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HAT's Prestige worldwide is a company co-founded by Harry Johnson, Terry Byrne, and Anthony Bowes. The company slogan is "We ride Together We Design Together" suggesting they work collaboratively on design projects while also enjoying recreational activities together like riding bikes.
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Pitch
HAT's Prestige worldwide is a company founded by Harry Johnson, Terry Byrne, and Anthony Bowes. The company's motto is "We ride Together We Design Together" suggesting they work collaboratively on design projects while also enjoying recreational activities together.
Our Pitch Presentation
HAT's Prestige worldwide is a company co-founded by Harry Johnson, Terry Byrne, and Anthony Bowes. The company slogan is "We ride Together We Design Together" suggesting they work collaboratively on design projects while also enjoying recreational activities together like riding bikes.
Task 1
The document discusses different types of briefs used in media production including contractual, negotiated, formal, informal, commission, tender, co-operative, competition, and steam greenlight briefs. Each brief type has different communication styles, time management approaches, technical skill requirements, and potential for career progression. Contractual briefs require strict adherence to client guidelines while negotiated briefs allow flexibility. Tender briefs involve companies pitching proposals to clients.
Task 2
The document contains drawings and images from the internet related to the design of a space station. It includes drawings of the proposed three-ring design with a central tunnel, a map of the planned environment, and textures to be used. Images show details of space station tunnels and exteriors, as well as the chosen doughnut-shaped rings. Further images provide examples of interior space station designs to guide the simple and slick interior layout.
Q cards
The document outlines a plan by HAT's Prestige Worldwide to create an advertisement package for a Bethesda zombie survival game. The package will include posters with character, environment and zombie themes. They will design a map showing poster locations in a city. Concept art will include character, vehicle and weapon sketches. A trailer will be created using fly-throughs and artwork, along with packaging for boxes and cases. Finally, 3D models of props will be made for the game using 3D modeling software.
Final major project proposal form
The document is a proposal form for a final major project for a BTEC Extended Diploma in Creative Media Production. The proposal is for an advertisement pack promoting a survival horror video game, including a trailer, posters, concept art, models, and packaging. A variety of production techniques will be used, including film editing, sound production, graphic design, Illustrator, Photoshop, Reaper, Modeler, and sketches. The target audience is gamers, mainly teenagers and young adults, as they are the average age of video game players. Feedback will be gathered from the target audience to meet their needs and expectations.
Story Development
The document summarizes a scenario that began in 2015 when a secret military weapon called Project Green exploded at an underground base in New York City, releasing a toxic gas. A year later, in 2016, the gas has caused a global pandemic and the collapse of society. The story then focuses on three soldier friends - Terence, Anthony, and Harry - who were near New York when the explosion occurred and must now work together to survive in the infected landscape.
Recommended
Pitch
HAT's Prestige worldwide is a company founded by Harry Johnson, Terry Byrne, and Anthony Bowes. The company's motto is "We ride Together We Design Together" suggesting they work collaboratively on design projects while also enjoying recreational activities together.
Our Pitch Presentation
HAT's Prestige worldwide is a company co-founded by Harry Johnson, Terry Byrne, and Anthony Bowes. The company slogan is "We ride Together We Design Together" suggesting they work collaboratively on design projects while also enjoying recreational activities together like riding bikes.
Task 1
The document discusses different types of briefs used in media production including contractual, negotiated, formal, informal, commission, tender, co-operative, competition, and steam greenlight briefs. Each brief type has different communication styles, time management approaches, technical skill requirements, and potential for career progression. Contractual briefs require strict adherence to client guidelines while negotiated briefs allow flexibility. Tender briefs involve companies pitching proposals to clients.
Task 2
The document contains drawings and images from the internet related to the design of a space station. It includes drawings of the proposed three-ring design with a central tunnel, a map of the planned environment, and textures to be used. Images show details of space station tunnels and exteriors, as well as the chosen doughnut-shaped rings. Further images provide examples of interior space station designs to guide the simple and slick interior layout.
Q cards
The document outlines a plan by HAT's Prestige Worldwide to create an advertisement package for a Bethesda zombie survival game. The package will include posters with character, environment and zombie themes. They will design a map showing poster locations in a city. Concept art will include character, vehicle and weapon sketches. A trailer will be created using fly-throughs and artwork, along with packaging for boxes and cases. Finally, 3D models of props will be made for the game using 3D modeling software.
Final major project proposal form
The document is a proposal form for a final major project for a BTEC Extended Diploma in Creative Media Production. The proposal is for an advertisement pack promoting a survival horror video game, including a trailer, posters, concept art, models, and packaging. A variety of production techniques will be used, including film editing, sound production, graphic design, Illustrator, Photoshop, Reaper, Modeler, and sketches. The target audience is gamers, mainly teenagers and young adults, as they are the average age of video game players. Feedback will be gathered from the target audience to meet their needs and expectations.
Story Development
The document summarizes a scenario that began in 2015 when a secret military weapon called Project Green exploded at an underground base in New York City, releasing a toxic gas. A year later, in 2016, the gas has caused a global pandemic and the collapse of society. The story then focuses on three soldier friends - Terence, Anthony, and Harry - who were near New York when the explosion occurred and must now work together to survive in the infected landscape.
Mood board
The document contains a list of 12 image links related to zombies and a zombie apocalypse scenario. The images depict various scenes of a post-apocalyptic world overrun by zombies including survivors scavenging for supplies, zombies attacking cities, and people fighting or hunting zombies.
Mood board
The document contains a list of 12 image links related to zombies and a zombie apocalypse scenario. The images depict various scenes of a post-apocalyptic world overrun by zombies including survivors scavenging for supplies, zombies attacking cities, and people fighting or hunting zombies.
Game Covers
The document discusses the cover art design of 6 zombie-themed video games: State of Decay, Survival Instincts, Dead Island, Red Dead Redemption: Undead Nightmare, The Last of Us, and Dead Rising 3. It analyzes design elements like color palette, imagery, text formatting and placement, and environmental details to convey the genre, storyline, and tone of each game.
Game covers
The document discusses the cover art design of 6 zombie-themed video games: State of Decay, Survival Instincts, Dead Island, Red Dead Redemption: Undead Nightmare, The Last of Us, and Dead Rising 3. It analyzes design elements like color palette, characters, environments, and text styling used on each cover and how they convey the game's theme and tone. Key aspects highlighted include the use of gloomy colors, zombie enemies, post-apocalyptic settings, and bold text to portray danger and imply the goal is survival in a hostile world overrun by the undead.
Summary of secondary research
The document discusses research done by several people on different aspects of developing a zombie apocalypse video game. Terence researched the importance of color contrast and text size/style in posters. Anthony discovered that successful game trailers tell a story through cut scenes and use of music and sound effects. Harry found London and New York would make suitable ruined environments. The document also discusses character, zombie, and bandit designs as well as the purpose and styles of game covers.
Summary of primary research
Trailers were found to be the most effective form of advertisement according to the survey results, so the document recommends focusing efforts on the trailer. Posters were the second most voted for and should be the second priority. Detail and color in posters were noticed more than text. Most people said they would purchase a product after seeing an advertisement for it. The majority preferred action movie trailers. Trailers should be advertised on YouTube and TV to reach the most people. Detail and color should be emphasized the most on game covers according to the survey responses.
Trailer research
This document contains summaries of several game trailers for DayZ and The Last of Us. The summaries highlight key details about the environments, characters, gameplay, and tones conveyed by the trailers. Overall, the summaries concisely capture the essential information and impressions given by each trailer in 3 sentences or less per trailer as requested.
Task 1 reseash game covers new
The game cover shows zombies hunting survivors on a gas station roof as they fight them off. Bright but gloomy colors are used to create tension and imply an apocalyptic setting where escaping zombies will be difficult. The bold black title text conveys that the game will be hardcore.
Trailer research
This document contains summaries of several game trailers for DayZ and The Last of Us. The summaries highlight key details about the environments, characters, gameplay, and tones conveyed by the trailers. Overall, the summaries concisely capture the essential information and impressions given by each trailer in 3 sentences or less per trailer.
Task 1 reseash game covers new
The game cover shows zombies hunting survivors on a gas station roof as they fight them off. Bright but gloomy colors are used to create tension and imply an apocalyptic setting where escaping zombies will be difficult. The bold black title text conveys that the game will be hardcore.
Trailer research
This document contains summaries of several game trailers for DayZ and The Last of Us. The summaries highlight key details about the environments, characters, gameplay, and tones conveyed by the trailers. Overall, the summaries concisely capture the essential information and impressions given by each trailer in 3 sentences or less per trailer as requested.
Task 1 reseash game covers new
The game cover shows zombies hunting survivors on a gas station roof as they fight them off. Bright but gloomy colors are used to create tension and imply an apocalyptic setting where escaping zombies will be difficult. The bold black title text conveys that the game will be hardcore.
Environments
The document provides images of post-apocalyptic cities, streets, buildings, vehicles, and props to give ideas for illustrations being created for posters. The images show broken down and decaying infrastructure, abandoned vehicles, and other items that would be found in a post-apocalyptic world to inspire the group's poster designs.
Character Research
The document discusses research done on costumes and appearances for a zombie-themed role playing game. It includes images of zombie survivors dressed in military gear carrying guns, different types of zombies from games and artwork, and bandits from movies and video games. The research was conducted to help design soldier-like costumes for the role playing group, provide inspiration for drawing different zombie types, and influence the game's theme. Links to the referenced images are included.
Task 1
The document discusses different types of briefs used in media production:
1. Contractual briefs outline the duties, roles, compensation, and terms of agreement between clients and employees or production companies.
2. Negotiated briefs allow aspects of the brief to be changed through negotiations to suit all parties involved in a production.
3. Formal briefs provide enough information from the client to produce a product, with room to discuss details further during negotiations.
4. Informal briefs involve verbal discussions between clients and producers about project requirements without a documented brief.
5. Commission briefs see a larger company hire an independent company to create a product that the larger company will then use
Assignment brief
The document outlines the tasks and requirements for a unit on game engines. The student must complete 3 tasks: 1) Produce a report analyzing the purposes and components of game engines using industry terminology. 2) Create a playable 2D level in Game Maker according to industry standards and document the development process. 3) Create a playable 3D level in Unity according to industry standards and document the 3D development process. The tasks are graded based on criteria that evaluate the student's understanding, technical skills, and ability to work independently at a professional level.
Ig2 task 1 work sheet
The document is a glossary assignment for a BTEC Extended Diploma in Games Design course. It contains definitions and explanations of various audio and sound design terms. The student was asked to research definitions of key terms and explain their relevance to their own sound production work. Definitions include terms like Foley artistry, sound libraries, audio file formats like .wav and .mp3, audio limitations such as sound processor units and digital sound processors, audio recording systems such as analog, digital mini discs and compact discs, and software sequencers. For each term, the student provided a short definition from an online source and explained how the concept relates to their own sound production practice.
Task 2 IG3
Harry Johnson documented his process of adding sounds to a game. He found adding the first sound difficult because he had not saved them correctly, but after fixing that issue it became straightforward. He later edited a sound that was too loud. Additionally, he showed adding sounds to sprites, selecting sounds from a dropdown menu, and his final product where the game runs correctly with implemented sounds.
Task 2 IG3
Harry Johnson documented his process of adding sounds to a game. He found adding the first sound challenging until he learned to save them correctly. Later additions became simple, such as editing a sound's volume and adding sounds to sprites. Although adding sounds to individual sprites was initially confusing, it became straightforward after some practice. The document shows selecting a sound file and the final product running correctly with implemented sounds.
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Welcome to Practical eLearning Makeovers for Everyone. In this presentation, we’ll take a look at a bunch of easy-to-use visual design tips and tricks. And we’ll do this by using them to spruce up some eLearning screens that are in dire need of a new look.
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Mood board
The document contains a list of 12 image links related to zombies and a zombie apocalypse scenario. The images depict various scenes of a post-apocalyptic world overrun by zombies including survivors scavenging for supplies, zombies attacking cities, and people fighting or hunting zombies.
Mood board
The document contains a list of 12 image links related to zombies and a zombie apocalypse scenario. The images depict various scenes of a post-apocalyptic world overrun by zombies including survivors scavenging for supplies, zombies attacking cities, and people fighting or hunting zombies.
Game Covers
The document discusses the cover art design of 6 zombie-themed video games: State of Decay, Survival Instincts, Dead Island, Red Dead Redemption: Undead Nightmare, The Last of Us, and Dead Rising 3. It analyzes design elements like color palette, imagery, text formatting and placement, and environmental details to convey the genre, storyline, and tone of each game.
Game covers
The document discusses the cover art design of 6 zombie-themed video games: State of Decay, Survival Instincts, Dead Island, Red Dead Redemption: Undead Nightmare, The Last of Us, and Dead Rising 3. It analyzes design elements like color palette, characters, environments, and text styling used on each cover and how they convey the game's theme and tone. Key aspects highlighted include the use of gloomy colors, zombie enemies, post-apocalyptic settings, and bold text to portray danger and imply the goal is survival in a hostile world overrun by the undead.
Summary of secondary research
The document discusses research done by several people on different aspects of developing a zombie apocalypse video game. Terence researched the importance of color contrast and text size/style in posters. Anthony discovered that successful game trailers tell a story through cut scenes and use of music and sound effects. Harry found London and New York would make suitable ruined environments. The document also discusses character, zombie, and bandit designs as well as the purpose and styles of game covers.
Summary of primary research
Trailers were found to be the most effective form of advertisement according to the survey results, so the document recommends focusing efforts on the trailer. Posters were the second most voted for and should be the second priority. Detail and color in posters were noticed more than text. Most people said they would purchase a product after seeing an advertisement for it. The majority preferred action movie trailers. Trailers should be advertised on YouTube and TV to reach the most people. Detail and color should be emphasized the most on game covers according to the survey responses.
Trailer research
This document contains summaries of several game trailers for DayZ and The Last of Us. The summaries highlight key details about the environments, characters, gameplay, and tones conveyed by the trailers. Overall, the summaries concisely capture the essential information and impressions given by each trailer in 3 sentences or less per trailer as requested.
Task 1 reseash game covers new
The game cover shows zombies hunting survivors on a gas station roof as they fight them off. Bright but gloomy colors are used to create tension and imply an apocalyptic setting where escaping zombies will be difficult. The bold black title text conveys that the game will be hardcore.
Trailer research
This document contains summaries of several game trailers for DayZ and The Last of Us. The summaries highlight key details about the environments, characters, gameplay, and tones conveyed by the trailers. Overall, the summaries concisely capture the essential information and impressions given by each trailer in 3 sentences or less per trailer.
Task 1 reseash game covers new
The game cover shows zombies hunting survivors on a gas station roof as they fight them off. Bright but gloomy colors are used to create tension and imply an apocalyptic setting where escaping zombies will be difficult. The bold black title text conveys that the game will be hardcore.
Trailer research
This document contains summaries of several game trailers for DayZ and The Last of Us. The summaries highlight key details about the environments, characters, gameplay, and tones conveyed by the trailers. Overall, the summaries concisely capture the essential information and impressions given by each trailer in 3 sentences or less per trailer as requested.
Task 1 reseash game covers new
The game cover shows zombies hunting survivors on a gas station roof as they fight them off. Bright but gloomy colors are used to create tension and imply an apocalyptic setting where escaping zombies will be difficult. The bold black title text conveys that the game will be hardcore.
Environments
The document provides images of post-apocalyptic cities, streets, buildings, vehicles, and props to give ideas for illustrations being created for posters. The images show broken down and decaying infrastructure, abandoned vehicles, and other items that would be found in a post-apocalyptic world to inspire the group's poster designs.
Character Research
The document discusses research done on costumes and appearances for a zombie-themed role playing game. It includes images of zombie survivors dressed in military gear carrying guns, different types of zombies from games and artwork, and bandits from movies and video games. The research was conducted to help design soldier-like costumes for the role playing group, provide inspiration for drawing different zombie types, and influence the game's theme. Links to the referenced images are included.
Task 1
The document discusses different types of briefs used in media production:
1. Contractual briefs outline the duties, roles, compensation, and terms of agreement between clients and employees or production companies.
2. Negotiated briefs allow aspects of the brief to be changed through negotiations to suit all parties involved in a production.
3. Formal briefs provide enough information from the client to produce a product, with room to discuss details further during negotiations.
4. Informal briefs involve verbal discussions between clients and producers about project requirements without a documented brief.
5. Commission briefs see a larger company hire an independent company to create a product that the larger company will then use
Assignment brief
The document outlines the tasks and requirements for a unit on game engines. The student must complete 3 tasks: 1) Produce a report analyzing the purposes and components of game engines using industry terminology. 2) Create a playable 2D level in Game Maker according to industry standards and document the development process. 3) Create a playable 3D level in Unity according to industry standards and document the 3D development process. The tasks are graded based on criteria that evaluate the student's understanding, technical skills, and ability to work independently at a professional level.
Ig2 task 1 work sheet
The document is a glossary assignment for a BTEC Extended Diploma in Games Design course. It contains definitions and explanations of various audio and sound design terms. The student was asked to research definitions of key terms and explain their relevance to their own sound production work. Definitions include terms like Foley artistry, sound libraries, audio file formats like .wav and .mp3, audio limitations such as sound processor units and digital sound processors, audio recording systems such as analog, digital mini discs and compact discs, and software sequencers. For each term, the student provided a short definition from an online source and explained how the concept relates to their own sound production practice.
Task 2 IG3
Harry Johnson documented his process of adding sounds to a game. He found adding the first sound difficult because he had not saved them correctly, but after fixing that issue it became straightforward. He later edited a sound that was too loud. Additionally, he showed adding sounds to sprites, selecting sounds from a dropdown menu, and his final product where the game runs correctly with implemented sounds.
Task 2 IG3
Harry Johnson documented his process of adding sounds to a game. He found adding the first sound challenging until he learned to save them correctly. Later additions became simple, such as editing a sound's volume and adding sounds to sprites. Although adding sounds to individual sprites was initially confusing, it became straightforward after some practice. The document shows selecting a sound file and the final product running correctly with implemented sounds.
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