My film genre mood board
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This document is a mood board for a film that combines mystery and action genres. It lists themes for each genre, including good vs bad and justice for mystery, and fast chases, violence, and crime for action. The document notes that mystery genre films should include unclear events that are eventually understood, while action films should feature violence and chase scenes, both of which are present in the film ideas.
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The document outlines the plot and key elements of the film trailer "The Cult" being created by Yasmin and Rhiannon. It will be a supernatural thriller about 1 minute 30 seconds in length. It will explore themes of betrayal, sacrifice, and supernatural evil. The trailer will be filmed together but edited separately to have different creative cuts. The plot involves a girl who wakes up with no memory and discovers her friend is missing, leading her to investigate a mysterious cult that needs her body to host a evil spirit.
Media Evaluation Question 1
The document discusses how the filmmakers used and broke thriller conventions in their film. They used blonde victims and contrasting costumes for victims and killers to represent innocence and guilt. Identical guns were used by both killers to imply a connection. One killer's face was hidden while the other's identity was revealed to mislead viewers. Music and sounds were used to build tension. Conventions that were broken included using a younger killer rather than the typical 40-60 year old, setting scenes in a house and forest rather than a city, and varying lighting between scenes rather than changing times of day. The narrative kept viewers questioning by leaving motivations unclear and using a fast-paced plot with assassins to create mystery, violence and action
Film genre research by Atika K.
This document discusses various film genres. It identifies the main genres as drama, action/adventure, comedy, crime, fantasy, historical, horror, thriller, romance, and science fiction. Each genre is defined and examples of subgenres are provided. For example, drama explores character development and emotions, action/adventure contains fights and quests, and horror aims to frighten audiences through suspense and shock. The genres can overlap and a film may fall into multiple categories.
Media Industry Awarness
The document provides an analysis of the documentary film "The Act of Killing" directed by Joshua Oppenheimer. It summarizes the film's background on the Indonesian killings of 1965-1966. The documentary interviews Anwar Congo and other men who helped the army kill over one million alleged communists. They reenact their killing techniques. The analysis covers the film's participatory documentary style, narrative structure through Anwar's perspective, production focusing on his point of view, and camera work including close-ups, shots, and tracking shots. It concludes the film provides a powerful message that people can change and bring awareness to genocide.
Genre Decision
The group discussed what film genre to choose for their short film. They considered drama and horror as ideal options. To help decide, they created brainstorms for each genre to better understand what elements they could include. After reviewing the brainstorms, they ultimately selected horror because it would be easier to elicit scares and fear from viewers within 5 minutes, and both genders tend to enjoy horror films so more people would want to watch.
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This document discusses the key elements and characteristics of psychological thriller films. It begins by explaining that psychological thrillers focus heavily on the characters and their psychological issues or problems. It then provides examples of common psychological conditions seen in characters, such as split personalities, serial killers, stalkers, schizophrenia, and memory loss. The document also notes that psychological thrillers typically receive ratings of 15+ or 18+ due to their inclusion of violence, horror aspects, and depiction of psychological issues. It aims to scare audiences while not being overly graphic and keeps viewers on the edge of their seats with unexpected twists relating to the unpredictable actions of characters dealing with psychological problems.
Genre research
This document discusses genre theory and the genre of horror films. It provides definitions of genre from various genre theorists and examines how genres establish expectations in viewers. It also analyzes the opening scene of the horror film "Saw" to demonstrate how it establishes conventions of the genre through its use of music, settings, characters, and graphic violence.
Thriller planning: Sequence of events
This presentation details what is going to happen throughout our thriller movie, when it is going to happen and why it happens. I also slightly explain what effect it will have on the audience and on the narrative as a whole.
Recommended
Feedback!
The document outlines the plot and key elements of the film trailer "The Cult" being created by Yasmin and Rhiannon. It will be a supernatural thriller about 1 minute 30 seconds in length. It will explore themes of betrayal, sacrifice, and supernatural evil. The trailer will be filmed together but edited separately to have different creative cuts. The plot involves a girl who wakes up with no memory and discovers her friend is missing, leading her to investigate a mysterious cult that needs her body to host a evil spirit.
Media Evaluation Question 1
The document discusses how the filmmakers used and broke thriller conventions in their film. They used blonde victims and contrasting costumes for victims and killers to represent innocence and guilt. Identical guns were used by both killers to imply a connection. One killer's face was hidden while the other's identity was revealed to mislead viewers. Music and sounds were used to build tension. Conventions that were broken included using a younger killer rather than the typical 40-60 year old, setting scenes in a house and forest rather than a city, and varying lighting between scenes rather than changing times of day. The narrative kept viewers questioning by leaving motivations unclear and using a fast-paced plot with assassins to create mystery, violence and action
Film genre research by Atika K.
This document discusses various film genres. It identifies the main genres as drama, action/adventure, comedy, crime, fantasy, historical, horror, thriller, romance, and science fiction. Each genre is defined and examples of subgenres are provided. For example, drama explores character development and emotions, action/adventure contains fights and quests, and horror aims to frighten audiences through suspense and shock. The genres can overlap and a film may fall into multiple categories.
Media Industry Awarness
The document provides an analysis of the documentary film "The Act of Killing" directed by Joshua Oppenheimer. It summarizes the film's background on the Indonesian killings of 1965-1966. The documentary interviews Anwar Congo and other men who helped the army kill over one million alleged communists. They reenact their killing techniques. The analysis covers the film's participatory documentary style, narrative structure through Anwar's perspective, production focusing on his point of view, and camera work including close-ups, shots, and tracking shots. It concludes the film provides a powerful message that people can change and bring awareness to genocide.
Genre Decision
The group discussed what film genre to choose for their short film. They considered drama and horror as ideal options. To help decide, they created brainstorms for each genre to better understand what elements they could include. After reviewing the brainstorms, they ultimately selected horror because it would be easier to elicit scares and fear from viewers within 5 minutes, and both genders tend to enjoy horror films so more people would want to watch.
Media
This document discusses the key elements and characteristics of psychological thriller films. It begins by explaining that psychological thrillers focus heavily on the characters and their psychological issues or problems. It then provides examples of common psychological conditions seen in characters, such as split personalities, serial killers, stalkers, schizophrenia, and memory loss. The document also notes that psychological thrillers typically receive ratings of 15+ or 18+ due to their inclusion of violence, horror aspects, and depiction of psychological issues. It aims to scare audiences while not being overly graphic and keeps viewers on the edge of their seats with unexpected twists relating to the unpredictable actions of characters dealing with psychological problems.
Genre research
This document discusses genre theory and the genre of horror films. It provides definitions of genre from various genre theorists and examines how genres establish expectations in viewers. It also analyzes the opening scene of the horror film "Saw" to demonstrate how it establishes conventions of the genre through its use of music, settings, characters, and graphic violence.
Thriller planning: Sequence of events
This presentation details what is going to happen throughout our thriller movie, when it is going to happen and why it happens. I also slightly explain what effect it will have on the audience and on the narrative as a whole.
Background on thriller
Thrillers use techniques like suspense, plot twists, and mystery to stimulate viewers' emotions. Key characteristics include an unpredictable plot that builds to a climax, as well as elements like red herrings, cliffhangers, themes of kidnapping or revenge, and characters like protagonists, antagonists, and victims. Cinematography in thrillers employs techniques such as low lighting, shadows, and close-ups to create tension. Editing uses techniques like jump cuts and match cuts between action scenes to further mystery and suspense. Sound design with diegetic and non-diegetic elements also stimulates emotion. Popular thriller characters include heroes, villains, helpers, and victims.
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This document outlines a proposed crime/drama film project. The working title is either "Heat of the Moment", "Snap", or "Pressure". The synopsis involves a teenager who goes missing, and the police interviewing anyone connected to the victim. Flashbacks reveal the troubled relationship between the main character and the missing person. It's suggested the main character accidentally killed the other during a confrontation. The film would end with the supposed victim still being alive. The intended style draws from Goodfellas for its editing techniques and Heat for its gritty aesthetics. The target audience is envisioned as those aged 15-40, though possibly skewing male. Legal considerations include copyright, filming permissions, and actor releases. Required
Obsession genre semantic syntactic
This document analyzes the semantic and syntactic elements of the obsession genre in film. It discusses props like the axe and balaclava used by the killer that symbolize violence and anonymity. Settings like the street at night and inside the victim's home are meant to invoke basic fears and a sense of invasion. Camerawork like POV shots from the bushes make the audience feel like accomplices. Current events mentioned in the news help remind viewers that the threat of violence is real.
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Crime thrillers aim to create tension and excitement through their use of mise-en-scene, camera techniques, editing, stock characters, settings, and themes. Low-key lighting, dull color schemes, and shadows create an eerie atmosphere. Fast-paced editing and jump cuts keep the audience engaged. Common characters include detectives and criminals involved in crimes like kidnapping that unfold against a tight time limit and mysterious circumstances. Unexpected twists are a hallmark of the genre.
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The document proposes and discusses ideas for a two-minute thriller film pitch. It considers three initial ideas, ultimately choosing to depict two characters seeking shelter in an abandoned barn, where one shoots the other after a conversation. Potential locations, costumes, props, cast, and production schedules are outlined.
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The document discusses the conventions of the sci-fi and drama genres and how they can be combined in a sci-fi drama genre. Some key conventions of sci-fi discussed are the inclusion of unknown technology, an anti-government narrative, quick cuts to amplify intensity, and characters being secondary to the plot. Key conventions of drama discussed are narratives based on social events, climaxes and anti-climaxes to trigger emotion, and realistic yet dramatic events to affect the audience emotionally. The document concludes that sci-fi and drama genres can be effectively combined by using the realism of drama to enhance the believability of sci-fi aspects and engage the audience emotionally with the protagonist.
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The document discusses several key conventions of slasher films. It defines a slasher film as involving a psychopathic killer murdering victims with a bladed weapon. Key conventions discussed include the "final girl" who usually survives, the unknown killer whose identity is often revealed at the end, killings taking place in quiet suburban towns to create an unsettling environment, the use of shadows and low lighting to build tension, and influence from German expressionist films in the use of shadows and lighting techniques to add meaning.
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The document discusses film genres and their importance. Film genres help audiences decide what types of films they want to watch based on categories like sci-fi, horror, or romance. Genres are also important for film producers when marketing movies to specific target audiences. Some common genre conventions or clichés include explosions in action films, detectives in crime films, and aliens in science fiction films. However, many modern films combine elements of different genres and are considered hybrids.
Media film idea
This film idea is for a slasher/psychopath horror genre. It will show quick flashes of the killer's troubled childhood and bullying experiences. This will lead him to start stalking and killing his bullies in creative ways. The film will be told in a nonlinear format through confusing jump cuts, but with a voiceover narration to explain the story. The audience will want to see the killer's descent into madness and different murder methods, and question how far he will go before getting caught.
Stael's preproduction powerpoint
This document contains Staely's presentation about their movie idea titled "Beneath The Core". The movie idea is about a psychopathic woman who is a police officer by day and a serial killer by night, targeting male criminals. Her motivation stems from witnessing her father physically abuse her mother as a child. The opening scene would show a flashback to this trauma as a child, then cut to the present with the woman walking from a school covered in blood after killing her latest victim.
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The document analyzes the use of camera shots, angles, and movements in a scene from the television show Luther. It explains that close-ups of the character Henry are used to trick the audience into thinking he is the victim, while shots of the character Luther hide his face initially, suggesting he is the villain. As the scene progresses, the camerawork shows Luther gaining power over Henry, culminating in a shot from above Luther looking down on Henry dangling over a bridge. This establishes Luther's control over the situation and foreshadows his maverick approach to law enforcement.
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The document defines thrillers as novels, plays, or films that provide excitement through crime or espionage plots that keep audiences engaged. It provides examples of thriller films and analyzes key components including characters (hero and mystery villain), plots (average person as detective in danger), situations (chases without gore), and music/sounds (upbeat and mysterious). Generic thriller conventions include short shots during action scenes and longer shots otherwise to match pacing. Overall success requires a compelling story, underdog protagonist, tension from multiple perspectives, and high pacing through continual reveals that induce change.
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The document defines the crime-thriller genre as a sub-genre of crime films that incorporates elements of suspense and thriller plots, often focusing on serial killers, murder, or manhunts. It notes crime-thrillers use both action and psychological tension to engage the audience. Key conventions of the genre include suspicion, enigmas, danger to the antagonist, fast pacing, and complex narratives involving both the antagonist and protagonist around a committed crime. Examples of popular crime-thriller films provided are The Silence of the Lambs, Pulp Fiction, and Gone Girl.
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The document discusses narrative conventions and structures in supernatural horror movie trailers. It notes that trailers may use linear or non-linear narratives, with the latter often employing flashbacks to reveal the supernatural entity's origins. Trailers also vary their restrictedness, with some revealing only that a supernatural presence wants to kill and others providing more context about its history and motives. Ultimately, supernatural horror trailers aim to leave audiences with narrative enigmas like why the entity exists and seeks revenge, how it came to be, who will survive, and whether its curse will continue.
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The document outlines a proposal for a crime thriller genre short film called "The Big Pitch" presented by Joe Rumford and Emily Roberts. It describes choosing the thriller genre due to budget and time constraints, with the subgenre of crime thriller. The target audience is outlined as young males aged 15-25. The narrative, locations, sound, credits, film name ideas, camera shots, editing, mise-en-scene are then described to involve dual narratives of a girl being followed and later abducted by a criminal in a village area.
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This document discusses the thriller genre, its conventions and codes, and various thriller subgenres. It explains that thrillers aim to keep audiences on the edge of their seats through tension and suspense. Key conventions include the use of flashbacks, anticipation, and a highly stressful climax. Psychological thrillers focus more on characters battling their own minds and perceptions of reality. The document also discusses media language techniques used in thrillers and how readings have informed the understanding of what defines the thriller genre.
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This document outlines generic conventions in slasher films and provides details for an original slasher film plot that incorporates both conventional and unconventional elements. It discusses how to increase tension through camera angles, sound, lighting, and editing. The proposed plot involves a female killer seeking revenge who targets wealthy victims in subtle ways to maintain narrative mystery. While keeping suspense through a hidden identity and slow reveals, the plot aims to subvert expectations by having an unlikely female antagonist and avoiding justification of indiscriminate killing.
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Background on thriller
Thrillers use techniques like suspense, plot twists, and mystery to stimulate viewers' emotions. Key characteristics include an unpredictable plot that builds to a climax, as well as elements like red herrings, cliffhangers, themes of kidnapping or revenge, and characters like protagonists, antagonists, and victims. Cinematography in thrillers employs techniques such as low lighting, shadows, and close-ups to create tension. Editing uses techniques like jump cuts and match cuts between action scenes to further mystery and suspense. Sound design with diegetic and non-diegetic elements also stimulates emotion. Popular thriller characters include heroes, villains, helpers, and victims.
Short Film Proposal
This document outlines a proposed crime/drama film project. The working title is either "Heat of the Moment", "Snap", or "Pressure". The synopsis involves a teenager who goes missing, and the police interviewing anyone connected to the victim. Flashbacks reveal the troubled relationship between the main character and the missing person. It's suggested the main character accidentally killed the other during a confrontation. The film would end with the supposed victim still being alive. The intended style draws from Goodfellas for its editing techniques and Heat for its gritty aesthetics. The target audience is envisioned as those aged 15-40, though possibly skewing male. Legal considerations include copyright, filming permissions, and actor releases. Required
Obsession genre semantic syntactic
This document analyzes the semantic and syntactic elements of the obsession genre in film. It discusses props like the axe and balaclava used by the killer that symbolize violence and anonymity. Settings like the street at night and inside the victim's home are meant to invoke basic fears and a sense of invasion. Camerawork like POV shots from the bushes make the audience feel like accomplices. Current events mentioned in the news help remind viewers that the threat of violence is real.
Crime thriller pp
Crime thrillers aim to create tension and excitement through their use of mise-en-scene, camera techniques, editing, stock characters, settings, and themes. Low-key lighting, dull color schemes, and shadows create an eerie atmosphere. Fast-paced editing and jump cuts keep the audience engaged. Common characters include detectives and criminals involved in crimes like kidnapping that unfold against a tight time limit and mysterious circumstances. Unexpected twists are a hallmark of the genre.
Media presentation
The document proposes and discusses ideas for a two-minute thriller film pitch. It considers three initial ideas, ultimately choosing to depict two characters seeking shelter in an abandoned barn, where one shoots the other after a conversation. Potential locations, costumes, props, cast, and production schedules are outlined.
Conventions of a Genre
The document discusses the conventions of the sci-fi and drama genres and how they can be combined in a sci-fi drama genre. Some key conventions of sci-fi discussed are the inclusion of unknown technology, an anti-government narrative, quick cuts to amplify intensity, and characters being secondary to the plot. Key conventions of drama discussed are narratives based on social events, climaxes and anti-climaxes to trigger emotion, and realistic yet dramatic events to affect the audience emotionally. The document concludes that sci-fi and drama genres can be effectively combined by using the realism of drama to enhance the believability of sci-fi aspects and engage the audience emotionally with the protagonist.
b genre research, slasherSlasher research
The document discusses several key conventions of slasher films. It defines a slasher film as involving a psychopathic killer murdering victims with a bladed weapon. Key conventions discussed include the "final girl" who usually survives, the unknown killer whose identity is often revealed at the end, killings taking place in quiet suburban towns to create an unsettling environment, the use of shadows and low lighting to build tension, and influence from German expressionist films in the use of shadows and lighting techniques to add meaning.
Film genre
The document discusses film genres and their importance. Film genres help audiences decide what types of films they want to watch based on categories like sci-fi, horror, or romance. Genres are also important for film producers when marketing movies to specific target audiences. Some common genre conventions or clichés include explosions in action films, detectives in crime films, and aliens in science fiction films. However, many modern films combine elements of different genres and are considered hybrids.
Media film idea
This film idea is for a slasher/psychopath horror genre. It will show quick flashes of the killer's troubled childhood and bullying experiences. This will lead him to start stalking and killing his bullies in creative ways. The film will be told in a nonlinear format through confusing jump cuts, but with a voiceover narration to explain the story. The audience will want to see the killer's descent into madness and different murder methods, and question how far he will go before getting caught.
Stael's preproduction powerpoint
This document contains Staely's presentation about their movie idea titled "Beneath The Core". The movie idea is about a psychopathic woman who is a police officer by day and a serial killer by night, targeting male criminals. Her motivation stems from witnessing her father physically abuse her mother as a child. The opening scene would show a flashback to this trauma as a child, then cut to the present with the woman walking from a school covered in blood after killing her latest victim.
Media Presentation - Splintered Kin
The document discusses plans for a 2-minute opening thriller sequence for a crime film targeted at ages 15+. It will depict the murder of a young girl near an underpass at night by an unseen killer. The sequence aims to draw in the audience with violence, mystery, and an unsettling atmosphere. Character archetypes and Todorov's theory of narrative equilibrium will be employed. The killer's motivation is an angry ex seeking revenge.
Lesson 7 camera shots
The document analyzes the use of camera shots, angles, and movements in a scene from the television show Luther. It explains that close-ups of the character Henry are used to trick the audience into thinking he is the victim, while shots of the character Luther hide his face initially, suggesting he is the villain. As the scene progresses, the camerawork shows Luther gaining power over Henry, culminating in a shot from above Luther looking down on Henry dangling over a bridge. This establishes Luther's control over the situation and foreshadows his maverick approach to law enforcement.
Researching genre
The document defines thrillers as novels, plays, or films that provide excitement through crime or espionage plots that keep audiences engaged. It provides examples of thriller films and analyzes key components including characters (hero and mystery villain), plots (average person as detective in danger), situations (chases without gore), and music/sounds (upbeat and mysterious). Generic thriller conventions include short shots during action scenes and longer shots otherwise to match pacing. Overall success requires a compelling story, underdog protagonist, tension from multiple perspectives, and high pacing through continual reveals that induce change.
Chosen genre
The document defines the crime-thriller genre as a sub-genre of crime films that incorporates elements of suspense and thriller plots, often focusing on serial killers, murder, or manhunts. It notes crime-thrillers use both action and psychological tension to engage the audience. Key conventions of the genre include suspicion, enigmas, danger to the antagonist, fast pacing, and complex narratives involving both the antagonist and protagonist around a committed crime. Examples of popular crime-thriller films provided are The Silence of the Lambs, Pulp Fiction, and Gone Girl.
Narrative enigmas in trailers
The document discusses narrative conventions and structures in supernatural horror movie trailers. It notes that trailers may use linear or non-linear narratives, with the latter often employing flashbacks to reveal the supernatural entity's origins. Trailers also vary their restrictedness, with some revealing only that a supernatural presence wants to kill and others providing more context about its history and motives. Ultimately, supernatural horror trailers aim to leave audiences with narrative enigmas like why the entity exists and seeks revenge, how it came to be, who will survive, and whether its curse will continue.
The Big Pitch
The document outlines a proposal for a crime thriller genre short film called "The Big Pitch" presented by Joe Rumford and Emily Roberts. It describes choosing the thriller genre due to budget and time constraints, with the subgenre of crime thriller. The target audience is outlined as young males aged 15-25. The narrative, locations, sound, credits, film name ideas, camera shots, editing, mise-en-scene are then described to involve dual narratives of a girl being followed and later abducted by a criminal in a village area.
Thriller
This document discusses the thriller genre, its conventions and codes, and various thriller subgenres. It explains that thrillers aim to keep audiences on the edge of their seats through tension and suspense. Key conventions include the use of flashbacks, anticipation, and a highly stressful climax. Psychological thrillers focus more on characters battling their own minds and perceptions of reality. The document also discusses media language techniques used in thrillers and how readings have informed the understanding of what defines the thriller genre.
Assignment #8 individual presentation
This document outlines an individual presentation on creating an opening sequence for a thriller genre film. It discusses conventions of the thriller genre like victims, arguments, and climactic moments. It analyzes scenes from films Unstoppable and Obsessed for inspiration regarding cross-cutting editing and costume. The proposed opening sequence introduces two characters - one dressed in all black and destroying identifying items, the other a woman who knows the first character's identity. It ends on a cliffhanger with the first character violently shutting a door while pursuing the second, leaving the audience wanting more.
Assign 26 individual pitch
This document outlines generic conventions in slasher films and provides details for an original slasher film plot that incorporates both conventional and unconventional elements. It discusses how to increase tension through camera angles, sound, lighting, and editing. The proposed plot involves a female killer seeking revenge who targets wealthy victims in subtle ways to maintain narrative mystery. While keeping suspense through a hidden identity and slow reveals, the plot aims to subvert expectations by having an unlikely female antagonist and avoiding justification of indiscriminate killing.
The jigsaw murder
The documentary is about the murder of a kitchen salesman in his flat by his two flatmates. They dismembered his body and scattered the pieces around the area they lived. The documentary uses real locations, interviews, and evidence from the investigation to give viewers a sense of being involved. It employs zooms and editing to focus on key details and transition between scenes. The goal is to depict the true events of the crime and arrest in a compelling, realistic way for the audience.
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Transportation: Introduction to Transportation Engineering; Traffic and Road Safety: Types and Characteristics of Various Modes of Transportation; Various Road Traffic Signs, Causes of Accidents and Road Safety Measures.
Chapter 6
Environmental Engineering: Environmental Pollution, Environmental Acts and Regulations, Functional Concepts of Ecology, Basics of Species, Biodiversity, Ecosystem, Hydrological Cycle; Chemical Cycles: Carbon, Nitrogen & Phosphorus; Energy Flow in Ecosystems.
Water Pollution: Water Quality standards, Introduction to Treatment & Disposal of Waste Water. Reuse and Saving of Water, Rain Water Harvesting. Solid Waste Management: Classification of Solid Waste, Collection, Transportation and Disposal of Solid. Recycling of Solid Waste: Energy Recovery, Sanitary Landfill, On-Site Sanitation. Air & Noise Pollution: Primary and Secondary air pollutants, Harmful effects of Air Pollution, Control of Air Pollution. . Noise Pollution Harmful Effects of noise pollution, control of noise pollution, Global warming & Climate Change, Ozone depletion, Greenhouse effect
Text Books:
1. Palancharmy, Basic Civil Engineering, McGraw Hill publishers.
2. Satheesh Gopi, Basic Civil Engineering, Pearson Publishers.
3. Ketki Rangwala Dalal, Essentials of Civil Engineering, Charotar Publishing House.
4. BCP, Surveying volume 1
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