Kaden Sowels is currently studying a two-year creative media course at Sunderland College where he has directed an advert and documentary. He is hardworking, motivated, and helps his colleagues complete their tasks. His skills include strong communication abilities and enjoying teamwork. For experience, he has worked as a volunteer shop assistant at Barnardo's and is currently the season ticket liaison officer at South Shields FC, requiring organization and confidence. His education includes GCSEs and a BTEC in Creative Media at Sunderland College. He completed his Bronze Duke of Edinburgh award in 2021.
Kaden Sowels is a creative media student currently enrolled in a two-year course at Sunderland College. As part of his first year, he directed and produced an advert and 10-minute documentary. He has work experience as a volunteer shop assistant at Barnardo's and as a season ticket liaison officer for South Shields Football Club, where he ensured fans received their season tickets on time. Kaden attained GCSEs including grades 6 and 7 and is now studying a Creative Media BTEC at Sunderland College.
University Research Leeds Art University.pptxKaden Sowels
This document provides information about a filmmaking degree program at Leeds Art University, potential student accommodation options, and costs. The 3-year filmmaking degree has entry requirements of 112 UCAS points. Course modules introduce film roles in year 1, allow specialization in year 2, and focus on portfolio development in year 3. Career opportunities include screen industry roles. Accommodation options within 10-40 minutes of campus described are White Rose View, The Tannery, and St Marks Residence, all offering en-suite rooms and amenities for around £150-£170 per week.
University Research- Leeds University.pptxKaden Sowels
This document provides information about three accommodation options for a student attending Leeds University: White Rose View, The Tannery, and St Marks Residence. White Rose View is a modern accommodation run by Unite Students, located a short walk from campus, with en-suite rooms costing £167 per week. The Tannery is also close to campus and the train station, with en-suite rooms costing £153 per week. St Marks Residence offers a home-like experience near campus and Hyde Park, with en-suite rooms ranging from £157 to £162 per week.
The document provides information on three different university courses for film and media:
1) Leeds University offers a BA in Film, Photography and Media, ranking highly in the UK. The 3-4 year course covers foundations in year 1, specialization in year 2, and optional modules in year 3.
2) Leeds Art University offers a 3-year Filmmaking degree, starting with exploring roles in year 1, specializing in year 2, and focusing on portfolio/industry in year 3.
3) Met Film School in Leeds offers a 3-year Content, Media and Film Production course, teaching storytelling, social impact, fiction, branding, and building an online presence across levels 4-6.
The document outlines two shooting schedules for a film production. The original schedule lists 8 scenes to be shot between February 4th and March 31st starring actors P. Sowels, C. Sowels and F. Lamb at various home and college locations under the direction of K. Sowels. An alternative schedule is then proposed, shifting some of the home scenes with P. Sowels to April 1st while keeping the other dates and details the same.
The document outlines 10 scenes for a film about how technology has impacted people's daily lives. Scene 1 introduces the film with opening credits and music. Scenes 2-5 consist of various shots of actors using technology like computers and phones, with voiceovers of them discussing technology's effects. Scenes 6-8 continue interview footage of actors discussing their technology use and experiences. Scenes 9-10 conclude the film with closing interview commentary and ending credits over music.
Kaden Sowels is currently studying a two-year creative media course at Sunderland College where he has directed an advert and documentary. He is hardworking, motivated, and helps his colleagues complete their tasks. His skills include strong communication abilities and enjoying teamwork. For experience, he has worked as a volunteer shop assistant at Barnardo's and is currently the season ticket liaison officer at South Shields FC, requiring organization and confidence. His education includes GCSEs and a BTEC in Creative Media at Sunderland College. He completed his Bronze Duke of Edinburgh award in 2021.
Kaden Sowels is a creative media student currently enrolled in a two-year course at Sunderland College. As part of his first year, he directed and produced an advert and 10-minute documentary. He has work experience as a volunteer shop assistant at Barnardo's and as a season ticket liaison officer for South Shields Football Club, where he ensured fans received their season tickets on time. Kaden attained GCSEs including grades 6 and 7 and is now studying a Creative Media BTEC at Sunderland College.
University Research Leeds Art University.pptxKaden Sowels
This document provides information about a filmmaking degree program at Leeds Art University, potential student accommodation options, and costs. The 3-year filmmaking degree has entry requirements of 112 UCAS points. Course modules introduce film roles in year 1, allow specialization in year 2, and focus on portfolio development in year 3. Career opportunities include screen industry roles. Accommodation options within 10-40 minutes of campus described are White Rose View, The Tannery, and St Marks Residence, all offering en-suite rooms and amenities for around £150-£170 per week.
University Research- Leeds University.pptxKaden Sowels
This document provides information about three accommodation options for a student attending Leeds University: White Rose View, The Tannery, and St Marks Residence. White Rose View is a modern accommodation run by Unite Students, located a short walk from campus, with en-suite rooms costing £167 per week. The Tannery is also close to campus and the train station, with en-suite rooms costing £153 per week. St Marks Residence offers a home-like experience near campus and Hyde Park, with en-suite rooms ranging from £157 to £162 per week.
The document provides information on three different university courses for film and media:
1) Leeds University offers a BA in Film, Photography and Media, ranking highly in the UK. The 3-4 year course covers foundations in year 1, specialization in year 2, and optional modules in year 3.
2) Leeds Art University offers a 3-year Filmmaking degree, starting with exploring roles in year 1, specializing in year 2, and focusing on portfolio/industry in year 3.
3) Met Film School in Leeds offers a 3-year Content, Media and Film Production course, teaching storytelling, social impact, fiction, branding, and building an online presence across levels 4-6.
The document outlines two shooting schedules for a film production. The original schedule lists 8 scenes to be shot between February 4th and March 31st starring actors P. Sowels, C. Sowels and F. Lamb at various home and college locations under the direction of K. Sowels. An alternative schedule is then proposed, shifting some of the home scenes with P. Sowels to April 1st while keeping the other dates and details the same.
The document outlines 10 scenes for a film about how technology has impacted people's daily lives. Scene 1 introduces the film with opening credits and music. Scenes 2-5 consist of various shots of actors using technology like computers and phones, with voiceovers of them discussing technology's effects. Scenes 6-8 continue interview footage of actors discussing their technology use and experiences. Scenes 9-10 conclude the film with closing interview commentary and ending credits over music.
The document outlines a marketing campaign for a mental health organization called Mind. It discusses conducting a survey to identify the target audience of 16-18 year olds. It proposes creating a podcast and TV advertisement to promote smiling as a way to reduce stress. The key points covered include researching existing mental health ads, developing storyboards, selecting fonts and unique color schemes, and ensuring the campaign will appeal to and be successful for the target audience.
The document is a personnel list for a film titled "Canon Campaign" with Caden Sowels as the producer and director. It lists S Tait as a model with a phone number and C Sowels as the photographer also with a phone number.
The client is Canon, a photography company. The name of the campaign is "Journeys", referring to literal and metaphorical journeys. Canon wants to create a print marketing campaign centered around journeys. The target audience is young people aged 15-25 to encourage brand allegiance. Issues include engaging younger audiences who don't notice print ads and representing sustainability. Research found journeys can be metaphorical like personal growth or literal like commuting. Existing ads use bright colors for some products and serious tones for professional equipment.
The document provides questions and responses for a rationale on a print advertising campaign for Canon cameras. The target audience is young people aged 15-25 to build brand allegiance. A print ad is suitable as Canon typically uses this format. Research on existing Canon ads showed different colors and focal points appeal to various age groups. The proposed ad will follow Canon's codes and conventions with their logo and font. It will feature a model breaking free from cling film as a metaphor for overcoming mental health struggles, appealing to young people. The ad aims to show the positive outcome of journeys to fit the brief and client's needs.
Mind is a mental health charity founded in 1946 that provides advice and support to those experiencing mental health issues across England and Wales. It has run several campaigns over the years, including Time to Change which aimed to reduce stigma from 2007 to 2021. As of 2023, all UK mental health charities will receive an extra £2 billion in funding annually to help those struggling with their mental health.
The document provides details for a Canon print advertising campaign brief. It outlines that the target audience is young people aged 15-25 and the purpose is to encourage brand loyalty to Canon. It also provides research on journeys, both literal and metaphorical, and examples of existing Canon print ads. The proposed idea is a print ad focusing on the metaphorical journey of mental health recovery, showing a model breaking free from cling film restraints.
The document outlines the original and alternative shooting schedules for a film production. The original schedule was completed on January 13th and was set to film scenes 1, 2, 3, and 5 on January 13th, 15th, and 17th with actors S. Tait and A. Lamb at locations including a college classroom, house, and park. The alternative schedule proposes filming scene 3 on January 14th and moving scene 4 to January 20th due to potential scheduling conflicts.
The importance of sustainable and efficient computational practices in artificial intelligence (AI) and deep learning has become increasingly critical. This webinar focuses on the intersection of sustainability and AI, highlighting the significance of energy-efficient deep learning, innovative randomization techniques in neural networks, the potential of reservoir computing, and the cutting-edge realm of neuromorphic computing. This webinar aims to connect theoretical knowledge with practical applications and provide insights into how these innovative approaches can lead to more robust, efficient, and environmentally conscious AI systems.
Webinar Speaker: Prof. Claudio Gallicchio, Assistant Professor, University of Pisa
Claudio Gallicchio is an Assistant Professor at the Department of Computer Science of the University of Pisa, Italy. His research involves merging concepts from Deep Learning, Dynamical Systems, and Randomized Neural Systems, and he has co-authored over 100 scientific publications on the subject. He is the founder of the IEEE CIS Task Force on Reservoir Computing, and the co-founder and chair of the IEEE Task Force on Randomization-based Neural Networks and Learning Systems. He is an associate editor of IEEE Transactions on Neural Networks and Learning Systems (TNNLS).
This presentation by Katharine Kemp, Associate Professor at the Faculty of Law & Justice at UNSW Sydney, was made during the discussion “The Intersection between Competition and Data Privacy” held at the 143rd meeting of the OECD Competition Committee on 13 June 2024. More papers and presentations on the topic can be found at oe.cd/ibcdp.
This presentation was uploaded with the author’s consent.
The document outlines a marketing campaign for a mental health organization called Mind. It discusses conducting a survey to identify the target audience of 16-18 year olds. It proposes creating a podcast and TV advertisement to promote smiling as a way to reduce stress. The key points covered include researching existing mental health ads, developing storyboards, selecting fonts and unique color schemes, and ensuring the campaign will appeal to and be successful for the target audience.
The document is a personnel list for a film titled "Canon Campaign" with Caden Sowels as the producer and director. It lists S Tait as a model with a phone number and C Sowels as the photographer also with a phone number.
The client is Canon, a photography company. The name of the campaign is "Journeys", referring to literal and metaphorical journeys. Canon wants to create a print marketing campaign centered around journeys. The target audience is young people aged 15-25 to encourage brand allegiance. Issues include engaging younger audiences who don't notice print ads and representing sustainability. Research found journeys can be metaphorical like personal growth or literal like commuting. Existing ads use bright colors for some products and serious tones for professional equipment.
The document provides questions and responses for a rationale on a print advertising campaign for Canon cameras. The target audience is young people aged 15-25 to build brand allegiance. A print ad is suitable as Canon typically uses this format. Research on existing Canon ads showed different colors and focal points appeal to various age groups. The proposed ad will follow Canon's codes and conventions with their logo and font. It will feature a model breaking free from cling film as a metaphor for overcoming mental health struggles, appealing to young people. The ad aims to show the positive outcome of journeys to fit the brief and client's needs.
Mind is a mental health charity founded in 1946 that provides advice and support to those experiencing mental health issues across England and Wales. It has run several campaigns over the years, including Time to Change which aimed to reduce stigma from 2007 to 2021. As of 2023, all UK mental health charities will receive an extra £2 billion in funding annually to help those struggling with their mental health.
The document provides details for a Canon print advertising campaign brief. It outlines that the target audience is young people aged 15-25 and the purpose is to encourage brand loyalty to Canon. It also provides research on journeys, both literal and metaphorical, and examples of existing Canon print ads. The proposed idea is a print ad focusing on the metaphorical journey of mental health recovery, showing a model breaking free from cling film restraints.
The document outlines the original and alternative shooting schedules for a film production. The original schedule was completed on January 13th and was set to film scenes 1, 2, 3, and 5 on January 13th, 15th, and 17th with actors S. Tait and A. Lamb at locations including a college classroom, house, and park. The alternative schedule proposes filming scene 3 on January 14th and moving scene 4 to January 20th due to potential scheduling conflicts.
The importance of sustainable and efficient computational practices in artificial intelligence (AI) and deep learning has become increasingly critical. This webinar focuses on the intersection of sustainability and AI, highlighting the significance of energy-efficient deep learning, innovative randomization techniques in neural networks, the potential of reservoir computing, and the cutting-edge realm of neuromorphic computing. This webinar aims to connect theoretical knowledge with practical applications and provide insights into how these innovative approaches can lead to more robust, efficient, and environmentally conscious AI systems.
Webinar Speaker: Prof. Claudio Gallicchio, Assistant Professor, University of Pisa
Claudio Gallicchio is an Assistant Professor at the Department of Computer Science of the University of Pisa, Italy. His research involves merging concepts from Deep Learning, Dynamical Systems, and Randomized Neural Systems, and he has co-authored over 100 scientific publications on the subject. He is the founder of the IEEE CIS Task Force on Reservoir Computing, and the co-founder and chair of the IEEE Task Force on Randomization-based Neural Networks and Learning Systems. He is an associate editor of IEEE Transactions on Neural Networks and Learning Systems (TNNLS).
This presentation by Katharine Kemp, Associate Professor at the Faculty of Law & Justice at UNSW Sydney, was made during the discussion “The Intersection between Competition and Data Privacy” held at the 143rd meeting of the OECD Competition Committee on 13 June 2024. More papers and presentations on the topic can be found at oe.cd/ibcdp.
This presentation was uploaded with the author’s consent.
This presentation by OECD, OECD Secretariat, was made during the discussion “The Intersection between Competition and Data Privacy” held at the 143rd meeting of the OECD Competition Committee on 13 June 2024. More papers and presentations on the topic can be found at oe.cd/ibcdp.
This presentation was uploaded with the author’s consent.
This presentation by Professor Giuseppe Colangelo, Jean Monnet Professor of European Innovation Policy, was made during the discussion “The Intersection between Competition and Data Privacy” held at the 143rd meeting of the OECD Competition Committee on 13 June 2024. More papers and presentations on the topic can be found at oe.cd/ibcdp.
This presentation was uploaded with the author’s consent.
This presentation by Nathaniel Lane, Associate Professor in Economics at Oxford University, was made during the discussion “Pro-competitive Industrial Policy” held at the 143rd meeting of the OECD Competition Committee on 12 June 2024. More papers and presentations on the topic can be found at oe.cd/pcip.
This presentation was uploaded with the author’s consent.
Suzanne Lagerweij - Influence Without Power - Why Empathy is Your Best Friend...Suzanne Lagerweij
This is a workshop about communication and collaboration. We will experience how we can analyze the reasons for resistance to change (exercise 1) and practice how to improve our conversation style and be more in control and effective in the way we communicate (exercise 2).
This session will use Dave Gray’s Empathy Mapping, Argyris’ Ladder of Inference and The Four Rs from Agile Conversations (Squirrel and Fredrick).
Abstract:
Let’s talk about powerful conversations! We all know how to lead a constructive conversation, right? Then why is it so difficult to have those conversations with people at work, especially those in powerful positions that show resistance to change?
Learning to control and direct conversations takes understanding and practice.
We can combine our innate empathy with our analytical skills to gain a deeper understanding of complex situations at work. Join this session to learn how to prepare for difficult conversations and how to improve our agile conversations in order to be more influential without power. We will use Dave Gray’s Empathy Mapping, Argyris’ Ladder of Inference and The Four Rs from Agile Conversations (Squirrel and Fredrick).
In the session you will experience how preparing and reflecting on your conversation can help you be more influential at work. You will learn how to communicate more effectively with the people needed to achieve positive change. You will leave with a self-revised version of a difficult conversation and a practical model to use when you get back to work.
Come learn more on how to become a real influencer!
This presentation by OECD, OECD Secretariat, was made during the discussion “Competition and Regulation in Professions and Occupations” held at the 77th meeting of the OECD Working Party No. 2 on Competition and Regulation on 10 June 2024. More papers and presentations on the topic can be found at oe.cd/crps.
This presentation was uploaded with the author’s consent.
This presentation by Tim Capel, Director of the UK Information Commissioner’s Office Legal Service, was made during the discussion “The Intersection between Competition and Data Privacy” held at the 143rd meeting of the OECD Competition Committee on 13 June 2024. More papers and presentations on the topic can be found at oe.cd/ibcdp.
This presentation was uploaded with the author’s consent.
This presentation by OECD, OECD Secretariat, was made during the discussion “Artificial Intelligence, Data and Competition” held at the 143rd meeting of the OECD Competition Committee on 12 June 2024. More papers and presentations on the topic can be found at oe.cd/aicomp.
This presentation was uploaded with the author’s consent.
This presentation by Juraj Čorba, Chair of OECD Working Party on Artificial Intelligence Governance (AIGO), was made during the discussion “Artificial Intelligence, Data and Competition” held at the 143rd meeting of the OECD Competition Committee on 12 June 2024. More papers and presentations on the topic can be found at oe.cd/aicomp.
This presentation was uploaded with the author’s consent.
This presentation by Professor Alex Robson, Deputy Chair of Australia’s Productivity Commission, was made during the discussion “Competition and Regulation in Professions and Occupations” held at the 77th meeting of the OECD Working Party No. 2 on Competition and Regulation on 10 June 2024. More papers and presentations on the topic can be found at oe.cd/crps.
This presentation was uploaded with the author’s consent.
This presentation by Thibault Schrepel, Associate Professor of Law at Vrije Universiteit Amsterdam University, was made during the discussion “Artificial Intelligence, Data and Competition” held at the 143rd meeting of the OECD Competition Committee on 12 June 2024. More papers and presentations on the topic can be found at oe.cd/aicomp.
This presentation was uploaded with the author’s consent.
Carrer goals.pptx and their importance in real lifeartemacademy2
Career goals serve as a roadmap for individuals, guiding them toward achieving long-term professional aspirations and personal fulfillment. Establishing clear career goals enables professionals to focus their efforts on developing specific skills, gaining relevant experience, and making strategic decisions that align with their desired career trajectory. By setting both short-term and long-term objectives, individuals can systematically track their progress, make necessary adjustments, and stay motivated. Short-term goals often include acquiring new qualifications, mastering particular competencies, or securing a specific role, while long-term goals might encompass reaching executive positions, becoming industry experts, or launching entrepreneurial ventures.
Moreover, having well-defined career goals fosters a sense of purpose and direction, enhancing job satisfaction and overall productivity. It encourages continuous learning and adaptation, as professionals remain attuned to industry trends and evolving job market demands. Career goals also facilitate better time management and resource allocation, as individuals prioritize tasks and opportunities that advance their professional growth. In addition, articulating career goals can aid in networking and mentorship, as it allows individuals to communicate their aspirations clearly to potential mentors, colleagues, and employers, thereby opening doors to valuable guidance and support. Ultimately, career goals are integral to personal and professional development, driving individuals toward sustained success and fulfillment in their chosen fields.
Why Psychological Safety Matters for Software Teams - ACE 2024 - Ben Linders.pdfBen Linders
Psychological safety in teams is important; team members must feel safe and able to communicate and collaborate effectively to deliver value. It’s also necessary to build long-lasting teams since things will happen and relationships will be strained.
But, how safe is a team? How can we determine if there are any factors that make the team unsafe or have an impact on the team’s culture?
In this mini-workshop, we’ll play games for psychological safety and team culture utilizing a deck of coaching cards, The Psychological Safety Cards. We will learn how to use gamification to gain a better understanding of what’s going on in teams. Individuals share what they have learned from working in teams, what has impacted the team’s safety and culture, and what has led to positive change.
Different game formats will be played in groups in parallel. Examples are an ice-breaker to get people talking about psychological safety, a constellation where people take positions about aspects of psychological safety in their team or organization, and collaborative card games where people work together to create an environment that fosters psychological safety.