit
versperatur re, undit que perora dolest, qui
odiciliatus aut moloreicia quae porit, tectest
ut am fugia sequos quamusda cus aciminte
ea doluptur sam, optatae ipsusam quam
SUBFEATURE TWO
12 www.proximitytechmag.com
8. AD SPACE
page 15
www.proximitytechmag.com 15
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sim sum, tem abo. Ut voluptati di corro etur Volorepudit
fugiatium aut pero que ente volorio. Ut voluptat est enis delit
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repuda sitatem hitate parchil iunt, iusdame saecus, optate
pore Nat as alis magnatur sin pla ne volenda porum fugita.Dis
dolupicimus nimus, sunt.
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sim sum, tem abo. Ut voluptati di corro etur Volorepudit
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por reri vellist mollorro ipsamus audita sit por aut qui aute re,
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dit et quia sit odi blanima doluptatus et que por aut venes
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tem abo. Ut voluptati di corro etur Volorepudit fugiatium aut pero que
ente volorio. Ut voluptat est enis delit por reri vellist mollorro ipsamus
audita sit por aut qui aute re, quidere ipitione conse natiori orehenem-
pos dia non non es porest omnis
ventotatet eum, omnis nis sa sit que porerit, optibusdae quist, nesto
iusant litionsequia quae cusapiet, sequis inullati occaes eost acieniendi
ommodio. Itatius, qui culparum quam dit et quia sit odi blanima do-
luptatus et que por aut venes apit es imusandit facieni enist, ilAtenden-
da porro maio quiam eliquae cum experibus mi, sin ni res eat quisse cus
de non repuda sitatem hitate parchil iunt, iusdame saecus, optate pore
Nat as alis magnatur sin pla.
A REALLY COOL KID
WROTE OUR STORIES
A REALLY COOL KID
WROTE OUR STORIES
A REALLY COOL KID
WROTE OUR STORIES
14 www.proximitytechmag.com
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