Pink panther
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The opening shot of the film zooms in on a diamond, revealing an outline of the Pink Panther cartoon character, establishing the diamond's importance to the film and explaining its title. This is followed by a cartoon introduction of Inspector Clouseau, depicting him as clumsy to convey his personality to the audience. Further scenes continue to develop Clouseau's character, showing him as easily tricked and overconfident in his martial arts abilities.
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Moodboard script
The mood board references the movie "In Time" to match the concept of time being currency in the short film. TV shows like "Luther" and "Body Guard" are included to help create suspense through atmosphere rather than music. The camera work in "Euphoria" is cited as inspiration for fluid storytelling through angles and movement. Plans are described to make the interrogation room futuristic with blue LED lighting and a well-lit space rather than dark.
Opening shots
The opening shot is important to engage audiences and set the scene. Effective opening shots establish the time, setting, and mood through techniques like long shots that show the character and environment. They create questions that intrigue audiences and make them want to learn more. Producers consider tone and genre when choosing opening shots to properly introduce the film. Mystery or "enigma" shots that leave audiences questioning what is happening can be highly engaging devices. Overall, opening shots aim to orient audiences and immerse them in the story from the beginning.
Evaluation question 1
The document discusses how the media product, a horror film trailer, uses conventions of the horror genre. It analyzes several shots and techniques used in the trailer and how they develop common horror conventions. These include using CCTV footage to build realism, showing a newspaper article to reveal the house's disturbing past, including a shocking face morph scene, depicting innocence through a shot of a girl on a swing, and using close-ups of a girl rocking to imply hidden madness. The document explains how these techniques are effective in horror trailers and typical of the genre.
Bladerunner 2049 / Seven Trailer analysis
The document analyzes the cinematography, editing, tone, and themes presented in a movie trailer. It discusses the use of bright colors against dark backgrounds to draw the eye, as well as conventional editing techniques. Close-ups of the stars are used to promote their roles. Through its dark visuals and narrative, the trailer establishes a tense, thriller tone. Recurring themes like outfits and a pistol are referenced. The pacing is slower than a typical trailer, allowing more time to explore messages.
Documentaries- Human Behaviour
The document discusses techniques used in documentary films like Educating Yorkshire and Don't Tell the Bride. It explains that over-the-shoulder shots in Educating Yorkshire are used to identify who teachers are addressing and show control. Voiceovers are also common to move scenes along without a presenter. Direct address, where characters speak to the camera, helps audiences relate to characters and understand points of view. Establishing shots set the scene and location to involve viewers in guessing what might happen.
Crime Documentaries
This document summarizes techniques used in two crime documentaries - "Tales of the Grim Sleeper" and "Ross Kemp on Gangs". It discusses the use of aerial shots, direct address, CCTV footage, establishing shots, and over-the-shoulder shots. The document considers how these techniques create realism, audience interaction, tension, and a sense of authority. It reflects on incorporating some of these techniques into the filmmaker's own documentary.
Trailer analysis
The document discusses the cinematography, editing, and themes of a movie trailer. It notes that the trailer features recurring themes of rain, protagonists in similar outfits, and bright neon colors contrasted with dark backgrounds. The editing is described as conventional for a thriller trailer, using a variety of shots and quick cuts. Reoccurring themes and the use of a classic pistol from the original movie help connect fans. Bright colors like yellow and pink contrast with the blues and greens of the original film, giving the trailer an appealing aesthetic. The trailer is less quickly edited than average, allowing more time to dwell on certain parts and messages.
The descent review
The Descent is a 99-minute horror movie that effectively scares audiences through jump scares, eerie music, and gore. It also entertains through elements of surprise, horror, and interesting plot twists. The first half of the movie focuses on developing the characters and their backstories. While most horror movies are around 90 minutes, the extra length in The Descent allows the story to conclude with a cliffhanger that leaves viewers wanting more. The movie builds suspense by not showing the monsters until later in the film, making their first clear appearances more frightening.
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Moodboard script
The mood board references the movie "In Time" to match the concept of time being currency in the short film. TV shows like "Luther" and "Body Guard" are included to help create suspense through atmosphere rather than music. The camera work in "Euphoria" is cited as inspiration for fluid storytelling through angles and movement. Plans are described to make the interrogation room futuristic with blue LED lighting and a well-lit space rather than dark.
Opening shots
The opening shot is important to engage audiences and set the scene. Effective opening shots establish the time, setting, and mood through techniques like long shots that show the character and environment. They create questions that intrigue audiences and make them want to learn more. Producers consider tone and genre when choosing opening shots to properly introduce the film. Mystery or "enigma" shots that leave audiences questioning what is happening can be highly engaging devices. Overall, opening shots aim to orient audiences and immerse them in the story from the beginning.
Evaluation question 1
The document discusses how the media product, a horror film trailer, uses conventions of the horror genre. It analyzes several shots and techniques used in the trailer and how they develop common horror conventions. These include using CCTV footage to build realism, showing a newspaper article to reveal the house's disturbing past, including a shocking face morph scene, depicting innocence through a shot of a girl on a swing, and using close-ups of a girl rocking to imply hidden madness. The document explains how these techniques are effective in horror trailers and typical of the genre.
Bladerunner 2049 / Seven Trailer analysis
The document analyzes the cinematography, editing, tone, and themes presented in a movie trailer. It discusses the use of bright colors against dark backgrounds to draw the eye, as well as conventional editing techniques. Close-ups of the stars are used to promote their roles. Through its dark visuals and narrative, the trailer establishes a tense, thriller tone. Recurring themes like outfits and a pistol are referenced. The pacing is slower than a typical trailer, allowing more time to explore messages.
Documentaries- Human Behaviour
The document discusses techniques used in documentary films like Educating Yorkshire and Don't Tell the Bride. It explains that over-the-shoulder shots in Educating Yorkshire are used to identify who teachers are addressing and show control. Voiceovers are also common to move scenes along without a presenter. Direct address, where characters speak to the camera, helps audiences relate to characters and understand points of view. Establishing shots set the scene and location to involve viewers in guessing what might happen.
Crime Documentaries
This document summarizes techniques used in two crime documentaries - "Tales of the Grim Sleeper" and "Ross Kemp on Gangs". It discusses the use of aerial shots, direct address, CCTV footage, establishing shots, and over-the-shoulder shots. The document considers how these techniques create realism, audience interaction, tension, and a sense of authority. It reflects on incorporating some of these techniques into the filmmaker's own documentary.
Trailer analysis
The document discusses the cinematography, editing, and themes of a movie trailer. It notes that the trailer features recurring themes of rain, protagonists in similar outfits, and bright neon colors contrasted with dark backgrounds. The editing is described as conventional for a thriller trailer, using a variety of shots and quick cuts. Reoccurring themes and the use of a classic pistol from the original movie help connect fans. Bright colors like yellow and pink contrast with the blues and greens of the original film, giving the trailer an appealing aesthetic. The trailer is less quickly edited than average, allowing more time to dwell on certain parts and messages.
The descent review
The Descent is a 99-minute horror movie that effectively scares audiences through jump scares, eerie music, and gore. It also entertains through elements of surprise, horror, and interesting plot twists. The first half of the movie focuses on developing the characters and their backstories. While most horror movies are around 90 minutes, the extra length in The Descent allows the story to conclude with a cliffhanger that leaves viewers wanting more. The movie builds suspense by not showing the monsters until later in the film, making their first clear appearances more frightening.
KBailey
This document analyzes the short horror film "Night Night Nancy" and how it effectively uses various cinematic techniques common to the horror genre. These include low-key lighting, ambient and sharp diegetic/non-diegetic sounds, props like masks and knives that create fear, and editing techniques like decreasing shot duration and jump cuts to build suspense and tension. The setting of Nancy's own house also contributes to a sense of identifiable fear for the audience. Overall, the document examines how the film follows codes and conventions of horror cinema to effectively engage and scare the audience.
Media
The document discusses different techniques film directors use to craft effective openings that entice audiences to continue watching. It notes that openings should introduce characters and establish the genre. Common techniques include starting with action scenes, car chases, or flashbacks to past key events to immediately engage viewers. Opening titles and credit sequences can also be designed creatively to set the tone and build suspense. The goal is to provide just enough context and background to understand the rest of the film.
Task 1
The media product uses conventions of real thriller films in its opening sequence. It establishes its own production company in the title sequence to seem professional. It starts the film in the morning with the main character in bed, then subverts expectations by showing unusual events rather than a daily routine. Throughout, title cards are carefully placed around the action. Like other thrillers, it uses darker surroundings and includes an expected scary bathroom scene to build a sense of danger and fright in the audience. It focuses only on one character, subverting the expectation of introducing others. It builds tension through a tracking shot that reveals the character's reaction but not what they're looking at, then breaks expectations by showing abandonment rather than a killer.
Task 1 new
The media product uses conventions of real thriller films in its opening sequence. It establishes its own production company in the title sequence to seem professional. It starts the film in the morning with the main character waking up, subverting the expectation of showing their daily routine. It also places titles around the action and includes a scary bathroom scene, both of which build audience expectations of danger common to the thriller genre. It only follows one character, subverting the expectation of introducing other people. A revealing tracking shot shows the character's reaction but not what they see, breaking the usual expectation of showing a killer or abductor and instead revealing loneliness.
Pulp fiction
The document discusses camera techniques, sound, and titles in the film Pulp Fiction. It notes a close up shot through a character's eyes of a television screen to focus attention. The camera then shows behind the character, revealing them to be a child who may be a victim. Background noise and the television are heard during an opening scene before the TV is turned off to shift focus. Standard thriller film titles are used with the director and producers shown before the main title of the film.
Similarities and differences between teaser and theatrical trailer
The document compares teaser trailers and full theatrical trailers for the films Divergent and Dawn of the Planet of the Apes. For Divergent, the theatrical trailer reveals more of the plot and includes more action scenes to identify the genre. Both Divergent trailers use consistent color schemes and repeat some scenes to strengthen audience understanding. For Dawn, both trailers end with the title and use the same font style, while the theatrical trailer includes voices from both apes and humans. The teaser trailer uses quicker cuts while the theatrical trailer uses longer shots and fades between scenes.
Research in to the relevant gangster genre
The document discusses conventions used in openings for crime thriller films. It notes that close-up and mid shots are used to build tension by showing a character's emotions. Extreme long shots establish the setting while point-of-view shots make the audience feel like they are in the scene. Common props include weapons and the settings are abandoned or non-crowded places. Low level lighting increases tension. Non-diegetic music starts slow and builds tension along with shots, settings and lighting. The document concludes the author learned how to engage audiences using these techniques.
The pitch
The document proposes a horror film trailer that would appeal to Paramount Pictures. It follows horror film conventions like having teens go camping in the woods, where one girl is attacked. The trailer would use conventions like low-key lighting, diegetic sounds, and fast pacing to build tension. It aims to attract Paramount's target audience by using familiar tropes like isolated settings and relatable teen characters. Camerawork like close-ups would show emotions to connect with viewers. Overall, adhering to genre conventions around suspense, darkness and likable protagonists is meant to grip audiences and encourage them to watch the full film.
Trailers
The document discusses and analyzes three horror movie trailers of different durations and genres. For the first trailer, the document notes the use of static shots and cut shots that build fear and intrigue. For the second trailer, it describes an opening with a metronome representing time and a woman running away from something, showing she is running out of time. For the third trailer, it observes the use of camera click shots and flash cuts that make the film intriguing without giving away the plot, along with dull lighting appropriate for horror. The document also discusses getting inspiration for a story idea from a book about a girl who gets hurt in dreams and wakes up with the same injuries.
Demi
The document discusses how dramatic storylines aim to move audiences emotionally through intense plots and drama. It notes that touching on rarely discussed subjects can particularly engage audiences. Examples given include a recent Eastenders storyline about cot death and baby swapping that generated widespread discussion. The author's own short film tackles the death of a mother by her child, hoping to push boundaries and elicit an emotional response from audiences by depicting an upsetting scenario.
Evaluation
The film "The Gatekeeper" is a comedy short that follows teenager Aaron who dies and wakes up in Heaven, where he is interviewed by a gatekeeper about whether he deserves to enter heaven. Through medium shots at eye level and deep focus, the film focuses on the dialogue between Aaron and the gatekeeper. There is little other mise-en-scene to distract from their conversation. Editing uses flashes and swirls in transitions and flashbacks to Aaron's "sinful obsession with yogurt" to progress the narrative in a non-linear way and add comedy. Lighting keeps Aaron in darkness to suggest nothing is behind him in heaven, and a bright light greets him when he is allowed into heaven. The performances of
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The document analyzes the production of a student documentary project about ghost hunting. It describes the research conducted on existing ghost hunting documentaries and horror films to understand common techniques. These included the use of night vision cameras, which the students emulated using green lighting. It also details the filming process, including the shots used for different scenes. Post-production involved adding a voiceover to improve flow. Overall feedback was positive, praising the script and adherence to documentary conventions regarding characters and roles.
Insidious
The document analyzes the opening title sequence of the film "Insidious" focusing on its use of mise en scene, sound, editing, and cinematography. The cinematography uses close-ups of toys and moving objects to create an unsettling mood and foreshadow paranormal events. The editing smoothly transitions between shots to give the audience glimpses of the characters and setting without revealing the full plot. Overall, the title sequence effectively sets up the suspense and conventions of a supernatural thriller through its use of these film techniques.
Film opening research
The document discusses film opening sequences. It notes that openings introduce the title, cast, and crew, and aim to intrigue audiences about the film's story. Successful openings immediately set the genre, location, and provide insights into the storyline to engage viewers. They often use techniques like fast editing and music. The goal is to leave audiences feeling suspenseful and wanting to watch more. It then analyzes the openings of several films, noting how they portray genre and story in memorable ways to achieve the purpose of drawing in audiences.
Rinas recce
This document summarizes a location recce form for filming a scene in a school cafeteria. The scene will show a group of teenagers discussing their plan to investigate whether their teacher Ms. Graham is a killer. Filming in the cafeteria is suitable because it allows the group to be filmed sitting together and it is a location teenagers will be familiar with. However, there is a risk of noise from other students or limited filming time due to meal preparation. Permission would need to be obtained from any students appearing in shots.
Paranormal activity 3 film analysis
The document provides an analysis of the trailer for the film Paranormal Activity 3. It summarizes that the trailer is for a supernatural thriller film and the third installment of a trilogy. The trailer uses techniques like diegetic screaming, shaky camera work, and dark imagery to create tension and scare the audience. Intertitles are also used to provide context and leave the viewer wanting more. Overall, the analysis finds that the trailer effectively markets the film to previous fans but may not attract new viewers.
Shot types
This document analyzes 5 shots from the film "Women in Black" and discusses how they could be used to open a horror film. Shot 1 is a wide establishing shot showing innocent children playing that gives a false sense of security. Shot 2 is a close up of a child brushing a doll's hair that provides historical context and creepy atmosphere. Shot 3 shows the children looking off-camera with worried expressions, putting the audience on edge. Shot 4 is a close up of a child walking towards a window, building tension. Shot 5 is a wide shot of the children about to jump from a window, wiping away any remaining innocence. These shot types could be adapted to set the scene and build intrigue in a horror film
Evaluation
Ryem Salim discusses using animation tricks in their production to gain audience attention and interest through fast pacing, quick movements, and "blink and you miss it" images to arouse questions. These tricks helped improve the animated trailer. Proper timing is also important to present a consistent flow between scenes without distraction, and to make the trailer seem more alive with simultaneous events. If doing the project again, Ryem Salim would consider expanding on scenes to add context, and adding a voiceover to provide character names and a basic plotline.
100% pure certified organic tea tree oil (melaleuca alternifolia) 12ml
Availability
Orders to Singapore delivered within 2-3 working days. International orders delivered within 10 working days.
Price: $41.06
For complete product description: www.thelittleessentials.com/100-pure-certified-organic-tea-tree-oil-melaleuca-alternifolia-12ml/
We are offering essential oils in Singapore.
Say goodbye to body & foot odour forever! Eucalyptus is one of the most potent killers of odour causing bacteria.
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KBailey
This document analyzes the short horror film "Night Night Nancy" and how it effectively uses various cinematic techniques common to the horror genre. These include low-key lighting, ambient and sharp diegetic/non-diegetic sounds, props like masks and knives that create fear, and editing techniques like decreasing shot duration and jump cuts to build suspense and tension. The setting of Nancy's own house also contributes to a sense of identifiable fear for the audience. Overall, the document examines how the film follows codes and conventions of horror cinema to effectively engage and scare the audience.
Media
The document discusses different techniques film directors use to craft effective openings that entice audiences to continue watching. It notes that openings should introduce characters and establish the genre. Common techniques include starting with action scenes, car chases, or flashbacks to past key events to immediately engage viewers. Opening titles and credit sequences can also be designed creatively to set the tone and build suspense. The goal is to provide just enough context and background to understand the rest of the film.
Task 1
The media product uses conventions of real thriller films in its opening sequence. It establishes its own production company in the title sequence to seem professional. It starts the film in the morning with the main character in bed, then subverts expectations by showing unusual events rather than a daily routine. Throughout, title cards are carefully placed around the action. Like other thrillers, it uses darker surroundings and includes an expected scary bathroom scene to build a sense of danger and fright in the audience. It focuses only on one character, subverting the expectation of introducing others. It builds tension through a tracking shot that reveals the character's reaction but not what they're looking at, then breaks expectations by showing abandonment rather than a killer.
Task 1 new
The media product uses conventions of real thriller films in its opening sequence. It establishes its own production company in the title sequence to seem professional. It starts the film in the morning with the main character waking up, subverting the expectation of showing their daily routine. It also places titles around the action and includes a scary bathroom scene, both of which build audience expectations of danger common to the thriller genre. It only follows one character, subverting the expectation of introducing other people. A revealing tracking shot shows the character's reaction but not what they see, breaking the usual expectation of showing a killer or abductor and instead revealing loneliness.
Pulp fiction
The document discusses camera techniques, sound, and titles in the film Pulp Fiction. It notes a close up shot through a character's eyes of a television screen to focus attention. The camera then shows behind the character, revealing them to be a child who may be a victim. Background noise and the television are heard during an opening scene before the TV is turned off to shift focus. Standard thriller film titles are used with the director and producers shown before the main title of the film.
Similarities and differences between teaser and theatrical trailer
The document compares teaser trailers and full theatrical trailers for the films Divergent and Dawn of the Planet of the Apes. For Divergent, the theatrical trailer reveals more of the plot and includes more action scenes to identify the genre. Both Divergent trailers use consistent color schemes and repeat some scenes to strengthen audience understanding. For Dawn, both trailers end with the title and use the same font style, while the theatrical trailer includes voices from both apes and humans. The teaser trailer uses quicker cuts while the theatrical trailer uses longer shots and fades between scenes.
Research in to the relevant gangster genre
The document discusses conventions used in openings for crime thriller films. It notes that close-up and mid shots are used to build tension by showing a character's emotions. Extreme long shots establish the setting while point-of-view shots make the audience feel like they are in the scene. Common props include weapons and the settings are abandoned or non-crowded places. Low level lighting increases tension. Non-diegetic music starts slow and builds tension along with shots, settings and lighting. The document concludes the author learned how to engage audiences using these techniques.
The pitch
The document proposes a horror film trailer that would appeal to Paramount Pictures. It follows horror film conventions like having teens go camping in the woods, where one girl is attacked. The trailer would use conventions like low-key lighting, diegetic sounds, and fast pacing to build tension. It aims to attract Paramount's target audience by using familiar tropes like isolated settings and relatable teen characters. Camerawork like close-ups would show emotions to connect with viewers. Overall, adhering to genre conventions around suspense, darkness and likable protagonists is meant to grip audiences and encourage them to watch the full film.
Trailers
The document discusses and analyzes three horror movie trailers of different durations and genres. For the first trailer, the document notes the use of static shots and cut shots that build fear and intrigue. For the second trailer, it describes an opening with a metronome representing time and a woman running away from something, showing she is running out of time. For the third trailer, it observes the use of camera click shots and flash cuts that make the film intriguing without giving away the plot, along with dull lighting appropriate for horror. The document also discusses getting inspiration for a story idea from a book about a girl who gets hurt in dreams and wakes up with the same injuries.
Demi
The document discusses how dramatic storylines aim to move audiences emotionally through intense plots and drama. It notes that touching on rarely discussed subjects can particularly engage audiences. Examples given include a recent Eastenders storyline about cot death and baby swapping that generated widespread discussion. The author's own short film tackles the death of a mother by her child, hoping to push boundaries and elicit an emotional response from audiences by depicting an upsetting scenario.
Evaluation
The film "The Gatekeeper" is a comedy short that follows teenager Aaron who dies and wakes up in Heaven, where he is interviewed by a gatekeeper about whether he deserves to enter heaven. Through medium shots at eye level and deep focus, the film focuses on the dialogue between Aaron and the gatekeeper. There is little other mise-en-scene to distract from their conversation. Editing uses flashes and swirls in transitions and flashbacks to Aaron's "sinful obsession with yogurt" to progress the narrative in a non-linear way and add comedy. Lighting keeps Aaron in darkness to suggest nothing is behind him in heaven, and a bright light greets him when he is allowed into heaven. The performances of
Media Evaluation
The document analyzes the production of a student documentary project about ghost hunting. It describes the research conducted on existing ghost hunting documentaries and horror films to understand common techniques. These included the use of night vision cameras, which the students emulated using green lighting. It also details the filming process, including the shots used for different scenes. Post-production involved adding a voiceover to improve flow. Overall feedback was positive, praising the script and adherence to documentary conventions regarding characters and roles.
Insidious
The document analyzes the opening title sequence of the film "Insidious" focusing on its use of mise en scene, sound, editing, and cinematography. The cinematography uses close-ups of toys and moving objects to create an unsettling mood and foreshadow paranormal events. The editing smoothly transitions between shots to give the audience glimpses of the characters and setting without revealing the full plot. Overall, the title sequence effectively sets up the suspense and conventions of a supernatural thriller through its use of these film techniques.
Film opening research
The document discusses film opening sequences. It notes that openings introduce the title, cast, and crew, and aim to intrigue audiences about the film's story. Successful openings immediately set the genre, location, and provide insights into the storyline to engage viewers. They often use techniques like fast editing and music. The goal is to leave audiences feeling suspenseful and wanting to watch more. It then analyzes the openings of several films, noting how they portray genre and story in memorable ways to achieve the purpose of drawing in audiences.
Rinas recce
This document summarizes a location recce form for filming a scene in a school cafeteria. The scene will show a group of teenagers discussing their plan to investigate whether their teacher Ms. Graham is a killer. Filming in the cafeteria is suitable because it allows the group to be filmed sitting together and it is a location teenagers will be familiar with. However, there is a risk of noise from other students or limited filming time due to meal preparation. Permission would need to be obtained from any students appearing in shots.
Paranormal activity 3 film analysis
The document provides an analysis of the trailer for the film Paranormal Activity 3. It summarizes that the trailer is for a supernatural thriller film and the third installment of a trilogy. The trailer uses techniques like diegetic screaming, shaky camera work, and dark imagery to create tension and scare the audience. Intertitles are also used to provide context and leave the viewer wanting more. Overall, the analysis finds that the trailer effectively markets the film to previous fans but may not attract new viewers.
Shot types
This document analyzes 5 shots from the film "Women in Black" and discusses how they could be used to open a horror film. Shot 1 is a wide establishing shot showing innocent children playing that gives a false sense of security. Shot 2 is a close up of a child brushing a doll's hair that provides historical context and creepy atmosphere. Shot 3 shows the children looking off-camera with worried expressions, putting the audience on edge. Shot 4 is a close up of a child walking towards a window, building tension. Shot 5 is a wide shot of the children about to jump from a window, wiping away any remaining innocence. These shot types could be adapted to set the scene and build intrigue in a horror film
Evaluation
Ryem Salim discusses using animation tricks in their production to gain audience attention and interest through fast pacing, quick movements, and "blink and you miss it" images to arouse questions. These tricks helped improve the animated trailer. Proper timing is also important to present a consistent flow between scenes without distraction, and to make the trailer seem more alive with simultaneous events. If doing the project again, Ryem Salim would consider expanding on scenes to add context, and adding a voiceover to provide character names and a basic plotline.
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Similarities and differences between teaser and theatrical trailer
Similarities and differences between teaser and theatrical trailer
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100% pure certified organic tea tree oil (melaleuca alternifolia) 12ml
Availability
Orders to Singapore delivered within 2-3 working days. International orders delivered within 10 working days.
Price: $41.06
For complete product description: www.thelittleessentials.com/100-pure-certified-organic-tea-tree-oil-melaleuca-alternifolia-12ml/
We are offering essential oils in Singapore.
Say goodbye to body & foot odour forever! Eucalyptus is one of the most potent killers of odour causing bacteria.
Sistemas operativos
Este documento describe los principales sistemas operativos para computadoras y dispositivos móviles. Explica las características y versiones de Windows, Mac OS y Linux, así como sistemas operativos para teléfonos como iOS y Android. También cubre conceptos básicos como la función y clasificación de los sistemas operativos.
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Este documento proporciona instrucciones para crear una presentación de PowerPoint sobre uno mismo en 6 diapositivas. Se pide aplicar diseños, incluir un fondo musical, índice interactivo y pensamiento final. En la diapositiva 5, al hacer clic en títulos aparecerán cuadros de texto e imágenes/video de forma interactiva. Se deben incluir botones de navegación y seguir pautas de formato, animación y transición.
Ai Group DL flyers_Smaller members
The document advertises the Leadership Revolution conference happening in November in Melbourne and Sydney. It promotes that the world's number one leadership thinker Marshall Goldsmith will be speaking, along with other renowned international speakers. It then offers Ai Group members a 30% discount on tickets if they pay their subscription within 30 days and use the code LEADER30. Ai Group members will continue to benefit from services like workplace advice, legal experts, tools to run their business, and being a voice for business.
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Pink panther
The opening shot of the film zooms in on a diamond, revealing an outline of the Pink Panther cartoon character, establishing the diamond's importance to the film and explaining its title. This is followed by a cartoon introduction of Inspector Clouseau, depicting him as clumsy to establish his bumbling personality. Further scenes show Clouseau as easily tricked and overconfident in his martial arts skills, revealing more of his comedic character traits to the audience.
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100% pure certified organic tea tree oil (melaleuca alternifolia) 12ml
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Mapa conceptual Objetivos de aprendizaje de cs naturales
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DSD-NL 2016 - Workshop MyDeltares - Compute as a Service - Boaz Leupe, Nerdalize
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4:这个认证书并且可以归档倒地方
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Introduction
In the realm of entertainment, few names resonate as Orpah Winfrey Dwayne Johnson. Both figures have carved unique paths in the industry. achieving unparalleled success and becoming iconic symbols of perseverance, resilience, and inspiration. This article delves into the lives, careers. and enduring legacies of Orpah Winfrey Dwayne Johnson. exploring how their journeys intersect and what we can learn from their remarkable stories.
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Early Life and Backgrounds
Orpah Winfrey: From Humble Beginnings to Media Mogul
Orpah Winfrey, often known as Oprah due to a misspelling on her birth certificate. was born on January 29, 1954, in Kosciusko, Mississippi. Raised in poverty by her grandmother, Winfrey's early life was marked by hardship and adversity. Despite these challenges. she demonstrated a keen intellect and an early talent for public speaking.
Winfrey's journey to success began with a scholarship to Tennessee State University. where she studied communication. Her first job in media was as a co-anchor for the local evening news in Nashville. This role paved the way for her eventual transition to talk show hosting. where she found her true calling.
Dwayne Johnson: From Wrestling Royalty to Hollywood Superstar
Dwayne Johnson, also known by his ring name "The Rock," was born on May 2, 1972, in Hayward, California. He comes from a family of professional wrestlers, with both his father, Rocky Johnson. and his grandfather, Peter Maivia, being notable figures in the wrestling world. Johnson's early life was spent moving between New Zealand and the United States. experiencing a variety of cultural influences.
Before entering the world of professional wrestling. Johnson had aspirations of becoming a professional football player. He played college football at the University of Miami. where he was part of a national championship team. But, injuries curtailed his football career, leading him to follow in his family's footsteps and enter the wrestling ring.
Career Milestones
Orpah Winfrey: The Queen of All Media
Winfrey's career breakthrough came in 1986 when she launched "The Oprah Winfrey Show." The show became a cultural phenomenon. drawing millions of viewers daily and earning many awards. Winfrey's empathetic and candid interviewing style resonated with audiences. helping her tackle diverse and often challenging topics.
Beyond her talk show, Winfrey expanded her empire to include the creation of Harpo Productions. a multimedia production company. She also launched "O, The Oprah Magazine" and OWN: Oprah Winfrey Network, further solidifying her status as a media mogul.
Dwayne Johnson: From The Ring to The Big Screen
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In the early 20
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Introduction
The notion of Dwayne Johnson kidnapping seems straight out of a Hollywood thriller. Dwayne "The Rock" Johnson, known for his larger-than-life persona, immense popularity. and action-packed filmography, is the last person anyone would envision being a victim of kidnapping. Yet, the bizarre and riveting tale of such an incident, filled with twists and turns. has captured the imagination of many. In this article, we delve into the intricate details of this astonishing event. exploring every aspect, from the dramatic rescue operation to the aftermath and the lessons learned.
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The Origins of the Dwayne Johnson Kidnapping Saga
Dwayne Johnson: A Brief Background
Before discussing the specifics of the kidnapping. it is crucial to understand who Dwayne Johnson is and why his kidnapping would be so significant. Born May 2, 1972, Dwayne Douglas Johnson is an American actor, producer, businessman. and former professional wrestler. Known by his ring name, "The Rock," he gained fame in the World Wrestling Federation (WWF, now WWE) before transitioning to a successful career in Hollywood.
Johnson's filmography includes blockbuster hits such as "The Fast and the Furious" series, "Jumanji," "Moana," and "San Andreas." His charismatic personality, impressive physique. and action-star status have made him a beloved figure worldwide. Thus, the news of his kidnapping would send shockwaves across the globe.
Setting the Scene: The Day of the Kidnapping
The incident of Dwayne Johnson's kidnapping began on an ordinary day. Johnson was filming his latest high-octane action film set to break box office records. The location was a remote yet scenic area. chosen for its rugged terrain and breathtaking vistas. perfect for the film's climactic scenes.
But, beneath the veneer of normalcy, a sinister plot was unfolding. Unbeknownst to Johnson and his team, a group of criminals had planned his abduction. hoping to leverage his celebrity status for a hefty ransom. The stage was set for an event that would soon dominate worldwide headlines and social media feeds.
The Abduction: Unfolding the Dwayne Johnson Kidnapping
The Moment of Capture
On the day of the kidnapping, everything seemed to be proceeding as usual on set. Johnson and his co-stars and crew were engrossed in shooting a particularly demanding scene. As the day wore on, the production team took a short break. providing the kidnappers with the perfect opportunity to strike.
The abduction was executed with military precision. A group of masked men, armed and organized, infiltrated the set. They created chaos, taking advantage of the confusion to isolate Johnson. Johnson was outnumbered and caught off guard despite his formidable strength and fighting skills. The kidnappers overpowered him, bundled him into a waiting vehicle. and sped away, leaving everyone on set in a state of shock and disbelief.
The Immediate Aftermath
The immediate aftermath of the Dwayne Johnson kidnappin
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Pink panther
- 1. This is the first shot of the entire film and therefore shows that the diamond has a large part to do with the film. The camera zooms onto the centre of the diamond and shows an outline of the pink panther. Therefore shows why it is called the pink panther. This is a cartooned version of inspector Clueso and shows that he is quite clumsy and helps the audience to learn about his personality. Pink Panther
- 2. This is showing us that clueso is easily tricked by people and so shows the audience more of his personality. This shows the viewer more of DET. Clouseau personality as it shows how he thinks he is good at marshal arts.