Anna Ugarte. Mixed by Rob Kinelski at Record One, Sherman Oaks, CA. Mix Assistant: Anna Ugarte. Guitar, Bass: Steve Wyreman. Keys: James Poyser. Additional Vocals: Kaye Fox.
Contains samples of the recording “The Bridge” as performed by MC Shan. Courtesy of Cold Chillin’/CAK. Used by permission. All rights reserved. Written by Chris DeGarmo, Marlon Williams and published by CAK Music/MC Shan Music (ASCAP). Used by permission. Contains samples of the recording “They Reminisce Over You (T.R.O.Y.)” as performed by Pete Rock & CL Smooth
This document provides track listings and songwriting credits for an album. It lists 14 tracks from the album including "Over My Dead Body," "Shot For Me," "Crew Love," "Take Care," "Under Ground Kings," and "We'll Be Fine." Each entry includes the songwriters, producers, and studios where the songs were recorded and mixed. It also notes if songs sample or contain elements from other existing works.
This document provides track listings and production details for Jay-Z's album "The Blueprint 3". It contains 15 tracks, many of which feature collaborations with artists like Rihanna, Kanye West, Alicia Keys, and Kid Cudi. The tracks were produced by high-profile producers including Kanye West, Timbaland, Swizz Beatz, and The Neptunes. Detailed credits are provided for each song's writers, producers, recording engineers, and sample sources.
Kendrick Lamar - Good Kid, M.A.A.D City: Digital BookletZorrge
This document lists the tracklist for Kendrick Lamar's album "good kid, m.A.A.d city". It contains 15 songs, including features from artists like Drake, Jay Rock, and Dr. Dre. The tracklist is followed by production and album credits, thanking those involved in the making of the album such as the producers, mixers, and photographers.
1. The document provides production and recording credits for songs on Rick Ross' album Deeper Than Rap.
2. It lists 14 songs on the album along with featured artists and producers.
3. The credits include recording studios, engineers, samples used, and record labels of featured artists.
Kanye West Presents G.O.O.D. Music "Cruel Summer" Digital BookletZorrge
This document provides production credits for 13 songs from Kanye West's album Yeezus. It lists the song titles, writers, producers, recording details, samples used (if any) and participating artists. The songs feature collaborations with artists like Jay Z, R. Kelly, Ghostface Killah, John Legend, Kid Cudi and more. Detailed recording locations and personnel are provided for each track.
Alexander Dilliplane. Omarion appears courtesy of StarRoc/Epic. courtesy of Maybach Music Group/Warner Bros. Records. Drake appears courtesy of Cash Money/
Republic Records. Used by permission. All rights reserved. Written by Young Money/Republic Records. Used by permission. All rights reserved. Written by Chimurenga
Slater and Omari Grandberry and published by 239 Music (ASCAP)/Omari McCormick, Olubowale Akintimehin, Aubrey Graham and published by Heartfelt Productions
Grandberry Publishing Designee (SESAC). Used by permission. LLC (BMI)/Dead Stock Music/WB Music Corp. (ASCAP)/Livewrite LLC
This document provides track listing and production details for Rick Ross' album "Teflon Don". It lists the 11 tracks on the album along with the featured artists and producers for each song. It also thanks those involved in the production and promotion of the album including Rick Ross' record label Def Jam and other hip hop artists and DJs. The document expresses gratitude to God, family, and colleagues for their support.
This document provides track listing and production details for Kanye West's album "Late Registration". It lists 15 songs from the album along with songwriting credits and details about recording, mixing and sampling. Additional details are provided for featured artists and producers on each song. The document contains legal disclaimers about sample and songwriting credits.
This document provides track listings and songwriting credits for an album. It lists 14 tracks from the album including "Over My Dead Body," "Shot For Me," "Crew Love," "Take Care," "Under Ground Kings," and "We'll Be Fine." Each entry includes the songwriters, producers, and studios where the songs were recorded and mixed. It also notes if songs sample or contain elements from other existing works.
This document provides track listings and production details for Jay-Z's album "The Blueprint 3". It contains 15 tracks, many of which feature collaborations with artists like Rihanna, Kanye West, Alicia Keys, and Kid Cudi. The tracks were produced by high-profile producers including Kanye West, Timbaland, Swizz Beatz, and The Neptunes. Detailed credits are provided for each song's writers, producers, recording engineers, and sample sources.
Kendrick Lamar - Good Kid, M.A.A.D City: Digital BookletZorrge
This document lists the tracklist for Kendrick Lamar's album "good kid, m.A.A.d city". It contains 15 songs, including features from artists like Drake, Jay Rock, and Dr. Dre. The tracklist is followed by production and album credits, thanking those involved in the making of the album such as the producers, mixers, and photographers.
1. The document provides production and recording credits for songs on Rick Ross' album Deeper Than Rap.
2. It lists 14 songs on the album along with featured artists and producers.
3. The credits include recording studios, engineers, samples used, and record labels of featured artists.
Kanye West Presents G.O.O.D. Music "Cruel Summer" Digital BookletZorrge
This document provides production credits for 13 songs from Kanye West's album Yeezus. It lists the song titles, writers, producers, recording details, samples used (if any) and participating artists. The songs feature collaborations with artists like Jay Z, R. Kelly, Ghostface Killah, John Legend, Kid Cudi and more. Detailed recording locations and personnel are provided for each track.
Alexander Dilliplane. Omarion appears courtesy of StarRoc/Epic. courtesy of Maybach Music Group/Warner Bros. Records. Drake appears courtesy of Cash Money/
Republic Records. Used by permission. All rights reserved. Written by Young Money/Republic Records. Used by permission. All rights reserved. Written by Chimurenga
Slater and Omari Grandberry and published by 239 Music (ASCAP)/Omari McCormick, Olubowale Akintimehin, Aubrey Graham and published by Heartfelt Productions
Grandberry Publishing Designee (SESAC). Used by permission. LLC (BMI)/Dead Stock Music/WB Music Corp. (ASCAP)/Livewrite LLC
This document provides track listing and production details for Rick Ross' album "Teflon Don". It lists the 11 tracks on the album along with the featured artists and producers for each song. It also thanks those involved in the production and promotion of the album including Rick Ross' record label Def Jam and other hip hop artists and DJs. The document expresses gratitude to God, family, and colleagues for their support.
This document provides track listing and production details for Kanye West's album "Late Registration". It lists 15 songs from the album along with songwriting credits and details about recording, mixing and sampling. Additional details are provided for featured artists and producers on each song. The document contains legal disclaimers about sample and songwriting credits.
This document provides production and song credits for Rick Ross' album "Trilla". It lists the album's 18 tracks along with the producers, recording details, and featured artists for each song. It also includes thank you notes from Rick Ross to various people who contributed to and supported the album, including his family, record labels, producers, and friends. The executive producers of the album are listed as Ted "Touché" Lucas, Rick Ross and The Carter Administration.
This document provides track listing and production details for Nas' 2008 album "Nigger". It lists the 15 tracks on the standard album and one bonus track. For each song, it provides the songwriters, producers, recording details, featured artists, and sample clearances if applicable. It also lists the executive producers, A&R staff, marketing, management, mastering engineers, art directors, photographers, and legal representation involved in the album's production and release.
This document provides production and publishing details for 16 tracks on an album plus 2 bonus tracks. It lists the producers, songwriters, featured artists, recording details, and publishing information for each song. Major artists featured on the album include Drake, T-Pain, Young Jeezy, Pimp C, 2Pac, Trey Songz, Twista, Slim Thug, Play-N-Skillz, Yo Gotti, Gucci Mane, and Letoya. The album was executive produced by J. Prince and Bun B with production from high-profile producers such as J.U.S.T.I.C.E. League, Boi-1da, Drumma Boy, DJ Premier
1) The document provides production and songwriting credits for an album by Pharoahe Monch titled W.A.R. (we are renegades).
2) It lists over 20 songs on the album along with the producers, songwriters, recording details, and musicians featured on each track.
3) Additional credits are provided for executive producers, artwork designers, mastering engineers, publicists, and others involved in the album's production and release.
Mary J. Blige - My Life II - The Journey Continues (Act 1)Zorrge
Jesus Garnica. Additional Mixing by Peter Mokran and Kendu Isaac. Additional Instruments by Ron Fair. Contains
elements of “Now That We Found Love” (K. Gamble/L. Huff), Warner-Tamerlane.Publishing Corp. (BMI). All rights reserved.
don’t mind Produced by Jerry Wonda. Written by Mary J. Blige, Priscilla Renea Hamilton, Jerry Wonda. Publishers: Mary
J. Blige Music/ Universal Music Corp (ASCAP); Priscilla Renea. Productions/ Power Pen Biz Publishing/ WB Music Corp (ASCAP).
Recorded by Serge ‘Sergical’ Tsai at Pl
Digital booklet stronger with each tear (deluxe edition)Zorrge
This document provides track listing and production details for Mary J. Blige's 2009 album "Stronger". It includes the song titles, writers, producers, studios, and other details for each of the 14 tracks on the album. It also lists Mary J. Blige as the Executive Producer and provides copyright details and information about the manufacturer and distributor of the album.
Luis Fernandez
Mixed at: We The Best Studios, Miami, FL
Hip Hop
DJ Khaled feat. Scarface, Nas & DJ Premier
Written by: K. Khaled, B. Adler, N. Jones, P. Wolff
Produced by: DJ Premier for GangStarr Productions
Publishing Co: Money Mack Music/DJ Khaled Publishing, adm. By Songs of Universal, Inc. (BMI)
Get Low Recordings (BMI), Nasir Jones Music (ASCAP), Gang Starr Music (BMI)
Recorded at: D&D Studios, New York, NY
Recorded by: DJ Premier
Mixed by: DJ Premier
Don’t See Em
This document provides production credits for songs on Mary J. Blige's album "Growing Pains". It lists the song titles, producers, writers, engineers, studios and more for each of the 15 tracks on the album. It expresses thanks to those involved in the creative process and production of the album.
This document lists production and songwriting credits for an album. It includes 12 songs, the producers and writers for each song. It thanks those involved in the creative process and production of the album including other artists featured on songs, record labels, and management. Executive production was led by Terrence "Pusha T" Thornton and Rennard "Liva Don" East.
This document provides the track listing and credits for Kelly Rowland's album "Here I Am". The album contains 14 tracks, including collaborations with artists like Lil Wayne, Big Sean, and Nelly. It also includes 4 bonus tracks on the deluxe version. Each track is accompanied by detailed production and recording credits. At the end, Kelly Rowland expresses her gratitude to God, her family, fans, and the entire team involved in creating the album.
This document appears to be album credits and liner notes for an album by The Roots. It lists 16 tracks on the album, each with featured artists. It provides songwriting and production credits for each track. It also lists executive production credits and details of marketing, management, legal representation and other personnel involved in the album's creation. The album was released in 2010 on Def Jam Recordings and distributed by Universal Music.
The document provides production and songwriting credits for 13 tracks on an album. It lists the song titles and features artists. For each song, it identifies the producers and songwriters and notes that the recordings were done at D-Block Studios in Yonkers, NY and mixed at D-Lab Studios in Mamaroneck, NY. It also thanks those involved in the album's creation and management.
This document provides production and publishing credits for songs on Talib Kweli's album "Eardrum". It lists the song titles, featured artists if any, songwriters, publishers, producers, recording details, and notes any samples or interpolations used in the songs. The production involved many notable artists and producers across hip hop and R&B genres. Credits are provided for songwriting, production, mixing, recording engineering and appearances by guest artists.
This document provides production and songwriting credits for an album by DMX. It lists 20 songs on the album along with their producers. Many songs feature additional artists and were recorded, engineered, and mixed by various professionals across several studios. The document concludes by thanking various people and entities involved in the creative process and production of the album.
This document provides production and songwriting credits for an album by DMX. It lists 20 songs on the album along with their producers. Many songs feature additional artists and were recorded, engineered, and mixed by various professionals across several studios. The document concludes by thanking various people and entities involved in the creative process and production of the album, including God, family members, fellow artists, record label staff, and more. It directs readers to DMX's official website and social media accounts for further information.
The document lists credits and production details for 18 tracks on Lil Wayne's album "I Am Not a Human Being II". It details the songwriters, producers, recording studios and engineers for each track, as well as featuring artists. Publishing and recording credits are provided to acknowledge sampling and interpolation permissions.
The document provides notes from the director and composer about the music for the Avatar film score. The director discusses how the music needed to transport viewers to the world of Avatar and match the powerful emotions of the images. The composer discusses the unique process of working closely with the filmmakers to create almost 3 hours of music and orchestrate indigenous sounds. Both praise the music for capturing the exultation and heartbreak of the film.
Elvis Presley La Legende Romantique 1967 70 Bmg France 1998ExoticElvis Presley
This document provides a searchable index of Elvis Presley albums organized alphabetically from A to Z. It lists over 200 album titles along with release dates, studios, labels, and other details. The albums span Elvis' entire career from his early recordings in the 1950s to live performances and compilations from the late 1960s through the 1970s.
Slaughter house welcome to our house (digital booklet)Zorrge
This document provides production credits for an album. It lists the producers, musicians, engineers, studios and publishing information for each song on the album. Luis Resto is credited for additional keyboards on most tracks. The tracks sample or contain elements from other songs, which are noted along with permission information. Mike Strange recorded and mixed many of the tracks at Effigy Studios along with Eminem. Various producers are credited on each track along with co-production from Eminem on several songs. Publishing information is listed for each song's composers.
The document provides lyrics for 13 songs from Lady Gaga's album "ARTPOP". The songs cover topics such as sexuality, relationships, fame, and drugs. They include lyrics that are explicit and potentially controversial. The document also lists the songwriters and production details for each track.
The document provides the track listing and lyrics for Lady Gaga's 2016 album "Joanne". The album contains 14 tracks including "Diamond Heart", "A-YO", "John Wayne", "Dancin' in Circles", and "Perfect Illusion". The lyrics describe themes of love, heartbreak, and empowerment. The document also includes manufacturing and copyright details for Interscope Records.
This document provides production and song credits for Rick Ross' album "Trilla". It lists the album's 18 tracks along with the producers, recording details, and featured artists for each song. It also includes thank you notes from Rick Ross to various people who contributed to and supported the album, including his family, record labels, producers, and friends. The executive producers of the album are listed as Ted "Touché" Lucas, Rick Ross and The Carter Administration.
This document provides track listing and production details for Nas' 2008 album "Nigger". It lists the 15 tracks on the standard album and one bonus track. For each song, it provides the songwriters, producers, recording details, featured artists, and sample clearances if applicable. It also lists the executive producers, A&R staff, marketing, management, mastering engineers, art directors, photographers, and legal representation involved in the album's production and release.
This document provides production and publishing details for 16 tracks on an album plus 2 bonus tracks. It lists the producers, songwriters, featured artists, recording details, and publishing information for each song. Major artists featured on the album include Drake, T-Pain, Young Jeezy, Pimp C, 2Pac, Trey Songz, Twista, Slim Thug, Play-N-Skillz, Yo Gotti, Gucci Mane, and Letoya. The album was executive produced by J. Prince and Bun B with production from high-profile producers such as J.U.S.T.I.C.E. League, Boi-1da, Drumma Boy, DJ Premier
1) The document provides production and songwriting credits for an album by Pharoahe Monch titled W.A.R. (we are renegades).
2) It lists over 20 songs on the album along with the producers, songwriters, recording details, and musicians featured on each track.
3) Additional credits are provided for executive producers, artwork designers, mastering engineers, publicists, and others involved in the album's production and release.
Mary J. Blige - My Life II - The Journey Continues (Act 1)Zorrge
Jesus Garnica. Additional Mixing by Peter Mokran and Kendu Isaac. Additional Instruments by Ron Fair. Contains
elements of “Now That We Found Love” (K. Gamble/L. Huff), Warner-Tamerlane.Publishing Corp. (BMI). All rights reserved.
don’t mind Produced by Jerry Wonda. Written by Mary J. Blige, Priscilla Renea Hamilton, Jerry Wonda. Publishers: Mary
J. Blige Music/ Universal Music Corp (ASCAP); Priscilla Renea. Productions/ Power Pen Biz Publishing/ WB Music Corp (ASCAP).
Recorded by Serge ‘Sergical’ Tsai at Pl
Digital booklet stronger with each tear (deluxe edition)Zorrge
This document provides track listing and production details for Mary J. Blige's 2009 album "Stronger". It includes the song titles, writers, producers, studios, and other details for each of the 14 tracks on the album. It also lists Mary J. Blige as the Executive Producer and provides copyright details and information about the manufacturer and distributor of the album.
Luis Fernandez
Mixed at: We The Best Studios, Miami, FL
Hip Hop
DJ Khaled feat. Scarface, Nas & DJ Premier
Written by: K. Khaled, B. Adler, N. Jones, P. Wolff
Produced by: DJ Premier for GangStarr Productions
Publishing Co: Money Mack Music/DJ Khaled Publishing, adm. By Songs of Universal, Inc. (BMI)
Get Low Recordings (BMI), Nasir Jones Music (ASCAP), Gang Starr Music (BMI)
Recorded at: D&D Studios, New York, NY
Recorded by: DJ Premier
Mixed by: DJ Premier
Don’t See Em
This document provides production credits for songs on Mary J. Blige's album "Growing Pains". It lists the song titles, producers, writers, engineers, studios and more for each of the 15 tracks on the album. It expresses thanks to those involved in the creative process and production of the album.
This document lists production and songwriting credits for an album. It includes 12 songs, the producers and writers for each song. It thanks those involved in the creative process and production of the album including other artists featured on songs, record labels, and management. Executive production was led by Terrence "Pusha T" Thornton and Rennard "Liva Don" East.
This document provides the track listing and credits for Kelly Rowland's album "Here I Am". The album contains 14 tracks, including collaborations with artists like Lil Wayne, Big Sean, and Nelly. It also includes 4 bonus tracks on the deluxe version. Each track is accompanied by detailed production and recording credits. At the end, Kelly Rowland expresses her gratitude to God, her family, fans, and the entire team involved in creating the album.
This document appears to be album credits and liner notes for an album by The Roots. It lists 16 tracks on the album, each with featured artists. It provides songwriting and production credits for each track. It also lists executive production credits and details of marketing, management, legal representation and other personnel involved in the album's creation. The album was released in 2010 on Def Jam Recordings and distributed by Universal Music.
The document provides production and songwriting credits for 13 tracks on an album. It lists the song titles and features artists. For each song, it identifies the producers and songwriters and notes that the recordings were done at D-Block Studios in Yonkers, NY and mixed at D-Lab Studios in Mamaroneck, NY. It also thanks those involved in the album's creation and management.
This document provides production and publishing credits for songs on Talib Kweli's album "Eardrum". It lists the song titles, featured artists if any, songwriters, publishers, producers, recording details, and notes any samples or interpolations used in the songs. The production involved many notable artists and producers across hip hop and R&B genres. Credits are provided for songwriting, production, mixing, recording engineering and appearances by guest artists.
This document provides production and songwriting credits for an album by DMX. It lists 20 songs on the album along with their producers. Many songs feature additional artists and were recorded, engineered, and mixed by various professionals across several studios. The document concludes by thanking various people and entities involved in the creative process and production of the album.
This document provides production and songwriting credits for an album by DMX. It lists 20 songs on the album along with their producers. Many songs feature additional artists and were recorded, engineered, and mixed by various professionals across several studios. The document concludes by thanking various people and entities involved in the creative process and production of the album, including God, family members, fellow artists, record label staff, and more. It directs readers to DMX's official website and social media accounts for further information.
The document lists credits and production details for 18 tracks on Lil Wayne's album "I Am Not a Human Being II". It details the songwriters, producers, recording studios and engineers for each track, as well as featuring artists. Publishing and recording credits are provided to acknowledge sampling and interpolation permissions.
The document provides notes from the director and composer about the music for the Avatar film score. The director discusses how the music needed to transport viewers to the world of Avatar and match the powerful emotions of the images. The composer discusses the unique process of working closely with the filmmakers to create almost 3 hours of music and orchestrate indigenous sounds. Both praise the music for capturing the exultation and heartbreak of the film.
Elvis Presley La Legende Romantique 1967 70 Bmg France 1998ExoticElvis Presley
This document provides a searchable index of Elvis Presley albums organized alphabetically from A to Z. It lists over 200 album titles along with release dates, studios, labels, and other details. The albums span Elvis' entire career from his early recordings in the 1950s to live performances and compilations from the late 1960s through the 1970s.
Slaughter house welcome to our house (digital booklet)Zorrge
This document provides production credits for an album. It lists the producers, musicians, engineers, studios and publishing information for each song on the album. Luis Resto is credited for additional keyboards on most tracks. The tracks sample or contain elements from other songs, which are noted along with permission information. Mike Strange recorded and mixed many of the tracks at Effigy Studios along with Eminem. Various producers are credited on each track along with co-production from Eminem on several songs. Publishing information is listed for each song's composers.
The document provides lyrics for 13 songs from Lady Gaga's album "ARTPOP". The songs cover topics such as sexuality, relationships, fame, and drugs. They include lyrics that are explicit and potentially controversial. The document also lists the songwriters and production details for each track.
The document provides the track listing and lyrics for Lady Gaga's 2016 album "Joanne". The album contains 14 tracks including "Diamond Heart", "A-YO", "John Wayne", "Dancin' in Circles", and "Perfect Illusion". The lyrics describe themes of love, heartbreak, and empowerment. The document also includes manufacturing and copyright details for Interscope Records.
Big Boi - Vicious Lies and Dangerous Rumors (Digital Booklet) Zorrge
This document appears to be the track listing and credits for an album titled "Vicious Lies and Dangerous Rumors" by Big Boi. It lists 17 songs on the album, along with the featured artists on each song. It also provides brief descriptions or lyrics for 4 of the songs. The document includes legal disclaimers and information about the executive producers, A&R, and management of the album.
Analysis of Album Covers - Kendrick LamarBertronomous
This is an analysis of 2 album covers of Kendrick Lamar. It looks at the wide variation he uses in his album covers as well as how they are similar, how he portrays his music from the cover and how he expresses any messages he is trying to depict using his album covers.
The document analyzes the album cover design for Kendrick Lamar's "good kid, m.A.A.d City". It features a polaroid-style picture of a family home and car to represent Lamar's upbringing and challenge misconceptions about black rappers. Cracks and rips in the picture hint at difficulties hidden beneath the surface. The title emphasizes that environment, not the artist, can influence someone, and the graffiti-style text relates to hip hop culture.
Machine Gun Kelly - Lace Up: Digital BookletZorrge
The document appears to be the tracklist and credits for Machine Gun Kelly's album "Lace Up". It lists 13 songs on the album, including featured artists on many of the tracks like M. Shadows, Synyster Gates, Bun B, Dub-O, Waka Flocka Flame, Lil Jon, and others. It also provides production and executive production credits for the album.
The song expresses the singer's deep love for someone and their willingness to do anything for them. Some of the things mentioned are offering comfort during hard times, holding the person for a million years, going without food or enduring physical pain, and crawling down the street for them. It conveys the message that the singer's love is unconditional and eternal.
The document is the back cover of Carly Rae Jepsen's 2012 EP "Curiosity", which thanks those involved in the production and writing of the album's songs, including producers Ryan Stewart and Josh Ramsay, as well as fellow artists who allowed covers of their songs. It also contains song lyrics, credits, and information about the album's recording.
The speaker expresses regret over breaking up with their ex-partner, who is now in a relationship with someone else. They criticize the new relationship and want their ex back, insisting that no one can love them like they did. The speaker recalls all the special memories and experiences they had together.
The document discusses an art event called "Art in the Dark" that is returning. It then provides details about various topics related to Renaissance art including: the Renaissance period occurring after the Middle Ages and involving a revival of arts and sciences; major Renaissance artists like Leonardo, Donatello, Michelangelo, Raphael, and Titian; how apprenticeships worked for aspiring artists; symbols found in Robert Campin's Merode Altarpiece like the candle representing the spirit entering Mary; and key terms like egg tempera, triptych, and diptych. It also discusses Jan van Eyck's Arnolfini Wedding portrait and symbols within it like the single candle representing the all-
Ansel Adams was an influential American photographer known for his black and white images of the American West. Some key details:
- He was born in 1902 and died in 1984, and was a pioneering environmentalist photographer.
- He co-founded Group f/64, which promoted sharp-focused, highly detailed photographs.
- The document shows and describes several of Adams' iconic black and white landscape photographs from Yosemite and the Grand Canyon, praising his use of depth of field, composition, and ability to capture natural beauty.
- His long-exposure style helped bring appreciation for stunning western national parks and wilderness.
The document summarizes information presented at a workshop on antioxidants and health for a garden club. It discusses how oxidative stress from free radicals can lead to disease and aging by damaging cells. It then explains that antioxidants can help combat oxidative stress by donating electrons to stabilize free radicals. The document outlines sources of antioxidants like foods, plants, and the proposed Ecoparadise solution of negative ion therapy in a controlled environment. Customer testimonials suggest benefits of this therapy include increased energy, metabolism, mood and immune function as well as anti-aging effects.
The document summarizes techniques used in the DVD menu for the movie Iron Man, including animation, visual effects, color rendering, graphics, and movement. It notes the use of techniques like blurring and darkening the background to make Iron Man stand out. Technical elements discussed include screen ratio, resolution, and compression. Key terms explained include motion graphics, compositing video, interactive menus, and video format.
The document defines photography terminology and their effects on images. Terms like shutter speed, ISO, aperture, depth of field, and exposure modes like automatic and manual are described as they relate to brightness, blurring, and control over light sensitivity. Composition, rule of thirds, complementary colors, analogous colors, and macro photography techniques are explained in how they impact the size, focus, contrast, and feel of the final image.
This document is an introduction by 50 Cent to the novel Playground. It provides background on 50 Cent's experiences that influenced the story, including having been a bully. The introduction notes that the novel tells the story of a kid who has become a bully, exploring how and why that happened and if he can change. 50 Cent drew on events from his childhood and feelings he remembers from that age. The introduction sets up the novel's exploration of whether living a life on the edge will get a person anywhere or if being a bully will only make things worse.
This document provides information about photographer Edward Henry Weston. It discusses his career, influential style of landscape photography, and some of his most famous works. Weston was born in Illinois in 1886 and died in California in 1958. He photographed a wide range of subjects including landscapes, still lifes, and nudes. Examples shown demonstrate his mastery of composition, depth of field, and ability to capture natural scenes and textures. His career was cut short by Parkinson's disease, after which he focused on printing and archiving his existing photographs.
This document analyzes magazine front covers from publications like Rolling Stone, XXL Freshman, and Billboard. It discusses elements of the covers like the masthead, main image, cover lines, and selling lines. For XXL Freshman, it notes the magazine reveals new hip hop artists and targets teenagers interested in music. For Rolling Stone, it explains they put Megan Fox on the cover to attract mainly male viewers through her sexy image. Overall, the document examines how magazine covers use visual elements and text to advertise their content and attract customers.
This document provides credits and legal information for the album "Slaughterhouse" by the hip hop group of the same name. It lists the 18 tracks on the album along with songwriting, production, and recording credits for each song. It also includes thank you messages from the group members to those involved in making the album.
The Grammy's 2015 winners included Sam Smith for Record of the Year, Beck for Album of the Year, and Sam Smith again for Song of the Year. Pharrell Williams won Best Urban Contemporary Album for his album "Girl".
This document provides track listing and production details for the album "Arms & Hammers" by Strong Arm Steady. It includes 14 tracks featuring artists like JellyRoll, Game, Too Short, KRS-One and others. The album was executive produced by Corey Smyth and Talib Kweli through their label Blacksmith Music Corp. It expresses thanks to family, artists and industry supporters involved in making the album.
The document provides a tracklist and credits for an original motion picture soundtrack. It includes 10 songs: "MMMBop" by Hanson, "My Life" by Billy Joel, "Ave Maria" by Fletcher Sheridan, "Everybody's Talkin'" by Harry Nilsson, "Down In Mexico" by The Coasters, "Hurt" performed by Ken Jeong, "Mother '93" by Danzig, "F**kin' Problems" by A$AP Rocky featuring Drake, 2 Chainz, and Kendrick Lamar, "I Believe I Can Fly" performed by Ken Jeong, and "Fever" by The Cramps. It lists the executive producers of the album and
NYC’s very own S.C.R.D., whose old school rock star vibe and fresh new hip hop beats have been hailed as a mashup of unlikely styles that delivers a deliciously guilty pleasure worthy of heavy indulgence. They say what you wanted to say, but never did.
S.C.R.D. is named after Sweet Chuck and Ravin Dave, the two principal members of the group based in Gramercy, Manhattan. Together they infuse old skool beats, live instrumentation and witty, humorous and slightly satirically lude lyrics to take fans on a journey through heartbreaks with an ebullience for life and the thirst for adventure. Their collaboration between each other, thrives off co-collaborating with local musicians, friends and fans they lure into their musical tsunami, which helps drive their artistic creativity to new heights.
S.C.R.D. is privately funded and releases content under the record label and licensing company, Trip Digital Inc.
S.C.R.D. on iTunes: https://itunes.apple.com/us/artist/s.c.r.d./id1014316942
This document discusses the East Coast-West Coast hip hop rivalry of the 1990s. It provides background on key figures from both coasts like Tupac Shakur, The Notorious B.I.G., Snoop Dogg, Dr. Dre, Sean "Diddy" Combs, and their roles in perpetuating or addressing the feud through their music and record labels. It also examines how the rivalry began and some of the diss tracks released by both sides that escalated the tensions during that era of hip hop.
This document provides credits and production details for tracks on Gorillaz's 2010 album Plastic Beach. It lists the writers and performers for each of the 16 tracks, and credits additional musicians, samples, and orchestras used. Production details are also included, such as the recording locations, engineers, and mastering details for each track.
S.C.R.D. is named after Sweet Chuck and Ravin Dave, the two principal members of the musical group based in Gramercy, Manhattan. Together they infuse old skool beats, live instrumentation and witty, humorous and satirical lyrics to take fans on a journey through heartbreaks with an ebullience for life and the thirst for adventure. Their collaboration between each other, thrives off co-collaborating with local musicians, friends and fans they lure into their musical tsunami, which helps drive their artistic creativity to new heights.
The document provides credits for the album "Wonderwall" by the band The Insiders. It lists the band members, managers, producers, engineers, mixers and others who contributed to the recording and production of the album. It also provides information on songwriting credits, samples used, artwork, photography and thanks those who supported the band.
This document provides credits and information for the album "Hot Fuss" by the band The Killers. It lists the band members, producers, engineers, studios, and track listing. The Killers are an American rock band consisting of Brandon Flowers, Dave Keuning, Mark Stoermer, and Ronnie Vannucci. "Hot Fuss" was their debut studio album released in 2004 containing 11 songs, including their hit single "Mr. Brightside".
Madonna lanzó su último disco, la tecnología de hoy en día permite una puntualidad sorprendente.
Este 26 fue su lanzamiento por iTunes, sin colas y con una increíble puntualidad, quienes anticiparon su compra recibimos este estreno digital.
Los sellos disqueros son casi historia, iTunes marca una tendencia a seguir.
BackStage: Los Angeles is a television and online music interview show created by Sandy Jacobson in 2007 that showcases both famous and up-and-coming musical talent. The show has featured over 100 guests across many genres, including Peter Tork of The Monkees, John McEuen of The Nitty Gritty Dirt Band, Brian Ray from Paul McCartney's band, and The Quarrymen, the band that included early members of The Beatles. The document provides photos and details of past guests and events related to promoting musicians and their work.
Digital booklet the family sign (deluxe edition)Zorrge
The document contains multiple poems exploring complex themes of family, relationships, and abuse. In the first poem, the speaker recalls their family history and struggles with intergenerational trauma. The second poem warns a woman in an abusive relationship to leave for her own safety before it's too late. The third poem is about searching for a camping partner who disappeared and finding evidence they were chased by wolves.
The document is a collection of songs written and produced by Faith Evans. It includes the lyrics to 6 songs, as well as production details for each song. The songs discuss themes of maintaining love and passion over time ("I Still"), physical attraction ("Something About the Way You Move" featuring Snoop Dogg), prioritizing real emotional connections over material things ("Real Things"), ending a dysfunctional relationship ("Worth It"), feeling disconnected in a relationship ("Gone Already"), and coming together to have fun at a party ("Party" featuring Redman). The production details provide information on the musicians, studios, engineers, and publishing details for each song.
This document provides credits and acknowledgements for an album. It lists the song titles and songwriters. It thanks those involved in production, engineering, mixing, mastering, publicity, promotion, artwork, photography and legal work. The executive producers are listed as Pete Rock, Tek and Steele for their company BTU, with associate executive producers Dru Ha and Buckshot for the record label Duck Down Music.
This document contains lyrics from several songs written and produced by Damian Marley and Nasir Jones. It provides credits for the songwriters, producers, musicians, studios, and publishing details. The lyrics cover themes of empowerment, overcoming adversity, leadership, and changing the world.
This document provides credits for the musicians, vocalists, and production team involved in Betty Wright's album "Betty Wright: The Movie". It lists the instrumentalists and vocalists that performed on each song, as well as the producers, engineers, and others involved in recording and producing the album. The document thanks and credits over 50 individuals involved in the creative process and production of the album. It also provides management and booking contact information.
This document provides track listings and production details for Christina Aguilera's "Back to Basics" album. It lists 13 songs on the album, along with the producers, songwriters, and samples/inspirations used for each song. The introductory track "Intro (Back to Basics)" pays tribute to past soul, blues, jazz, and gospel artists who inspired higher generations. It was produced by DJ Premier and contains a sample from a B.B. King performance. The album explores various genres including soul, jazz, and blues. Detailed production credits are provided for each song.
Ill Bill - The Grimy Awards (Digital Booklet)Zorrge
The document provides notes on a song titled "How To Survive The Apocalypse". It begins by outlining scenarios that could cause a societal collapse, such as volcanic eruptions, earthquakes, or tsunamis. It then notes that most people are unprepared if civilization were to fall. The notes describe the song as offering advice on how to survive in a post-apocalyptic world, and that it was inspired by the perfect instrumental track the artist received. The summary highlights the document discusses survival strategies in the event of an apocalyptic scenario.
Heart Touching Romantic Love Shayari In English with ImagesShort Good Quotes
Explore our beautiful collection of Romantic Love Shayari in English to express your love. These heartfelt shayaris are perfect for sharing with your loved one. Get the best words to show your love and care.
The cherry: beauty, softness, its heart-shaped plastic has inspired artists since Antiquity. Cherries and strawberries were considered the fruits of paradise and thus represented the souls of men.
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3. EXECUTIVE PRODUCERS: N. Jones & A. Saleh
ALBUM PRODUCERS: Salaam Remi & NO I.D.
A&R: Gabriel "G-Code" Zardes & Fabienne Leys
A&R FOR DEF JAM: Karen Kwak A&R ADMINISTRATION: Terese Joseph
A&R COORDINATION: Leesa D. Brunson & Scott Marcus
MANAGEMENT: A. Saleh for Emagen Entertainment Group, Inc.
MANAGEMENT COORDINATION: Gabriel Zardes & Leslie Rosales
for Emagen Entertainment Group, Inc.
MARKETING: Chris Atlas
INTERNATIONAL MARKETING: Brian Sutnick
PUBLICITY: Gabriel Tesoriero
BOOKING: Brian Edelman, Brian Cohen, Marc Geiger & Sara Newkirk for WME
MASTERED BY Chris Gehringer at Sterling Sound, NYC
ART DIRECTION AND DESIGN: Alex Haldi (www.ALEXHALDI.com)
PHOTOGRAPHY: Matthew Salacuse
PHOTOGRAPHY COORDINATION: Tai Linzie
ADDITIONAL STILL LIFE PHOTOGRAPHY: Andrew Zaeh
STILL LIFE PHOTOGRAPHY COORDINATION: Meredith Truax
PACKAGE PRODUCTION: Cara Walker
LEGAL: Kenneth Meiselas, Esq. for Grubman, Indursky, Shire & Meiselas, PC
SAMPLE CLEARANCE AGENT: Deborah Mannis-Gardner
for DMG Clearances, Inc.
BUSINESS AFFAIRS: Michael Seltzer, Antoinette Trotman, Ian Allen, Vol S. Davis,III
4. No Introduction
(N. Jones, E. Ortiz, K. Crowe, K. Bartolomei) (BMI)
Produced by J.U.S.T.I.C.E. League. Recorded by Brian Sumner at Westlake Studios, Los Angeles, CA. Mixed by Rob Kinelski
at Record One Studios, Sherman Oaks, CA. Assisted by Anna Ugarte.
Loco-Motive feat. Large Professor
(N. Jones, E. Wilson) (BMI)|(ASCAP)
Produced by NO I.D. for Rich Daily Since ‘71. Recorded by Rob Kinelski at 4220 Studios and East West Studios, Hollywood,
CA and Record One, Sherman Oaks, CA, by Brian Sumner at Westlake Studios, Los Angeles, CA and by Stuart White at
Jungle City Studios, NYC. Assistant Engineers: Omar Loya, Sam Lewis, Gabriel “G-Code” Zardes and Keith Parry. Mixed
by Rob Kinelski at Record One, Sherman Oaks, CA. Mix Assistant: Anna Ugarte. Guitar, Bass: Steve Wyreman. Keys: Kevin
Randolph and Maestro Harrell. Additional Vocals: Kaye Fox and Hannah Sidibe.
A Queens Story
(N. Jones, S. Remi, J. Simmons, D. McDaniels) (BMI )|(ASCAP)
Produced and Arranged by SALAAMREMI.COM. Recorded by Gleyder “GEE” Disla at Instrument Zoo Studios, Miami, FL
and by. Stuart White at Jungle City Studios, NYC. Assisted by Gabriel “G Code” Zardes and Matt Weber. Mixed by Gleyder
“GEE” Disla at Instrument Zoo Studios, Miami, FL. Bass, Keys, Scratches: SALAAM REMI. String Arrangement: Tim Davies.
Drums: Hal Ritson and Richard Adlam of Replay Heaven. Piano: Chloe Flower. Production Coordinator: Kim Lumpkin.
Contains sample of the recording “Peter Piper” as performed by Run DMC. Courtesy of Sony BMG Entertainment. Used by permission. All rights reserved. Written
by Joseph Simmons, Darryl McDaniels and published by Rabasse c/o Universal Music Publishing (ASCAP). Used by permission. Contains a sample of the recording
“Queen’s Story” as performed by Salaam Remi. Courtesy of BoomBoxxx library. Used by permission. All rights reserved. Written by Salaam Remi and published
by BoomBoxxx library. Used by permission.
Accident Murderers feat. Rick Ross
(N. Jones, E. Wilson, W. Roberts, N. Solomon, C. DeGarmo, M. Williams)(BMI)|(ASCAP)
Produced by NO I.D. for Rich Daily Since ‘71. Recorded by Rob Kinelski at East West Studios, Hollywood, CA and by Stuart
White at Jungle City Studios, NYC. Assisted by Anna Ugarte and Keith Parry. Mixed by Rob Kinelski at Record One, Sherman
Oaks, CA. Mix Assistant: Anna Ugarte. Guitar, Bass: Steve Wyreman. Keys: Kevin Randolph. Additional Vocals: Kaye Fox .
Contains samples of the recording “They Said It Couldn’t Be Done” as performed by Norman Feels. Courtesy of Just Sunshine Records. Used by permission. All
rights reserved. Written by Norman Solomon and published by Milk Chocolate Music (BMI). Used by permission. Contains samples of the recording “The Bridge”
as performed by MC Shan. Courtesy of Cold Chillin’/CAK. Used by permission. All rights reserved. Written by Chris DeGarmo, Marlon Williams and published
by CAK Music/MC Shan Music (ASCAP).
5.
6.
7. Daughters
(N. Jones, E. Wilson, P. Adams, G. DeCarlo, D. Frashuer, P. Leka) (BMI)|(ASCAP)
Produced by NO I.D. for Rich Daily Since ‘71. Recorded by Rob Kinelski at 4220 Studios and East West Studios, Hollywood, CA
and Record One, Sherman Oaks, CA and by Brian Sumner at Conway Recording Studios, Hollywood, CA. Mixed by Rob Kinelski
at Record One, Sherman Oaks, CA. Assistant Engineer/Mix Assistant: Anna Ugarte. Guitar, Bass: Steve Wyreman
Keys: James Poyser and Kevin Randolph. Additional Vocals: Kaye Fox.
Contains samples of the recording “Dust To Dust” as performed by Cloud One. Courtesy of Phase One. Used by permission. All rights reserved. Written by P. Adams and
published by Universal Music Publishing (BMI). Used by permission. Contains samples of the recording “Na Na Hey Hey Kiss Him Goodbye” as performed by Wayne
McGhie and the Sounds of Joy. Courtesy of Light In The Attic. Used by permission. All rights reserved. Written by G. DeCarlo, D. Frashuer, P. Leka and published by
Unichappell Music, Inc. (BMI). Used by permission.
Reach Out feat. Mary J. Blige
(N. Jones, D. Franklin, S. Remi, R. Jerkins, I. Hayes, F. Perren, C. Perren, R. Wyatt) (BMI)|(ASCAP)
Produced by SALAAMREMI.COM, Rodney “Darkchild” Jerkins for Darkchild.com and DJ HOT DAY. Recorded by Gleyder “GEE”
Disla at Instruments Zoo Studios, Miami, FL and Matt Champlin at 2nd Floor Studios, Hollywood, CA. Mixed by Gleyder “GEE”
Disla at Instrument Zoo, Miami, FL. Assistant Engineer: Brandon N. Caddell. Sound Design: Greg Morgan for Darkchild.comz.
Drums, Keys, Bass: Salaam Remi. Scratches by DJ HOT DAY. Production Coordinator: Kim Lumpkin. Mary J. Blige appears
courtesy of Matriarch/Geffen Records.
Contains samples of the recording “Ike’s Mood” as performed by Isaac Hayes. Courtesy of Concord Music. Used by permission. All rights reserved. Written by Isaac Hayes
and published by Irving Music c/o Universal Music Publishing (BMI). Used by permission. Contains an interpolation of “Once In A Lifetime Groove.” Written by Frederick
Perren, Christine Perren, Richard A. Wyatt and published by House of Champions (ASCAP). Used by permission.
World’s An Addiction feat. Anthony Hamilton
(N. Jones, S. Remi, A. Hamilton) (BMI)
Produced by SALAAMREMI.COM. Recorded by Vernon Mungo at Purple Room Studios, Atlanta, GA and Gleyder “GEE” Disla
at Instrument Zoo Studios, Miami, FL. Assisted by Gabriel “G-Code” Zardes. Mixed by Gleyder “GEE” Disla at Instrument Zoo
Studios, Miami, FL. Bass, Keys, Guitar: SALAAM REMI. Flutes, Clarinets: Vincent Henry. Strings arranged by Tim Davies.
Production Coordinator: Kim Lumpkin. Anthony Hamilton appears courtesy of Sony Music Entertainment.
Contains samples of the recording “The World” as performed by Salaam Remi. Courtesy of BoomBoxxx library. Used by permission. All rights reserved. Written by Salaam
Remi and published by BoomBoxxx library. Used by permission.
Summer On Smash feat. Miguel & Swizz Beatz
(N. Jones, K. Dean) (BMI)|(SESAC)
Produced by Swizz Beatz for Swizz Beatz Productions. Recorded by Stuart White at Jungle City Studios, NYC and by Angel “OnHel”
Aponte at Oven Studios, NYC. Assisted by Matt Weber. Mixed by Rich Keller. Miguel appears courtesy of RCA Records.
8.
9. You Wouldn’t Understand feat. Victoria Monet
(N. Jones, A. Best, M. Claxton, E. Barrier, W. Griffin, T. Brown, V. McCants) (BMI) I (ASCAP)
Produced by Buckwild for Kurrup Money Entertainment Inc. Recorded by Brian Sumner at Conway Recording Studios, Hollywood, CA. Mixed by
Manny Marroquin at Larrabee Studios, Burbank, CA. Mixed assisted by Chris Galland and Del Bowers.
Contains samples of the recording “Let’s Start Love Over Again” as performed by Miles Jaye Courtesy of Universal Music Enterprises. Used by permission. All rights reserved. Written by M. Claxton
and publishied by EMI Blackwood Music. Used by permission. Contains samples of the recording “Eric B Is President” as performed by Eric B & Rakim. Courtesy of Universal Records under license
from Universal Music Enterprises. Used by permission. All rights reserved. Written by Eric Barrier, William Griffin and published by Universal Songs of PolyGram. Used by permission.
Back When
(N. Jones, E. Wilson, B. Forgie, S. Moltke, M. Williams, C. DeGarmo) (BMI)|(ASCAP)
Produced by NO I.D. for Rich Daily Since ‘71. Recorded by Rob Kinelski at 4220 Studios and East West Studios, Hollywood, CA and by Stuart White at
Jungle City Studios, NYC. Assistant Engineers: Anna Ugarte and Keith Parry. Mixed by Rob Kinelski at Record One, Sherman Oaks, CA. Mix Assistant:
Anna Ugarte. Guitar, Bass: Steve Wyreman. Keys: James Poyser and Kevin Randolph. Additional Vocals: Kaye Fox and Hannah Sidibe.
Contains samples of the recording “Double Agent Jones” as performed by Barry Moore Combo. Courtesy of Peer International Library Ltd. c/o APM. Used by permission. All rights reserved. Written
by Barry Richard Forgie and published by SLRM c/o Peer Music c/o APM. Used by permission. Contains samples of the recording “Live Routine” as performed by MC Shan. Courtesy of Cold
Chillin’/CAK. Used by permission. All rights reserved. Written by Shawn Moltke, Marlon Williams and published by CAK Music/MC Shan Music (ASCAP). Used by permission. Contains samples
of the recording “The Bridge” as performed by MC Shan. Courtesy of Cold Chillin’/CAK. Used by permission. All rights reserved. Written by Chris DeGarmo, Marlon Williams and published by
CAK Music/MC Shan Music (ASCAP).
The Don
(N. Jones. D. Myers, S. Remi, M. Palacios, E. Clark, W. Maragh, N. Thomas) (BMI)|(ASCAP)
Produced and Arranged by Heavy D, SALAAMREMI.COM and Da Internz. Recorded by Gleyder “GEE” Disla at Instrument Zoo Studios, Miami, FL
and Brian Sumner at Conway Recording Studios, Hollywood, CA. Mixed by Jaycen Joshua at Larrabee Studios, Hollywood, CA. Additional Vocals by
Red Alert. Bass: SALAAM REMI.
Contains elements of “Dance In New York” as performed by Super Cat. Produced by Nkrumah Thomas under exclusive license from Rufus Music Publishing Ltd. Written by William Maragh and
Nkrumah Jah Thomas and published by Rufus Music Publishing Ltd. (PRS)/Universal Music-Z Tunes LLC (ASCAP).
Stay
(N. Jones, E. Wilson, L. Abrams) (BMI)|(ASCAP)
Produced by NO I.D. for Rich Daily Since ‘71. Recorded by Rob Kinelski at Wavaflow Studios, Los Angeles, CA and by Brian Sumner at Westlake Studios,
Hollywood, CA. Assistant Engineers: Omar Loya and Tyler Yamashita. Mixed by Rob Kinelski at Record One, Sherman Oaks, CA. Mix Assistant: Anna
Ugarte. Guitar: Steve Wyreman. Keys: James Poyser and Kevin Randolph. Additional Vocals: Kaye Fox.
Contains samples of the recording “Seven Steps To Nowhere” as performed by LA Carnival. Courtesy of Now-Again Records. Used by permission. All rights reserved. Written by Lester Abrams
and published by Now-Again Records. Used by permission.
10.
11.
12. Cherry Wine feat. Amy Winehouse
(N. Jones, S. Remi, A. Winehouse) (BMI)
Produced by and Arranged by SALAAMREMI.COM. Recorded by Brian Sumner at Westlake Studios, Los Angeles, CA and by
Gary Noble and Gleyder “GEE” Disla at Instrument Zoo Studios, Miami, FL. Mixed by Gary Noble. Bass, Drums: SALAAM
REMI. Guitar: Amy Winehouse .Rhodes: John Adams. Tenor/Alto Sax, Flute, Clarinet: Vincent Henry. Amy Winehouse
appears courtesy of Island Records UK.
Bye Baby
(N. Jones, S. Remi, N. Shebib, T. Gatling, G. Griffin, A. Hall, T. Riley) (BMI)| (ASCAP)
Produced and Arranged by SALAAMREMI.COM and Noah “40” Shebib for Evdon Music Inc. Recorded by Gleyder “GEE”
Disla at Instrument Zoo Studios, Miami, FL and Brian Sumner at Conway Recording Studios, Hollywood, CA. Mixed by Noah
“40” Shebib for Evdon Music Inc. at Sterling Studios, Toronto, Ontario, Canada. Drums, Keys: Noah “40” Shebib. Bass,
Guitar: SALAAM REMI. Production Coordinator: Kim Lumpkin.
Contains samples of the recording “Goodbye Love” as performed by Guy. Courtesy of Universal Records under license from Universal Music Enterprises. Used by
permission. All rights reserved. Written by Tim Gatling, Gene Griffin, Aaron Hall, Teddy Riley and published by Cal-Rock Music c/o EMI Virgin Music, Donril
Music c/o Songs of Evergreen Copyrights BMG Chrysalis (ASCAP)/Universal Music Z-Tunes LLC (ASCAP). Used by permission.
BONUS TRACKS
Nasty
(N. Jones, S. Remi) (BMI)
Produced and Arranged by SALAAMREMI.COM. Recorded by Gleyder “GEE” Disla at Instrument Zoo Studios, Miami,
FL. Mixed by Manny Marroquin at Larrabee Studios, Universal City, CA. Mix Engineer: Erik Madrid. Mix assisted by Chris
Galland. Bass, Keys, Guitar and Drums: SALAAM REMI. Additional Vocals: Big Kap.
The Black Bond
(N. Jones, S. Remi) (BMI)
Produced and Arranged by SALAAMREMI.COM. Recorded by Brian Sumner at Westlake Studio, Los Angeles, CA and Kevin
Crouse and Gleyder “GEE” Disla at Instrument Zoo Studios, Miami, FL. Mixed by Gleyder “GEE” Disla at Instrument Zoo
Studios, Miami, FL. Bass, Guitar, Drums: SALAAM REMI. Strings arranged by Tim Davies. Production Coordinator: Kim
Lumpkin.
Contains samples of the recording “Praguenosis” as performed by Salaam Remi. Courtesy of BoomBoxxx library. Used by permission. All rights reserved. Written
by Salaam Remi and published by BoomBoxxx library. Used by permission.
13. Roses
(N. Jones, A. Shuckburgh, D. Wilson, S. Fenton, N. Flores) (BMI)|(ASCAP)
Produced by Al Shux and Dan Wilson. Recorded by Brian Sumner at Westlake Studios, Hollywood, CA. Assisted by
Gabriel “G Code” Zardes. Mixed by Rob Kinelski at Record One Studios, Sherman Oaks, CA.
Where’s The Love feat. Cocaine 80s
(N. Jones, E. Wilson, J. Fauntleroy II, M. Berrin, P. Nash, P. Huston) (BMI)| (ASCAP)
Produced by NO I.D. for Rich Daily Since ‘71. Recorded by Rob Kinelski at 4220 Studios, Hollywood, CA. Assistant
Engineer: Anna Ugarte. Mixed by Rob Kinelski at Record One, Sherman Oaks, CA. Mix Assistant: Anna Ugarte.
Guiter: Steve Wyreman. Keys: James Poyser and Kevin Randolph. Additional Vocals: Kaye Fox.
Contains samples of the recording “Brooklyn Queens” as performed by 3rd Bass. Courtesy of Universal Records under license from Universal Music
Enterprises. Used by permission. All rights reserved. Written by Michael Berrin, P. Nash, Paul Huston and publishing by Rhyming is Fundamental Music
c/o Universal Music Corporation (ASCAP)/Prinse Pawl Musick c/o Shelly Bay Music (BMI). Used by permission.
Trust
(N. Jones, M. Samuels, M. Burnett, J. Evans, J. Sublett) (BMI)/ (ASCAP)
Produced by Boi 1da for Boi 1da Productions, LLC.
Additional Production by Matthew Burnett and Jordan Evans
Recorded by Brian Sumner at Wavaflow Studios, Hollywood, CA
Assisted by Gabriel “G-Code” Zardes
Mixed by Manny Marroquin at Larrabee Studios, Burbank, CA
Mixed assisted by Chris Galland and Del Bowers
Additional vocals: Rosemarie Tan
Thank you love… Thank you hurt… Thank you fear… Thank you anger… Thank you happiness… Thank you
death… Thank you life…
Special thanks to my kids, my family, my ex-wife, my daughter’s mother, all of my friends (professional & personal)
and everyone who has brought anything to my life, both positive and negative.
THANK YOU GOD!
#LIFE IS GOOD
14.
15. 1. NO INTRODUCTION
2. LOCO-MOTIVE
feat. Large Professor
3. A QUEENS STORY
4. ACCIDENT MURDERERS
feat. Rick Ross
5. DAUGHTERS
6. REACH OUT
feat. Mary J. Blige
7. WORLD’S AN ADDICTION
feat. Anthony Hamilton
8. SUMMER ON SMASH
feat. Miguel & Swizz Beatz
9. YOU WOULDN’T UNDERSTAND
feat. Victoria Monet
10. BACK WHEN
11. THE DON
12. STAY
13. CHERRY WINE
feat. Amy Winehouse
14. BYE BABY
15. NASTY
16. THE BLACK BOND
17.ROSES
18. WHERE’S THE LOVE
feat. Cocaine 80s
ITUNES BONUS TRACK
19. TRUST
Executive Producers: N. Jones & A. Saleh
Album Producers: Salaam Remi & NO I.D.
A&R: Gabriel “G-Code” Zardes & Fabienne Leys A&R for Def Jam: Karen Kwak
DEFJAM.COM NASIRJONES.COM TWITTER: @NAS
P C 2012 The Island Def Jam Music Group,
1755 Broadway, New York, New York 10019.
THE
Distributed by Universal Music Distribution.
All rights reserved. 602537109531
JONES
EXPERIENCE