Madalmaade maalikunst 15.-16. sajandil. Van der GoesMerille Hommik
This document discusses the 15th-16th century Flemish painter Hugo van der Goes and provides details about several of his major works, including the Portinari Triptych from 1476-1479, the Calvary Triptych from 1465-1468, The Death of the Virgin from c. 1480, and the Monforte Altarpiece from c. 1470. Images and details are given for compositions like The Adoration of the Shepherds along with information about their dates, materials, and locations in galleries.
Madalmaade maalikunst 15.-16. sajandil. Van der GoesMerille Hommik
This document discusses the 15th-16th century Flemish painter Hugo van der Goes and provides details about several of his major works, including the Portinari Triptych from 1476-1479, the Calvary Triptych from 1465-1468, The Death of the Virgin from c. 1480, and the Monforte Altarpiece from c. 1470. Images and details are given for compositions like The Adoration of the Shepherds along with information about their dates, materials, and locations in galleries.
The document discusses works by American hyperrealist artists Richard Estes and Robert Cottingham from the 1970s, as well as hyperrealist sculptures by Duane Hanson from the 1960s-1980s. It provides information on each work such as the title, date, materials, dimensions, and location. The works depicted everyday scenes and objects in photorealistic detail, from city streets and buildings to shoppers and tourists.
The document discusses several land artists from the 1960s-70s including Walter de Maria, Christo, Robert Smithson, and Merille Hommik. Some of their notable works mentioned are Walter de Maria's Lightning Field in New Mexico consisting of 400 stainless steel poles, Christo's Running Fence installation in California, and Robert Smithson's Spiral Jetty, an earthwork sculpture formed in a Utah saltwater lake. These artists helped pioneer the land art movement using the natural environment as their medium.
This document provides information on several op art and kinetic art artists including Victor Vasarely, Bridget Riley, Jesús Rafael Soto, and Alexander Calder. It includes the titles, dates, materials, and locations of many of their artworks. Images are included of works by each artist, both to illustrate their artistic styles and some of the key pieces discussed.
This document provides information on abstract artists Frank Stella, Josef Albers, and Kenneth Noland. It includes the title, date, materials, dimensions and location of many of their paintings from the 1950s-1970s. Stella is known for his minimalist paintings using stripes and geometric shapes. Albers created serial works exploring color called "Homage to the Square". Noland was influential in the development of Color Field painting with works featuring circles and stripes in vibrant colors.
The document provides information on various pop artists such as David Hockney, Claes Oldenburg, Andy Warhol, James Rosenquist, and Roy Lichtenstein. It includes the titles, dates, mediums, dimensions and locations of many of their prominent artworks from the 1960s and 1970s. Examples given include Hockney's "A Bigger Splash" and "Portrait of an Artist", Oldenburg's "Soft Toilet" and "Lipstick (Ascending) on Caterpillar Tracks", Warhol's "Campbell's Soup Cans", "Marilyn", and "Brillo Boxes", Rosenquist's "F-111" and "The Swimmer in the E
The document appears to be an exhibition catalog listing works by artists Yves Klein, Jasper Johns, and Robert Rauschenberg from the 1950s-1960s. It includes over 50 individual artworks described along with their titles, dates, materials, and dimensions. The artworks span painting, sculpture, and mixed media works incorporating objects, and cover each artist's experimentation with monochrome paintings, flags, targets, and early combine paintings incorporating found objects.
2. • Louis XVI
• Vana-Rooma entusiasm <
Pompei väljakaevamised <
idee demokraatiast
• Tüdimus frivoolsest-
kergemeelsest rokokoost
• Ordersüsteem oli muutunud
pelgalt tühiseks
kaunistuseks
• Taheti tulla tagasi Saint Geneviéve
loogilisuse, tõsisuse,
väärikuse juurde
• Antiikarhitektuuri
imiteerimist ei peetud
halvustavaks, ületamist aga
arvati võimatuks
• Üllas lihtsus
• Vaikne suursugusus
• Harmoonia
Pavillion de Louveciennes
3. Antiikse villa eeskujul Marie Antoinette’i jaoks ehitatud
Petit Trianon. Arhitekt Jaques-Ange Gabriel.
4. • Järgitakse ehitise
konstruktiivset loogikat
• Sambad sees-väljas
vajalikus kohas
• Portikused
• Kannellüüridega pilastrid
• Ümarkaarsed niššid
• Rusteeritud pinnad –
jämedalt tahutud kividest
• Kolmnurkne, kaarne
frontoon
• Lemmikmotiivid girlandid,
festoonid, medaljonid, (ülal)Girlandid seinapaneelil ja postamendil.
urnid, vaasid(Kreeka),
pärjad, groteskid,
trofeekimbud
• Valge värv (arvati, et
antiikajalgi olid hooned
valged)
5. • Interjööris koondub tähelepanu
seinale
• Laed valged
• Lagede nurgas ja keskel
dekoor
• Võlv muutus madalamaks
• Esinduslikud ruumid
arhitektuursemad
• Eluruumid intiimsed ja
mugavad
• Orvandraamistuseta
seinapaneelid
• Paneelipinnakaunistuseks
trofeekimbud: lilled, viljaannid,
jahiriistad,
muusikainstrumendid
• Külmad heledad kollased,
sinised, rohelised + valge
• Vähem kulda
6. Marie Antoinette’i tuba Trianonis, mille ma ühes eelmises
konspektis rokokoo alla liigitasin
8. Üks paljudest Trianoni magamistubadest. Interjööris
kasutatakse klassisismis märkimisväärselt palju valget.
Voodid muutusid üldiselt vähe, välja arvatud põhiprintsiibid
: antiikaegne ornamentika dekooris, sirged jalad,
heledamad toonid. Hiljem hakati tegema ka
metallraamidega voodeid.
9. Veel näiteid Trianoni interjöörist.
Alumisel pildil Antoinette’i vannitoa
massaaživoodi.
14. Mööblist lähemalt:
• Kuninganna Marie
Antoinette oli
eeskujuks
• Eeskujuraamat J.
Roubo “Art du
Menuisier”
• Delafosse´i
mööblinäidised
• Jean-Francois Oeben Oebeni sekretärkapp
ja tema markertriid
• René Dubois
• Jean-Henri Riesener
• Georges Jacob
• Guillaume Benneman
• David Roentgen
Guillaume Bennemani disainitud
kummut
20. Kehv pilt, ent silma
hakkavad mingid
huvitavad, väidetavalt
originaalsed Louis XVI-
le kuulunud, istmed,
millele ma ei oska nime
anda. (+paar
rokokoohõngulist tooli)