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PROJECT 3
Wangechi Mutu
Wangechi Mutu’s work explores the
interplay between “the real” and
fiction, combining ideas found in
literature, history, and fables.
Allegory is central to her work and is
made apparent through the use of
collage, and fragmented or
constructed imagery.
The complexity of her layering of
objects, mark-making, and collage
is achieved through her use of
translucent materials, photography,
and drawing.
Wangechi Mutu
One Hundred Lavish
Months of Bushwhack
2004
Medium: Cut-and-pasted
printed paper with watercolor,
synthetic polymer paint,
and pressure-sensitive
stickers on transparentized
paper
Wangechi Mutu
The rare horn-hair thought
2004
Medium: ink, acrylic,
paper collage and
leopard print felt on
mylar
Wangechi Mutu
Untitled
2003
Wangechi Mutu
Untitled
2004
Wangechi Mutu
That’s my death mask
you’re wearing
2004
Ink, collage, and
contact paper on mylar
Wangechi Mutu
(b. 1972)
You'll Always Try to Get Me
2004
ink, acrylic and printed
paper collage on mylar
Wangechi Mutu (b. 1972)
All Rosey
2003
ink, acrylic, sequins, glitter
and printed paper collage
on mylar
MICKALENE THOMAS
Mickalene Thomas (lives and works in Brooklyn, NY) constructs complex portraits, landscapes, and
interiors in order to examine how identity, gender, and sense-of-self are represented in art and
popular culture. She is best known for her elaborate paintings composed of rhinestones, acrylic
and enamel.
Mickalene Thomas
SIX FOOTA (portrait series)
2007
Rhinestones, acrylic,
enamel on wood
24 x 20 in.
Mickalene Thomas
Portrait of Mnonja with
Flower in her Hair 2
2011
Rhinestones, acrylic paint,
oil enamel on wood,
found fabrics
Mickalene Thomas
Rhinestones, acrylic
and enamel on wood
panel
Mickalene Thomas
detail
Mickalene Thomas
Mickalene
Thomas
2008
When Ends
Meets
Screenprint
with hand-
applied
Rhinestones
on four-ply
museum
board
Early Collage and Photomontage 1919-1936
Hannah Höch, 1925
Raoul Hausmann
The Art Critic
1919
Hausmann, a founding
member of the
Berlin Dada group,
developed photomontage
as a tool of satire and
political protest.
The fragment of a German
banknote behind the
critic’s neck suggests
that he is controlled by
capitalist forces. The words
in the background are part
of a poem poster made
by Hausmann to be
pasted on the walls of
Berlin.
Hannah Höch
Das schöne Mädchen
[The Beautiful Girl]
1920
Collage
Hannah Höch
Da-Dandy
1919
Collage
Laszlo Moholy-Nagy
City Lights
1926
Laszlo Moholy-Nagy
The Law of Series
1925
587 × 768
Hannah Höch
1930
Hannah Höch
Für ein Fest gemacht
(Made for a Party)
1936
Collage
Romare Bearden
Romare Bearden
Sunday After
Sermon
1969
Collage on
cardboard
Romare Bearden Train Whistle Blues No. 1 1964
Romare Bearden's approach to art making centered on fragmentation and recombination;
he created richly textured collages depicting scenes of African American life using painted
paper, photographs from magazines, newspaper, pieces of cloth, and other materials.
His process was inspired by the improvisational and rhythmic elements of jazz. He said:
“In many ways it’s like putting a symphony together, or a piece of music,”
In addition to collages,
he made watercolors,
photo-montages,
and prints.
Train Whistle Blue
No. 1 began as a
collage that Bearden
then photocopied in
black and white and
enlarged using a
photostat machine.
This innovative
technique, which
flattened the layers
of his collage into a
graphic image
reminiscent of a
film still, established
Bearden as a leading
contemporary artist.
Romare Bearden The Dove 1964, Cut-and-pasted printed paper, gouache, colored pencil on board
Romare Bearden Patchwork Quilt, 1970, Cut-and-pasted cloth and paper with acrylic on board
Romare
Bearden
Romare Bearden
Before the First
Whistle
1973
The Woodshed
Romare Bearden
1911–1988
Date: 1969
Medium: Cut
and pasted printed
and colored
papers, photostats,
cloth, graphite,
and sprayed ink
on Masonite
DANIEL
GORDON
Daniel Gordon, Born 1980,
is an American artist who
lives and works in Brooklyn,
New York. He creates works
that dissolve distinctions
between collage,
photography, and
sculpture.
Daniel Gordon
Rainbow Portrait
30" x 40”
C-Print
2009
Daniel Gordon
Blonde Wig
40" x 30”
C-Print
2008
Daniel Gordon
Woman with a Blue Eye
37.5" x 29.75”
C-Print
2011
Daniel Gordon
Portrait in Red,
Green and Blue
23.75" x 18.9”
C-Print
2011
Daniel Gordon
Daniel Gordon
Red Eyed Woman
2011
Daniel Gordon
Daniel Gordon
Silhouette
2010
Chromogenic print
61 x 51 cm
David Altmejd
David Altmejd lives and works in New York City. He creates sculptural systems loaded with symbolic potential.
The Flux and the Puddle, 2014
David Altmejd
Eye, 2015
polyurethane foam,
epoxy clay, epoxy gel,
acrylic paint, synthetic
hair, resin, glass stain,
quartz, pyrite, celestite,
amethyst, fluorite, steel,
marble
David Altmejd
The Measure of Things
2017
mixed media
David Altmejd
Crystal System
2019
Materials:
Expanded polyurethane
foam, cement, resin,
epoxy clay, epoxy gel,
synthetic hair, acrylic
paint, quartz, steel,
coconut shell, glass eyes,
paper, graphite, pearl
mica flake and glass
gemstone

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ART 165 Project 3 Slideshow PPT