WHOAA is a genre-bending duo from Cincinnati and Atlanta consisting of female vocalist "Ring" and artist "Dolla". They blend Top 40, urban, and retro pop styles with a highly energetic stage presence. Ring brings a fiery pop-rock edge while Dolla contributes retro funk and versatility across hip-hop and pop. Both artists drew from past experiences, including Ring's work with Cash Money Records and Dolla's success with the independent hip-hop trio EDUBB, to create the dynamic sound of WHOAA. Their debut extended play and album were crafted over the course of a year with emerging producers.
Running Head: Research Paper on Hip-hop Culture 1
Research Paper on Hip-hop Culture 2
Research Paper on Hip-hop Culture
Student’s Name
University Affiliation
Research Paper on Hip-hop Culture
The “hip-hop culture” has infused popular culture in an extraordinary fashion. As a result of its massive cross-over appeal, the hip-hop culture is a hypothetically great unifier of various populations. Even though created by black youth on the streets, hip-hop's influence has turned out to be worldwide. About 75 in a hundred of the rap and hip-hop audience is non-black. It has gone from the fringes, to the outskirts, and now into the commercial boardrooms. Undeniably, Coca Cola, Nike, McDonald's, Sprite, and other corporate giants have exploited on this hip hop culture phenomenon. Although criticizers of the rap music and the hip hop culture appeared to be consumed with the messages of violence, sex, and harsh language, this category of music offers us an example of what can be done. The capacity of this art form to transform ethnic relations is significant. In the 1950s and the 1960s the “Beat Culture” questioned the status quo in ways that integrated liberals and provoked change. In the same manner, the hip-hop culture has confronted the system in approaches that have brought together individuals (particularly the youth) across a wide-range ethnic spectrum (Watkins, 1998).
Currently, hip-hop/rap is the fastest emergent music genre in the United States, representing more than 10% of the $12.3 billion music sales in the year 1998. Rap music has turned out to be the cornerstone of the hip-hop culture. The general hip hop culture has been recognized by this musical art form. The language (street slang), dressing (baggy pants, expensive sneakers, caps worn backwards), and style of the hip-hop culture have all developed from rap music.
To illustrate the widespread popularity of rap, in line with Soundscan, an enterprise in the Hartsdale, N.Y. that scrutinizes music sales, at the end of the year 1998, 9 out of the 15 albums that were on the pop chart were rap. At the end of the same year, 3 of the top retailing albums were rap performances: Outkast, Jay Z, and A Tribe Call Quest. As stated by Neil Strauss, rap is substituting rock and roll as the supreme genre of music among the youth. 10 years ago, in the environs you heard teenagers talking about music from such rock artists as the Van Halen, Byrds, the Eagles, Doors, and Guns `N' Roses. At present, youths are exploding rap music from such artist as Outkast and Jay Z.
DJ Hollywood, Busy Bee Starski, and DJ Afrika Bambaataa (forefather of the Zulu Nation in the New York) are the three New York artistes who have been recognized for coining the phrase “hip hop”. This genre instigated in the`70s with rhythmic beats resonating at base.
Running Head: Research Paper on Hip-hop Culture 1
Research Paper on Hip-hop Culture 2
Research Paper on Hip-hop Culture
Student’s Name
University Affiliation
Research Paper on Hip-hop Culture
The “hip-hop culture” has infused popular culture in an extraordinary fashion. As a result of its massive cross-over appeal, the hip-hop culture is a hypothetically great unifier of various populations. Even though created by black youth on the streets, hip-hop's influence has turned out to be worldwide. About 75 in a hundred of the rap and hip-hop audience is non-black. It has gone from the fringes, to the outskirts, and now into the commercial boardrooms. Undeniably, Coca Cola, Nike, McDonald's, Sprite, and other corporate giants have exploited on this hip hop culture phenomenon. Although criticizers of the rap music and the hip hop culture appeared to be consumed with the messages of violence, sex, and harsh language, this category of music offers us an example of what can be done. The capacity of this art form to transform ethnic relations is significant. In the 1950s and the 1960s the “Beat Culture” questioned the status quo in ways that integrated liberals and provoked change. In the same manner, the hip-hop culture has confronted the system in approaches that have brought together individuals (particularly the youth) across a wide-range ethnic spectrum (Watkins, 1998).
Currently, hip-hop/rap is the fastest emergent music genre in the United States, representing more than 10% of the $12.3 billion music sales in the year 1998. Rap music has turned out to be the cornerstone of the hip-hop culture. The general hip hop culture has been recognized by this musical art form. The language (street slang), dressing (baggy pants, expensive sneakers, caps worn backwards), and style of the hip-hop culture have all developed from rap music.
To illustrate the widespread popularity of rap, in line with Soundscan, an enterprise in the Hartsdale, N.Y. that scrutinizes music sales, at the end of the year 1998, 9 out of the 15 albums that were on the pop chart were rap. At the end of the same year, 3 of the top retailing albums were rap performances: Outkast, Jay Z, and A Tribe Call Quest. As stated by Neil Strauss, rap is substituting rock and roll as the supreme genre of music among the youth. 10 years ago, in the environs you heard teenagers talking about music from such rock artists as the Van Halen, Byrds, the Eagles, Doors, and Guns `N' Roses. At present, youths are exploding rap music from such artist as Outkast and Jay Z.
DJ Hollywood, Busy Bee Starski, and DJ Afrika Bambaataa (forefather of the Zulu Nation in the New York) are the three New York artistes who have been recognized for coining the phrase “hip hop”. This genre instigated in the`70s with rhythmic beats resonating at base.
Suffrockgettes wanted to find out who the public thought deserved to be top of the list. The social media responses were a multitude of opinions - with no two answers being the same - so we've opened up the question to see if we can get to the bottom of it.
Imagine a world where glitchy beats, distorted vocals, and a fusion of genres collide in a sonic explosion. That's the essence of Hyperpop. Emerging in the late 2010s, Hyperpop is a genre that defies conventions, challenges norms, and redefines what it means to create music.
What is Contemporary R&B: A Deep Dive into the Modern SoundBnher.com
Contemporary R&B, often abbreviated as R&B, is a genre that has undergone significant transformations over the years. From its roots in the African American musical tradition, R&B has evolved into a multifaceted and influential genre that continues to shape the music industry today. In this article, we will explore the rich history and current landscape of R&B, focusing on the evolution of the genre, key artists, and the impact it has had on popular music.
Pop Music Artists have consistently held a pivotal role in shaping the music industry and influencing popular culture. Their iconic status transcends mere celebrity, as they become the voices and faces of generations. From pioneers who defined genres to contemporary chart-toppers breaking boundaries, this article delves into the lives and careers of the 30 most influential and beloved pop music artists of all time, examining how they’ve redefined what it means to be a pop star.
1. Take one lookat thisgenre-bending,culture-shockingduo,andone couldsee how theirname fits so
appropriately.Hailingfrom Cincinnati,Ohioand Atlanta,Garespectively, femalevocalist“Ring”and
artistknownas “Dolla”collectivelymake upthe grouptitledWHOAA (pronouncedWHOAA!). With a
dynamicblendof Top40 / Urban witha “Retro-pop”flair,thiseye-catchingduo isa breathof freshairin
today’scrowdedmusicscene. Equippedwithahighlyenergeticstage performance, andacommercially
sensible image,WHOAA embodies aninnate “realness”totheirlargerthanlife personalities,evidenced
throughtheiravidFan interactionsattheirconcertsandviaSocial Media.Female member“Ring”,afiery
blonde,pop-rockdivawitha“Britney meetsLitaFord”vocal edge, bringsoutthe sexieredge of WHOAA.
The other half,“Dolla”,agenre-defyinglyricistwithretro80s “funk”flair,and versatilitythatseamlessly
weavesHip-HopandPop,bringsquite the dynamicbalance toWHOAA.
Ashley“Ring”wasbornin Cincinnati,Ohio,graduate of SCPA (School forCreative andPerformingArts),
and leftherhometowntopursue amusiccareer inMiami and Atlanta. She signedherfirstrecorddeal
withCashMoney Records,afterbeingdiscoveredbyCEORonald“Slim”Williams. Ringreleased“Moving
Target” featuringLil Wayne andworkedwithmanytopproducers andengineers,includingGrammy-
award winningKenLewis andKevinRudolf.Duringhertenure atCashMoney,Ringhonedhertalents
undermulti-platinumvocal directorEjayRandolph andvocallytrainedwith legendarysoul singerBetty
Wright. Ring firstworkedwith“Dolla”,duringarecordingsessionwithDolla’sformer hip-hopgroupin
2014, where anorganicchemistrywasfound,whichultimatelyledtothe creation of WHOAA in late
2015.
Darren “Dolla”Murphywas born inAtlanta,GA andbeganhismusical pursuitas a teenagerand
foundingmemberof the successful independenthip-hoptrio,EDUBB.Mostlyknownfortheir“tongue in
cheek”popmusiccontributions,the viral hit“Whooty”andinternationalclubhit“RainBoots”. Their
indie success,with over12million YouTube views, garneringmentionsonTMZand placementson
Germany’sNextTopModel,allowed Dollatotourabroad inEurope, furtherestablishinganinternational
and statewide brand. Dollanotonlyperformedwith the group,butalsohandled marketingandbrand
dutiesandco-ownedthe independentlabel,sellingover80,000 digital units. WHOAA alignsbothartist’s
individualpastsandexperiencestocreate a dynamic-duopowerhouse,youthfulbutseasoned,delicate
yetbold,determinedtoleave theirmarkonthe musicindustryandtoday’sworldculture.
WHOAA’sdebutEP“The Day Before…”& LP “The Day ItAll Changed…”isa culminationof anew sound
that’sbeencraftedoverthe course of a year,withemergingproducers:Mike Maven(productioncredits
for AtlanticRecords/WarnerBrothers),Jamil DeBardlabonakaJMillz(JessieJ/Universal Republic),
Earegula(TeddyRiley/DJMarleyWaters) andGrammy WinningEngineerKenLewis(Drake,Rihanna,
Jay-Z,Eminem,Kanye West).Leadingoff withtheircatchy“Let the Good TimesRoll”,Top-40/Urban
radioanthem“Crusin”and the heavy popballad“Unconditional”,inwhichthe grouphopeswillinspire a
newmovementforlove andpeace intoday’shectictimes.“We justwanttospreadLove and spread
Hope to those that mightbe Hopeless,toshow the worldthatmusicisstill a healingtool”,saysRing.
Withan acronym like “WhenHeartsOpenAndAttract”,it’sclear to see WHOAA,isona missionwith
ambitiousintentions.