New Woman in Weimar Republic? Hannah Hoch
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This document discusses Hannah Höch and her role as one of the few female artists in the Berlin Dada movement in the Weimar Republic from 1914-1933. It provides biographical details on Höch, noting she was a designer for women's magazines from 1916-1926 and created photomontages that critiqued gender roles and society's construction of women using images and text from popular media. Her works addressed themes of gender and sexual freedom for women and highlighted their communication with society.
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Arnold Rampersad
Born in 1902 in Joplin, Missouri, Langston Hughes grew up mainly in Lawrence, Kansas, but also lived in Illinois, Ohio, and Mexico.
By the time Hughes enrolled at Columbia University in New York, he had already launched his literary career with his poem "The Negro Speaks of Rivers" in the Crisis, edited by W E. B. Du Bois. He had also committed himself both to writing and to writing mainly about African Americans.
Hughes's sense of dedication was instilled in him most of all by his maternal grandmother, Mary Langston, whose first husband had died at Harpers Ferry as a member of John Brown's band, and whose second husband (Hughes's grandfather) had also been a militant abolitionist. Another important family figure was John Mercer Langston, a brother of Hughes's grandfather who was one of the best-known black Americans of the nineteenth century. At the same time, Hughes struggled with a sense of desolation fostered by parental neglect. He himself recalled being driven early by his loneliness 'to books, and the wonderful world in books.’
Leaving Columbia in 1922, Hughes spent the next three years in a succession of menial jobs. But he also traveled abroad. He worked on a freighter down the west coast of Africa and lived for several months in Paris before returning to the United States late in 1924. By this time, he was w ...
Geschiedenis weimar society and culture
The document provides an overview of Weimar society and culture between 1918-1933. It summarizes that while the aristocracy lost power, industrialists remained influential. The middle class struggled economically. Unions gained rights through agreements with industry. Berlin became a cultural hub with new opportunities for women, but many still opposed the Republic. Artistic movements like Expressionism, Dada and New Objectivity emerged, influenced by the war.
DADAISM.pptx
This document provides information about the Dada art movement through a series of sections. It describes Dadaism as emerging between 1916-1923 in response to World War I and cubism. Key figures like Hugo Ball and Richard Huelsenbeck founded the Cabaret Voltaire in Zurich as an early center. Notable works included Duchamp's "Fountain" and works by Schwitters, Hausmann, Höch, Arp, and Picabia that incorporated found objects, photomontage, and abstraction to protest social and political norms. Dadaism influenced later movements and innovations through its anti-establishment philosophy that questioned reason and order through irrationality and chaos.
HISTORY IGCSE CONTENT - 20TH CENTURY OPTION - DEPTH STUDY GERMANY: THE NAZI R...
HISTORY IGCSE CONTENT - 20TH CENTURY OPTION - DEPTH STUDY GERMANY: THE NAZI REGIME - THE NAZI USE OF CULTURE AND MASS MEDIA
Europe and America, 1930-45
The document discusses several American and European artists from the 1930s-1940s including Dorothea Lange, Jacob Lawrence, Pablo Picasso, and Frank Lloyd Wright. It provides background information on Lange's iconic "Migrant Mother" photograph and Lawrence's series depicting the Great Migration. It also discusses Picasso's anti-war painting "Guernica" and Wright's iconic house "Fallingwater", praising its organic architecture and integration with the natural setting.
Dada
The document discusses the Dada art movement that emerged in the early 20th century in reaction to World War I. Dadaists used absurd and nonsensical performances, artworks, and writings to ridicule contemporary culture and traditional artistic norms. Notable Dada artists included Marcel Duchamp, who created "readymades" by exhibiting everyday objects as art, Francis Picabia, whose works featured mechanical forms and sexual themes, and Kurt Schwitters, who assembled art from debris in his "Merz" works. Dada began in Zurich in 1916 and spread to other cities, before declining by the late 1920s.
Modern Art: Dada, De Stijl, Matisse, Picasso
This document discusses how several European artists responded to World War I through their artwork. A style called Dadaism emerged out of despair over the senselessness of the war. Dadaist works by artists like Grosz, Hausmann, and Duchamp featured nihilistic and meaningless elements. Other artists like Beckmann and Mondrian sought to purge art of subjective elements and start anew with order, geometry and universal truths as a path forward. Their styles evolved to incorporate more rigid shapes and forms as a means of rebuilding from the war's chaos and confusion.
Lecture 5
This document provides an overview of key artists and artworks from the Dada and Surrealist movements between 1917-1960. It lists works by early Dadaists like Hausmann, Höch, Duchamp, and Man Ray. Additionally, it mentions seminal Surrealist pieces such as Dali's The Persistence of Memory, Magritte's The Treachery of Images, and works by Miro, Masson, Oppenheim, Cornell, and Giacometti.
“Innerlichkeit” art - A symbolic language for Germans to universally showcase...
A research paper on German fine arts while studying Prof. Ricardo Mak King-sang's course called "Twentieth Century European History"
Weimar 1918
The document summarizes the impact of World War 1 on Germany and the instability of the Weimar Republic from 1918-1924. It discusses how Germany was devastated economically and socially by the war and Treaty of Versailles. The defeat led many Germans to believe in the "Stab-in-the-back myth" that the army was betrayed. The Weimar Republic struggled with political and economic crises which allowed the Nazis to rise to power by 1933.
Dada
Dadaism emerged as a reaction against World War I and the social upheaval that followed. Beginning in Zurich in 1916, Dada spread to other cities and rejected reason, logic, and aestheticism in art. Dadaists used absurdist works, performances, and readymades to protest militarism, nationalism, and social conventions. The most influential was Marcel Duchamp, who developed the concept of the readymade by declaring mass produced objects as art. Dadaism rejected social norms and sought to subvert established artistic techniques and expectations.
Causes of World War 2 (long)
The document outlines several key causes that led to the start of World War 2 in Europe, including the harsh Treaty of Versailles that left Germany humiliated after WWI. This led to the rise of fascism under Hitler and the Nazi party in Germany. Hitler aggressively expanded German territory by remilitarizing the Rhineland and annexing Austria and Czechoslovakia through appeasement by Britain and France. The Great Depression created economic hardship and unstable governments. Japan also increasingly expanded its empire into China. When Germany invaded Poland in 1939, Britain and France declared war on Germany, marking the start of World War 2.
Gaga for Dada
Dada was an anti-war art movement that began in 1916 in Zurich during World War I. Artists from both sides of the war fled to neutral Zurich. The movement was founded by Hugo Ball who opened the Cabaret Voltaire nightclub. Key figures included Tristan Tzara, Francis Picabia, Hans Richter, Jean Arp, Marcel Duchamp, and Man Ray. Dada rejected logic and reason and incorporated chance procedures. Notable works included Duchamp's "Fountain" and readymades, and Man Ray's photograms. Dada used nonsensical language and imagery to oppose militarism and nationalism which they blamed for war.
Dadaísmo (1).pptx
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Unit5
The document provides an overview of literature from 1914-1946, a period defined by major world events. It describes how World War I, the Roaring Twenties, the Great Depression, and World War II influenced modernist writers. Many American writers became disillusioned after WWI and exiled themselves in Paris as the "lost generation." They used new techniques like stream-of-consciousness and fragmentation to capture the chaos and uncertainty of the time. The Harlem Renaissance also saw a burst of creative works by African American authors in the 1920s-1930s.
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The Harlem Renaissance was the name given to the cultura.docx
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HISTORY IGCSE CONTENT - 20TH CENTURY OPTION - DEPTH STUDY GERMANY: THE NAZI R...
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“Innerlichkeit” art - A symbolic language for Germans to universally showcase...
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HERE IS THE FULL SCRIPT OF VINNAITHTHAANDI VARUVAAYA BY GAUTHAM VAASUDEV MENON
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3:国家专业人才认证中心颁发入库证书
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5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
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New Woman in Weimar Republic? Hannah Hoch
- 1. in the Weimar Republic !1 “New Women” Hannah Höch NEUE FRAU
- 2. TIMELINE 1914 1933 Women's Suffrage WW1 Weimar Republic 1919 JAN.
- 3. THE ROLE OF WOMEN ➤ A Transition era… ➤ The image of New women (Neue Frau) ➤ Represented in mass media !3
- 4. THE ROLE OF WOMEN ➤ In Reality… ➤ Wartime: Inequality in workplace ➤ Post-war: Control of Abortion ➤ Repealed by men (a loss of war/gender role relating to masculinity)
- 5. BERLIN DADA
- 6. BERLIN-DADA MOVEMENT ➤ Key Figures (male dominated) ➤ George Grosz, John Heartfield, Raoul Haussmann, Hannah Hoch (the only female) ➤ Criticized the bourgeois, nationalism, social issues, and German society ➤ Expressed the fear and outrage of war ➤ Feature ➤ Photomontage
- 7. PHOTOMONTAGE (DIE FOTOMONTAGE) "dismemberment and reconstruction of the images” The Art Critic, 1919-20 Raoul Hausmann
- 9. BIOGRAPHY ➤ 1912 the School of Applied Arts in Berlin ➤ 1915 in Relationship with Raoul Haussmann ➤ 1916-1926 Handiwork Designers for Die Dame (The Lady) and Die Praktische Berlinerin (The Practical Berlin Woman) ➤ 1926-1935 in Relationship with a Dutch Woman Writer ➤ 1937 Considered as Degenerate Art
- 10. images and text from popular forms of media, mostly from newspapers and magazines HER WORKS The issue of gender and the figure of woman in modern society, especially for sexual freedom The Communication with society, especially for women
- 11. Schnitt mit dem Küchenmesser DADA durch die letzte Weimarer Bierbauchkulturepoche Deutschlands, 1919 Cut with the Kitchen Knife Dada through the Last Weimar Beer-Belly Cultural Epoch in Germany, 1919
- 12. Das Schone Madchen, 1919-20 ]The Beautiful Girl, 1919-20
- 13. Untitled, 1921
- 15. WOMEN IN DADA ➤ Rejected other Dadaist… ➤ Identity as Woman ➤ Feminist Subject Matter ➤ Considered as Degenerate Art in 1937 ➤ Aesthetic ➤ Political Message ➤ Herself as Woman
- 16. “My work did not attempt to glorify the modern woman, I was concerned more on the contrary, with the suffering woman.” - Hannah Höch, 1976
- 17. DANKE SCHÖN!