ArtReach proposes leasing art from museum inventories to corporations to generate revenue for museums. It interviewed 30 art and cultural professionals from 12 museums and 25 companies and organizations. The program would loan art under $10k to corporate offices that meet environmental standards, with insurance and installation support provided. Museums would share an average of $36k annually in profit. This could help support more faculty grants or prevent staff layoffs at museums struggling with budget cuts. The goal is to bring art to more community spaces with social impact.
International Entrepreneurship in the Arts: Unexpected PartnershipLidia Varbanova
Unexpected Partnership: New spaces for creation and creativity: How do we support them?" Presented by Lidia Varbanova at IFACCA 7th World Summit, Malta, October, 2016
Presentation for the Finnish National Gallery brainstormning seminar and workshop Communicating Digital Collections, at Kiasma Helsinki 22 January 2016
How do Instagram and Twitter influence the visit experience of London museums? This research uses data collection and analysis to get a better understanding of visitors' behaviour and suggests which strategies are more successful in creating an community that lasts beyond the visit.
International Entrepreneurship in the Arts: Unexpected PartnershipLidia Varbanova
Unexpected Partnership: New spaces for creation and creativity: How do we support them?" Presented by Lidia Varbanova at IFACCA 7th World Summit, Malta, October, 2016
Presentation for the Finnish National Gallery brainstormning seminar and workshop Communicating Digital Collections, at Kiasma Helsinki 22 January 2016
How do Instagram and Twitter influence the visit experience of London museums? This research uses data collection and analysis to get a better understanding of visitors' behaviour and suggests which strategies are more successful in creating an community that lasts beyond the visit.
Cleaning, fixing, restoring, and conserving artworks that have spanned centuries are no small feat. The whole endeavor combines an intimate knowledge of art as well as a mastery of scientific technique and technology to care for diverse, expansive collections and make sure every work of art of safely stored and exhibited for the future.
S. Pointe & Co. Inc. has led a number of public and private art commissiions and projects. More details on art at AIMCo and the Lois Hole Hospital for Women is included.
As many museums move towards diverse open data policies, one would assume their choice of CMS would follow suit. One would be WRONG.
In this talk I will begin by reviewing the current state of technology in museums, with a focus on their usage of open source Content Management Systems (where Drupal reigns supreme and WordPress is only for blogging). I will discuss why the perceived lack of os software competition in this sector keeps museums trapped in systems they cannot afford to update. I will end by sharing ways the OS community can get involved in the would of Cultural Institutions.
Presented on 11/20/2019 as part of the Open GLAM Now webinar series:
https://www.raa.se/in-english/events-seminars-and-cultural-experiences/open-digital-heritage/
The video on slide 49 can be found here: https://www.youtube.com/watch?v=c9DG4XZSH98
Museums without walls: Breaking across the borders of organizational structure and preparing the next generation of museum professionals in the digital age - Museums and the Web conference, 2017, Cleveland, Ohio - Presentation April 21, 2017
What can museums do as buildings, social spaces, and cultural institutions to embody sustainable practice - environmentally, socially and economically?
This webinar is designed to provide a holistic overview of sustainability within museums and includes examples from the sector and transferable actions for improvement.
'New media and Museums' talk at CUNY April 2014 (edit)Seb Chan
Slides for talk as part of New Media and Museums at CUNY, new York, April 22 2014.
"How are cultural institutions using innovations in design to capture and retain public attention? This discussion explores ways in which museums are using digital media to connect audiences with places and one another. Guests include Paola Antonelli, senior curator of architecture and design at the Museum of Modern Art; Sebastian Chan, director of digital and emerging media at Cooper-Hewitt National Design Museum; and Sree Sreenivasan, chief digital officer at the Metropolitan Museum of Art. Moderated by the Graduate Center’s Lev Manovich"
Cleaning, fixing, restoring, and conserving artworks that have spanned centuries are no small feat. The whole endeavor combines an intimate knowledge of art as well as a mastery of scientific technique and technology to care for diverse, expansive collections and make sure every work of art of safely stored and exhibited for the future.
S. Pointe & Co. Inc. has led a number of public and private art commissiions and projects. More details on art at AIMCo and the Lois Hole Hospital for Women is included.
As many museums move towards diverse open data policies, one would assume their choice of CMS would follow suit. One would be WRONG.
In this talk I will begin by reviewing the current state of technology in museums, with a focus on their usage of open source Content Management Systems (where Drupal reigns supreme and WordPress is only for blogging). I will discuss why the perceived lack of os software competition in this sector keeps museums trapped in systems they cannot afford to update. I will end by sharing ways the OS community can get involved in the would of Cultural Institutions.
Presented on 11/20/2019 as part of the Open GLAM Now webinar series:
https://www.raa.se/in-english/events-seminars-and-cultural-experiences/open-digital-heritage/
The video on slide 49 can be found here: https://www.youtube.com/watch?v=c9DG4XZSH98
Museums without walls: Breaking across the borders of organizational structure and preparing the next generation of museum professionals in the digital age - Museums and the Web conference, 2017, Cleveland, Ohio - Presentation April 21, 2017
What can museums do as buildings, social spaces, and cultural institutions to embody sustainable practice - environmentally, socially and economically?
This webinar is designed to provide a holistic overview of sustainability within museums and includes examples from the sector and transferable actions for improvement.
'New media and Museums' talk at CUNY April 2014 (edit)Seb Chan
Slides for talk as part of New Media and Museums at CUNY, new York, April 22 2014.
"How are cultural institutions using innovations in design to capture and retain public attention? This discussion explores ways in which museums are using digital media to connect audiences with places and one another. Guests include Paola Antonelli, senior curator of architecture and design at the Museum of Modern Art; Sebastian Chan, director of digital and emerging media at Cooper-Hewitt National Design Museum; and Sree Sreenivasan, chief digital officer at the Metropolitan Museum of Art. Moderated by the Graduate Center’s Lev Manovich"
17. 10/12
Months
$52k AVERAGE LOAN SIZE & DURATION
3%
SERVICE FEE OF VALUATION
$10k $36k
30%
% SHARED PROFIT WITH MUSEUM
AVG YEARLY $ EACH MUSEUM GETS
18. $1500
Labor Costs per Loan
Source: Art Rental Staff, Allen Memorial Art Museum, Oberlin College
$1067 $12k
INSTALLATION + SHIPPING
19.
20. Carey Cheng
Team Lead
MBA
Non-profit project
management
Fundraising
Lauren Kramer
Corporate Strategy
MBA
Human Resources
Arts Foundation
Fine artist
Jasmine
Kwong
-Psychology
Lab Manager,
University of
Chicago (9
years)
-Special Event
Chair, Museum
Jasmine Kwong
Museum Relations
MBA
Special Event Chair,
Museum Council, MoCP
Photographer
Art Collector
Noorjit Sidhu
Legal & Contracts
JD
Startup Partnerships
strategy
Venture financing
21.
22.
23. $150K
$50K from SNVC: 25K working capital +
25K two pilots: Art Exhibits, Receptions, Curator Talks
$100K from VC: Conversation with Chicago Ventures
24. ArtReach
Bringing the museum to the people
“This is a 21st century idea
for a 21st century revenue
line that will save
museums.”
-- Museum of Contemporary Art
Joanne Carson, American, b. 1953. Heaven, 1981. Oil, wood, and mixed media. 84 x 103 x 27 in. (213.4 x 261.6 x 68.6 cm)
26. 1. Bill Lynerd, Smart Museum
2. Sara Hindmarch, Smart Museum
3. Tony Hirschel, Smart Museum (formerly)
4. Karen Irvine, Museum of Contemporary
Photography
5. Canice Prendergast, Booth art collection
6. Gil Stein, Oriental Institute
7. Kiersten Neumann, Oriental Institute
8. Mark Alvey, Field Museum
9. Brett Balogh, SAIC
10. George Martin, Art Institute of Chicago
30 interviews with art & cultural professionals (12 museums)
11. Andy Simnick, Art Institute of Chicago
12. Annie Morse, Art Institute of Chicago
13. Emma Waterman, Art Institute of Chicago
14. Mattias Herold, Museum of Modern Art (formerly)
15. Ariel Greene, Metropolitan Museum of Art
16. Maria Puron, San Francisco Museum of Modern Art
17. Margaret Neeley, Museum of Contemporary Art,
Chicago
18. Elena Grotto, Museum of Contemporary Art, Chicago
19. Tricia Van Eck, Museum of Contemporary Art
(formerly)
20. Lucille Stigler, Allen Memorial Art Museum
27. 30 interviews with art & cultural professionals (12 museums)
21. Michael Reynolds, Allen Memorial Art Museum
22. Justin Glasson, Asian Art Museum of San Francisco
23. Stephanie Reed, Art Basel
24. Stuart Flack, Chicago Humanities Festival (formerly)
25. Alina Cohen, arts and culture writer
26. Julie Rodrigues Widholm, DePaul Art Museum
27. Adam Fields, Shiparta
28. Shirley Reiff Howarth, International Directory of Corporate Art Collections
29. Megan Lapham, Healthcare Art Consulting LLC & Quality Art House LLC (former)
30. Bill Michel, Logan Center for the Arts
28. 1. Samara Mejia, MATHLab Ventures
2. Megan Patel, IDEO
3. Tej Dhillon, IDEO
4. Tracey Pavlishin, A.T. Kearney
5. Amy Wolcott, Sprout Social
6. Kate Timmerman, Arete
7. Kristen Barrett, Chicago Innovation Exchange
8. Chris McGowan, CJM Ventures
9. Amy Hermalik, Kirkland & Ellis
10. Beth Kregor, Sidley Austin / IJ Clinic
11. Kathleen Swan, Quarles & Brady
12. Kiran Pandey, UChicago Medicine
24 interviews with companies / organizations
13. Leigh Ollman, Akerman
14. Andrew Smulian, Akerman
15. Joanne Ollman, Proskauer
16. Thad Adams, Allen Morris Company
17. Mallori Morris, Allen Morris Company
18. Mark Tunney, Union League Club
19. Josh Levine, US Trust
20. Heather Asaadi, Booth
21. Alice DuBose, Philanthropy Rx
22. Scott Watson, Quarles & Brady
23. Evan Trent, Heidrick & Struggles
24. Peter Christman, Chicago Ventures
29.
30.
31.
32. o Prints (woodcuts, etching, engravings, screen print, and other forms of intaglio);
o Drawings;
o Photographs (B & W);
o Collages;
o Posters;
o Manuscripts;
o Small scale sculptures.
Types of Artwork Conducive to Rental:
• Valuation: < $10k;
• Avoid confliction with museum’s curatorial & exhibition needs;
• Duplicates preferred;
• Appropriate art medium:
Source: Art Rental Collection, Allen Memorial Art Museum, Oberlin College
33. Location:
• Reception area, conference room, hallway, open-office space;
• Avoid: lounge, security monitoring blind space;
• Installation must not be in the proximity of heating elements, air conditioning
systems or air intake vents;
• Where environment control at all times is possible:
Environmental Requirement:
o 70 degrees Fahrenheit +/- 2 degrees;
o Relative humidity 50% +/- 5%;
o Visible lights 150 Lux maximum;
o Ultraviolet light: above 400 nanometers; no direct sunlight or unfiltered fluorescent
light; the measured value must be under 15 microwatt per lumen.
SPECIFICATIONS TO CORPORATE CLIENTS:
34. • Microenvironment: double frame, coroplast back board, sealing
• Plexiglass: ultraviolet
• Durable framing
• Environment monitoring: temperature, humidity, lighting
• Safety monitoring: guard, secured mounting
• Instruction to staff and maintenance personnel: viewing practice,
emergency response
• Retired art professionals will report on environment parameters and
inspect the artwork periodically throughout the lending period.
CONSERVATION DETAILS:
35. • Office decoration;
• Corporate Social Responsibility/PR – pay ArtReach and Museum overhead
separately for tax purposes;
• These two generally undisclosed. Conservative estimate of mid-sized law firms in
Chicago for the two combined ~$33m;
• HR/Employee engagement.
BUDGET SOURCES:
36. • Arta: Kayak for Art Shipping
o From MCA to UChicago (9 miles): $220 for first piece, each additional
piece costs $30.
• Insurance company: AXA, Huntington T. Block, Chubb
PARTNERS:
37. Concrete Benefits to Museums:
• We can help Smart support 17 more faculty grants per year.*
• We will be contributing more to Smart than the Pritzker Family Foundation, the Sotherby’s,
and Bank of America.
• Oriental Institute, for example, had to lay off one staff every year in the last few years. Our
shared profit, $72k annually, will make a significant impact.
*http://smartmuseum.uchicago.edu/research/uchicago-faculty/grants-for-faculty-initiatives/
38. Long-term Aspiration
• Bring art to spaces that have even clearer, bigger social impact, e.g. community
centers, hospitals, schools.
39.
40.
41.
42. Tax Deduction
CHARITABLE DEDUCTION
There have been various proposals from both Republicans and Democrats, including President Obama, to decrease the value of the
tax deduction for charitable gifts. The proposals take many forms but nearly all would result in less being given to charity. This would
hurt all types of charity, but the arts would be especially affected, because they rely more heavily on gifts than, for example, colleges
and hospitals, which have more earned income.
IRA CHARITABLE ROLLOVER
This provision allows people aged 70.5 to roll up to $100,000 from an IRA account directly to charity. The gift counts towards the
taxpayer’s required annual withdrawal, but is not taxed. Unfortunately, the provision has never been made permanent but instead has
been allowed to lapse repeatedly.
UNRELATED BUSINESS INCOME TAX (UBIT)
Museums and other nonprofits must pay tax on income derived from business activities that are regularly carried on but are not
mission-related. A set of arcane rules govern exactly how a corporate sponsor may be acknowledged without crossing the line into
advertising, which would be taxable. A recent proposal, for example, would count the naming of a special event after a single sponsor
as advertising, even if the sponsor’s product wasn’t mentioned.
(https://aamd.org/sites/default/files/key-issue/Tax%20Issue%20Summaries%2010-2015.pdf)