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Kelley Pres 2 Borders Of Production Research
This document discusses the Canadian teen drama television series Degrassi: The Next Generation and how it represents Canadian national identity and culture. It extends on previous work analyzing the show and argues that researchers' own cultural perspectives influence the questions they ask. It also suggests comparing case studies of American television productions and their depictions of national identity.
Shana-Presentation
Shana's presentation on the Toby Miller and John McMurria readings from the Media Industries anthology.
K Martins Presentation 1
These are the slides from Kelley's presentation on the "Financing Creative Industries in Developing Countries" reading.
Pornographic Content Filter
Final Thesis.Pornographic Content Filter.
Analyze Url´s,Images and Videos using Matlab,Python,C# and more.
Analisis Faktor.Ppt 2
Dokumen tersebut membahas tentang analisis faktor yang bertujuan untuk mereduksi variabel menjadi beberapa indikator utama tanpa kehilangan informasi penting. Metode statistik yang digunakan antara lain tes Bartlett untuk menguji hubungan antar variabel dan nilai eigen untuk menentukan jumlah faktor. Dokumen ini juga menjelaskan konsep dasar dan syarat untuk melakukan analisis faktor.
The Music Biz In The US
The document discusses various aspects of the US music business including artist dealings, distribution methods, publishing rights, promotion strategies, and questions about the future of the music industry. It mentions independent and major retail stores, niche markets, performance and synchronization rights, popular and grassroots promotion, and whether music will continue its business success or take a step back in society over the next decade.
Recommended
Kelley Pres 2 Borders Of Production Research
This document discusses the Canadian teen drama television series Degrassi: The Next Generation and how it represents Canadian national identity and culture. It extends on previous work analyzing the show and argues that researchers' own cultural perspectives influence the questions they ask. It also suggests comparing case studies of American television productions and their depictions of national identity.
Shana-Presentation
Shana's presentation on the Toby Miller and John McMurria readings from the Media Industries anthology.
K Martins Presentation 1
These are the slides from Kelley's presentation on the "Financing Creative Industries in Developing Countries" reading.
Pornographic Content Filter
Final Thesis.Pornographic Content Filter.
Analyze Url´s,Images and Videos using Matlab,Python,C# and more.
Analisis Faktor.Ppt 2
Dokumen tersebut membahas tentang analisis faktor yang bertujuan untuk mereduksi variabel menjadi beberapa indikator utama tanpa kehilangan informasi penting. Metode statistik yang digunakan antara lain tes Bartlett untuk menguji hubungan antar variabel dan nilai eigen untuk menentukan jumlah faktor. Dokumen ini juga menjelaskan konsep dasar dan syarat untuk melakukan analisis faktor.
The Music Biz In The US
The document discusses various aspects of the US music business including artist dealings, distribution methods, publishing rights, promotion strategies, and questions about the future of the music industry. It mentions independent and major retail stores, niche markets, performance and synchronization rights, popular and grassroots promotion, and whether music will continue its business success or take a step back in society over the next decade.
Olweus2008vs2009
You are helping students and making a positive impact. The document repeats the years 2008 and 2009, suggesting we should celebrate accomplishments over multiple years. In short, good work is being done to help students, as shown by ongoing efforts in 2008 through 2009.
Liminal Places And Spaces
This document discusses a study that analyzed 3 lesbian environments - a club in LA, a pub in Brooklyn, and a bar in Chicago - to understand liminal spaces and public/private considerations. It also discusses how the TV show "The L Word" used audience research, branding, viral marketing, executive/fan contact, and virtual world building to shape the show and establish sanctioned online spaces for queer women. The document argues that these techniques gave producers and executives symbolic power to construct shared realities through media.
The Shift To Consumer Created Content
This document discusses the shift from a traditional media industry model to one where consumers are actively participating in content creation and distribution. It outlines three phases of the creative industries and how the roles of audiences have changed. Consumers have become "prosumers," "multipliers," and "media-actives" who help shape media. This new dynamic requires industries to consider consumers' sense of a "moral economy" and deal with their participation either through a prohibitive or collaborative approach, with tensions arising from abrupt shifts between the two. The collaborative approach welcomes fan participation while the prohibitive sees consumers as potentially "immoral" for profiting from industry content.
Analisis Faktor.Ppt 2
Dokumen tersebut membahas tentang analisis faktor yang bertujuan untuk mereduksi variabel menjadi beberapa indikator utama tanpa kehilangan informasi penting. Metode statistik yang digunakan antara lain analisis korelasi, komunalitas, nilai eigen, dan scree plot untuk menentukan jumlah faktor. Analisis ini bertujuan mengidentifikasi faktor-faktor yang mempengaruhi konsumsi mie instan berdasarkan survei 100 responden.
It's Not TV, It’s Brand Management TV
The document discusses the role of a show-runner in managing a television franchise across multiple platforms. It notes that a show-runner must oversee the writer's room, post-production, and web content while ensuring the storyline and characters are consistently developed. It uses Lost as a case study, explaining how show-runners Damon Lindelof and Carlton Cuse worked together to manage the complex transmedia world of Lost, which spanned novels, websites, mobisodes, and more. However, it also notes that determining true authorship in such collaborative franchises can be difficult.
Brian-Presentation 2
The document discusses privilege and distinction between different types of workers in media production. It describes hierarchies that divide creative from technical work and "above the line" from "below the line" roles. "Above the line" workers such as producers, directors, and writers typically receive individual residual payments, while "below the line" crafts and technical workers receive collective residuals in the form of benefits. The document also notes further distinctions between unionized workers, off-shore non-union workers, and differences in job security, compensation, and working conditions.
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Olweus2008vs2009
You are helping students and making a positive impact. The document repeats the years 2008 and 2009, suggesting we should celebrate accomplishments over multiple years. In short, good work is being done to help students, as shown by ongoing efforts in 2008 through 2009.
Liminal Places And Spaces
This document discusses a study that analyzed 3 lesbian environments - a club in LA, a pub in Brooklyn, and a bar in Chicago - to understand liminal spaces and public/private considerations. It also discusses how the TV show "The L Word" used audience research, branding, viral marketing, executive/fan contact, and virtual world building to shape the show and establish sanctioned online spaces for queer women. The document argues that these techniques gave producers and executives symbolic power to construct shared realities through media.
The Shift To Consumer Created Content
This document discusses the shift from a traditional media industry model to one where consumers are actively participating in content creation and distribution. It outlines three phases of the creative industries and how the roles of audiences have changed. Consumers have become "prosumers," "multipliers," and "media-actives" who help shape media. This new dynamic requires industries to consider consumers' sense of a "moral economy" and deal with their participation either through a prohibitive or collaborative approach, with tensions arising from abrupt shifts between the two. The collaborative approach welcomes fan participation while the prohibitive sees consumers as potentially "immoral" for profiting from industry content.
Analisis Faktor.Ppt 2
Dokumen tersebut membahas tentang analisis faktor yang bertujuan untuk mereduksi variabel menjadi beberapa indikator utama tanpa kehilangan informasi penting. Metode statistik yang digunakan antara lain analisis korelasi, komunalitas, nilai eigen, dan scree plot untuk menentukan jumlah faktor. Analisis ini bertujuan mengidentifikasi faktor-faktor yang mempengaruhi konsumsi mie instan berdasarkan survei 100 responden.
It's Not TV, It’s Brand Management TV
The document discusses the role of a show-runner in managing a television franchise across multiple platforms. It notes that a show-runner must oversee the writer's room, post-production, and web content while ensuring the storyline and characters are consistently developed. It uses Lost as a case study, explaining how show-runners Damon Lindelof and Carlton Cuse worked together to manage the complex transmedia world of Lost, which spanned novels, websites, mobisodes, and more. However, it also notes that determining true authorship in such collaborative franchises can be difficult.
Brian-Presentation 2
The document discusses privilege and distinction between different types of workers in media production. It describes hierarchies that divide creative from technical work and "above the line" from "below the line" roles. "Above the line" workers such as producers, directors, and writers typically receive individual residual payments, while "below the line" crafts and technical workers receive collective residuals in the form of benefits. The document also notes further distinctions between unionized workers, off-shore non-union workers, and differences in job security, compensation, and working conditions.