Mythbusters2
•Download as PPTX, PDF•
0 likes•374 views
MythBusters is a show that tests myths and urban legends. The original hosts were Adam Savage and Jamie Hyneman who explored myths using special effects. As the show progressed, members of Hyneman's workshop staff like Kari Byron, Tory Belleci, and Scottie Chapman formed their own team, the "Build Team", to test separate myths. Each episode focuses on several myths compiled from various sources and tested to be either "busted" if disproven or "plausible" if possible. Common testing materials include ballistics gel, dynamite and dummies.
Report
Share
Report
Share
Recommended
Genre conventions
The document discusses genre conventions for zombie films. It summarizes that zombie film settings are usually abandoned areas to show societal breakdown. Technical aspects like shaky cameras and silence build tension as characters stealthily avoid zombies. Iconography like blood and props identify the genre, while narratives typically follow a male hero protecting his family against the undead and other survivors. Main characters, villains, and foolish adults/children who are killed are common character types that move the plot. Central themes involve humanity against the deceased and implications of death.
The italian job
Michael Caine plays a charismatic but unconventional anti-hero in a British crime film from 1969. The trailer introduces the characters, including Caine's character and his group of helpers, and shows high-octane car chases and stunts to demonstrate the action-packed and comedic nature of the film. Intercut with shots of Mini Coopers and costumes that reflect the era, the trailer builds intrigue around executing "The Italian Job" without giving away the full plot.
Trailer Analysis: Pulp Fiction
The trailer analysis document discusses the 1994 film Pulp Fiction directed by Quentin Tarantino. It summarizes that the opening sequence establishes the hedonistic lifestyle of the two main characters through short shots featuring sex, money and drugs. It introduces the Femme Fatale character of Mia Wallace through her black hair and red lipstick. The trailer focuses on conveying different emotions through changing titles and soundtracks. It also uses low key lighting in bar scenes typical of the noir/thriller genre.
Apply the Concept of Genre Theory To Your Advanced Portfolio Idea
The document discusses the genre of neo-noir films. It explains that neo-noir takes elements from classic noir films but with modern updates, such as using color and more graphic content. Neo-noir films still include noir conventions like the femme fatale character and stories about corruption. The document also discusses how genre theory has examined how genres are defined by semantic and syntactic elements and how understanding genre helps filmmakers market their works.
Media2014 film trailer overview
The document provides an analysis of conventions used in five horror movie trailers: The Shining, Oculus, The Sixth Sense, The Woman in Black, and The Cabin in the Woods. It examines how each trailer introduces the film, establishes characters, builds tension, and balances satisfying audience expectations with uniqueness. While most trailers follow conventions like opening with an scare or establishing shots, The Woman in Black stands out as more unconventional in its structure. Overall, the analysis finds that the trailers effectively capture the essence of their respective films through their use or subversion of trailer conventions.
Presentation 3
The document provides an analysis of the teaser trailer for the film "Legend". It summarizes that the trailer indicates the film is set in 1950s-1960s London through the costumes and urban environments shown. It analyzes elements of the cinematography including close-ups of the main characters and the use of tracking shots during emotional scenes. The editing uses a montage structure and the pace quickens throughout. The trailer introduces the two main characters, the Kray twins, as powerful crime bosses who aim to rule London through violence and intimidation.
Film trailer overview 2
This document provides an overview and analysis of four film trailer structures and conventions. It summarizes each trailer's key elements, including opening logos, establishing shots, voiceovers, editing techniques, lighting, costumes, and character types. Common conventions identified across the trailers include fast pacing to depict fun/partying that contrasts with later tension; isolated settings; portrayals of "slutty" victims and tougher final girls; and the use of jumps scares, intense sounds, and lighting to build suspense. The document aims to understand effective trailer design to help create its own slasher trailer.
4321 Analysis
This trailer analysis summarizes the key elements of a crime thriller film trailer called 4.3.2.1. The costumes shown suggest young adult main characters. Scenes take place in everyday locations but also darker alleys and under bridges, with props like safes and weapons establishing the crime genre. The editing uses montage and increasing pace to build tension. Representations include strong criminal characters, even females going against stereotypes, and dark, "dodgy" places shown in a negative light. The unique selling point is a strong female lead committing crimes against stereotypes commonly seen in films.
Recommended
Genre conventions
The document discusses genre conventions for zombie films. It summarizes that zombie film settings are usually abandoned areas to show societal breakdown. Technical aspects like shaky cameras and silence build tension as characters stealthily avoid zombies. Iconography like blood and props identify the genre, while narratives typically follow a male hero protecting his family against the undead and other survivors. Main characters, villains, and foolish adults/children who are killed are common character types that move the plot. Central themes involve humanity against the deceased and implications of death.
The italian job
Michael Caine plays a charismatic but unconventional anti-hero in a British crime film from 1969. The trailer introduces the characters, including Caine's character and his group of helpers, and shows high-octane car chases and stunts to demonstrate the action-packed and comedic nature of the film. Intercut with shots of Mini Coopers and costumes that reflect the era, the trailer builds intrigue around executing "The Italian Job" without giving away the full plot.
Trailer Analysis: Pulp Fiction
The trailer analysis document discusses the 1994 film Pulp Fiction directed by Quentin Tarantino. It summarizes that the opening sequence establishes the hedonistic lifestyle of the two main characters through short shots featuring sex, money and drugs. It introduces the Femme Fatale character of Mia Wallace through her black hair and red lipstick. The trailer focuses on conveying different emotions through changing titles and soundtracks. It also uses low key lighting in bar scenes typical of the noir/thriller genre.
Apply the Concept of Genre Theory To Your Advanced Portfolio Idea
The document discusses the genre of neo-noir films. It explains that neo-noir takes elements from classic noir films but with modern updates, such as using color and more graphic content. Neo-noir films still include noir conventions like the femme fatale character and stories about corruption. The document also discusses how genre theory has examined how genres are defined by semantic and syntactic elements and how understanding genre helps filmmakers market their works.
Media2014 film trailer overview
The document provides an analysis of conventions used in five horror movie trailers: The Shining, Oculus, The Sixth Sense, The Woman in Black, and The Cabin in the Woods. It examines how each trailer introduces the film, establishes characters, builds tension, and balances satisfying audience expectations with uniqueness. While most trailers follow conventions like opening with an scare or establishing shots, The Woman in Black stands out as more unconventional in its structure. Overall, the analysis finds that the trailers effectively capture the essence of their respective films through their use or subversion of trailer conventions.
Presentation 3
The document provides an analysis of the teaser trailer for the film "Legend". It summarizes that the trailer indicates the film is set in 1950s-1960s London through the costumes and urban environments shown. It analyzes elements of the cinematography including close-ups of the main characters and the use of tracking shots during emotional scenes. The editing uses a montage structure and the pace quickens throughout. The trailer introduces the two main characters, the Kray twins, as powerful crime bosses who aim to rule London through violence and intimidation.
Film trailer overview 2
This document provides an overview and analysis of four film trailer structures and conventions. It summarizes each trailer's key elements, including opening logos, establishing shots, voiceovers, editing techniques, lighting, costumes, and character types. Common conventions identified across the trailers include fast pacing to depict fun/partying that contrasts with later tension; isolated settings; portrayals of "slutty" victims and tougher final girls; and the use of jumps scares, intense sounds, and lighting to build suspense. The document aims to understand effective trailer design to help create its own slasher trailer.
4321 Analysis
This trailer analysis summarizes the key elements of a crime thriller film trailer called 4.3.2.1. The costumes shown suggest young adult main characters. Scenes take place in everyday locations but also darker alleys and under bridges, with props like safes and weapons establishing the crime genre. The editing uses montage and increasing pace to build tension. Representations include strong criminal characters, even females going against stereotypes, and dark, "dodgy" places shown in a negative light. The unique selling point is a strong female lead committing crimes against stereotypes commonly seen in films.
Production pitch
Lewis Jupp is pitching a horror film to New Line Cinema and argues they are a good fit to produce the film. New Line Cinema has been successful with similar horror genres like The Conjuring, Friday the 13th, and Nightmare on Elm Street. They are also backed by Warner Bros., a major studio that can provide funding and promotion through their subsidiaries. Jupp's film will feature a family living in a haunted house with a murderer hiding beneath it who terrorizes and plans to kill them. The film is targeted towards males aged 15-25 and will include conventions of the horror genre like graphic violence, blood, and tense music and sounds to appeal to this audience.
Institutional aspects of horror trailers JJD
Hash tags are used on social media like Twitter to spread awareness of films and trailers, helping them go viral. When a hash tag trends, it exposes more people to the film. Inter-titles in trailers are used to build tension and make films seem more real by claiming inspiration from actual events. Institutional logos identify the studio producing a film, and horror film logos may use darker colors than usual to connote violence and danger. Trailers also promote films by mentioning other successful productions from the same producers or listing the film title, release date, and rating.
Mise en-scene analysis
These three movie posters focus solely on the antagonist and their weapon. Each antagonist wears a distinctive mask that hides their identity while conveying their lack of remorse. Dark lighting and a spotlight are used to draw attention to key elements, like the weapon. Common conventions like the use of red and an isolated setting provide clues about the slasher genre and film narratives.
Mise en-scene ideas
The document discusses costumes, makeup, lighting, and props for a slasher film trailer. There will be 7 characters - 3 female and 4 male. The females, Alex, Katie, and Amy, will have distinct costumes reflecting their personalities and roles. Alex, as the "final girl", will dress tomboyishly. Katie will dress as the "blonde bimbo" who dies first. Amy will dress fashionably but not as revealingly as Katie. The antagonist Jackson will wear an iconic orange overalls and clown mask. The 3 male victims will dress casually in jeans and shirts. Key props include cigarettes, alcohol, phones, and Jackson's knife. Lighting will utilize available lights in scenes set at the
In what ways does your media product use
This document analyzes horror trailer conventions used in the author's student film trailer "Off Campus" by comparing shots and techniques to successful horror films like Friday the 13th. The author discusses using shadows, silhouettes, lighting, newspaper clippings, point-of-view shots, and production titles in a way that follows genre conventions to create tension and intrigue for the audience. While some elements were overused, overall the trailer successfully employed common horror marketing tactics to tease the narrative and premise in a concise manner.
Poster analysis
The movie poster suggests the film will focus on sex, love, and comedy based on the tagline and visual elements. The tagline hints at these three themes being central to the plot. Additionally, the leading female characters wear mainly red costumes, which implies themes of love and lust. The grand staircase in the background signifies wealth, while the title is in unusual black and white to represent the comedic tone. The specific actresses featured are meant to appeal to existing fans and increase ticket sales.
Evaluation Question 1
This document discusses how a student media project utilized conventions from real media products like magazine covers and film posters and trailers within the horror genre. It provides several examples of how the student project took inspiration from elements of covers and posters for films like Harry Potter, Shutter, Halloween, Scream 4, The Blair Witch Project, and Texas Chainsaw Massacre. These elements included limited color palettes, images of killers, night shots, and silhouettes. The document argues the student project effectively highlighted many key conventions of the horror and slasher genres through these references.
Location analysis
The document discusses horror movie conventions related to location. It states that isolated areas are commonly used in horror to allow antagonists to torment victims without witnesses. Specific to subgenres, supernatural horrors often feature abandoned houses advertised cheaply, while slashers typically take place in small towns where everyone knows each other or isolated woodlands where partying teenagers can be targeted. The films A Nightmare on Elm Street and Friday the 13th are discussed as examples that effectively use the slasher convention locations of a suburban town and isolated lake area to generate fear in audiences.
Camera ideas and analysis 2
The document discusses common camera techniques used in slasher film posters, trailers, and films. It notes that low angle shots are typically used to emphasize the antagonist, making them appear threatening. In contrast, high angle shots are used for victims to portray them as weak. Wide shots and pans are used to establish isolated settings. The document then discusses how the filmmaker will apply these techniques in their own slasher film trailer and posters, including using low and high angles, long shots, and close-ups to portray characters and generate fear.
Codes and conventions
Codes are rules that must be followed in filmmaking, such as establishing shots, production logos, and narrative content. Conventions do not have to be followed strictly, such as flashbacks, narration, action scenes, chase scenes, compilation of photographs, and enigma. The document provides examples of films that demonstrate various codes and conventions.
Codes and conventions
Codes are rules that must be followed in filmmaking, such as establishing shots, production logos, and narrative content. Conventions do not have to be followed strictly, such as flashbacks, narration, action scenes, chase scenes, compilation of photographs, and enigma. Some examples of codes in films include establishing shots at the beginning of scenes to set the context, and production logos used by studios to brand their content. Examples of conventions include flashback scenes that interrupt the present narrative to show the past, and narration that can be used to tell the story.
The holy demon opening sequence evaluation
The document discusses the use of mise-en-scene, sound, cinematography, and editing techniques in the opening sequence of a film. In terms of mise-en-scene, the protagonist wears a full-face mask to hide his identity, and the setting is located in the UK rather than the US, as is typical for superhero films. Ambient sound is used to create tension during action scenes. Fast-paced editing with action match cuts is employed during a car chase scene. Low-key lighting and colors create a realistic atmosphere. The techniques both follow and challenge conventions of the superhero genre to attract audiences while establishing a serious tone.
The holy demon opening sequence evaluation
The document discusses the use of mise-en-scene, sound, cinematography, and editing techniques in the opening sequence of a film. It examines how certain conventions of the superhero genre and British films are challenged or reinforced through these elements. For example, the protagonist wears a full-face mask to hide his identity, challenging some superhero conventions. Low-key lighting and colors create a realistic atmosphere. Hoodies worn by bank robbers reference typical costumes in British crime films. Fast cuts during a car chase scene excite audiences as in other action films.
Trailer Analysis: LA Confidential
The trailer introduces the three main detective characters and establishes their different personalities and traits. It then presents the crime being investigated, showing shots from the film of their investigation into the murders of six victims using low-key lighting typical of film noir. Towards the end, it focuses more on the individual emotions of the characters and introduces the femme fatale character of Lynn Bracken using shots that emphasize the male gaze.
Media Evaluation: Q1
This document analyzes horror trailer conventions used in the filmmaker's own trailer "Off Campus" and compares them to conventions from trailers for horror films such as "Jason-X", "Jeepers Creepers", and "Freddy vs. Jason". The filmmaker discusses several conventions including using shadows and silhouettes to build tension, establishing settings like cars arriving in unknown locations, using newspaper clippings to provide context and mystery, point-of-view shots from the antagonist's perspective, and showing characters reacting in shock. In conclusion, the filmmaker reflects on using some conventions like deaths too frequently and considers paring back elements like newspaper clippings for a more effective trailer.
In what ways does your media product use
The document discusses conventions in horror trailers, posters, and magazine covers. For trailers, conventions include building tension through faster cuts, not showing the monster, and setting the scene without revealing too much horror. The author's trailer follows some conventions like slow initial cuts but breaks others by showing a dead body. For posters, key conventions are the use of red and a limited color palette. The author's posters adhere to these conventions. Magazine cover conventions include actors "in character", varied colors, and lots of elements; the author's cover follows some but not all of these conventions to avoid clutter.
AFTER How does your media product represent particular social groups
The document summarizes how a media product represents different social groups in its opening scene. It discusses representations of three social groups: the mistress, portrayed as revengeful, evil, and promiscuous; the wronged woman, shown as unsuspecting, innocent, and ordinary; and the unfaithful fiancé, depicted as sneaky, alluring, and romantic. Inspiration was drawn from the films Fatal Attraction, Kill Bill, and Face Off to help develop characteristics that adhere to stereotypes of each social group. Mise-en-scène and costume choices aimed to clearly associate each character with their respective social groups.
Analysis Of Films Horror and Slasher - research and narrative questions
This document discusses several slasher and horror films including Saw, Scream, Misery, Halloween, Creep and Texas Chainsaw Massacre. It analyzes the meaning and characteristics of slasher and horror films as genres. It then examines the target audiences and age ratings of these films. Finally, it provides details on the titling sequences and camera techniques used in the opening scenes and throughout the films.
Pitch 2.0
The document proposes a new TV show called "Spectres" that blends supernatural, horror, comedy and drama elements. It would focus on a protagonist named Tom who can see and communicate with ghosts. After a car accident that kills his friend Mike, Tom begins to doubt his abilities until Mike's ghost appears to him. They team up to investigate who caused the accident. The show would have a working class tone and characters like "Misfits" and blend genres like "Being Human." It aims to appeal to a 15-35 year old lower/working class audience and follow conventions of shows on E4 while having its own identity. Production would keep costs low by filming in cafes and flats using available resources.
Sgp Slides
Comedy encompasses many styles and can be used for different purposes such as therapy. There are two main types of laughter and laughter therapy is growing in popularity, having benefits such as stress relief. Film comedy has evolved over its 120 year history, starting with silent films relying on slapstick and now having many defined genres. Notable styles include black comedy, sketch comedy, and more recently, internet comedy done by groups like Mega64 and Smosh.
Genre Analysis
Comedy is a genre that aims to elicit laughter through entertaining stories and characters, though some comedies address serious topics. The genre has evolved over time, from slapstick silent films to verbal humor films to modern hybrid genres that blend comedy with action, horror, or drama. Successful comedies rely on humor, strong casting, reputable production studios, and wide distribution to become popular at the box office.
The Simpsons, Hyper-Irony, and the Meaning of LifeBy Carl Mathes.docx
The Simpsons, Hyper-Irony, and the Meaning of Life
By Carl Matheson
From “The Simpsons and Philosophy: The D'oh! of Homer” by Open Court Publishing.
Disaffected youth #1: Here comes that cannonball guy. He's cool.
Disaffected youth #2: Are you being sarcastic, dude?
Disaffected youth #1: I don't even know anymore.
("Homerpalooza," season seven)
What separates the comedies that were shown on television fifty, forty, or even twenty five years ago from those of today? First, we may notice technological differences, the difference between black and white and color, the difference between film stock (or even kinescope) and video. Then there are the numerous social differences. For instance, the myth of the universal traditional two-parent family is not as secure as it was in the fifties and sixties, and the comedies of the different eras reflect changes in its status � although even early comedies of the widow/widower happy fifties, sixties and seventies were full of non-traditional families, such as are found in The Partridge Family, The Ghost and Mrs. Muir, Julia, The Jerry van Dyke Show, Family Affair, The Courtship of Eddie's Father, The Andy Griffith Show, The Brady Bunch, Bachelor Father, and My Little Margie. Also, one may note the ways in which issues such as race have received different treatments over the decades.
But, I would like to concentrate on a deeper transformation: today's comedies, at least most of them, are funny in different ways from those of decades past. In both texture and substance the comedy of The Simpsons and Seinfeld is worlds apart from the comedy of Leave it to Beaver and The Jack Benny Show, and is even vastly different from much more recent comedies, such as Mash and Maude. First, today's comedies tend to be highly quotational: many of today's comedies essentially depend on the device of referring to or quoting other works of popular culture. Second, they are hyper-ironic: the flavor of humor offered by today's comedies is colder, based less on a shared sense of humanity than on a sense of world-weary cleverer-than-thou-ness. In this essay I would like to explore the way in which The Simpsons uses both quotationalism and hyper-ironism and relate these devices to currents in the contemporary history of ideas.
Quotationalism
Television comedy has never completely foregone the pleasure of using pop culture as a straight-man. However, early instances of quotation tended to be opportunistic; they did not comprise the substance of the genre. Hence, in sketch comedy, one would find occasional references to popular culture in Wayne and Shuster and Johnny Carson, but these references were really treated as just one more source of material. The roots of quotationalism as a main source of material can be found in the early seventies with the two visionary comedies, Mary Hartman Mary Hartman, which lampooned soap eras by being an ongoing soap opera, and Fernwood 2Night, which, as a small-budget talk show, took on small-bud.
More Related Content
What's hot
Production pitch
Lewis Jupp is pitching a horror film to New Line Cinema and argues they are a good fit to produce the film. New Line Cinema has been successful with similar horror genres like The Conjuring, Friday the 13th, and Nightmare on Elm Street. They are also backed by Warner Bros., a major studio that can provide funding and promotion through their subsidiaries. Jupp's film will feature a family living in a haunted house with a murderer hiding beneath it who terrorizes and plans to kill them. The film is targeted towards males aged 15-25 and will include conventions of the horror genre like graphic violence, blood, and tense music and sounds to appeal to this audience.
Institutional aspects of horror trailers JJD
Hash tags are used on social media like Twitter to spread awareness of films and trailers, helping them go viral. When a hash tag trends, it exposes more people to the film. Inter-titles in trailers are used to build tension and make films seem more real by claiming inspiration from actual events. Institutional logos identify the studio producing a film, and horror film logos may use darker colors than usual to connote violence and danger. Trailers also promote films by mentioning other successful productions from the same producers or listing the film title, release date, and rating.
Mise en-scene analysis
These three movie posters focus solely on the antagonist and their weapon. Each antagonist wears a distinctive mask that hides their identity while conveying their lack of remorse. Dark lighting and a spotlight are used to draw attention to key elements, like the weapon. Common conventions like the use of red and an isolated setting provide clues about the slasher genre and film narratives.
Mise en-scene ideas
The document discusses costumes, makeup, lighting, and props for a slasher film trailer. There will be 7 characters - 3 female and 4 male. The females, Alex, Katie, and Amy, will have distinct costumes reflecting their personalities and roles. Alex, as the "final girl", will dress tomboyishly. Katie will dress as the "blonde bimbo" who dies first. Amy will dress fashionably but not as revealingly as Katie. The antagonist Jackson will wear an iconic orange overalls and clown mask. The 3 male victims will dress casually in jeans and shirts. Key props include cigarettes, alcohol, phones, and Jackson's knife. Lighting will utilize available lights in scenes set at the
In what ways does your media product use
This document analyzes horror trailer conventions used in the author's student film trailer "Off Campus" by comparing shots and techniques to successful horror films like Friday the 13th. The author discusses using shadows, silhouettes, lighting, newspaper clippings, point-of-view shots, and production titles in a way that follows genre conventions to create tension and intrigue for the audience. While some elements were overused, overall the trailer successfully employed common horror marketing tactics to tease the narrative and premise in a concise manner.
Poster analysis
The movie poster suggests the film will focus on sex, love, and comedy based on the tagline and visual elements. The tagline hints at these three themes being central to the plot. Additionally, the leading female characters wear mainly red costumes, which implies themes of love and lust. The grand staircase in the background signifies wealth, while the title is in unusual black and white to represent the comedic tone. The specific actresses featured are meant to appeal to existing fans and increase ticket sales.
Evaluation Question 1
This document discusses how a student media project utilized conventions from real media products like magazine covers and film posters and trailers within the horror genre. It provides several examples of how the student project took inspiration from elements of covers and posters for films like Harry Potter, Shutter, Halloween, Scream 4, The Blair Witch Project, and Texas Chainsaw Massacre. These elements included limited color palettes, images of killers, night shots, and silhouettes. The document argues the student project effectively highlighted many key conventions of the horror and slasher genres through these references.
Location analysis
The document discusses horror movie conventions related to location. It states that isolated areas are commonly used in horror to allow antagonists to torment victims without witnesses. Specific to subgenres, supernatural horrors often feature abandoned houses advertised cheaply, while slashers typically take place in small towns where everyone knows each other or isolated woodlands where partying teenagers can be targeted. The films A Nightmare on Elm Street and Friday the 13th are discussed as examples that effectively use the slasher convention locations of a suburban town and isolated lake area to generate fear in audiences.
Camera ideas and analysis 2
The document discusses common camera techniques used in slasher film posters, trailers, and films. It notes that low angle shots are typically used to emphasize the antagonist, making them appear threatening. In contrast, high angle shots are used for victims to portray them as weak. Wide shots and pans are used to establish isolated settings. The document then discusses how the filmmaker will apply these techniques in their own slasher film trailer and posters, including using low and high angles, long shots, and close-ups to portray characters and generate fear.
Codes and conventions
Codes are rules that must be followed in filmmaking, such as establishing shots, production logos, and narrative content. Conventions do not have to be followed strictly, such as flashbacks, narration, action scenes, chase scenes, compilation of photographs, and enigma. The document provides examples of films that demonstrate various codes and conventions.
Codes and conventions
Codes are rules that must be followed in filmmaking, such as establishing shots, production logos, and narrative content. Conventions do not have to be followed strictly, such as flashbacks, narration, action scenes, chase scenes, compilation of photographs, and enigma. Some examples of codes in films include establishing shots at the beginning of scenes to set the context, and production logos used by studios to brand their content. Examples of conventions include flashback scenes that interrupt the present narrative to show the past, and narration that can be used to tell the story.
The holy demon opening sequence evaluation
The document discusses the use of mise-en-scene, sound, cinematography, and editing techniques in the opening sequence of a film. In terms of mise-en-scene, the protagonist wears a full-face mask to hide his identity, and the setting is located in the UK rather than the US, as is typical for superhero films. Ambient sound is used to create tension during action scenes. Fast-paced editing with action match cuts is employed during a car chase scene. Low-key lighting and colors create a realistic atmosphere. The techniques both follow and challenge conventions of the superhero genre to attract audiences while establishing a serious tone.
The holy demon opening sequence evaluation
The document discusses the use of mise-en-scene, sound, cinematography, and editing techniques in the opening sequence of a film. It examines how certain conventions of the superhero genre and British films are challenged or reinforced through these elements. For example, the protagonist wears a full-face mask to hide his identity, challenging some superhero conventions. Low-key lighting and colors create a realistic atmosphere. Hoodies worn by bank robbers reference typical costumes in British crime films. Fast cuts during a car chase scene excite audiences as in other action films.
Trailer Analysis: LA Confidential
The trailer introduces the three main detective characters and establishes their different personalities and traits. It then presents the crime being investigated, showing shots from the film of their investigation into the murders of six victims using low-key lighting typical of film noir. Towards the end, it focuses more on the individual emotions of the characters and introduces the femme fatale character of Lynn Bracken using shots that emphasize the male gaze.
Media Evaluation: Q1
This document analyzes horror trailer conventions used in the filmmaker's own trailer "Off Campus" and compares them to conventions from trailers for horror films such as "Jason-X", "Jeepers Creepers", and "Freddy vs. Jason". The filmmaker discusses several conventions including using shadows and silhouettes to build tension, establishing settings like cars arriving in unknown locations, using newspaper clippings to provide context and mystery, point-of-view shots from the antagonist's perspective, and showing characters reacting in shock. In conclusion, the filmmaker reflects on using some conventions like deaths too frequently and considers paring back elements like newspaper clippings for a more effective trailer.
In what ways does your media product use
The document discusses conventions in horror trailers, posters, and magazine covers. For trailers, conventions include building tension through faster cuts, not showing the monster, and setting the scene without revealing too much horror. The author's trailer follows some conventions like slow initial cuts but breaks others by showing a dead body. For posters, key conventions are the use of red and a limited color palette. The author's posters adhere to these conventions. Magazine cover conventions include actors "in character", varied colors, and lots of elements; the author's cover follows some but not all of these conventions to avoid clutter.
AFTER How does your media product represent particular social groups
The document summarizes how a media product represents different social groups in its opening scene. It discusses representations of three social groups: the mistress, portrayed as revengeful, evil, and promiscuous; the wronged woman, shown as unsuspecting, innocent, and ordinary; and the unfaithful fiancé, depicted as sneaky, alluring, and romantic. Inspiration was drawn from the films Fatal Attraction, Kill Bill, and Face Off to help develop characteristics that adhere to stereotypes of each social group. Mise-en-scène and costume choices aimed to clearly associate each character with their respective social groups.
Analysis Of Films Horror and Slasher - research and narrative questions
This document discusses several slasher and horror films including Saw, Scream, Misery, Halloween, Creep and Texas Chainsaw Massacre. It analyzes the meaning and characteristics of slasher and horror films as genres. It then examines the target audiences and age ratings of these films. Finally, it provides details on the titling sequences and camera techniques used in the opening scenes and throughout the films.
What's hot (18)
AFTER How does your media product represent particular social groups
AFTER How does your media product represent particular social groups
Analysis Of Films Horror and Slasher - research and narrative questions
Analysis Of Films Horror and Slasher - research and narrative questions
Similar to Mythbusters2
Pitch 2.0
The document proposes a new TV show called "Spectres" that blends supernatural, horror, comedy and drama elements. It would focus on a protagonist named Tom who can see and communicate with ghosts. After a car accident that kills his friend Mike, Tom begins to doubt his abilities until Mike's ghost appears to him. They team up to investigate who caused the accident. The show would have a working class tone and characters like "Misfits" and blend genres like "Being Human." It aims to appeal to a 15-35 year old lower/working class audience and follow conventions of shows on E4 while having its own identity. Production would keep costs low by filming in cafes and flats using available resources.
Sgp Slides
Comedy encompasses many styles and can be used for different purposes such as therapy. There are two main types of laughter and laughter therapy is growing in popularity, having benefits such as stress relief. Film comedy has evolved over its 120 year history, starting with silent films relying on slapstick and now having many defined genres. Notable styles include black comedy, sketch comedy, and more recently, internet comedy done by groups like Mega64 and Smosh.
Genre Analysis
Comedy is a genre that aims to elicit laughter through entertaining stories and characters, though some comedies address serious topics. The genre has evolved over time, from slapstick silent films to verbal humor films to modern hybrid genres that blend comedy with action, horror, or drama. Successful comedies rely on humor, strong casting, reputable production studios, and wide distribution to become popular at the box office.
The Simpsons, Hyper-Irony, and the Meaning of LifeBy Carl Mathes.docx
The Simpsons, Hyper-Irony, and the Meaning of Life
By Carl Matheson
From “The Simpsons and Philosophy: The D'oh! of Homer” by Open Court Publishing.
Disaffected youth #1: Here comes that cannonball guy. He's cool.
Disaffected youth #2: Are you being sarcastic, dude?
Disaffected youth #1: I don't even know anymore.
("Homerpalooza," season seven)
What separates the comedies that were shown on television fifty, forty, or even twenty five years ago from those of today? First, we may notice technological differences, the difference between black and white and color, the difference between film stock (or even kinescope) and video. Then there are the numerous social differences. For instance, the myth of the universal traditional two-parent family is not as secure as it was in the fifties and sixties, and the comedies of the different eras reflect changes in its status � although even early comedies of the widow/widower happy fifties, sixties and seventies were full of non-traditional families, such as are found in The Partridge Family, The Ghost and Mrs. Muir, Julia, The Jerry van Dyke Show, Family Affair, The Courtship of Eddie's Father, The Andy Griffith Show, The Brady Bunch, Bachelor Father, and My Little Margie. Also, one may note the ways in which issues such as race have received different treatments over the decades.
But, I would like to concentrate on a deeper transformation: today's comedies, at least most of them, are funny in different ways from those of decades past. In both texture and substance the comedy of The Simpsons and Seinfeld is worlds apart from the comedy of Leave it to Beaver and The Jack Benny Show, and is even vastly different from much more recent comedies, such as Mash and Maude. First, today's comedies tend to be highly quotational: many of today's comedies essentially depend on the device of referring to or quoting other works of popular culture. Second, they are hyper-ironic: the flavor of humor offered by today's comedies is colder, based less on a shared sense of humanity than on a sense of world-weary cleverer-than-thou-ness. In this essay I would like to explore the way in which The Simpsons uses both quotationalism and hyper-ironism and relate these devices to currents in the contemporary history of ideas.
Quotationalism
Television comedy has never completely foregone the pleasure of using pop culture as a straight-man. However, early instances of quotation tended to be opportunistic; they did not comprise the substance of the genre. Hence, in sketch comedy, one would find occasional references to popular culture in Wayne and Shuster and Johnny Carson, but these references were really treated as just one more source of material. The roots of quotationalism as a main source of material can be found in the early seventies with the two visionary comedies, Mary Hartman Mary Hartman, which lampooned soap eras by being an ongoing soap opera, and Fernwood 2Night, which, as a small-budget talk show, took on small-bud.
Family guy
Family Guy is an adult cartoon created by Seth McFarlane that first aired in 1999. It is considered a postmodern TV show due to its heavy use of intertextuality and irony through pop culture references. The show references other media through its main storylines and cutaway gags. A crossover episode between Family Guy and The Simpsons, called "Simpson Guy", contained many references comparing the two shows and acknowledging their similarities. It poked fun at the idea that such adult cartoons simply recycle and reference other popular culture, in line with postmodernist theory.
Simpsons debbie
The Simpsons is an American animated sitcom that first aired in 1989. It is known for its use of intertextuality, parodying other media texts through references and homages. Some examples discussed include parodying the Mona Lisa painting by putting Homer in it, and referencing the film Psycho during a shower scene. The show also comments on contemporary popular culture through characters like Lady Gaga guest starring. While The Simpsons was originally animated, the process is now more computerized with episodes created in Korea. It is debated whether the show's postmodern characteristics and critiques of society are beneficial or could be offensive to audiences.
The History of the Comedy
This powerpoint travels back in time to explore where the genre comedy originates from, it includes legends such as Charlie Chaplin and Macaulay Culkin.
Postmodern tv
This summary provides an overview of the British sitcom The Inbetweeners:
- The Inbetweeners aired from 2008 to 2010 on E4, following four British sixth form students as they navigate school life.
- It uses dark humor and exaggerated realistic situations to appeal to both teenage and adult audiences who can relate to awkward school experiences.
- The show relies on realism through references to other media, locations, and stereotypical teenage representations to seem authentic while blurring reality.
The Ultimate Origin Of Tom & Jerry
We all have that one friend that makes us laugh with their fierce stupidity that is none other than the notorious Tom and the gentle tiny Jerry who together makes the awesome pair Tom & Jerry.
Specialist study powerpoint
This document summarizes the evolution of the horror genre from its origins to modern times. It discusses how early horror films in the 1890s consisted of short spook tales, while the 1920s saw the introduction of more realistic settings. The 1930s saw the rise of Universal Studios' iconic monster films. Special effects techniques are described, such as those used in The Invisible Man. The 1940s saw a decline in quality due to formulaic plots, though mad scientist films remained popular. Halloween is credited with popularizing the slasher subgenre in the 1970s. Overall, the document traces the progression of horror film techniques and popularity of different subgenres over time.
Genre research
Early comedy films relied heavily on slapstick and burlesque humor due to limited dialogue in silent films. Slapstick involved energetic physical comedy through chases and collisions while burlesque included comical sketches and parodies for adult audiences. Researching the origins of comedy in film showed that music is more important than dialogue for setting tone and humor. Successful modern comedy films appeal to a wide audience range through relatable characters and broadly appealing humor.
Critical Response Brief 2 : Superhero Movies
The document discusses the evolution of superhero movies from 1966 to 2013. It analyzes and compares the trailers for the 1966 Batman movie starring Adam West and the 2008 Dark Knight movie starring Christian Bale. While the 1966 Batman trailer has a campy, comic book style aimed at children, the Dark Knight trailer has a darker, realistic tone inspired by changes in comics from the 1970s onward. The document examines how the trailers use different conventions, themes, and styles to appeal to different audiences based on the era. It also discusses how the Dark Knight trailer set a new standard that influenced many later superhero films to adopt a similar realistic, character-driven approach.
Fmp contextual research (final)
The document provides information on three animation practitioners: Ray Harryhausen, Nick Park, and Art Clokey.
Ray Harryhausen was an American animator known for developing Dynamation, a stop motion animation technique. He is recognized as inspiring many future animators. Nick Park is a British animator known for creating the Wallace & Gromit franchise for Aardman Animations. He won multiple Oscars for his films. Art Clokey created Gumby, a simple green clay character known for its stop motion TV show and films. He pioneered experimental clay animation.
Comedy Genre research - Ashraf
Comedy films in the early 1900s relied heavily on slapstick and visual gags due to the silence of movies at the time. In the 1930s-1950s, dialogue was introduced, allowing humor to develop further than just physical comedy. Television also rose in popularity during this era. In the 1960s-1980s, darker forms of humor emerged in films. Eddie Murphy found success in action comedies in the 1980s. Romantic comedies grew in the 1990s as more cultural comedies examined immigrant communities in places like Britain.
Research in to my short horror clip
The document provides an overview of the history and key aspects of horror and comedy films. It discusses how horror originated from ghost stories told around campfires and developed as a genre in literature in the late 1700s. The first horror film was Georges Melies' Le Manoir du Diable in 1896. Important horror production companies and award shows in the genre are also outlined. The document then shifts to discussing the origins of comedy in silent films in 1895 which relied on slapstick and burlesque humor, as well as important comedy films and awards. Key features of both genres and examples of comedy/horror hybrid films are also summarized.
Research in to my short comedy horror clip
The document provides an overview of the history and key aspects of horror and comedy films. It discusses how horror originated from ghost stories told around campfires and developed as a genre in literature in the late 1700s. The first horror film was Georges Melies' Le Manoir du Diable in 1896. Key features of horror include iconography, settings that invoke vulnerability, narratives of good vs. evil, point-of-view filming styles, supernatural characters, and themes of struggle. Top horror films based on box office are The Exorcist, The Shining, Halloween, A Nightmare on Elm Street, and Alien. Comedy originated with silent films relying on slapstick and burlesque humor, with Charlie Chaplin being
S05_E03: Into The Television | Chirag
A Quiz Club IIT Patna Quiz conducted by Chirag on 20th August 2021. Are you the person who has watched a lot of TV and webseries ? Then this quiz is for you! Are you someone who has NOT watched them all ? Well then again this quiz is for you! The questions were based on series, famous and niche all alike. Leap into the television!
Research in to my short comedy horror clip
This document provides an overview of comedy/horror genre in film. It discusses the history of both comedy and horror films individually, noting how slapstick and silent films helped establish early comedy, while ghost stories formed the basis of early horror. Key features of each genre like iconography, settings and themes are outlined. Several top films in both comedy and horror are highlighted. The document then explores how comedy/horror as a genre blends elements of both through parody, black comedy and spoofing typical horror tropes for comedic effect. Examples like Shaun of the Dead and What We Do In The Shadows are given.
Genre research
Comedy originated in Ancient Greece during debates where dramatic irony and amusing conflicts would provoke laughter. Shakespeare later used comedy in his plays to entertain audiences. Silent movies then relied on physical comedy and actions rather than words. Charlie Chaplin was an iconic comedian who rose to fame in the early 20th century and helped establish comedy as a film genre.
The thriller and suspense genre
The document discusses the thriller and suspense genre of films. It describes how the genre first emerged in the 1920s and was shaped by early films. Alfred Hitchcock helped establish conventions of the genre through films like Psycho. Today, thrillers often have mystery or surprise endings. Popular directors like M. Night Shyamalan and Brian De Palma continue to innovate within the genre through films like The Sixth Sense. Key elements of thrillers include suspense, character growth, and resolving endings. While not the most popular genre financially, it remains one of the most popular with audiences.
Similar to Mythbusters2 (20)
The Simpsons, Hyper-Irony, and the Meaning of LifeBy Carl Mathes.docx
The Simpsons, Hyper-Irony, and the Meaning of LifeBy Carl Mathes.docx
Recently uploaded
欧洲杯足彩-欧洲杯足彩下注网站-欧洲杯足彩投注网站|【网址🎉ac99.net🎉】
【网址🎉ac99.net🎉】欧洲杯足彩是爱尔兰的博彩公司，成立于1988年，位于爱尔兰的都柏林。欧洲杯足彩通过在爱尔兰和英国的一系列持牌博彩商店以及经营爱尔兰最大的电话博彩服务来开展业务。在互联网上，欧洲杯足彩提供体育博彩，在线扑克，在线宾果游戏，在线赌场和在线游戏。
HD Video Player All Format - 4k & live stream
Discover the best video playback experience with HD Video Player. Our powerful, user-friendly app supports all popular video formats and codecs, ensuring seamless playback of your favorite videos in stunning HD and 4K quality. Whether you're watching movies, TV shows, or personal videos, HD Video Player provides the ultimate viewing experience on your device. 🚀
一比一原版(UCSF毕业证)旧金山分校毕业证如何办理
原件一模一样【微信：95270640】【旧金山分校毕业证UCSF学位证成绩单】【微信：95270640】（留信学历认证永久存档查询）采用学校原版纸张、特殊工艺完全按照原版一比一制作（包括：隐形水印，阴影底纹，钢印LOGO烫金烫银，LOGO烫金烫银复合重叠，文字图案浮雕，激光镭射，紫外荧光，温感，复印防伪）行业标杆！精益求精，诚心合作，真诚制作！多年品质 ,按需精细制作，24小时接单,全套进口原装设备，十五年致力于帮助留学生解决难题，业务范围有加拿大、英国、澳洲、韩国、美国、新加坡，新西兰等学历材料，包您满意。
【业务选择办理准则】
一、工作未确定，回国需先给父母、亲戚朋友看下文凭的情况，办理一份就读学校的毕业证【微信：95270640】文凭即可
二、回国进私企、外企、自己做生意的情况，这些单位是不查询毕业证真伪的，而且国内没有渠道去查询国外文凭的真假，也不需要提供真实教育部认证。鉴于此，办理一份毕业证【微信：95270640】即可
三、进国企，银行，事业单位，考公务员等等，这些单位是必需要提供真实教育部认证的，办理教育部认证所需资料众多且烦琐，所有材料您都必须提供原件，我们凭借丰富的经验，快捷的绿色通道帮您快速整合材料，让您少走弯路。
留信网认证的作用:
1:该专业认证可证明留学生真实身份【微信：95270640】
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
→ 【关于价格问题（保证一手价格）
我们所定的价格是非常合理的，而且我们现在做得单子大多数都是代理和回头客户介绍的所以一般现在有新的单子 我给客户的都是第一手的代理价格，因为我想坦诚对待大家 不想跟大家在价格方面浪费时间
对于老客户或者被老客户介绍过来的朋友，我们都会适当给一些优惠。
选择实体注册公司办理，更放心，更安全！我们的承诺：可来公司面谈，可签订合同，会陪同客户一起到教育部认证窗口递交认证材料，客户在教育部官方认证查询网站查询到认证通过结果后付款，不成功不收费！
办理旧金山分校毕业证毕业证offerUCSF学位证【微信：95270640 】外观非常精致，由特殊纸质材料制成，上面印有校徽、校名、毕业生姓名、专业等信息。
办理旧金山分校毕业证UCSF学位证毕业证offer【微信：95270640 】格式相对统一，各专业都有相应的模板。通常包括以下部分：
校徽：象征着学校的荣誉和传承。
校名:学校英文全称
授予学位：本部分将注明获得的具体学位名称。
毕业生姓名：这是最重要的信息之一，标志着该证书是由特定人员获得的。
颁发日期：这是毕业正式生效的时间，也代表着毕业生学业的结束。
其他信息：根据不同的专业和学位，可能会有一些特定的信息或章节。
办理旧金山分校毕业证毕业证offerUCSF学位证【微信：95270640 】价值很高，需要妥善保管。一般来说，应放置在安全、干燥、防潮的地方，避免长时间暴露在阳光下。如需使用，最好使用复印件而不是原件，以免丢失。
综上所述，办理旧金山分校毕业证毕业证offerUCSF学位证【微信：95270640 】是证明身份和学历的高价值文件。外观简单庄重，格式统一，包括重要的个人信息和发布日期。对持有人来说，妥善保管是非常重要的。
一比一原版(AUT毕业证)奥克兰理工大学毕业证如何办理
AUT毕业证假文凭【微信95270640】购买（奥克兰理工大学毕业证成绩单硕士学历）Q微信95270640代办AUT学历认证留信网伪造奥克兰理工大学学位证书精仿奥克兰理工大学本科/硕士文凭证书补办奥克兰理工大学 diplomaoffer,Transcript购买奥克兰理工大学毕业证成绩单购买AUT假毕业证学位证书购买伪造奥克兰理工大学文凭证书学位证书,专业办理雅思、托福成绩单，学生ID卡，在读证明，海外各大学offer录取通知书，毕业证书，成绩单，文凭等材料:1:1完美还原毕业证、offer录取通知书、学生卡等各种在读或毕业材料的防伪工艺（包括 烫金、烫银、钢印、底纹、凹凸版、水印、防伪光标、热敏防伪、文字图案浮雕，激光镭射，紫外荧光，温感光标）学校原版上有的工艺我们一样不会少，不论是老版本还是最新版本，都能保证最高程度还原，力争完美以求让所有同学都能享受到完美的品质服务。
办国外奥克兰理工大学奥克兰理工大学毕业证文凭证书教育部学历学位认证留信认证大使馆认证留学回国人员证明修改成绩单信封申请学校offer录取通知书在读证明offer letter。
快速办理高仿国外毕业证成绩单：
1奥克兰理工大学毕业证+成绩单+留学回国人员证明+教育部学历认证（全套留学回国必备证明材料给父母及亲朋好友一份完美交代）;
2雅思成绩单托福成绩单OFFER在读证明等留学相关材料（申请学校转学甚至是申请工签都可以用到）。
3.毕业证 #成绩单等全套材料从防伪到印刷从水印到钢印烫金高精仿度跟学校原版100%相同。
专业服务请勿犹豫联系我！联系人微信号：95270640诚招代理：本公司诚聘当地代理人员如果你有业余时间有兴趣就请联系我们。
国外奥克兰理工大学奥克兰理工大学毕业证文凭证书办理过程：
1客户提供办理信息：姓名生日专业学位毕业时间等（如信息不确定可以咨询顾问：我们有专业老师帮你查询）；
2开始安排制作毕业证成绩单电子图；
3毕业证成绩单电子版做好以后发送给您确认；
4毕业证成绩单电子版您确认信息无误之后安排制作成品；
5成品做好拍照或者视频给您确认；
6快递给客户（国内顺丰国外DHLUPS等快读邮寄）。蜿蜒小溪一直都是山娃和小伙伴们盛夏的天然泳场水不深碎石底石缝里总有摸不尽的鱼虾活蹦乱跳的还有乌龟和王八贼头贼脑的倒也逗人喜爱日上三竿时山娃总爱窜进自家瓜棚里跟小伙伴们坐着聊天聊着聊着便忍不住往瓜田里逡巡一番抱起一只硕大的西瓜用石刀劈开抑或用拳头砸开每人抱起一大块就啃啃得满嘴满脸猴屁股般的红艳大家一个劲地指着对方吃吃地笑瓜裂得古怪奇形怪状却丝毫不影响瓜味甜丝丝的满嘴生津遍地都是瓜横七竖八的活像掷满这
ℂall Girls Goa (india) +91-7426014248 Goa ℂall Girls
ℂall Girls Goa (india) +91-7426014248 Goa ℂall Girls
Chennai Call Girls 8824825030 High Calass Call Girl Chennai
Chennai Call Girls 8824825030 High Calass Call Girl Chennai
The Evolution and Impact of Tom Cruise Long Hair
Tom Cruise is one of Hollywood's most iconic figures, known for his versatility, charisma, and dedication to his craft. Over the decades, his appearance has been almost as dynamic as his filmography, with one aspect often drawing significant attention: his hair. In particular, Tom Cruise long hair has become a defining feature in various phases of his career. symbolizing different roles and adding layers to his on-screen characters. This article delves into the evolution of Tom Cruise long hair, its impact on his roles. and its influence on popular culture.
Follow us on: Pinterest
Introduction
Tom Cruise long hair has often been more than a style choice. it has been a significant element of his persona both on and off the screen. From the tousled locks of the rebellious Maverick in "Top Gun" to the sleek, sophisticated mane in "Mission: Impossible II." Cruise's hair has played a pivotal role in shaping his image and the characters he portrays. This article explores the various stages of Tom Cruise long hair. Examining how this iconic look has evolved and influenced his career and broader fashion trends.
Early Days: The Emergence of a Style Icon
The 1980s: The Birth of a Star
In the early stages of his career during the 1980s, Tom Cruise sported a range of hairstyles. but in "Top Gun" (1986), his hair began to gain significant attention. Though not long by later standards, his hair in this film was longer than the military crew cuts associated with fighter pilots. adding a rebellious edge to his character, Pete "Maverick" Mitchell.
Risky Business: The Transition Begins
In "Risky Business" (1983). Tom Cruise's hair was short but longer than the clean-cut styles dominant at the time. This look complemented his role as a high school student stepping into adulthood. embodying a sense of youthful freedom and experimentation. It was a precursor to the more dramatic hair transformations in his career.
The 1990s: Experimentation and Iconic Roles
Far and Away: Embracing Length
One of the first films in which Tom Cruise embraced long hair was "Far and Away" (1992). Playing the role of Joseph. an Irish immigrant in 1890s America, Cruise's long, hair added authenticity to his character's rugged and determined persona. This look was a stark departure from his earlier. more polished styles and marked the beginning of a more adventurous phase in his hairstyle choices.
Interview with the Vampire: Gothic Elegance
In "Interview with the Vampire" (1994). Tom Cruise long hair reached new lengths of sophistication and elegance. Portraying the vampire Lestat. Cruise's flowing blonde locks were integral to the character's ethereal and timeless allure. This hairstyle not only suited the gothic aesthetic of the film but also showcased Cruise's ability to transform his appearance for a role.
Mission: Impossible II: The Pinnacle of Long Hair
One of the most memorable instances of Tom Cruise long hair came in "Mission: Impossible II" (2000). His character, Ethan
VR Economy
Explore Treydora's VR economy, where users can trade virtual assets, earn rewards, and build digital wealth within immersive game environments. Learn more!
一比一原版(mcmaste毕业证书)加拿大麦克马斯特大学毕业证如何办理
原版一模一样【微信：741003700 】【(mcmaste毕业证书)加拿大麦克马斯特大学毕业证成绩单】【微信：741003700 】学位证，留信认证（真实可查，永久存档）原件一模一样纸张工艺/offer、雅思、外壳等材料/诚信可靠,可直接看成品样本，帮您解决无法毕业带来的各种难题！外壳，原版制作，诚信可靠，可直接看成品样本。行业标杆！精益求精，诚心合作，真诚制作！多年品质 ,按需精细制作，24小时接单,全套进口原装设备。十五年致力于帮助留学生解决难题，包您满意。
本公司拥有海外各大学样板无数，能完美还原。
1:1完美还原海外各大学毕业材料上的工艺：水印，阴影底纹，钢印LOGO烫金烫银，LOGO烫金烫银复合重叠。文字图案浮雕、激光镭射、紫外荧光、温感、复印防伪等防伪工艺。材料咨询办理、认证咨询办理请加学历顾问Q/微741003700
【主营项目】
一.毕业证【q微741003700】成绩单、使馆认证、教育部认证、雅思托福成绩单、学生卡等！
二.真实使馆公证(即留学回国人员证明,不成功不收费)
三.真实教育部学历学位认证（教育部存档！教育部留服网站永久可查）
四.办理各国各大学文凭(一对一专业服务,可全程监控跟踪进度)
如果您处于以下几种情况：
◇在校期间，因各种原因未能顺利毕业……拿不到官方毕业证【q/微741003700】
◇面对父母的压力，希望尽快拿到；
◇不清楚认证流程以及材料该如何准备；
◇回国时间很长，忘记办理；
◇回国马上就要找工作，办给用人单位看；
◇企事业单位必须要求办理的
◇需要报考公务员、购买免税车、落转户口
◇申请留学生创业基金
留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
办理(mcmaste毕业证书)加拿大麦克马斯特大学毕业证【微信：741003700 】外观非常简单，由纸质材料制成，上面印有校徽、校名、毕业生姓名、专业等信息。
办理(mcmaste毕业证书)加拿大麦克马斯特大学毕业证【微信：741003700 】格式相对统一，各专业都有相应的模板。通常包括以下部分：
校徽：象征着学校的荣誉和传承。
校名:学校英文全称
授予学位：本部分将注明获得的具体学位名称。
毕业生姓名：这是最重要的信息之一，标志着该证书是由特定人员获得的。
颁发日期：这是毕业正式生效的时间，也代表着毕业生学业的结束。
其他信息：根据不同的专业和学位，可能会有一些特定的信息或章节。
办理(mcmaste毕业证书)加拿大麦克马斯特大学毕业证【微信：741003700 】价值很高，需要妥善保管。一般来说，应放置在安全、干燥、防潮的地方，避免长时间暴露在阳光下。如需使用，最好使用复印件而不是原件，以免丢失。
综上所述，办理(mcmaste毕业证书)加拿大麦克马斯特大学毕业证【微信：741003700 】是证明身份和学历的高价值文件。外观简单庄重，格式统一，包括重要的个人信息和发布日期。对持有人来说，妥善保管是非常重要的。
欧洲杯买球-欧洲杯买球哪里可以投注-欧洲杯买球买球投注官网|【网址🎉ac123.net🎉】
【网址🎉ac123.net🎉】欧洲杯买球 Sports 与其他博彩公司相比，其独特之处在于欧洲杯买球 Sports 基于低利润和高营业额的独一无二的体育博彩模式，该模式可以为玩家开出最高的赔率。欧洲杯买球的优势在于中文界面友好，接受人民币投注。他们的开户奖金和实时体育投注界面是大陆玩家的首选。
Morgan Freeman is Jimi Hendrix: Unveiling the Intriguing Hypothesis
In celebrity mysteries and urban legends. Few narratives capture the imagination as the hypothesis that Morgan Freeman is Jimi Hendrix. This fascinating theory posits that the iconic actor and the legendary guitarist are, in fact, the same person. While this might seem like a far-fetched notion at first glance. a deeper exploration reveals a rich tapestry of coincidences, speculative connections. and a surprising alignment of life events fueling this captivating hypothesis.
Follow us on: Pinterest
Introduction to the Hypothesis: Morgan Freeman is Jimi Hendrix
The idea that Morgan Freeman is Jimi Hendrix stems from a mix of historical anomalies, physical resemblances. and a penchant for myth-making that surrounds celebrities. While Jimi Hendrix's official death in 1970 is well-documented. some theorists suggest that Hendrix did not die but instead reinvented himself as Morgan Freeman. a man who would become one of Hollywood's most revered actors. This article aims to delve into the various aspects of this hypothesis. examining its origins, the supporting arguments. and the cultural impact of such a theory.
The Genesis of the Theory
Early Life Parallels
The hypothesis that Morgan Freeman is Jimi Hendrix begins by comparing their early lives. Jimi Hendrix, born Johnny Allen Hendrix in Seattle, Washington, on November 27, 1942. and Morgan Freeman, born on June 1, 1937, in Memphis, Tennessee, have lived very different lives. But, proponents of the theory suggest that the five-year age difference is negligible and point to Freeman's late start in his acting career as evidence of a life lived before under a different identity.
The Disappearance and Reappearance
Jimi Hendrix's death in 1970 at the age of 27 is a well-documented event. But, theorists argue that Hendrix's death staged. and he reemerged as Morgan Freeman. They highlight Freeman's rise to prominence in the early 1970s. coinciding with Hendrix's supposed death. Freeman's first significant acting role came in 1971 on the children's television show "The Electric Company," a mere year after Hendrix's passing.
Physical Resemblances
Facial Structure and Features
One of the most compelling arguments for the hypothesis that Morgan Freeman is Jimi Hendrix lies in the physical resemblance between the two men. Analyzing photographs, proponents point out similarities in facial structure. particularly the cheekbones and jawline. Both men have a distinctive gap between their front teeth. which is rare and often highlighted as a critical point of similarity.
Voice and Mannerisms
Supporters of the theory also draw attention to the similarities in their voices. Jimi Hendrix known for his smooth, distinctive speaking voice. which, according to some, resembles Morgan Freeman's iconic, deep, and soothing voice. Additionally, both men share certain mannerisms. such as their calm demeanor and eloquent speech patterns.
Artistic Parallels
Musical and Acting Talents
Jimi Hendrix was regarded as one of t
ℂall Girls Lucknow (india) +91-7426014248 Lucknow ℂall Girls
ℂall Girls Lucknow (india) +91-7426014248 Lucknow ℂall Girls
The Midnight Sculptor.pdf writer by Ali alsiad
The city of Ravens burg was known for its gothic architecture, fog-covered streets, and an eerie silence that seemed to hang over the town like a shroud.
美洲杯下注-美洲杯下注十六强-美洲杯下注买球网|【网址🎉ac22.net🎉】
【网址🎉ac22.net🎉】美洲杯下注是体育博彩和在线赌场之一，得益于UKGC的三项许可。 成立之初是三名博彩公司将40家博彩商店的合并的结果，共同创建一家名为美洲杯下注的公司。 美洲杯下注在线赌场为游戏爱好者提供了300多种游戏，其中200多种老虎机，其他游戏包括二十一点，轮盘，真人荷官和真人赌场等。
Sara Saffari: Turning Underweight into Fitness Success at 23
Uncover the remarkable journey of Sara Saffari, whose transformation from underweight struggles to being recognized as a fitness icon at 23 underscores the importance of perseverance, discipline, and embracing a healthy lifestyle.
Taylor Swift: Conquering Fame, Feuds, and Unmatched Success | CIO Women Magazine
From country star to global phenomenon, delve into Taylor Swift's incredible journey. Explore chart-topping hits, feuds, & her rise to billionaire status!
世预赛下注-世预赛下注竞猜网站-世预赛下注竞猜波胆|【网址🎉ac123.net🎉】
【网址🎉ac123.net🎉】世预赛下注是世界上历史最悠久的博彩公司之一。其历史可以追溯到十九世纪末，确切时间是1886年。这家英国公司拥有超过15000名员工，是博彩行业规模最大的公司。世预赛下注是英国最受欢迎的实体博彩公司之一，其排名仅次于世预赛下注，旗下2800家投注站遍布全英国。
欧洲杯赌球-欧洲杯赌球竞猜官网-欧洲杯赌球竞猜网站|【网址🎉ac10.net🎉】
【网址🎉ac10.net🎉】欧洲杯赌球是独立的博彩公司。该公司最初专门从事在线体育博彩，现在合并了在线娱乐场。该公司最初成立时以其前董事长Victor Chandler的名字命名，之后更名为欧洲杯赌球。欧洲杯赌球现由商人和赛马主，迈克尔·塔博尔拥有，运营总部设在直布罗陀。平台拥有体育博彩（沙巴）、真人娱乐场、电子游戏、金融投注等游戏项目，支持手机投注，优惠活动很丰富。
Recently uploaded (20)
ℂall Girls Goa (india) +91-7426014248 Goa ℂall Girls
ℂall Girls Goa (india) +91-7426014248 Goa ℂall Girls
Chennai Call Girls 8824825030 High Calass Call Girl Chennai
Chennai Call Girls 8824825030 High Calass Call Girl Chennai
Morgan Freeman is Jimi Hendrix: Unveiling the Intriguing Hypothesis
Morgan Freeman is Jimi Hendrix: Unveiling the Intriguing Hypothesis
ℂall Girls Lucknow (india) +91-7426014248 Lucknow ℂall Girls
ℂall Girls Lucknow (india) +91-7426014248 Lucknow ℂall Girls
Sara Saffari: Turning Underweight into Fitness Success at 23
Sara Saffari: Turning Underweight into Fitness Success at 23
Taylor Swift: Conquering Fame, Feuds, and Unmatched Success | CIO Women Magazine
Taylor Swift: Conquering Fame, Feuds, and Unmatched Success | CIO Women Magazine
Mythbusters2
- 2. Information MythBusters is a show that exists for showing myths and seeing if they’re possible or not. When possible the MythBusters will also include as many explosions as they can.
- 3. Characters Adam Savage and Jamie Hyneman are the original MythBusters, and initially explored all the myths on the show using their common background in special effects. The two work at Hyneman's effects workshop, M5 Industries; they make use of his staff, though they often work off-screen. One, of the show's gimmicks is the interaction between Savage and Hyneman, which is similar to a double act. As the series progressed, some members of Hyneman's staff were introduced to the audience and began to regularly appear in episodes. Three such members, artist Kari Byron, builder Tory Belleci and metal-worker Scottie Chapman, split off in the second season to form a second team of MythBusters, dubbed the "Build Team". After Chapman left the show for personal reasons during the third season, Grant Imahara, a colleague of Hyneman, was brought in to round out the team with his electrical and robotics experience. The Build Team now works at its own workshop, called M7,investigating separate myths from the original duo.
- 4. Focus of The Show Each MythBusters episode typically focuses on several urban legends, popular beliefs, Internet rumors, or other myths. The list of myths tested by the show is compiled from many sources, including the personal experiences of cast and crew, as well as fan suggestions, such as those posted on The Discovery Channel online MythBusters forums.Occasionally, episodes are produced in which some or all of the myths are related by theme, and occasionally these are dubbed as "[Theme] Special" episodes. As of May 2009, four myths have required such extensive preparation and testing that they had entire episodes devoted solely to them,] and four specials have been double-length.
- 5. The Myths Can Only BE BUSTED Or PLASIBLE Busted Means they can’t do the Myth or they made it but does not fit the stats of the said Mythand then it is later blown up, or still used in a destructive way.Plausible mean the Myth is possible and is STILL used in a hilarious, yet destructive way.
- 6. Things you will always see In Mythbusters they will constantly use the following items: Ballistics Gel TNT Dynamite Dummies with painted faces on them And More TNT and Dynamite
- 7. Sources http://www.answers.com/topic/mythbusters#Cast http://www.answers.com/topic/adam-savage http://www.answers.com/topic/jamie-hyneman#MythBusters