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www. qualiquanti .com 12bis, rue Desaix  •  75015 PARIS Tel :  +331.45.67.62.06 Brand Content and editorial brand strategies Matthieu Guével
Message culture  vs.  Content culture
In order to transmit messages, brands must first catch the customer’s attention (and in the long run, create a relationship)
How to catch the attention
How to catch the attention ,[object Object],[object Object],[object Object]
How to catch the attention ,[object Object],[object Object],[object Object],Editorial content (useful, informative, entertaining) Brand message Tries to benefit in return from the qualities of the product (attention, implication, relation) Tries to exist outside the product
The changes in content practices have jeopardized the hegemony of the traditional « satellite advertizing » model.
An increasing number of brands have been  creating  content, in order to attract the already saturated attention of a public no longer willing to be forced to listen to messages.
A different functioning from that of the traditional advertizing message Message Content GRP reasoning, repetition / coverage Seeking a maximum involvement of the public into an experience, be it entertainment, information or practical content Objective of clarity on the product’s attributes Objective of editorial quality and originality The brand appears as a retailer or a producer.  Going beyond the commercial function (extension of the gateways to the  brand) Punctual, instant relationship Long lasting, structured relationship, with a possibility to develop loyalty.
An increasing number of brands have been  creating content , in order to catch the attention of a public no longer willing to be forced to listen to  messages .
Advertising conveys a message, brand content invites to a brand experience Ad campaigns Books, tv programs
Advertizing conveys a message, brand content offers an editorial  experience
All sectors are involved, with a  great diversity of formats : books, web tv, short movies, games… IBM,  Pampers, Nike, Sunny Delight, Freixenet, Rubson
Luxury industry is strongly involved in Brand Content Creation (Bmw, Chanel, Burberry, Vuitton, Cartier,  …)
Brand content is not an editorial « wrap up » for an advertizing message: it is interesting  per se.
Why is  brand content  so important for luxury communication ?
1) Present and promote the brand’s universe ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
 
 
2) Brand content answers to a specific mecanism of desire ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
 
 
3) Initiate new clients : talk about the product ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
 
The whole difficulty for brands is to create a worthy editorial experience. Jean Claude Elena tells the secrets of the making of the Kelly Calèche perfume on the Hermès website.
4) Be visible while remaining exclusive ,[object Object],[object Object],[object Object],[object Object],[object Object]
 
3 laws of Brand Content Bring value Communication is a product in itself, it is self-sufficient (entertaining, informative, practical)  Think global, talk about the world around the product Instead of focusing on one specific aspect of the product, the brand tries to integrate it into a wider cultural ensemble. Talk to a person rather than to a consumer Content is presented as a gift to a person (not just to a consumer), from which is expected a counter gift (purchase / recommandation)
Thank you
For Freixenet, Scorsese exhumes an extract from a Hitchcock film that was never achieved
Eurostar

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Prez Brandcontent English

  • 1. www. qualiquanti .com 12bis, rue Desaix • 75015 PARIS Tel : +331.45.67.62.06 Brand Content and editorial brand strategies Matthieu Guével
  • 2. Message culture vs. Content culture
  • 3. In order to transmit messages, brands must first catch the customer’s attention (and in the long run, create a relationship)
  • 4. How to catch the attention
  • 5.
  • 6.
  • 7. The changes in content practices have jeopardized the hegemony of the traditional « satellite advertizing » model.
  • 8. An increasing number of brands have been creating content, in order to attract the already saturated attention of a public no longer willing to be forced to listen to messages.
  • 9. A different functioning from that of the traditional advertizing message Message Content GRP reasoning, repetition / coverage Seeking a maximum involvement of the public into an experience, be it entertainment, information or practical content Objective of clarity on the product’s attributes Objective of editorial quality and originality The brand appears as a retailer or a producer. Going beyond the commercial function (extension of the gateways to the brand) Punctual, instant relationship Long lasting, structured relationship, with a possibility to develop loyalty.
  • 10. An increasing number of brands have been creating content , in order to catch the attention of a public no longer willing to be forced to listen to messages .
  • 11. Advertising conveys a message, brand content invites to a brand experience Ad campaigns Books, tv programs
  • 12. Advertizing conveys a message, brand content offers an editorial experience
  • 13. All sectors are involved, with a great diversity of formats : books, web tv, short movies, games… IBM, Pampers, Nike, Sunny Delight, Freixenet, Rubson
  • 14. Luxury industry is strongly involved in Brand Content Creation (Bmw, Chanel, Burberry, Vuitton, Cartier, …)
  • 15. Brand content is not an editorial « wrap up » for an advertizing message: it is interesting per se.
  • 16. Why is brand content so important for luxury communication ?
  • 17.
  • 18.  
  • 19.  
  • 20.
  • 21.  
  • 22.  
  • 23.
  • 24.  
  • 25. The whole difficulty for brands is to create a worthy editorial experience. Jean Claude Elena tells the secrets of the making of the Kelly Calèche perfume on the Hermès website.
  • 26.
  • 27.  
  • 28. 3 laws of Brand Content Bring value Communication is a product in itself, it is self-sufficient (entertaining, informative, practical) Think global, talk about the world around the product Instead of focusing on one specific aspect of the product, the brand tries to integrate it into a wider cultural ensemble. Talk to a person rather than to a consumer Content is presented as a gift to a person (not just to a consumer), from which is expected a counter gift (purchase / recommandation)
  • 30. For Freixenet, Scorsese exhumes an extract from a Hitchcock film that was never achieved

Editor's Notes

  1. Il est primordial de commencer par un mini-état des lieux du paysage médiatique actuel
  2. Un conte imaginé par Petit Bateau
  3. Campagne Journey 40 e anniversaire de l’homme sur la lune - Buzz Aldrin & Jim Lovell & Sally Ride http://www.youtube.com/watch?v=PbIC4ICSSTs Agence Ogilvy Mather
  4. Superflat Monogram : premier court-métrage réalisé par Takashi Murkami pour Louis Vuitton en 2003. Suivi d’un second, Superflat First Love (juin 2009)
  5. Mini-film pour le parfum Prada http://www.youtube.com/watch?v=f1ms3UsS2v4&feature=player_embedded   Avec Daria Werbowy de Jordan Scott et Ridley Scott
  6. Mini-film pour le parfum Prada http://www.youtube.com/watch?v=f1ms3UsS2v4&feature=player_embedded   Avec Daria Werbowy de Jordan Scott et Ridley Scott
  7. L’émission Mains et Merveilles produite par Téléparis diffusée sur TV5 Monde met en lumière les artisans des plus grandes marques françaises (Weston, Chaumet, Cartier, Blancpain, Baccarat, etc). Elle a pour objectif de souligner la richesse de l’artisanat en mettant en valeur des professionnels, amoureux du beau geste, qui produisent chaque jour des merveilles de précision et de raffinement . Mains et Merveilles 2 vise à découvrir des métiers d’excellence qui font la noblesse de l’artisanat et qui suscitent l’admiration. Les 60 épisodes de 6 minutes de la saison 1 diffusée sur TV5 Monde 1 ont été primés deux fois au titre de "Meilleur Réalisateur" et "Image d'Or" au Festival International de L'Image des Métiers (FILM). Mains et Merveilles 2 s’intéresse à ces hommes et femmes qui portent l’excellence du savoir- faire des grandes maisons européennes. L’objet de cette série est de souligner tous ces métiers qui contribuent au rayonnement des maisons de luxe dans le monde. Ainsi, Mains et Merveilles 2 est une galerie de portraits mettant en valeur des professionnels, amoureux du beau geste, qui perpétuent des traditions séculaires et qui confectionnent chaque jour des merveilles de précision et de raffinement. L’ambition de cette saison 2 est de présenter les 15 métiers emblématiques suivants : Joaillier, Maroquinier, Sculpteur, Pâtissier, Malletier, Souffleur de Verre, Bijoutier, Décorateur, Automobile, Parfumeur Horloger, Bottier, Orfèvre, Ebéniste, Styliste.
  8. L’idée de se programme c’est quoi ? Eurostar est archi leader sur le transport de personne de paris à Londres Donc l’idée c’est pas de communiquer sur le train, mais de communiquer sur la destination Et de vendre Londres plut ôt que l’Eurostar Lionel Benbassat d’Eurostar a souligné tout l’intérêt pour une marque déjà leader sur le marché du transport Paris / Londres, de communiquer sur la destination finale (Londres), plutôt que sur le moyen de transport lui-même. Ce déplacement de la communication vers la création de contenus d’information et de divertissement entraîne des changements significatifs dans la manière de concevoir les métiers traditionnels de la communication. Une nouvelle marque a été créée pour l’occasion, New London, tandis qu’Eurostar se tient en retrait. En investissant un univers culturel et de valeur, qui dépassent sa propre marque, l’annonceur devient lui-même un espace susceptible d’intéresser des annonceurs tiers, qui pourront être intégrées au contenu