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1 of 21
Shot 1 – Performance Shot
Eye level angle
Long shot
Tilts up to another eye level shot for shot 2
‘let me hit you with that one ride’ x2
Shot 2 – Performance Shot
Eye level angle
Long shot
Panning into a low angle shot
3
‘let me tell you that one line’
Shot 3 – Performance shot
Low angle
Long shot
Canted angle shot from low
to high shot 4
‘me and you forever, like
whatever the weather’
Shot 4 – Performance shot
High angle shot
Long shot
Pans down to eye level shot 5
‘what you doing? What you
saying?’
Shot 5 – Performance Shot
Eye level angle
Medium shot
Jump cut to eye level angle shot 6
‘Taking off where we left, I know that you
been waiting, I know that you been playing’
Shot 6 – Performance Shot
Medium shot
Eye level angle
Continues/flows to a mid shot 7
‘yeah I know that you been playing this game
before,
But times have changed now man its more like a
War’
Shot 7 – Performance Shot
Medium shot
Eye level angle
Transition to a high angle shot 8
‘She said you’re different to the other guys, they
Don’t really know me’
‘like they are in it for a minute, then they
fade away
Like Kobe,
But you, you're different, come on show
me
Something different – yeah’
Shot 7 – Performance Shot
Eye level angle
Medium shot
Horizontal pan to shot 8
Shot 9 – Performance shot
Medium shot
Eye level angle
Fade to shot 10
‘let me hit you with that one ride, hit you with
that
One ride,
Come on baby on try,
Lemme love you long time,
Sippin’ on some fine wine,
Blinging on the hotline,
I’ll never put you on the frontline’
Cos what’s mine is yours and what’s yours is mine,
You don’t need to make sure nah,
And can tell you a diamond even when I feel the
Pressure, its just you and me forever – real’
Shot 10 – Performance shot
High angle shot
Long shot
Tracking shot to shot 11
‘and I know I aint good enough,
But I’m still trying even though I know you’re lying,
Yeah its written on your face, I can see it in your eyes,
I can see it in your eyes’
Shot 11 – Performance shot
Canted angle
Long shot
Fade to shot 12
‘Yeah, I know you too well and you ain’t being
honest,
Cos I’m here for good. You got my word and I
promise’
Shot 12 – Performance shot
Oblique angle
Medium shot
Horizontal pan to shot 13
Shot 13 – Performance shot
Medium shot
Eye level angle
Jump cut to shot 14
‘I cant take the silent treatment anymore,
Just be honest, I mean I just be honest,
Yeah’
Lemme hit you with that one ride,
Come on baby one try,
Lemme love you long time,
Sippin on some fine wine’
Shot 14 – Performance shot
Close up shot
Canted angle
Tracking shot to shot 15
Shot 15 – Performance shot
Eye level angle
Medium shot
Pan to shot 16
‘blinging on the hotline,
I’ll never put you on the frontline’
Shot 16 – Performance shot
Low angle shot
Medium shot
Vertical pan to low angle shot 17
Cos what's mine is yours and what's yours is mine,
You don’t need to make sure, nah,
And I ain’t ever been a chaser but for you I go out of my
Way and put my pride aside – yeah’
Shot 17 – Performance shot
Canted angle
Medium shot
Vertical pan to shot 18
‘Cant lie I’m moving sideways,
All up in my feelings and it still aint making sense,
I don’t want it to be tense, I don’t want it to be
Awkward’
Shot 18 – Performance shot
Low angle shot
Long shot
Jump cut to shot 18
‘I just want it to be real,
yeah you always keep it trill,
Cos you realer than the others,
Paint the picure black and white they be asking
‘Where the colours?’’
Shot 19 – Performance shot
High angle
Mid shot
Tracking to shot 20
“But I feel it deep within, let’s be
undercover lovers. Let’s be undercover
lovers”.
Shot 20 – Performance shot
Long shot
Eye level shot
Track to shot 21
‘let me hit you with that one ride,
hit you with that
One ride,
Come on baby on try,
Lemme love you long time,
Sippin’ on some fine wine,
Blinging on the hotline,
I’ll never put you on the frontline’
Shot 21 – Performance shot
Mid shot
Eye level shot
‘Cos what’s mine is yours, and
what’s yours is mine, and you
don’t need to make sure nah. This
shit’s forever, I mean it it’s forever’.

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Performance Shot Breakdown

  • 1. Shot 1 – Performance Shot Eye level angle Long shot Tilts up to another eye level shot for shot 2 ‘let me hit you with that one ride’ x2
  • 2. Shot 2 – Performance Shot Eye level angle Long shot Panning into a low angle shot 3 ‘let me tell you that one line’
  • 3. Shot 3 – Performance shot Low angle Long shot Canted angle shot from low to high shot 4 ‘me and you forever, like whatever the weather’
  • 4. Shot 4 – Performance shot High angle shot Long shot Pans down to eye level shot 5 ‘what you doing? What you saying?’
  • 5. Shot 5 – Performance Shot Eye level angle Medium shot Jump cut to eye level angle shot 6 ‘Taking off where we left, I know that you been waiting, I know that you been playing’
  • 6. Shot 6 – Performance Shot Medium shot Eye level angle Continues/flows to a mid shot 7 ‘yeah I know that you been playing this game before, But times have changed now man its more like a War’
  • 7. Shot 7 – Performance Shot Medium shot Eye level angle Transition to a high angle shot 8 ‘She said you’re different to the other guys, they Don’t really know me’
  • 8. ‘like they are in it for a minute, then they fade away Like Kobe, But you, you're different, come on show me Something different – yeah’ Shot 7 – Performance Shot Eye level angle Medium shot Horizontal pan to shot 8
  • 9. Shot 9 – Performance shot Medium shot Eye level angle Fade to shot 10 ‘let me hit you with that one ride, hit you with that One ride, Come on baby on try, Lemme love you long time, Sippin’ on some fine wine, Blinging on the hotline, I’ll never put you on the frontline’
  • 10. Cos what’s mine is yours and what’s yours is mine, You don’t need to make sure nah, And can tell you a diamond even when I feel the Pressure, its just you and me forever – real’ Shot 10 – Performance shot High angle shot Long shot Tracking shot to shot 11
  • 11. ‘and I know I aint good enough, But I’m still trying even though I know you’re lying, Yeah its written on your face, I can see it in your eyes, I can see it in your eyes’ Shot 11 – Performance shot Canted angle Long shot Fade to shot 12
  • 12. ‘Yeah, I know you too well and you ain’t being honest, Cos I’m here for good. You got my word and I promise’ Shot 12 – Performance shot Oblique angle Medium shot Horizontal pan to shot 13
  • 13. Shot 13 – Performance shot Medium shot Eye level angle Jump cut to shot 14 ‘I cant take the silent treatment anymore, Just be honest, I mean I just be honest, Yeah’
  • 14. Lemme hit you with that one ride, Come on baby one try, Lemme love you long time, Sippin on some fine wine’ Shot 14 – Performance shot Close up shot Canted angle Tracking shot to shot 15
  • 15. Shot 15 – Performance shot Eye level angle Medium shot Pan to shot 16 ‘blinging on the hotline, I’ll never put you on the frontline’
  • 16. Shot 16 – Performance shot Low angle shot Medium shot Vertical pan to low angle shot 17 Cos what's mine is yours and what's yours is mine, You don’t need to make sure, nah, And I ain’t ever been a chaser but for you I go out of my Way and put my pride aside – yeah’
  • 17. Shot 17 – Performance shot Canted angle Medium shot Vertical pan to shot 18 ‘Cant lie I’m moving sideways, All up in my feelings and it still aint making sense, I don’t want it to be tense, I don’t want it to be Awkward’
  • 18. Shot 18 – Performance shot Low angle shot Long shot Jump cut to shot 18 ‘I just want it to be real, yeah you always keep it trill, Cos you realer than the others, Paint the picure black and white they be asking ‘Where the colours?’’
  • 19. Shot 19 – Performance shot High angle Mid shot Tracking to shot 20 “But I feel it deep within, let’s be undercover lovers. Let’s be undercover lovers”.
  • 20. Shot 20 – Performance shot Long shot Eye level shot Track to shot 21 ‘let me hit you with that one ride, hit you with that One ride, Come on baby on try, Lemme love you long time, Sippin’ on some fine wine, Blinging on the hotline, I’ll never put you on the frontline’
  • 21. Shot 21 – Performance shot Mid shot Eye level shot ‘Cos what’s mine is yours, and what’s yours is mine, and you don’t need to make sure nah. This shit’s forever, I mean it it’s forever’.