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LILIANA LANCHEROS
GRAPHIC
DESIGNER
LILIANA LANCHEROS
GRAPHIC DESIGNER
NAME
Liliana Amanda Lancheros Rodriguez
E- MAIL
kafata@gmail.com
WEBSITE
kafatadesign.com
CELLPHONE
(304) 491 - 8493 (COL)
(623) 252 - 3282 (US)
ADDRESS
Carrera 51 #122-35 Apt. 303
CÉDULA (ID#)
1.020.787.301
EDUCATION
Degree in Graphic Design with an OutstandingThesis
atTaller 5 Centro de Diseño
SKILLS & SOFTWARE
Native-speaker level of English and Spanish
Adobe Photoshop
Adobe Illustrator
Adobe InDesign
Adobe Flash
Adobe Premiere
Adobe After Effects
EXPERIENCE
2 year as freelance graphic designer (2012-2014)
1 year as freelance illustrator (2013-2014)
Editor at Boceto magazine (2013)
2 years as head of A/V department, part-time Graphic Design, InDesign, &
Photoshop teacher, and assistant to systems administrator
at El Camino Academy (2013-2015)
5 months as bilingual agent atTeleperformance (May-Nov. 2015)
LILIANA LANCHEROS
EDITORIAL DESIGN
LILIANA LANCHEROS
EDITORIAL DESIGN
BOCETO MAGAZINE
PROPOSAL
Academic exercise.
Typographic and layout proposal for Boceto, the
University magazine.
I attempted to create a high contrast through color
choice to impact the reader and invite them to look at
the article instead of skipping along to a different page.
TYPOGRAPHY
The design aesthetics managed in the magazine stressed
the importance of typographic design and in creating
descriptive and interesting headers.
LILIANA LANCHEROS
EDITORIAL DESIGN
THE LION AND THE
HARE
Part of my thesis laureate project developed to receive
my Graphic Design title.
Various oral tradition stories from Africa and were
adapted, then translated to English and Spanish. Several
illustrations were created to go along with these stories,
with the end result being a series of children’s books.
LAYOUT
When designing a layout, it was important
to make the illustrations stand out. By
assigning a section for white space, a
helpful balance was found.
TYPOGRAPHY
The typographical design used in the book is focused on
complementic the artistic style of the illustrations and in making
the text as legible, as the book is designed for children.
An African Folk Tale
Un Cuento Popular Africano
2
AfricanFolk
TalesCollection
TheLionAndTheHare
ElLeónylaLiebre
481516234217
his is the story about a Lion and its kingdom.
It’s also the story about a very special hare, and
how she outsmarted the King of the Jungle.
If you want to find out how this remarkable
tale unfolds, you only have to read this book.
ste es un cuento sobre un León y su reino.
También es un cuento sobre una liebre especial,
y como ella mostro ser mucho más lista que el
Rey de la Jungla.
Si quiere saber cómo termina este relato
extraordinario, solo debe leer este libro.
Illustrated by: Liliana Lancheros
kafatadesign.comkafatadesign.com
An African Folk Tale
Un Cuento Popular Africano
LILIANA LANCHEROS
EDITORIAL DESIGN
HOW CHICKENS CAME
TO LIVE WITH MAN
Part of my thesis laureate project developed to
receive my Graphic Design title.
After designing the children’s book series
an interactive audiobook for each of those
stories was developed. There were also some
promotional pieces designed for the books.
BANNER
Some of the promotional pieces created
were a series of banners depicting
illustrations from the books to showcase
the art style in them.
COLORS
Each book uses a different color palette.These are the colors
that are used most in the illustrations and promotional
pieces for “How Chickens Came to LiveWith Man”.
POSTERS AND WEBSITE
The posters and website were created with one idea in
mind: using color and typography to communicate the
style used in the illustrations and book design.
LILIANA LANCHEROS
EDITORIAL DESIGN
BEMIDBAR
This was an academic exercise, the objective of
which was designing a special interest newspaper; in
this case the ‘special interest’ subject was Christian
numerology
The edition that was designed is about numbers in
the Book of Revelations, so an apocalypictic aesthetic
was adopted.
HEADER
A clean typeface was chosen for the header.
The symbol phi (φ) was also incorporated, as in Judeo-
Christian theology it represents God.
The color choice and symbol communicate the main
principles behind the publication: knowledge and purity.
ANDRÉS LANCHEROSLILIANA LANCHEROS
EDITORIAL DESIGN
A MORNING IN THE
FOREST
This book was written for 4-5 year old children,
so the design and layout focused mostly on
making the text easy to read and in attracting the
attention of whoever happens to look at it.
ILLUSTRATIONS
A bright color palette and angular style were
used to call attention to the illustrations.
ACTIVITIES
Since it was written for very young children, several
activities are included at the end of the book. Here is a
word puzzle and coloring page.
A MORNING
IN THE
FOREST
Written By:
JOSHUA HERNANDEZ
Illustrated By:
LILIANA LANCHEROS
LILIANA LANCHEROS
GRAPHIC DESIGN
DEPRESSION BROCHURE
Academic exercise.
This brochure attempts to educate and communicate
information about a very serious and common illness
that is frequently taken lightly.
COLOR
The photographs are in black and white to
show loneliness and sadness, and several
other graphical elements do the same by
using muted colors, particularly blue.
PHOTOGRAPHY
All photographs were taken in black and white,
and show a solitary and abandoned subject.
The images attempt to communicate a sense
of loneliness and despair.
GRAPHICS
Since neutral colors can lead to disinterest,
the book contains several graphics and
statistics to attract attention as well as
offer interesting and informative facts.
LILIANA LANCHEROS
GRAPHIC DESIGN
CALENDARIO BOGOTÁ
Academic exercise.
This calendar was created to portray one part of
Bogotá; the churches in it. Specifically, the churches in
the center of the city.
COLOR
Each month uses a color taken from the
photograph as a background to reflect part of
the church’s identity and appearance.
EFFECTIVE COMMUNICATION
This calendar was designed in a small size,
so it needs to be very effective in the way it
communicates.This is shown by the way weekends
and holidays are shown at a glance to be so by the
circles next to them.
LILIANA LANCHEROS
GRAPHIC DESIGN
LILIANA LANCHEROS
ILLUSTRATION
OTTERS
Illustration creator for “A Morning in the Forest”.A bright color palette was used along with an attractive and
sharp art style to be more interesting and appealing for young children.
It was created after observing various photographs of otters and making a simplified approximation in Illustrator.
LILIANA LANCHEROS
ILLUSTRATION
FOXES
Illustration created for “A Morning in the Forest”.A bright color palette was used along with an attractive and
sharp art style to be more interesting and appealing for young children.
It was created after observing various photographs of foxes and making a simplified approximation in Illustrator.
LILIANA LANCHEROS
ILLUSTRATION
RAIN
Illustration created for “How Chickens Came to LiveWith Man”.
It was createc in Photoshop without any reference shots, using custom-made brushes.
LILIANA LANCHEROS
ILLUSTRATION
ROAR
Illustration created for “How Chickens Came to LiveWith Man”.The image attempts to comunicate Lion’s anger
at having been tricked.A slanted perspective and white space are used to add tenstion to the scene.
It was created in Photoshop after an anatomical study of various lions.
LILIANA LANCHEROS
ILLUSTRATION
SKETCH
Sketching process and development of an illustration created for “The Lion and the Hare”.An aggressive and
dynamic position was used to match the dramatic events in its scene.
It was originally sketched by hand, then in Photoshop after an anatomical study of various lions.
LILIANA LANCHEROS
ILLUSTRATION
ATTACK
Illustration created for “The Lion and the Hare”.An aggressive and dynamic position was used to match the
dramatic events in its scene.
It was originally sketched by hand, then in Photoshop after an anatomical study of various lions.
LILIANA LANCHEROS
ILLUSTRATION
ESCAPE
Illustration created for “The Lion and the Hare”. Curved lines and a slanted perspective were used to indicate
dynamism and speed.
It was painted in Photoshop using various pictures of hares as reference.
LILIANA LANCHEROS
ILLUSTRATION
LILIANA LANCHEROS
PHOTOGRAPHY
UNTITLED
This photograph was taken as part of an experiment with Macro photography.
LILIANA LANCHEROS
PHOTOGRAPHY
UNTITLED
This photograph is part of a series on flowers
LILIANA LANCHEROS
PHOTOGRAPHY
UNTITLED
This photograph is part of a series on flowers
LILIANA LANCHEROS
PHOTOGRAPHY
CHRIST
This picture was part of an experiment with photographs using a
limited color palette.
LILIANA LANCHEROS
PHOTOGRAPHY
UNTITLED
This photograph is part of a series on the center of Bogotá.
LILIANA LANCHEROS
PHOTOGRAPHY
KAFATA@ GMAIL.COM
CONTACT
ME

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Portfolio English

  • 2. LILIANA LANCHEROS GRAPHIC DESIGNER NAME Liliana Amanda Lancheros Rodriguez E- MAIL kafata@gmail.com WEBSITE kafatadesign.com CELLPHONE (304) 491 - 8493 (COL) (623) 252 - 3282 (US) ADDRESS Carrera 51 #122-35 Apt. 303 CÉDULA (ID#) 1.020.787.301 EDUCATION Degree in Graphic Design with an OutstandingThesis atTaller 5 Centro de Diseño SKILLS & SOFTWARE Native-speaker level of English and Spanish Adobe Photoshop Adobe Illustrator Adobe InDesign Adobe Flash Adobe Premiere Adobe After Effects EXPERIENCE 2 year as freelance graphic designer (2012-2014) 1 year as freelance illustrator (2013-2014) Editor at Boceto magazine (2013) 2 years as head of A/V department, part-time Graphic Design, InDesign, & Photoshop teacher, and assistant to systems administrator at El Camino Academy (2013-2015) 5 months as bilingual agent atTeleperformance (May-Nov. 2015)
  • 4. LILIANA LANCHEROS EDITORIAL DESIGN BOCETO MAGAZINE PROPOSAL Academic exercise. Typographic and layout proposal for Boceto, the University magazine. I attempted to create a high contrast through color choice to impact the reader and invite them to look at the article instead of skipping along to a different page. TYPOGRAPHY The design aesthetics managed in the magazine stressed the importance of typographic design and in creating descriptive and interesting headers.
  • 5. LILIANA LANCHEROS EDITORIAL DESIGN THE LION AND THE HARE Part of my thesis laureate project developed to receive my Graphic Design title. Various oral tradition stories from Africa and were adapted, then translated to English and Spanish. Several illustrations were created to go along with these stories, with the end result being a series of children’s books. LAYOUT When designing a layout, it was important to make the illustrations stand out. By assigning a section for white space, a helpful balance was found. TYPOGRAPHY The typographical design used in the book is focused on complementic the artistic style of the illustrations and in making the text as legible, as the book is designed for children. An African Folk Tale Un Cuento Popular Africano 2 AfricanFolk TalesCollection TheLionAndTheHare ElLeónylaLiebre 481516234217 his is the story about a Lion and its kingdom. It’s also the story about a very special hare, and how she outsmarted the King of the Jungle. If you want to find out how this remarkable tale unfolds, you only have to read this book. ste es un cuento sobre un León y su reino. También es un cuento sobre una liebre especial, y como ella mostro ser mucho más lista que el Rey de la Jungla. Si quiere saber cómo termina este relato extraordinario, solo debe leer este libro. Illustrated by: Liliana Lancheros kafatadesign.comkafatadesign.com An African Folk Tale Un Cuento Popular Africano
  • 6. LILIANA LANCHEROS EDITORIAL DESIGN HOW CHICKENS CAME TO LIVE WITH MAN Part of my thesis laureate project developed to receive my Graphic Design title. After designing the children’s book series an interactive audiobook for each of those stories was developed. There were also some promotional pieces designed for the books. BANNER Some of the promotional pieces created were a series of banners depicting illustrations from the books to showcase the art style in them. COLORS Each book uses a different color palette.These are the colors that are used most in the illustrations and promotional pieces for “How Chickens Came to LiveWith Man”. POSTERS AND WEBSITE The posters and website were created with one idea in mind: using color and typography to communicate the style used in the illustrations and book design.
  • 7. LILIANA LANCHEROS EDITORIAL DESIGN BEMIDBAR This was an academic exercise, the objective of which was designing a special interest newspaper; in this case the ‘special interest’ subject was Christian numerology The edition that was designed is about numbers in the Book of Revelations, so an apocalypictic aesthetic was adopted. HEADER A clean typeface was chosen for the header. The symbol phi (φ) was also incorporated, as in Judeo- Christian theology it represents God. The color choice and symbol communicate the main principles behind the publication: knowledge and purity.
  • 8. ANDRÉS LANCHEROSLILIANA LANCHEROS EDITORIAL DESIGN A MORNING IN THE FOREST This book was written for 4-5 year old children, so the design and layout focused mostly on making the text easy to read and in attracting the attention of whoever happens to look at it. ILLUSTRATIONS A bright color palette and angular style were used to call attention to the illustrations. ACTIVITIES Since it was written for very young children, several activities are included at the end of the book. Here is a word puzzle and coloring page. A MORNING IN THE FOREST Written By: JOSHUA HERNANDEZ Illustrated By: LILIANA LANCHEROS
  • 10. DEPRESSION BROCHURE Academic exercise. This brochure attempts to educate and communicate information about a very serious and common illness that is frequently taken lightly. COLOR The photographs are in black and white to show loneliness and sadness, and several other graphical elements do the same by using muted colors, particularly blue. PHOTOGRAPHY All photographs were taken in black and white, and show a solitary and abandoned subject. The images attempt to communicate a sense of loneliness and despair. GRAPHICS Since neutral colors can lead to disinterest, the book contains several graphics and statistics to attract attention as well as offer interesting and informative facts. LILIANA LANCHEROS GRAPHIC DESIGN
  • 11. CALENDARIO BOGOTÁ Academic exercise. This calendar was created to portray one part of Bogotá; the churches in it. Specifically, the churches in the center of the city. COLOR Each month uses a color taken from the photograph as a background to reflect part of the church’s identity and appearance. EFFECTIVE COMMUNICATION This calendar was designed in a small size, so it needs to be very effective in the way it communicates.This is shown by the way weekends and holidays are shown at a glance to be so by the circles next to them. LILIANA LANCHEROS GRAPHIC DESIGN
  • 13. OTTERS Illustration creator for “A Morning in the Forest”.A bright color palette was used along with an attractive and sharp art style to be more interesting and appealing for young children. It was created after observing various photographs of otters and making a simplified approximation in Illustrator. LILIANA LANCHEROS ILLUSTRATION
  • 14. FOXES Illustration created for “A Morning in the Forest”.A bright color palette was used along with an attractive and sharp art style to be more interesting and appealing for young children. It was created after observing various photographs of foxes and making a simplified approximation in Illustrator. LILIANA LANCHEROS ILLUSTRATION
  • 15. RAIN Illustration created for “How Chickens Came to LiveWith Man”. It was createc in Photoshop without any reference shots, using custom-made brushes. LILIANA LANCHEROS ILLUSTRATION
  • 16. ROAR Illustration created for “How Chickens Came to LiveWith Man”.The image attempts to comunicate Lion’s anger at having been tricked.A slanted perspective and white space are used to add tenstion to the scene. It was created in Photoshop after an anatomical study of various lions. LILIANA LANCHEROS ILLUSTRATION
  • 17. SKETCH Sketching process and development of an illustration created for “The Lion and the Hare”.An aggressive and dynamic position was used to match the dramatic events in its scene. It was originally sketched by hand, then in Photoshop after an anatomical study of various lions. LILIANA LANCHEROS ILLUSTRATION
  • 18. ATTACK Illustration created for “The Lion and the Hare”.An aggressive and dynamic position was used to match the dramatic events in its scene. It was originally sketched by hand, then in Photoshop after an anatomical study of various lions. LILIANA LANCHEROS ILLUSTRATION
  • 19. ESCAPE Illustration created for “The Lion and the Hare”. Curved lines and a slanted perspective were used to indicate dynamism and speed. It was painted in Photoshop using various pictures of hares as reference. LILIANA LANCHEROS ILLUSTRATION
  • 21. UNTITLED This photograph was taken as part of an experiment with Macro photography. LILIANA LANCHEROS PHOTOGRAPHY
  • 22. UNTITLED This photograph is part of a series on flowers LILIANA LANCHEROS PHOTOGRAPHY
  • 23. UNTITLED This photograph is part of a series on flowers LILIANA LANCHEROS PHOTOGRAPHY
  • 24. CHRIST This picture was part of an experiment with photographs using a limited color palette. LILIANA LANCHEROS PHOTOGRAPHY
  • 25. UNTITLED This photograph is part of a series on the center of Bogotá. LILIANA LANCHEROS PHOTOGRAPHY