This document provides production and song credits for Rick Ross' album "Trilla". It lists the album's 18 tracks along with the producers, recording details, and featured artists for each song. It also includes thank you notes from Rick Ross to various people who contributed to and supported the album, including his family, record labels, producers, and friends. The executive producers of the album are listed as Ted "Touché" Lucas, Rick Ross and The Carter Administration.
Alexander Dilliplane. Omarion appears courtesy of StarRoc/Epic. courtesy of Maybach Music Group/Warner Bros. Records. Drake appears courtesy of Cash Money/
Republic Records. Used by permission. All rights reserved. Written by Young Money/Republic Records. Used by permission. All rights reserved. Written by Chimurenga
Slater and Omari Grandberry and published by 239 Music (ASCAP)/Omari McCormick, Olubowale Akintimehin, Aubrey Graham and published by Heartfelt Productions
Grandberry Publishing Designee (SESAC). Used by permission. LLC (BMI)/Dead Stock Music/WB Music Corp. (ASCAP)/Livewrite LLC
This document provides production and publishing details for 16 tracks on an album plus 2 bonus tracks. It lists the producers, songwriters, featured artists, recording details, and publishing information for each song. Major artists featured on the album include Drake, T-Pain, Young Jeezy, Pimp C, 2Pac, Trey Songz, Twista, Slim Thug, Play-N-Skillz, Yo Gotti, Gucci Mane, and Letoya. The album was executive produced by J. Prince and Bun B with production from high-profile producers such as J.U.S.T.I.C.E. League, Boi-1da, Drumma Boy, DJ Premier
This document provides track listings and production details for Jay-Z's album "The Blueprint 3". It contains 15 tracks, many of which feature collaborations with artists like Rihanna, Kanye West, Alicia Keys, and Kid Cudi. The tracks were produced by high-profile producers including Kanye West, Timbaland, Swizz Beatz, and The Neptunes. Detailed credits are provided for each song's writers, producers, recording engineers, and sample sources.
1. The document provides production and recording credits for songs on Rick Ross' album Deeper Than Rap.
2. It lists 14 songs on the album along with featured artists and producers.
3. The credits include recording studios, engineers, samples used, and record labels of featured artists.
This document provides track listing and production details for Rick Ross' album "Teflon Don". It lists the 11 tracks on the album along with the featured artists and producers for each song. It also thanks those involved in the production and promotion of the album including Rick Ross' record label Def Jam and other hip hop artists and DJs. The document expresses gratitude to God, family, and colleagues for their support.
1) The document provides production and songwriting credits for an album by Pharoahe Monch titled W.A.R. (we are renegades).
2) It lists over 20 songs on the album along with the producers, songwriters, recording details, and musicians featured on each track.
3) Additional credits are provided for executive producers, artwork designers, mastering engineers, publicists, and others involved in the album's production and release.
This document provides track listing and production details for Nas' 2008 album "Nigger". It lists the 15 tracks on the standard album and one bonus track. For each song, it provides the songwriters, producers, recording details, featured artists, and sample clearances if applicable. It also lists the executive producers, A&R staff, marketing, management, mastering engineers, art directors, photographers, and legal representation involved in the album's production and release.
Alexander Dilliplane. Omarion appears courtesy of StarRoc/Epic. courtesy of Maybach Music Group/Warner Bros. Records. Drake appears courtesy of Cash Money/
Republic Records. Used by permission. All rights reserved. Written by Young Money/Republic Records. Used by permission. All rights reserved. Written by Chimurenga
Slater and Omari Grandberry and published by 239 Music (ASCAP)/Omari McCormick, Olubowale Akintimehin, Aubrey Graham and published by Heartfelt Productions
Grandberry Publishing Designee (SESAC). Used by permission. LLC (BMI)/Dead Stock Music/WB Music Corp. (ASCAP)/Livewrite LLC
This document provides production and publishing details for 16 tracks on an album plus 2 bonus tracks. It lists the producers, songwriters, featured artists, recording details, and publishing information for each song. Major artists featured on the album include Drake, T-Pain, Young Jeezy, Pimp C, 2Pac, Trey Songz, Twista, Slim Thug, Play-N-Skillz, Yo Gotti, Gucci Mane, and Letoya. The album was executive produced by J. Prince and Bun B with production from high-profile producers such as J.U.S.T.I.C.E. League, Boi-1da, Drumma Boy, DJ Premier
This document provides track listings and production details for Jay-Z's album "The Blueprint 3". It contains 15 tracks, many of which feature collaborations with artists like Rihanna, Kanye West, Alicia Keys, and Kid Cudi. The tracks were produced by high-profile producers including Kanye West, Timbaland, Swizz Beatz, and The Neptunes. Detailed credits are provided for each song's writers, producers, recording engineers, and sample sources.
1. The document provides production and recording credits for songs on Rick Ross' album Deeper Than Rap.
2. It lists 14 songs on the album along with featured artists and producers.
3. The credits include recording studios, engineers, samples used, and record labels of featured artists.
This document provides track listing and production details for Rick Ross' album "Teflon Don". It lists the 11 tracks on the album along with the featured artists and producers for each song. It also thanks those involved in the production and promotion of the album including Rick Ross' record label Def Jam and other hip hop artists and DJs. The document expresses gratitude to God, family, and colleagues for their support.
1) The document provides production and songwriting credits for an album by Pharoahe Monch titled W.A.R. (we are renegades).
2) It lists over 20 songs on the album along with the producers, songwriters, recording details, and musicians featured on each track.
3) Additional credits are provided for executive producers, artwork designers, mastering engineers, publicists, and others involved in the album's production and release.
This document provides track listing and production details for Nas' 2008 album "Nigger". It lists the 15 tracks on the standard album and one bonus track. For each song, it provides the songwriters, producers, recording details, featured artists, and sample clearances if applicable. It also lists the executive producers, A&R staff, marketing, management, mastering engineers, art directors, photographers, and legal representation involved in the album's production and release.
Kanye West Presents G.O.O.D. Music "Cruel Summer" Digital BookletZorrge
This document provides production credits for 13 songs from Kanye West's album Yeezus. It lists the song titles, writers, producers, recording details, samples used (if any) and participating artists. The songs feature collaborations with artists like Jay Z, R. Kelly, Ghostface Killah, John Legend, Kid Cudi and more. Detailed recording locations and personnel are provided for each track.
Kendrick Lamar - Good Kid, M.A.A.D City: Digital BookletZorrge
This document lists the tracklist for Kendrick Lamar's album "good kid, m.A.A.d city". It contains 15 songs, including features from artists like Drake, Jay Rock, and Dr. Dre. The tracklist is followed by production and album credits, thanking those involved in the making of the album such as the producers, mixers, and photographers.
Anna Ugarte. Mixed by Rob Kinelski at Record One, Sherman Oaks, CA. Mix Assistant: Anna Ugarte. Guitar, Bass: Steve Wyreman. Keys: James Poyser. Additional Vocals: Kaye Fox.
Contains samples of the recording “The Bridge” as performed by MC Shan. Courtesy of Cold Chillin’/CAK. Used by permission. All rights reserved. Written by Chris DeGarmo, Marlon Williams and published by CAK Music/MC Shan Music (ASCAP). Used by permission. Contains samples of the recording “They Reminisce Over You (T.R.O.Y.)” as performed by Pete Rock & CL Smooth
Mary J. Blige - My Life II - The Journey Continues (Act 1)Zorrge
Jesus Garnica. Additional Mixing by Peter Mokran and Kendu Isaac. Additional Instruments by Ron Fair. Contains
elements of “Now That We Found Love” (K. Gamble/L. Huff), Warner-Tamerlane.Publishing Corp. (BMI). All rights reserved.
don’t mind Produced by Jerry Wonda. Written by Mary J. Blige, Priscilla Renea Hamilton, Jerry Wonda. Publishers: Mary
J. Blige Music/ Universal Music Corp (ASCAP); Priscilla Renea. Productions/ Power Pen Biz Publishing/ WB Music Corp (ASCAP).
Recorded by Serge ‘Sergical’ Tsai at Pl
This document provides track listings and songwriting credits for an album. It lists 14 tracks from the album including "Over My Dead Body," "Shot For Me," "Crew Love," "Take Care," "Under Ground Kings," and "We'll Be Fine." Each entry includes the songwriters, producers, and studios where the songs were recorded and mixed. It also notes if songs sample or contain elements from other existing works.
Digital booklet stronger with each tear (deluxe edition)Zorrge
This document provides track listing and production details for Mary J. Blige's 2009 album "Stronger". It includes the song titles, writers, producers, studios, and other details for each of the 14 tracks on the album. It also lists Mary J. Blige as the Executive Producer and provides copyright details and information about the manufacturer and distributor of the album.
This document provides track listing and production details for Kanye West's album "Late Registration". It lists 15 songs from the album along with songwriting credits and details about recording, mixing and sampling. Additional details are provided for featured artists and producers on each song. The document contains legal disclaimers about sample and songwriting credits.
This document provides production credits for songs on Mary J. Blige's album "Growing Pains". It lists the song titles, producers, writers, engineers, studios and more for each of the 15 tracks on the album. It expresses thanks to those involved in the creative process and production of the album.
This document provides the track listing and credits for Kelly Rowland's album "Here I Am". The album contains 14 tracks, including collaborations with artists like Lil Wayne, Big Sean, and Nelly. It also includes 4 bonus tracks on the deluxe version. Each track is accompanied by detailed production and recording credits. At the end, Kelly Rowland expresses her gratitude to God, her family, fans, and the entire team involved in creating the album.
This document appears to be album credits and liner notes for an album by The Roots. It lists 16 tracks on the album, each with featured artists. It provides songwriting and production credits for each track. It also lists executive production credits and details of marketing, management, legal representation and other personnel involved in the album's creation. The album was released in 2010 on Def Jam Recordings and distributed by Universal Music.
This document provides production and songwriting credits for an album by DMX. It lists 20 songs on the album along with their producers. Many songs feature additional artists and were recorded, engineered, and mixed by various professionals across several studios. The document concludes by thanking various people and entities involved in the creative process and production of the album, including God, family members, fellow artists, record label staff, and more. It directs readers to DMX's official website and social media accounts for further information.
This document provides production and songwriting credits for an album by DMX. It lists 20 songs on the album along with their producers. Many songs feature additional artists and were recorded, engineered, and mixed by various professionals across several studios. The document concludes by thanking various people and entities involved in the creative process and production of the album.
The document provides production and songwriting credits for 13 tracks on an album. It lists the song titles and features artists. For each song, it identifies the producers and songwriters and notes that the recordings were done at D-Block Studios in Yonkers, NY and mixed at D-Lab Studios in Mamaroneck, NY. It also thanks those involved in the album's creation and management.
Història del Pop-Rock 2 - Frederic SeséFrederic Sesé
The document provides a detailed timeline of the evolution of popular music genres from the 1950s through the 1990s. It traces the origins and progression of genres such as blues, jazz, gospel, country, rock & roll, folk, soul, funk, disco, punk, and others. Key artists are listed within each genre, including Chuck Berry, Elvis Presley, The Beatles, The Rolling Stones, Bob Marley, Nirvana, and many more. The timeline shows how different genres influenced each other and how popular music developed over the decades.
Slaughter house welcome to our house (digital booklet)Zorrge
This document provides production credits for an album. It lists the producers, musicians, engineers, studios and publishing information for each song on the album. Luis Resto is credited for additional keyboards on most tracks. The tracks sample or contain elements from other songs, which are noted along with permission information. Mike Strange recorded and mixed many of the tracks at Effigy Studios along with Eminem. Various producers are credited on each track along with co-production from Eminem on several songs. Publishing information is listed for each song's composers.
The document traces the history of music videos from early experiments combining music and visuals in the 1910s through the development of promotional films for songs in the 1960s and the rise of dedicated music video shows in the 1970s. It highlights pioneering music videos by The Beatles, Pink Floyd, and David Bowie in the late 1960s/early 1970s as genre-defining works. The launch of MTV in 1981 provided a dedicated outlet for music videos and fueled their rise as an art form and promotional tool, with major artists like Michael Jackson and Madonna releasing iconic videos in the 1980s.
Elvis Presley La Legende Romantique 1967 70 Bmg France 1998ExoticElvis Presley
This document provides a searchable index of Elvis Presley albums organized alphabetically from A to Z. It lists over 200 album titles along with release dates, studios, labels, and other details. The albums span Elvis' entire career from his early recordings in the 1950s to live performances and compilations from the late 1960s through the 1970s.
The document provides reviews of 3 albums:
1) The Bugz in the Attic Remixes Collection is praised for taking different styles like reggae and funk and merging them together creating something new. Highlights include remixes of "Say How I Feel" and "I Believe In You".
2) King Britt Presents Jazzmental is described as a good introduction to the nu-jazz/broken beat scene, with highlights including the tracks "Our Time" and "Slide".
3) Silhouette Brown by Dego and Kaidi Tatham is called a sublime soul treat that blurs broken beat and neo-soul, with highlights being "Whose In Charge", "
Elvis Presley La Legende Romantique 1957 60 Bmg France 1998ExoticElvis Presley
This document provides a searchable index of Elvis Presley albums. It lists over 200 album titles alphabetically from A Capitol Performance Version 2 to Midnight Inspirations A Night To Rem. Each album listing includes details such as release date, studio or live recording, label, and sometimes tracklists. The document allows users to search Elvis Presley's extensive discography.
The document lists credits and production details for 18 tracks on Lil Wayne's album "I Am Not a Human Being II". It details the songwriters, producers, recording studios and engineers for each track, as well as featuring artists. Publishing and recording credits are provided to acknowledge sampling and interpolation permissions.
This document provides credits and acknowledgements for an album. It lists the song titles and songwriters. It thanks those involved in production, engineering, mixing, mastering, publicity, promotion, artwork, photography and legal work. The executive producers are listed as Pete Rock, Tek and Steele for their company BTU, with associate executive producers Dru Ha and Buckshot for the record label Duck Down Music.
Kanye West Presents G.O.O.D. Music "Cruel Summer" Digital BookletZorrge
This document provides production credits for 13 songs from Kanye West's album Yeezus. It lists the song titles, writers, producers, recording details, samples used (if any) and participating artists. The songs feature collaborations with artists like Jay Z, R. Kelly, Ghostface Killah, John Legend, Kid Cudi and more. Detailed recording locations and personnel are provided for each track.
Kendrick Lamar - Good Kid, M.A.A.D City: Digital BookletZorrge
This document lists the tracklist for Kendrick Lamar's album "good kid, m.A.A.d city". It contains 15 songs, including features from artists like Drake, Jay Rock, and Dr. Dre. The tracklist is followed by production and album credits, thanking those involved in the making of the album such as the producers, mixers, and photographers.
Anna Ugarte. Mixed by Rob Kinelski at Record One, Sherman Oaks, CA. Mix Assistant: Anna Ugarte. Guitar, Bass: Steve Wyreman. Keys: James Poyser. Additional Vocals: Kaye Fox.
Contains samples of the recording “The Bridge” as performed by MC Shan. Courtesy of Cold Chillin’/CAK. Used by permission. All rights reserved. Written by Chris DeGarmo, Marlon Williams and published by CAK Music/MC Shan Music (ASCAP). Used by permission. Contains samples of the recording “They Reminisce Over You (T.R.O.Y.)” as performed by Pete Rock & CL Smooth
Mary J. Blige - My Life II - The Journey Continues (Act 1)Zorrge
Jesus Garnica. Additional Mixing by Peter Mokran and Kendu Isaac. Additional Instruments by Ron Fair. Contains
elements of “Now That We Found Love” (K. Gamble/L. Huff), Warner-Tamerlane.Publishing Corp. (BMI). All rights reserved.
don’t mind Produced by Jerry Wonda. Written by Mary J. Blige, Priscilla Renea Hamilton, Jerry Wonda. Publishers: Mary
J. Blige Music/ Universal Music Corp (ASCAP); Priscilla Renea. Productions/ Power Pen Biz Publishing/ WB Music Corp (ASCAP).
Recorded by Serge ‘Sergical’ Tsai at Pl
This document provides track listings and songwriting credits for an album. It lists 14 tracks from the album including "Over My Dead Body," "Shot For Me," "Crew Love," "Take Care," "Under Ground Kings," and "We'll Be Fine." Each entry includes the songwriters, producers, and studios where the songs were recorded and mixed. It also notes if songs sample or contain elements from other existing works.
Digital booklet stronger with each tear (deluxe edition)Zorrge
This document provides track listing and production details for Mary J. Blige's 2009 album "Stronger". It includes the song titles, writers, producers, studios, and other details for each of the 14 tracks on the album. It also lists Mary J. Blige as the Executive Producer and provides copyright details and information about the manufacturer and distributor of the album.
This document provides track listing and production details for Kanye West's album "Late Registration". It lists 15 songs from the album along with songwriting credits and details about recording, mixing and sampling. Additional details are provided for featured artists and producers on each song. The document contains legal disclaimers about sample and songwriting credits.
This document provides production credits for songs on Mary J. Blige's album "Growing Pains". It lists the song titles, producers, writers, engineers, studios and more for each of the 15 tracks on the album. It expresses thanks to those involved in the creative process and production of the album.
This document provides the track listing and credits for Kelly Rowland's album "Here I Am". The album contains 14 tracks, including collaborations with artists like Lil Wayne, Big Sean, and Nelly. It also includes 4 bonus tracks on the deluxe version. Each track is accompanied by detailed production and recording credits. At the end, Kelly Rowland expresses her gratitude to God, her family, fans, and the entire team involved in creating the album.
This document appears to be album credits and liner notes for an album by The Roots. It lists 16 tracks on the album, each with featured artists. It provides songwriting and production credits for each track. It also lists executive production credits and details of marketing, management, legal representation and other personnel involved in the album's creation. The album was released in 2010 on Def Jam Recordings and distributed by Universal Music.
This document provides production and songwriting credits for an album by DMX. It lists 20 songs on the album along with their producers. Many songs feature additional artists and were recorded, engineered, and mixed by various professionals across several studios. The document concludes by thanking various people and entities involved in the creative process and production of the album, including God, family members, fellow artists, record label staff, and more. It directs readers to DMX's official website and social media accounts for further information.
This document provides production and songwriting credits for an album by DMX. It lists 20 songs on the album along with their producers. Many songs feature additional artists and were recorded, engineered, and mixed by various professionals across several studios. The document concludes by thanking various people and entities involved in the creative process and production of the album.
The document provides production and songwriting credits for 13 tracks on an album. It lists the song titles and features artists. For each song, it identifies the producers and songwriters and notes that the recordings were done at D-Block Studios in Yonkers, NY and mixed at D-Lab Studios in Mamaroneck, NY. It also thanks those involved in the album's creation and management.
Història del Pop-Rock 2 - Frederic SeséFrederic Sesé
The document provides a detailed timeline of the evolution of popular music genres from the 1950s through the 1990s. It traces the origins and progression of genres such as blues, jazz, gospel, country, rock & roll, folk, soul, funk, disco, punk, and others. Key artists are listed within each genre, including Chuck Berry, Elvis Presley, The Beatles, The Rolling Stones, Bob Marley, Nirvana, and many more. The timeline shows how different genres influenced each other and how popular music developed over the decades.
Slaughter house welcome to our house (digital booklet)Zorrge
This document provides production credits for an album. It lists the producers, musicians, engineers, studios and publishing information for each song on the album. Luis Resto is credited for additional keyboards on most tracks. The tracks sample or contain elements from other songs, which are noted along with permission information. Mike Strange recorded and mixed many of the tracks at Effigy Studios along with Eminem. Various producers are credited on each track along with co-production from Eminem on several songs. Publishing information is listed for each song's composers.
The document traces the history of music videos from early experiments combining music and visuals in the 1910s through the development of promotional films for songs in the 1960s and the rise of dedicated music video shows in the 1970s. It highlights pioneering music videos by The Beatles, Pink Floyd, and David Bowie in the late 1960s/early 1970s as genre-defining works. The launch of MTV in 1981 provided a dedicated outlet for music videos and fueled their rise as an art form and promotional tool, with major artists like Michael Jackson and Madonna releasing iconic videos in the 1980s.
Elvis Presley La Legende Romantique 1967 70 Bmg France 1998ExoticElvis Presley
This document provides a searchable index of Elvis Presley albums organized alphabetically from A to Z. It lists over 200 album titles along with release dates, studios, labels, and other details. The albums span Elvis' entire career from his early recordings in the 1950s to live performances and compilations from the late 1960s through the 1970s.
The document provides reviews of 3 albums:
1) The Bugz in the Attic Remixes Collection is praised for taking different styles like reggae and funk and merging them together creating something new. Highlights include remixes of "Say How I Feel" and "I Believe In You".
2) King Britt Presents Jazzmental is described as a good introduction to the nu-jazz/broken beat scene, with highlights including the tracks "Our Time" and "Slide".
3) Silhouette Brown by Dego and Kaidi Tatham is called a sublime soul treat that blurs broken beat and neo-soul, with highlights being "Whose In Charge", "
Elvis Presley La Legende Romantique 1957 60 Bmg France 1998ExoticElvis Presley
This document provides a searchable index of Elvis Presley albums. It lists over 200 album titles alphabetically from A Capitol Performance Version 2 to Midnight Inspirations A Night To Rem. Each album listing includes details such as release date, studio or live recording, label, and sometimes tracklists. The document allows users to search Elvis Presley's extensive discography.
The document lists credits and production details for 18 tracks on Lil Wayne's album "I Am Not a Human Being II". It details the songwriters, producers, recording studios and engineers for each track, as well as featuring artists. Publishing and recording credits are provided to acknowledge sampling and interpolation permissions.
This document provides credits and acknowledgements for an album. It lists the song titles and songwriters. It thanks those involved in production, engineering, mixing, mastering, publicity, promotion, artwork, photography and legal work. The executive producers are listed as Pete Rock, Tek and Steele for their company BTU, with associate executive producers Dru Ha and Buckshot for the record label Duck Down Music.
Luis Fernandez
Mixed at: We The Best Studios, Miami, FL
Hip Hop
DJ Khaled feat. Scarface, Nas & DJ Premier
Written by: K. Khaled, B. Adler, N. Jones, P. Wolff
Produced by: DJ Premier for GangStarr Productions
Publishing Co: Money Mack Music/DJ Khaled Publishing, adm. By Songs of Universal, Inc. (BMI)
Get Low Recordings (BMI), Nasir Jones Music (ASCAP), Gang Starr Music (BMI)
Recorded at: D&D Studios, New York, NY
Recorded by: DJ Premier
Mixed by: DJ Premier
Don’t See Em
This document lists production and songwriting credits for an album. It includes 12 songs, the producers and writers for each song. It thanks those involved in the creative process and production of the album including other artists featured on songs, record labels, and management. Executive production was led by Terrence "Pusha T" Thornton and Rennard "Liva Don" East.
This document provides credits and legal information for the album "Slaughterhouse" by the hip hop group of the same name. It lists the 18 tracks on the album along with songwriting, production, and recording credits for each song. It also includes thank you messages from the group members to those involved in making the album.
The Grammy's 2015 winners included Sam Smith for Record of the Year, Beck for Album of the Year, and Sam Smith again for Song of the Year. Pharrell Williams won Best Urban Contemporary Album for his album "Girl".
This document provides track listing and production details for the album "Arms & Hammers" by Strong Arm Steady. It includes 14 tracks featuring artists like JellyRoll, Game, Too Short, KRS-One and others. The album was executive produced by Corey Smyth and Talib Kweli through their label Blacksmith Music Corp. It expresses thanks to family, artists and industry supporters involved in making the album.
Betsy Bolte Public Relations represents over 100 hip hop and rap artists, record labels, producers, photographers, and others involved in hip hop culture. Some of the major artists represented include Snoop Dogg, Ice Cube, Jay-Z, Dr. Dre, Eazy-E, N.W.A., Master P, Mystikal, Silkk The Shocker, Lil Jon, Tech N9ne, E-40, Cam'ron, and The Game. The document also lists tours and book projects related to hip hop that the public relations firm has represented.
The document provides a tracklist and credits for an original motion picture soundtrack. It includes 10 songs: "MMMBop" by Hanson, "My Life" by Billy Joel, "Ave Maria" by Fletcher Sheridan, "Everybody's Talkin'" by Harry Nilsson, "Down In Mexico" by The Coasters, "Hurt" performed by Ken Jeong, "Mother '93" by Danzig, "F**kin' Problems" by A$AP Rocky featuring Drake, 2 Chainz, and Kendrick Lamar, "I Believe I Can Fly" performed by Ken Jeong, and "Fever" by The Cramps. It lists the executive producers of the album and
This document provides production and publishing credits for songs on Talib Kweli's album "Eardrum". It lists the song titles, featured artists if any, songwriters, publishers, producers, recording details, and notes any samples or interpolations used in the songs. The production involved many notable artists and producers across hip hop and R&B genres. Credits are provided for songwriting, production, mixing, recording engineering and appearances by guest artists.
472019 A beginner’s guide to hip-hop collective Native Tongu.docxblondellchancy
4/7/2019 A beginner’s guide to hip-hop collective Native Tongues
https://music.avclub.com/a-beginner-s-guide-to-hip-hop-collective-native-tongues-1798239179 1/14
Primer
PRIMER
A beginner’s guide to hip-hop collective
Native Tongues
Eric Thurm
7/05/13 12:00am
Primer is The A.V. Club’s ongoing series of beginner’s guides to pop culture’s most
notable subjects: filmmakers, music styles, literary genres, and whatever else
interests us—and hopefully you.
Prev Next View All
In order to stay up to date with the latest Services offered by Kinja, we've made changes to our Privacy Policy,
which can be found here, and to our Terms of Use, which can be found here. These changes will go into effect
on April 10. If you do not want to accept these changes, please cease using and/or accessing any websites
powered by Kinja.
×
4/7/2019 A beginner’s guide to hip-hop collective Native Tongues
https://music.avclub.com/a-beginner-s-guide-to-hip-hop-collective-native-tongues-1798239179 2/14
Native Tongues 101
In the summer of 1988, two albums with eerily similar titles presented
radically different visions for the future of hip-hop. In August, NWA’s bomb
of a gangsta masterpiece, Straight Outta Compton, blew up the hip-hop
landscape, forever changing the posture, politics, and attitude of rap music
and rappers trying to be hardcore. But Straight Outta Compton was released just
a month after Straight Out The Jungle, the debut album from New York trio
Jungle Brothers and the first release from a future member of the Native
Tongues collective. Looking back, each album seems like a stylistic roadmap
for a different philosophy on the future of hip-hop: Where Straight Outta
Compton is aggressive and harsh and presents the members of NWA clad in
black Raiders Starter jackets, Straight Out The Jungle is as mellow and playful
as the ridiculous, endearing khaki safari gear Jungle Brothers wear on the
cover.
The image of Jungle Brothers looking unabashedly goofy while rhyming about
Afrocentric medallions and the difficulties of urban life in the late ’80s is
characteristic of the movement they spawned: Native Tongues. A loosely
affiliated crew composed of three founding groups (Jungle Brothers, De La
Soul, and A Tribe Called Quest) and a who’s who of innovative hip-hop at the
time, the members of Native Tongues were idealistic teenagers, hanging out
both in and out of the studio while making groundbreaking music. The
individual Tongues may have made better records as they matured, but the
core Native Tongues style can be traced back to the debut albums of its
founding members: Straight Out The Jungle, De La’s 3 Feet High And Rising, and
Tribe’s People’s Instinctive Travels And The Paths Of Rhythm.
Straight Out The Jungle is still very much a product of the boom-bap percussion
that was characteristic of East Coast hip-hop at the time, but Jungle Brothers
Mike G (Michael Small), Afrika Baby Bam (Nathaniel Hall), and DJ Sammy B
(Sa ...
Harlem Renaissance Summer Music Fest Summarized Percy Sutton Genericrcaheartandsoul
This merely a unofficial, and un-certified DRAFT of a summer concert proposal that would tie in local Political, Corporate & Public sector to a major 10 week free event that is sure to offer opportunities to highlight branding.
Abigail Rose is an actress and dancer with experience in film, television, theater, and commercial work. She has a B.A. in Theatre and Dance from Manhattanville College and training from CayMichael Patten Studios and the Williamstown Theatre Festival. Her resume highlights featured roles in shorts, music videos, and productions across New York, Massachusetts, Texas and more. She has skills in singing, dancing, combat, editing, and multiple languages.
This document provides credits and production details for tracks on Gorillaz's 2010 album Plastic Beach. It lists the writers and performers for each of the 16 tracks, and credits additional musicians, samples, and orchestras used. Production details are also included, such as the recording locations, engineers, and mastering details for each track.
The document provides biographies of several music artists, including:
- Brothers Marrlly and DAT-BOYDAMIAN who formed the music group DPMG with influences from their family of musicians.
- Miami-based artist B.L.I.N.D who transitioned from secular to gospel music and has opened for notable gospel acts.
- Detroit-based rapper Young Boogie who began rapping at age 16 and is building his brand and music career.
- Phoenix-based artist Lavae who began making music at age 17 and hopes to support his family financially through his music.
- Chicago-based rapper D.I.C.E Ali who overcame
Drake is a Canadian rapper, singer, songwriter, actor and record producer. Some key facts about Drake are that his real name is Aubrey Drake Graham, he was born in 1986 in Toronto, Canada, and produces hip hop, R&B and pop music. Drake has collaborated with many popular artists and has released several successful albums, including his debut studio album "Thank Me Later" in 2010. He is known for his melodic rapping style and often sings as well as raps in his songs.
Digital booklet the family sign (deluxe edition)Zorrge
The document contains multiple poems exploring complex themes of family, relationships, and abuse. In the first poem, the speaker recalls their family history and struggles with intergenerational trauma. The second poem warns a woman in an abusive relationship to leave for her own safety before it's too late. The third poem is about searching for a camping partner who disappeared and finding evidence they were chased by wolves.
The document is a collection of songs written and produced by Faith Evans. It includes the lyrics to 6 songs, as well as production details for each song. The songs discuss themes of maintaining love and passion over time ("I Still"), physical attraction ("Something About the Way You Move" featuring Snoop Dogg), prioritizing real emotional connections over material things ("Real Things"), ending a dysfunctional relationship ("Worth It"), feeling disconnected in a relationship ("Gone Already"), and coming together to have fun at a party ("Party" featuring Redman). The production details provide information on the musicians, studios, engineers, and publishing details for each song.
This document contains lyrics from several songs written and produced by Damian Marley and Nasir Jones. It provides credits for the songwriters, producers, musicians, studios, and publishing details. The lyrics cover themes of empowerment, overcoming adversity, leadership, and changing the world.
This document provides credits for the musicians, vocalists, and production team involved in Betty Wright's album "Betty Wright: The Movie". It lists the instrumentalists and vocalists that performed on each song, as well as the producers, engineers, and others involved in recording and producing the album. The document thanks and credits over 50 individuals involved in the creative process and production of the album. It also provides management and booking contact information.
This document provides track listings and production details for Christina Aguilera's "Back to Basics" album. It lists 13 songs on the album, along with the producers, songwriters, and samples/inspirations used for each song. The introductory track "Intro (Back to Basics)" pays tribute to past soul, blues, jazz, and gospel artists who inspired higher generations. It was produced by DJ Premier and contains a sample from a B.B. King performance. The album explores various genres including soul, jazz, and blues. Detailed production credits are provided for each song.
Ill Bill - The Grimy Awards (Digital Booklet)Zorrge
The document provides notes on a song titled "How To Survive The Apocalypse". It begins by outlining scenarios that could cause a societal collapse, such as volcanic eruptions, earthquakes, or tsunamis. It then notes that most people are unprepared if civilization were to fall. The notes describe the song as offering advice on how to survive in a post-apocalyptic world, and that it was inspired by the perfect instrumental track the artist received. The summary highlights the document discusses survival strategies in the event of an apocalyptic scenario.
Big Boi - Vicious Lies and Dangerous Rumors (Digital Booklet) Zorrge
This document appears to be the track listing and credits for an album titled "Vicious Lies and Dangerous Rumors" by Big Boi. It lists 17 songs on the album, along with the featured artists on each song. It also provides brief descriptions or lyrics for 4 of the songs. The document includes legal disclaimers and information about the executive producers, A&R, and management of the album.
Big Boi - Vicious Lies and Dangerous Rumors (Digital Booklet)
Digital booklet trilla
1.
2. 1. TRILLA INTRO 2. ALL I HAVE IN THIS WORLD FEAT. MANNIE FRESH 3. THE BOSS FEAT. T-PAIN 4. SPEEDIN’
FEAT. R. KELLY 5. WE SHININ’ 6. MONEY MAKE ME COME FEAT. EBONYLOVE 7. DJ KHALED INTERLUDE
8. THIS IS THE LIFE FEAT. TREY SONGZ 9. THIS ME 10. HERE I AM FEAT. NELLY & AVERY STORM 11. MAYBACH MUSIC
FEAT. JAY-Z 12. BILLIONAIRE 13. LUXURY TAX FEAT. LIL WAYNE, YOUNG JEEZY & TRICK DADDY 14. REPPIN MY CITY FEAT.
TRIPLE C & BRISCO 15. I’M ONLY HUMAN FEAT. RODNEY 16. BONUS TRACK: RIDIN’ THROUGH THE GHETTO
EXECUTIVE PRODUCERS: TED “TOUCHÉ” LUCAS, RICK ROSS
AND THE CARTER ADMINISTRATION
CO-EXECUTIVE PRODUCERS: E-CLASS AND SHAKIR STEWART
DEF JAM A&R: SHAKIR STEWART
SLIP N’ SLIDE A&R: MUSA “MILK” ADEOYE AND JOSH “REDD” BURKE
3.
4. Poe Boy
Elvin “Big Chuck” Prince at
.T.I.C.E. League, Recorded by
IN
(BMI/ASCAP), Produced by J.U.S
i, FL 2. ALL I HAVE
(W. Roberts, K. Crowe, E. Ortiz)
Seay at The Vault Studios, Miam
by Boy
Mixed by Ray
ced by Mannie Fresh for Chub
t at Hitco Studios, Atlanta, GA,
J. Okuribido) (BMI/ASCAP), Produ
i, FL and Dantly “Prowla” Wyat
Studios, Miam
Mixed by Leslie
B. Thomas, B. Jordan,
NIE FRESH (W. Roberts,
t at Hitco Studios, Atlanta, GA,
THIS WORLD FEAT. MAN Chuck” Prince at Poe Boy Studios, Miami, FL and Dantly “Prowla” Wyatles from Geto Boys recording of “Scarface,” prock. Contains samp
Recorded by Elvin “Big
Productions, Inc.,
ta, GA, Assisted by Justin Trawi
published by N The Water
c at Patchwerk Recordings, Atlan
Brad Jordan & John Okuribido,
Beluga
Brathwaite from Dub 750 Musi
rights reserved. Written by
, Produced by J. R. Rotem for
rds. Used by permission. All
Roberts, J. Rotem, F. Najim) (BMI)
license from Rap-A-Lot Reco
ments
duced under
T. T-PAIN (W.
ry Criteria, Miami, FL. All instru
. 3. THE BOSS FEA
Fabian Marasciullo at Hit Facto
(ASCAP). Used by permission
A.
Publishing Inc.
les, CA, Mixed by
Recording Studios, Los Ange
IN’ FEAT. R. KELLY (W. Roberts,ged
rded by Greg Ogan at Chalice
Jive Records 4. SPEED
arran
Heights, Reco
ars courtesy of
vocals produced, written and
Beluga Heights. T-Pain appe
arranged by J. R. Rotem for
ld Entertainment, LLC., R. Kelly
N-Fie
performed and
olate Factory, Chicago,
ced by the Runners for Tracs, Abel Garibaldi at The Choc
R. Kelly) (BMI/ASCAP), Produ
R. Kelly recorded by Jeff Meek
Records
Harr, J. Jackson, K. Cossom,
Hit Factory Criteria, Miami, FL,
R. Kelly appears courtesy of Jive
rded by Jeff Vallanueva at The
Hit Factory Criteria, Miami, FL.
lo at The
Bad Boy
by R. Kelly, Reco
rds, Mixed by Fabian Marasciul
ced by Bink! for One Shot Deal/
g by Ian Mereness and Jeff Edwa
) (BMI/SESAC/ASCAP), Produ
IL, Pro Tools editin
, S. Cropper, C. Thompson
ta, GA, Mixed by John Frye
rts, R. Harrell, R. Beck, V. Conte
Wyatt at Hitco Studios, Atlan
ission.
5. WE SHININ’ (W. Robe
Miami, FL and Dantly “Prowla”
Entertainment. Used by perm
k” Prince at Poe Boy Studios,
Recorded by Elvin “Big Chuc
r of Power, courtesy of Sony BMG
ission.
Entertainment,
performed by Towe
Fish Music (BMI). Used by perm
ins elements of “Love Bug”
by Cheson Music (ASCAP)/Walkin
Recording, Atlanta, GA. Conta
Squad
, published
at Stankonia
ced by Drumma Boy for Drum
Cropper and Chester Thompson
ie Beck, Victor Conte, Stephen
C. Gholson) (BMI/ASCAP), Produ
rts,
of
Written by Ronn
T. EBONYLOVE (W. Robe
EbonyLove appears courtesy
Y MAKE ME COME FEA Studios, Atlanta, GA, Mixed by Ray Seay at Echo Studios, Atlanta, GA. ctions, Recorded by DJ Khaled
6. MONE
Wyatt at Hitco
Khaled Produ
Khaled Beat Novacane for DJ
Recorded by Dantly “Prowla”
Productions,
, Produced by DJ
(W. Roberts, E.
ALED INTERLUDE (W. Robert) (BMI) Miami, FL 8. THIS IS THE LIFE FEAT. TREY SONGZ e at Poe Boy
EbonyLove Music 7. DJ KH
by Elvin “Big Chuck” Princ
Ray Seay at The Vault Studios,
c/Eden Media Group, Recorded
Studios, Miami, FL, Mixed by
at Jerusalem
z appears courtesy of
” Williams for Banga Boy Musi
Studios, Miami, FL. Trey Song
Produced by Elvis “Blac Elvis
at
Mixed by Ray Seay at The Vault
Williams, JNEW) (BMI/SESAC),
ctions, Recorded by Derrick Selby
t at Hitco Studios, Atlanta, GA,
ced by Toomp for Zone Boy Produ
i, FL and Dantly “Prowla” Wyat
) (BMI), Produ
Contains
Studios, Miam
(W. Roberts, A. Davis, K. West
Amy for Cookies and Milk, LLC.
tic Records 9. THIS ME
ction coordination by Keke and
Songbook/Atlan
, Inc.|EMI Blackwood
Vault Studios, Miami, FL, Produ
by Please Gimme My Publishing
GA, Mixed by Ray Seay at The
and Aldrin Davis, published
Soundtrap Studios, Atlanta,
I AM FEAT. NELLY & AVERY
Brother” written by Kanye West
from the composition “Big
rights reserved. 10. HERE
interpolations
. Used by permission. All
by Elvin “Big Chuck” Prince
adm. by EMI-Blackwood (BMI)
LIVE for Drum Squad, Recorded
(BMI)/Toompstone Publishing
Recordings,
P), Produced by Drumma Boy
Dub 750 Music at Patchwerk
es, Jr., R. DiStasio) (BMI/ASCA
Roberts, C. Gholson, C. Hayn
Mixed by Leslie Brathwaite from
ta, GA,
STORM (W.
Additional
la” Wyatt at Hitco Studios, Atlan
re, Live drums: Terrell Sass,
os, Miami, FL and Dantly “Prow
Lewis, Piano: John “L Mo” Elmo
r: Jason “Fox”
at Poe Boy Studi
Records 11.
: Eric “E-Live” Florence, Guita
tainment/Universal Motown
Assisted by Justin Trawick, Bass
appears courtesy of Derrty Enter
Atlanta, GA,
by Elvin “Big
wn Records. Avery Storm
J.U.S.T.I.C.E. League, Recorded
ars courtesy of Universal Moto
r) (BMI/ASCAP), Produced by
werk
vocals: Avery Storm. Nelly appe
rts, K. Crowe, E. Ortiz, S. Carte
from Dub 750 Music at Patch
CH MUSIC FEAT. JAY-Z (W. Robely “Prowla” Wyatt at Hitco Studios, Atlanta, GA, Mixed by Leslie Brathwaite esy of Roc-A-Fella Records 12.
MAYBA
ars court
FL and Dant
e at Poe Boy Studios, Miami,
and Jessica Gomes. JAY-Z appe
Chuck” Princ
Poe Boy Studios,
vocals: Cheyenne Tozzi
Elvin “Big Chuck” Prince at
ted by Justin Trawick, Additional
.T.I.C.E. League, Recorded by
ted
Recordings, Atlanta, GA, Assis
(BMI/ASCAP), Produced by J.U.S
Recordings, Atlanta, GA, Assis
NAIRE (W. Roberts, K. Crowe, E. Ortiz)Atlanta, GA, Mixed by Leslie Brathwaite from Dub 750 Music at Patchwerk e, E. Ortiz, D. Carter, J. Jenkins,
BILLIO
Studios,
rts, K. Crow
Dantly “Prowla” Wyatt at Hitco
& TRICK DADDY (W. Robe
Miami, FL and
i, FL and Dantly
YOUNG JEEZY
URY TAX FEAT. LIL WAYNE, .E. League, Recorded by Elvin “Big Chuck” Prince at Poe Boy Studios, Miam
by Justin Trawick 13. LUX
P), Produced by J.U.S.T.I.C
Gradney, D. Oliver) (BMI/ASCA
M. Young, M.
1. TRILLA INTRO
5. ta, GA, Assisted by Justin
c at Patchwerk Recordings, Atlan
Brathwaite from Dub 750 Musi
sample of the
N’ Slide Records. Contains a
os, Atlanta, GA, Mixed by Leslie
courtesy of Slip
“Prowla” Wyatt at Hitco Studi
Records. Trick Daddy appears
c Enterprises.
esy of Cash Money/Universal
r license from Universal Musi
rsal Records unde
Trawick. Lil Wayne appears court
Carvings
David Oliver. Courtesy of Unive
Music/Gradie Go Music/Silver
A Love Song” as performed by
shed by Daleo
recording “I Wanna Write You
K. Belnavis,
Gradney and David Oliver, publi
Roberts, J. Borges, R. Morales,
s reserved. Written by Michael
CO (W.
Used by permission. All right
CITY FEAT. TRIPLE C & BRIS Recorded by Elvin “Big Chuck” Prince at Poe Boy
(BMI) 14. REPPIN MY
” Borges,
Music/Third Story Music Inc.
P), Produced by Jean “J Rock
Music Group. Brisco appears
Carter, S. Storch) (BMI/ASCA
C appears courtesy of Maybach
B. Mitchell, J. Cartagena, D.
ry Criteria, Miami, FL. Triple
r license from
Joe featuring Luda, used unde
Fabian Marasciullo at Hit Facto
rmed by Fat
Studios, Miami, FL, Mixed by
“Make It Rain” (Remix) as perfo
h Global Songs
ent. Contains excerpts from
Storch and published by Reac
Carter and Scott
courtesy of Poe Boy Entertainm
by Joseph Cartagena, Dwayne
LY HUMAN FEAT.
Capitol Records, Inc. Written
s reserved. 15. I’M ON
Capitol Records, a division of
Used by permission. All right
rs, Recorded
(BMI) and TVT Music (ASCAP).
Nasty & LVM for Nasty Beat Make
ced by DJ
(BMI)/Warner-Tamerlane Pub.
s, T. Lewis) (BMI/ASCAP), Produ
sciullo at Hit
ta, GA, Mixed by Fabian Mara
ngs, J. Mollings, R. Kohn, J. Harri
Hitco Studios, Atlan
RODNEY (W. Roberts, L. Molli
and Dantly “Prowla” Wyatt at
by EMI April Music (ASCAP).
at Poe Boy Studios, Miami, FL
and Terry Lewis and published
by Elvin “Big Chuck” Prince
vis), (BMI),
an” written by James Harris
ins interpolations from “Hum
C. Thornton, R. Morales, K. Belna
Factory Criteria, Miami, FL. Conta
U THE GHETTO (W. Roberts, Studios, College Park, GA and at Hot Beats
US TRACK RIDIN’ THR
ore
at Claym
Used by permission. 16. BON
by Carlos “Los Vegaz” Thornton
n by Keke and Amy for Cookies
Point Entertainment, Recorded
Vegaz, Production coordinatio
Produced by Los Vegaz for East
os, Miami, FL, Guitars by Los
by Ray Seay at The Vault Studi
Studios, Atlanta, GA, Mixed
and Milk, LLC
The Carter Administration
“Touche” Lucas, Rick Ross and
EXECUTIVE PRODUCERS: Ted
ir Stewart
PRODUCERS: E-Class and Shak
CO-EXECUTIVE
DEF JAM A&R: Shakir Stewart
” Adeoye and Josh “Redd” Burke
SLIP N’ SLIDE A&R: Musa “Milk
nder “Gucci Pucci” Bethune
ACH MUSIC GROUP A&R: Alexa
MAYB
Joseph
A&R ADMINISTRATION: Terese
Brunson
A&R COORDINATION: Leesa D.
Washington
DEF JAM MARKETING: Davon
dy” Morgan
“Jackle” Cedeño and Ingrid “Wen
SLIP N’ SLIDE MARKETING: Henry
Sound, NYC
BY: Chris Athens at Sterling
MASTERED
Boy Entertainment
MANAGEMENT: E-Class for Poe
n
DESIGN: Lili Picou / Kush Desig
ion
PHOTOGRAPHER: Jonathan Mann
STYLIST: Groovey Lew
DINATION: Nichelle Delvaille
ART AND PHOTOGRAPHY COOR
Sedlmayr & Associates, P.C.
and Christine Calip, Esq. for
L COUNSEL: Theo Sedlmayr, Esq.
LEGA
an, Ian Allen
e Wyskoarko, Antoinette Trotm
BUSINESS AFFAIRS: Nicol
for DMG Clearances, Inc.
T: Deborah Mannis-Gardner
SAMPLE CLEARANCE AGEN