Prison ink intro class 2016
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The document provides an overview of the origins and history of printmaking. It mentions that some of the earliest known prints date back to caves in Argentina from 9000 BC showing handprints. It then discusses the origins of printmaking in Sumeria, China, Japan, and its arrival in Europe. The rest of the document showcases examples of different printmaking techniques like linocuts and mentions various notable printmakers from different time periods and cultures. It provides images and information on their print works.
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Prison ink intro class 2016
- 1. Residendi hingearst Grafodroomimaaelu & spa Üldine haldus Kontakt liim korrapidaja Know-how britistan Vabaduse väljak 8
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- 7. 2012
- 14. ORIGINOF PRINTMAKING Cueva de las Manos (Spanish for Cave of the Hands) in the Santa Cruz province in Argentina
- 15. Sumerians (Alien concpiracy: One of the most significant of Sitchin’s translations of the Sumerian tablets and other texts is specific to the story that the human race was created as a slave race, specifically genetically engineered to mine elements from the earth for the benefit of theAnunnaki to take back to their home planet. China (The earliest printed book from movable type, being in Chinese characters, and therefore more obviously pictures than our own letters (which were once pictures too), dates to the year 868 A.D Japan (Block prints were produced in Japan as early as 770 of the Christian era.) Arab countries Europe Egypt (papyros 4000 y.)
- 16. Oldest surviving European woodblock
- 20. "HisWife Scolding the Drunken Mohammed," German woodcut print, c. 1481. Holbein's woodcut circa 1520's] Dance Macabre series
- 21. Daniel Hopfer, Ornament for Daggar Sheath, n.d. Etching on iron with open biting FIRST PORTFOLIOS* Martin Schongauer (1450-1491)
- 24. Born Johannes Gensfleisch zur Laden Gutenberg c. 1398 Mainz, Electorate of Mainz Died February 3, 1468 (aged 70) Mainz, Electorate of Mainz Nationality German Occupation Engraver, inventor, and printer Early wooden printing press, depicted in 1568. Such presses could produce up to 240 impressions per hour
- 26. “STILL LIFE UNDERTHE LAMP”, 1962 PABLO PICASSO
- 28. First layer is not fully coverred in ink Second print with more ink and a little movement
- 29. 1920 ADOVABBE
- 34. “DOORS”, 1967 NORMAN R. EPPINK
- 36. “SKATING ON MIRROR LAKE” EDITHA SPENCER (“SPOONPRINT”)
- 37. “LOOKING TOWARDS AFRICA” DAVID C. JANSHESKI (CHINE COLLÉ + KÄSITSI TEHTUD PABER)
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- 45. “A SUMMER’S PAST” , 2002 MARY J. KIM DIAZ (USA) HTTP://WWW.MARSIE.CO M/
- 47. EVE KASK, “JUMALANNAVI”, 1995 KÜMNESTALLINNA GRAAFIKATRIENNAAL, 1995
- 48. PEETER ALLIK “MEIE KONSEPTSIOON ONTULEVIK”
- 49. LAISVYDE ŠALCIUTE “KAKS ISTUVAT NAIST”, 1996
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- 53. FERNANDO FEIJOO “PEAAEGU SURNUD”, 2009 TALLINNA XV GRAAFIKATRIENNAAL,
- 54. FERNANDO FEIJOO “ÜLEANNETUD NAISED PUNUVADVÕRKU”, 2009
- 56. ANDYWARHOL [NOTITLE] (FROM MARILYN, 10 PRINTS) 1967
- 57. SISTER MARY CORITA (FRANCES KENT) TALLINNA XV GRAAFIKATRIENNAAL, “jah nr 3”, 1979 “E eye love”, 1968
- 58. “inimõied”, 1969 “kui ma”, 1969
- 59. PAUL COLDWELL “MÄLU PAIGAD - ÜMBRIK”, 2006 TALLINNA XIV