《 歌百工》計畫,試圖在平面繪畫的時空斷面特性上發現時間性的可能,以文件化、劇本式、寓言故事的複合概念並存,尋求新的視覺藝術觀看經驗。 以虛構文本的架構,將章回小說式的文學閱讀經驗帶入繪畫創作,並以書寫工具的鋼筆展開探究創作本質與形式、現實與幻想疆界的魔幻行旅。 「《歌百工計畫》為近期終於復見天日,正試圖修復重建的、極富爭議性的民俗學樣本。 計畫緣起之時間與地點已不可考,推測其目的應為對黎民風土與眾生樣貌的考證與紀錄。 紀錄者曾尋訪各地,詳實地以圖文描繪的方式採集無數不同時空、地理、文明背景的人類活動。 讀者可從這些職業群像中略窺見大千世界之下、迥異的時代精神與理則價值......」 Project “Ode to Walks of Life“ is a trial to unveil the possibility of temporality beneath the spatiotemporally sliced characteristics of easel painting. To achieve a new visual art experience with a merging conception of documentation, script formation and fable story. Based on the structure of fiction texts, chaptered reading is brought into painting artworks, along with the aid of writing/painting instrument – a fountain pen, to unfold a magical journey across the boundaries of creating essence as well as forms, and fantasy as well as reality. "Project <ode>, a intensely controversial sample of Folkloristics, is currently repaired to expect its reconstruction. The precise dates and sites of the project originally organized are no more traceable, though considered positively its potential aim toward a universal investigation and research on folklore as well as custom of all human beings. The author was believed to travel throughout the world, depicting with images and texts detailedly all anthropological activities within great varieties of times and spaces, besides the geographical as well as cultural backgrounds. Here we could approach through these figures of all walks of life in the great world yet those diverse spirits and values from disparate eras..."