L'intervento di Sabrina Lucatelli (DPS - UVAL) in occasione del Seminario interregionale "Le Aree interne nella Programmazione 2014 - 2020" tenutosi a Napoli il 17/12/13, organizzato dall'Ambito FARE RETE di Capacity SUD.
Convegno Compag 2011 - La volatilità dei mercati cerealicoli e le misure prev...Image Line
Bologna, 1° dicembre 2011 - relazione del prof. Frascarelli, docente di Economia e Politica Agraria nella Facoltà di Agraria dell’Università di Perugia; Direttore del Centro per lo Sviluppo Agricolo e Rurale; Membro del Gruppo 2013; Membro del Comitato di redazione di Agriregionieuropa.
Per ulteriori informazioni, vedi Agronotizie http://www.agronotizie.it, una delle riviste per l'agricoltura di Image Line.
L'intervento di Sabrina Lucatelli (DPS - UVAL) in occasione del Seminario interregionale "Le Aree interne nella Programmazione 2014 - 2020" tenutosi a Napoli il 17/12/13, organizzato dall'Ambito FARE RETE di Capacity SUD.
Convegno Compag 2011 - La volatilità dei mercati cerealicoli e le misure prev...Image Line
Bologna, 1° dicembre 2011 - relazione del prof. Frascarelli, docente di Economia e Politica Agraria nella Facoltà di Agraria dell’Università di Perugia; Direttore del Centro per lo Sviluppo Agricolo e Rurale; Membro del Gruppo 2013; Membro del Comitato di redazione di Agriregionieuropa.
Per ulteriori informazioni, vedi Agronotizie http://www.agronotizie.it, una delle riviste per l'agricoltura di Image Line.
Este documento presenta la técnica del Mapa de Humor y el gráfico emocional como herramientas para representar las emociones de los estudiantes durante una actividad. Explica la simbología utilizada en el Mapa de Humor y cómo el Gráfico Emocional muestra las emociones de los estudiantes en diferentes momentos de una actividad. Finalmente, presenta el Mapa de la estructura local del Afecto-Cognición para representar las actitudes de los estudiantes a lo largo del proceso de una tarea.
Vedere la poesia con gli occhi dell'anima.
Un progetto didattico per far amare la poesia agli studenti di oggi, attraverso l'uso delle tecnologie per l'apprendimento.
Corso Ifts 2009 - Locandina Tecnico superiore della logistica integrata Forpin
Il tecnico superiore della logistica integrata opera all’interno di imprese industriali, commerciali o di servizi logistici. Partecipa alla progettazione e all’organizzazione del ciclo logistico: pianificazione della produzione, approvvigionamenti, gestione dell’ordine, gestione delle scorte, magazzinaggio, movimentazione, imballaggio, trasporto; analizza i costi ed i ricavi del ciclo logistico integrato; prepara e verifica i documenti di trasporto; gestisce le procedure amministrative e contabili connesse al ciclo logistico.
Presentazione per la tesina di scuola superiore (2002) - un progetto di enciclopedia multimediale in PHP e MySQL dal titolo: "Compendio storico culturale del XX secolo"
Este documento describe los requisitos y procedimientos para varias modalidades de grado en una universidad, incluyendo tesis, proyectos de grado, exámenes de grado, trabajo dirigido y graduación por excelencia. Estos trabajos finales requieren entre 400 y 540 horas de trabajo y la supervisión de un tutor, y deben cumplir con estándares de metodología científica. El documento también proporciona detalles sobre la estructura y contenido requerido para cada tipo de trabajo de grado.
El documento describe las diferencias entre asesinos organizados y desorganizados. Los asesinos organizados planean cuidadosamente sus crímenes y tratan de ocultar evidencia, mientras que los desorganizados actúan por impulso y no ocultan los cuerpos de las víctimas. También discute los tipos de psicosis y las tres fases de acción de los psicópatas: normal, psicopática y tormenta psicopática.
Lionsgate Films would be a suitable distributor for the film noir project. As a major mini studio, Lionsgate has experience distributing dark films that appeal to film noir audiences. It also has a reputation for taking creative risks on films with smaller budgets like film noirs. While conglomerate studios prefer only the most profitable projects, Lionsgate is more willing to take chances on independent films.
Lionsgate Films would be the best distributor for a film noir. As the most successful mini-major film studio with a market share of just under $2.9 billion, Lionsgate is known for distributing "dark" films that appeal to film noir audiences. It also takes risks on lower budget films that can gain popularity through word of mouth, as required by the low budget nature and character-driven narratives of film noirs.
Universal Studios would be a good choice to distribute a film noir due to its experience distributing the genre and willingness to take creative risks. However, film noirs typically have low budgets, so a platform release through Lionsgate Films may be better suited as they are known for distributing similar "dark" films on low budgets successfully. Major studios like Warner Home Video likely won't be interested due to the unknown cast and crew. Entertainment Film Distributors, which distributes many independent films, could also be a viable option due to their success appealing to wide audiences.
Este documento presenta la técnica del Mapa de Humor y el gráfico emocional como herramientas para representar las emociones de los estudiantes durante una actividad. Explica la simbología utilizada en el Mapa de Humor y cómo el Gráfico Emocional muestra las emociones de los estudiantes en diferentes momentos de una actividad. Finalmente, presenta el Mapa de la estructura local del Afecto-Cognición para representar las actitudes de los estudiantes a lo largo del proceso de una tarea.
Vedere la poesia con gli occhi dell'anima.
Un progetto didattico per far amare la poesia agli studenti di oggi, attraverso l'uso delle tecnologie per l'apprendimento.
Corso Ifts 2009 - Locandina Tecnico superiore della logistica integrata Forpin
Il tecnico superiore della logistica integrata opera all’interno di imprese industriali, commerciali o di servizi logistici. Partecipa alla progettazione e all’organizzazione del ciclo logistico: pianificazione della produzione, approvvigionamenti, gestione dell’ordine, gestione delle scorte, magazzinaggio, movimentazione, imballaggio, trasporto; analizza i costi ed i ricavi del ciclo logistico integrato; prepara e verifica i documenti di trasporto; gestisce le procedure amministrative e contabili connesse al ciclo logistico.
Presentazione per la tesina di scuola superiore (2002) - un progetto di enciclopedia multimediale in PHP e MySQL dal titolo: "Compendio storico culturale del XX secolo"
Este documento describe los requisitos y procedimientos para varias modalidades de grado en una universidad, incluyendo tesis, proyectos de grado, exámenes de grado, trabajo dirigido y graduación por excelencia. Estos trabajos finales requieren entre 400 y 540 horas de trabajo y la supervisión de un tutor, y deben cumplir con estándares de metodología científica. El documento también proporciona detalles sobre la estructura y contenido requerido para cada tipo de trabajo de grado.
El documento describe las diferencias entre asesinos organizados y desorganizados. Los asesinos organizados planean cuidadosamente sus crímenes y tratan de ocultar evidencia, mientras que los desorganizados actúan por impulso y no ocultan los cuerpos de las víctimas. También discute los tipos de psicosis y las tres fases de acción de los psicópatas: normal, psicopática y tormenta psicopática.
Lionsgate Films would be a suitable distributor for the film noir project. As a major mini studio, Lionsgate has experience distributing dark films that appeal to film noir audiences. It also has a reputation for taking creative risks on films with smaller budgets like film noirs. While conglomerate studios prefer only the most profitable projects, Lionsgate is more willing to take chances on independent films.
Lionsgate Films would be the best distributor for a film noir. As the most successful mini-major film studio with a market share of just under $2.9 billion, Lionsgate is known for distributing "dark" films that appeal to film noir audiences. It also takes risks on lower budget films that can gain popularity through word of mouth, as required by the low budget nature and character-driven narratives of film noirs.
Universal Studios would be a good choice to distribute a film noir due to its experience distributing the genre and willingness to take creative risks. However, film noirs typically have low budgets, so a platform release through Lionsgate Films may be better suited as they are known for distributing similar "dark" films on low budgets successfully. Major studios like Warner Home Video likely won't be interested due to the unknown cast and crew. Entertainment Film Distributors, which distributes many independent films, could also be a viable option due to their success appealing to wide audiences.
Universal Studios would be a suitable distributor for the film noir due to its reputation for creative risks and appealing to those who enjoy the genre. However, film noirs typically have low budgets, so a smaller distributor like Lionsgate may be better, as they are known for successful dark films that appeal to noir audiences. While a major company like Warner Home Video is unlikely to distribute an unknown production, a mid-size company like Entertainment Film Distributors that appeals to diverse audiences could generate more interest.
The storyboard is a visual plan that breaks down a film or video into individual shots and scenes. It helps filmmakers plan and visualize the flow of the narrative before filming begins. Each panel of the storyboard represents a scene and includes basic visual elements like characters, setting, action, and dialogue to map out the timing, composition, and continuity of shots.
The opening scene of The Conjuring establishes a sense of mystery and impending danger through low-key monochrome lighting and unsettling non-diegetic music. Newspaper articles provide clues about the film's themes of ghost hunting without revealing details, intriguing viewers to learn more. Character introductions are also obscure and unsettling, hinting at unfortunate circumstances without explanation to keep the audience engaged and wondering what caused events in the film.
This call sheet provides details for a film shoot, including the artist, track details, director, producer, shoot date and location. It also lists the cast and crew roles and contact details, and items needed such as wardrobe, props, equipment and call times. The cast includes a detective, inspector and others, and props include a newspaper, tape, gun and chalk.
The document analyzes financial and audience data for the horror film genre. It finds that while horror films have lower budgets than other genres like comedy, they earn an average profit of $16 million per film. Horror audiences tend to be males age 18-24 who are drawn to the thrill and scares of the genre. For a horror film to succeed financially, it should aim for an R rating and be distributed by a company like Universal Studios which has experience with profitable horror releases.
The document provides an analysis of the opening scenes of the film "The Conjuring". It summarizes that the opening scene uses low-key monochrome lighting and dated visuals to set a mood of mystery and impending doom. It also discusses how the non-diegetic music creates a feeling of restlessness and danger to engage the audience. Newspaper articles and subtitles are incorporated to provide clues about the film's themes of ghosts and the supernatural without revealing details, intriguing the audience. Overall, the introduction uses various film techniques to unsettle the audience and keep them interested in learning more.
The opening sequence of Touch of Evil is a single unbroken three minute and 20 second tracking shot that follows a character planting a bomb in a couple's car without revealing his identity. This obscures the narrative and builds tension for the audience as they see people going about their business unaware of the impending explosion. The sequence makes clever use of camera techniques like the rule of thirds and a ticking clock-like music cue that speeds up to further heighten the suspense until the car explodes, killing the couple.
The document provides credits for the 2013 horror film Evil Dead, including that it was directed by Fede Alvarez, based on the 1981 film The Evil Dead written by Sam Raimi, and starred Jane Levy, Shiloh Fernandez, and Lou Taylor Pucci.
In the first episode of Mad Men, the use of camera shots establishes the gender hierarchy of the late 1950s advertising industry. A tracking shot shows the male lead sitting alone at a table in a bar, highlighting his dominance and special privileges. Tracking shots also show females being followed around the office while males work undisturbed, demonstrating greater privacy and trust given to men. An establishing shot of the office building suggests the males have worked their way up to the top positions, represented by the high windows. Point of view shots present the male perspective as looking down on the situation, conforming to stereotypes of men having the most important jobs. The use of camera shots and framing techniques throughout the episode reinforce the gender stereotypes and
The first episode of Mad Men introduces the main character sitting alone at a table in a crowded bar during a tracking shot in the first scene, set in the late 1950s. In contrast to the large and noisy crowd, the scene focuses on the solitary male lead.
The document is an initial skills analysis for a media course, where the student rates their confidence with various skills and software on a scale from 1 to 10. These include using Mac computers, internet browsers, Photoshop, iMovie/Final Cut, Garageband, written analysis, and using a digital camera/tripod. The student indicates hoping to develop greater confidence with Mac computers and knowledge of Garageband, Photoshop, and iMovie/Final Cut by the end of the course.
The document describes various types of camera shots including close ups, long shots, and aerial shots. It provides examples of shots such as establishing shots, point of view shots, two shots, and over the shoulder shots. Additionally, it covers photographic techniques like deep focus, shallow focus, pull focus, eye line match, and extreme close ups as well as medium shots and medium long shots.
The document summarizes the tools used to create a self-portrait in photo editing software. It describes using the polygonal lasso tool to select the outline, creating layers, using the eye dropper and bucket fill tools to change hair color, and the ellipse and brush tools to add facial features. It also discusses initial problems encountered like layers not working properly and accidental background color changes, and how these were resolved by improving lasso selection accuracy.
The document is an initial skills analysis for a media course, where the student rates their confidence with various skills and software on a scale from 1 to 10. These include using Mac computers, internet browsers, Photoshop, iMovie/Final Cut, Garageband, written analysis, and using a digital camera/tripod. The student indicates hoping to develop greater confidence with Mac computers and knowledge of Garageband, Photoshop, and iMovie/Final Cut by the end of the course.
The first episode of Mad Men introduces the main character sitting alone at a table in a crowded bar during a tracking shot in the first scene, set in the late 1950s. In contrast to the large and noisy crowd, the scene focuses on the solitary male lead.
The document describes various types of camera shots including close ups, long shots, aerial shots, establishing shots, point of view shots, two shots, over the shoulder shots, deep focus shots, shallow focus shots, pull focus shots, eye line match shots, extreme close ups, and medium shots. These shots are used to focus on characters' emotions, show relationships between objects and figures, depict what a character is looking at from their perspective, and control depth of field and continuity in filmed scenes.